Relevant bibliographies by topics / Twerking

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'Twerking'

Author: Grafiati
Published: 4 June 2021
Last updated: 17 February 2022

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Journal articles on the topic "Twerking"

1

Tandoc, Edson C. "Journalism is twerking? How web analytics is changing the process of gatekeeping." New Media & Society 16, no. 4 (April 11, 2014): 559–75. http://dx.doi.org/10.1177/1461444814530541.

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2

Gaunt, Kyra D. "YouTube, Twerking & You: Context Collapse and the Handheld Co-Presence of Black Girls and Miley Cyrus." Journal of Popular Music Studies 27, no. 3 (September 2015): 244–73. http://dx.doi.org/10.1111/jpms.12130.

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Zink, Shereen. "Twerking and Cultural Appropriation: Miley Cyrus' Display of Racial Ignorance." MacEwan University Student eJournal 3, no. 1 (November 25, 2016). http://dx.doi.org/10.31542/j.muse.158.

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Miley Cyrus’ recent habit of twerking has sparked debate over whether the pop star is misappropriating African American culture; some even going so far as to accuse her of racism. This paper reviews the literature that exists in the public sphere on the topic, and delves into a scholarly analysis of Cyrus’ actions, statements, and the implications they have. My own post-analysis interpretation of the issue is addressed in the concluding paragraphs. Ultimately, twerking’s political context, and Cyrus’ lack of regard for said context, suggest that she is perpetuating harmful stereotypes about black women while her own white privilege allows her to maintain her integrity. Cyrus may not be intentionally exploiting black culture, but she is certainly communicating more than she may have bargained for.
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Santos Silva, Melina Aparecida dos, and Beatriz Medeiros. "‘This gave me a Mastodong’: A decolonial analysis of the Black twerking dancers in Mastodon’s The Motherload music video." European Journal of Cultural Studies, February 24, 2021, 136754942199424. http://dx.doi.org/10.1177/1367549421994242.

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The article presents a decolonial and intersectional approach to production and reception of The Motherload music video (2014) in the context of heavy metal culture and how female Black bodies are displayed in media culture. We discuss the feminist dichotomic approach on the objectification of female bodies and the defence of Black female empowerment in the performances recorded. Our debate focuses on racial and sexual hierarchies in the metal music scene and in The Motherload music video, using the female Black body as a means of gaining visibility and adherence to this scene where women are often sexually objectified in its social dynamics.
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Dissertations / Theses on the topic "Twerking"

1

Bačíková, Alžběta. "Teorie jednání o X kapitolách/Jednání teorie o X dějstvích : Talk and Twerk." Master's thesis, Vysoké učení technické v Brně. Fakulta výtvarných umění, 2014. http://www.nusl.cz/ntk/nusl-232405.

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The result of the project is a short video documentation of reciprocal lesson given by the twerking instructress and the teacher of the rhetoric. We can easily observe how the smart nonverbal choreography of speech is joining the erotically explicit dance. Women bodies are shot by camera during the training. They exercise proper breathing techniques first, then nonverbal expression and finally they try to articulate diverse notions on twerking. After the rhetoric lesson is given, they change the positions of teacher and the person being taught. It's time to learn how to twerk. In the final sequence we can see both women performing short twerk choreography on hip-hop music track made originally for the project.
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Books on the topic "Twerking"

1

She Got Me to Twerk on a Cafeteria Table! (Twerk Series Book 2). Lola Beverly Hills, 2014.

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2

You Can't Get Me to Twerk on a Cafeteria Table! (Twerk Series Book 3). Lola Beverly Hills, 2014.

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3

Publishing, Abang. Twerkin for a Birkin: Journal, Notebook, Diary, Composition Book. Independently Published, 2020.

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Book chapters on the topic "Twerking"

1

Gaunt, Kyra D. "Is twerking African?" In The Routledge Companion to Black Women’s Cultural Histories, 310–20. Milton Park, Abingdon, Oxon; New York, NY: Routledge, 2021.: Routledge, 2021. http://dx.doi.org/10.4324/9780429243578-36.

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