Relevant bibliographies by topics / Twilight (Meyer, Stephenie)

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Twilight (Meyer, Stephenie)'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 August 2024

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Journal articles on the topic "Twilight (Meyer, Stephenie)"

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Miquel Baldellou, Marta. "Passion beyond death? Tracing "Wuthering Heights" in Stephenie Meyer's "Eclipse"." Journal of English Studies 10 (May 29, 2012): 147. http://dx.doi.org/10.18172/jes.185.

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Stephenie Meyers’ Twilight tetralogy has lately become an enormously successful phenomenon in contemporary popular fiction, especially among a young adult readership. Regarded as a mixture of genres, the Twilight series can be described as a paradigm of contemporary popularculture gothic romance. Stephenie Meyer has recently acknowledged she bore one literary classic in mind when writing each of the volumes in the series. In particular, her third book, Eclipse (2007), is loosely based on Emily Brontë’s Victorian classic Wuthering Heights (1847). This paper aims at providing a comparative analysis of both Brontë’s novel and Meyer’s adaptation, taking into consideration the way the protofeminist discourse that underlines Brontë’s text is not only subverted but also acquires significantly reactionary undertones in Meyer’s popular romance despite its contemporariness.
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Twilovita, Nursis. "Tokoh-Tokoh Berperspektif Feminisme dalam Novel Twilight Karya Stephenie Meyer." Kelasa 15, no. 1 (September 18, 2020): 34–45. http://dx.doi.org/10.26499/kelasa.v15i1.19.

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Men and women are created equal, and they are perfected by His creator by being given the rights inherent in him, the right to life, freedom, and the achievement of happiness. Therefore, the writer in this paper wants to look at figures who have a feminist perspective in the Twilight novel by Stephenie Meyer. Women with all the dynamics that oppose the material and source of inspiration that will never end. Woman is a figure that has two very opposite sides. On one side of a woman is a very charming beauty. However, on the other hand, women are often considered weak. In this connection, the problem that will be discussed in this paper is how to describe the perspective of the feminism of the characters in the novel by Stephenie Meyer. This paper is examined using descriptive-textual method and sociology literature approach.AbstrakLaki-laki maupun perempuan diciptakan sederajat, dan mereka disempurnakan oleh pencipta-Nya dengan diberi hak-hak yang melekat dalam dirinya, hak untuk hidup, kebebasan, dan pencapaian kebahagiaan. Oleh karena itu, penulis dalam makalah kali ini ingin menilik tokoh-tokoh yang berperspektif feminisme dalam novel Twilight karya Stephenie Meyer. Wanita dengan segala dinamika yang ada padanya seolah menjadi bahan dan sumber inspirasi yang tidak akan pernah ada habisnya. Wanita adalah sosok yang mempunyai dua sisi yang sangat berlawanan. Di satu sisi wanita adalah keindahan yang begitu sangat memesona,. Namun, di sisi yang lain, wanita sering dianggap lemah. Berdasarkan itulah, masalah yang akan dibahas dalam makalah ini adalah bagaimanakah gambaran perspektif feminisme tokoh-tokoh dalam novel karya Stephenie Meyer. Makalah ini dikaji menggunakan metode deskriptif-tekstual dan pendekatan sosiologi sastra.
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Carpenter, Kristen A., Sonia K. Katyal, and Angela R. Riley. "Clarifying Cultural Property." International Journal of Cultural Property 17, no. 3 (August 2010): 581–98. http://dx.doi.org/10.1017/s0940739110000317.

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Author Stephenie Meyer forever altered the cultural existence of Quileute Indians when she wrote them into her Twilight novels. Now a veritable global phenomenon complete with books, movies, and affiliated merchandise, the Twilight series depicts young, male members of the tribe as vampire-fighting werewolves who ferociously defend a peace and territorial treaty made with local bloodsuckers. In reality, the Quileute Tribe consists of approximately 700 Indians, many of whom live on a remote reservation in the pacific Northwest, a tiny parcel of the once vast Quileute territory. Since Twilight's unprecedented international success, the Quileute have been overwhelmed with fans and entrepreneurs, all grasping, quite literally in some cases, for their own piece of the Quileute.
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Yusti, Dini Ananda, and Kharisma Nanda Zenmira. "Analis Desain Cover Novel Twilight Seri Pertama Karya Stephenie Meyer." Qualia: Jurnal Ilmiah Edukasi Seni Rupa dan Budaya Visual 2, no. 2 (October 25, 2022): 61–65. http://dx.doi.org/10.21009/qualia.22.04.

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Cover dalam sebuah novel merupakan bentuk komunikasi visual yang menjadi identitas dari novel tersebut. cover sejatinya mewakili isi dari cerita di dalam novel sehingga menarik perhatian membaca. Komunikasi visual merupakan sebuah bentuk pesan kepada masyarakat luas melalui bentuk gambar. Tujuan penelitian ini adalah untuk menganalisis cover novel Twilight seri pertama karya dari Stephenie Meyer. Metode penelitian menggunakan pendekatan kualitatif secara deskriptif dengan analisis menggunakan unsur komunikasi visual. Teknik pengumpulan data dilakukan dengan observasi dan studi pustaka. Hasil penelitian menunjukkan pada cover novel Twilight mengunakan warna hitam yang memberikan kesan misterius dan kekuatan yang mencerminkan sosok vampire di dalam cerita tersebut. Untuk gambar apel berwarna merah yang dipegang ini melambangkan sesuatu yang rapuh, warna merah sendiri menggambarkan sesuatu yang berkaitan dengan hidup, cinta, darah, dan lain-lain. Untuk keseluruhan font dominan menggunakan warna putih yang berbanding terbalik dengan warna background, hal ini bertujuan agar font lebih mudah dan jelas untuk dibaca.
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Parkin, Rachel Hendershot. "Breaking Faith: Disrupted Expectations and Ownership in Stephenie Meyer’s Twilight Saga." Jeunesse: Young People, Texts, Cultures 2, no. 2 (December 2010): 61–85. http://dx.doi.org/10.3138/jeunesse.2.2.61.

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My paper suggests that the Twilight saga’s enormous popularity is closely tied to its author’s tension-filled relationship with her fans, who claim ownership of her text by forcing their own interpretations through online media. The result is that through engaging with her fans, Stephenie Meyer actually empowers the Twilight fandom and alters the role readers play in the tri-part relationship of reader, author, and text. Fan studies and reception theory help me to effectively examine this dynamic by considering interpretations of what is “canon,” representations of women, and the creation of new Twilight books.
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Chakrabarti, Reema, and Dr Rajni Singh. "Celebrating the Feminine Self: An Understanding of Stephenie Meyer’s Twilight." Journal of English Language and Literature 8, no. 3 (December 31, 2017): 669–72. http://dx.doi.org/10.17722/jell.v8i3.337.

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The paper examines the celebration of the feminine self in Stephenie Meyer’s Twilight through the character- Bella. While most of women’s writings carry a feminist voice asserting women’s individuality, the writers of Gothic romances concentrate more on the celebration of the feminine self rather than challenging the binaries of gender. Stephenie Meyer, by putting her heroine Bella into a traditional feminine frame provides her full scope to exercise her freedom to choose even while carrying out the prescribed feminine roles. Through the analysis of the character, there will be an attempt to demonstrate that while enjoying one’s inequality how one can prove the uniqueness of one’s individuality.
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Gómez Galisteo, M. Carmen. "The Twilight of Vampires: Byronic Heroes and the Evolution of Vampire Fiction in The Vampire Diaries and Twilight." VERBEIA. Revista de Estudios Filológicos. Journal of English and Spanish Studies 3, no. 2 (April 28, 2017): 158–73. http://dx.doi.org/10.57087/verbeia.2017.4218.

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Contemporary teenage vampire fiction has helped revitalize the genre by attracting a new generation of readers. In so doing, some changes have been introduced so as to make the figure of the vampire more appealing to a largely female teenage readership. Coinciding with the tenth anniversary of the publication of Twilight by Stephenie Meyer, this article analyzes how the Twilight series and the earlier The Vampire Diaries by L. J. Smith update and modernize the Byronic hero on which vampires are largely modeled. It also explores the possible effects of this new characterization on readers’ minds and the alarm it has created.
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Fournet-Pérot, Sonia. "Onomastique et parodie dans la saga bédéïque "Crepúsculon"." e-Scripta Romanica 8 (November 3, 2020): 63–73. http://dx.doi.org/10.18778/2392-0718.08.05.

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Le mythe du vampire a inspiré de nombreuses créations littéraires et audio-visuelles qui ont, pour certaines, cherché à atteindre un public adolescent. C’est le cas de la saga cinématographique Twilight (adaptation des romans de Stephenie Meyer) que les quatre BD espagnoles du cycle Crepúsculon s’emploient à parodier. Nous aborderons Crepúsculon en adoptant une approche exclusivement linguistique, et, en particulier, dans le cadre de cet article, onomastique, par le biais des tropes rhétoriques.
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Ledvinka, Georgina. "Vampires and Werewolves: Rewriting Religious and Racial Stereotyping in Stephenie Meyer's Twilight Series." International Research in Children's Literature 5, no. 2 (December 2012): 195–211. http://dx.doi.org/10.3366/ircl.2012.0063.

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Stephenie Meyer's Twilight series (2005–8) demonstrates a strong connection with the theology, cultural practices and history of The Church of Jesus Christ of Latter-day Saints (LDS), of which Meyer is an active member. One of the strongest ways in which this connection is demonstrated is through characterisation: specifically, by featuring vampires and werewolves as prominent supernatural characters in the text. Twilight employs vampires as a metaphor for the LDS Church. By eschewing literature's traditional association of vampires with subversive acts, especially subversive sexuality, and rewriting them as clean-cut pillars of the community, Twilight not only charts but promotes the progression of Latter-day Saints from nineteenth century social pariahs to modern day exemplars of conservative American family values. The series represents its Native American shapeshifting werewolves as an ancient group of people from LDS scriptural history called Lamanites, who were cursed by God with ‘a skin of blackness’ for their ‘iniquity’ (Book of Mormon, 2 Nephi 5:21). The construction of the werewolves as impoverished and socially marginalised yet with strong family ties enables the treatment of race in Twilight to move beyond a standard white/non-white binary frame to engage at a deeper level with LDS stereotyping of Native American people.
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Demers, Marie. "Aujourd’hui, la fanfiction : nouveau mode d’expression littéraire, réinterprétation et exploration d’une sexualité alternative." Voix Plurielles 15, no. 1 (May 3, 2018): 105–16. http://dx.doi.org/10.26522/vp.v15i1.1756.

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Cet article s’intéresse au caractère transgressif de la fanfiction qui, tout en se nourrissant de la production officielle, s’en dissocie en défiant ses règles et en enfreignant certains codes, autant littéraires qu’idéologiques. Il aborde la question du fandom associé à la tétralogie de Stephenie Meyer, Twilight, pour ensuite approfondir certaines réécritures de récits hétéronormatifs en scénarios homosexuels ou lesbiens. Il explore finalement le potentiel didactique de la fanfiction : en plus de servir de plate-forme créative, elle permet à des jeunes de réfléchir sur la marginalité et d’explorer d’autres réalités.
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Dissertations / Theses on the topic "Twilight (Meyer, Stephenie)"

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Patli, Despina. ""Om jag kunde drömma, skulle jag drömma om dig" : En genusstudie av Stephenie Meyers Twilight-karaktärer." Thesis, Linnéuniversitetet, Institutionen för film och litteratur (IFL), 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-39586.

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One task of school is to counteract traditional gender patterns. Literature is an actor which can affect people’s perceptions of what is feminine and what is masculine. It can therefore be worth looking at the works of fiction that are available for pupils in school. A book that is popular among children and adolescents is Twilight (2007). The aim of this essay is to see how the characters Bella and Edward in Twilight are portrayed in relation to traditional and norm-breaking gender patterns. Earlier research on gender in children’s literature and earlier studies of Twilight have been used as a foundation for the analysis. The method applied in the study is character analysis with the focus on genre theory. The analysis shows that Bella is depicted as a vulnerable but brave girl, while Edward is portrayed as an emotional but strong boy. It is possible to find both traditional and norm-breaking gender patterns in the book.
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Droguett, Gonzalez Ann-Kristin. "När X blir Y : En genusanalys om hur könsroller i Stephenie Meyers roman Life and Death: Twilight Reimagined gestaltas genom genderswap." Thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-156044.

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Denna uppsats ämnar att analysera genderswap tekniken i Stephenie Meyers bok Life and Death: Twilight Reimagined ur ett genusperspektiv. Uppsatsen förhåller sig till Lena Gemzöes bok Feminism där genusproblematiker diskuteras. Uppsatsen avser att jämföra Life and Death: Twilight Reimagined med original boken Twilight för att undersöka om det finns könsskillnader mellan huvudkaraktärerna Bella och Beau och hur genderswap påverkar detta. Analysen visar att via genderswap lyckas man framhäva skillnaderna mellan Bella och Beau i förhållande till våld, familjesfären och manliga privilegier. Via ett genderswap visar Meyer på hur den kvinnliga stereotypen fortfarande präglar Bella som kvinnlig karaktär och hur Beau som Bellas respektive manliga version framhäver existerande problematiker inom berättelsen. Jag argumenterar att analysen om genderswap driver till diskussion om hur könsroller gestaltas i Meyers två böcker och skapar utrymme för vidare diskussion inom ämnet.
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Hoskinson, Katie E. "An Ordinary Text with Extraordinary Affect: How Reading Twilight can Change the World." University of Dayton / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1303915600.

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Taiba, Olivia. "”My mom always says I was born thirty-five years old and that I get more middle-aged every year” : En intersektionell analys av ålder, kön och klass i Stephenie Meyers roman Twilight." Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-144743.

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Uppsatsen undersöker Twilight, skriven av Stephenie Meyer, utifrån de intersektionella kategorierna ålder, kön och klass i förhållande till relationen mellan protagonisterna Bella och Edward. Syftet med undersökningen är att ta reda på hur ålder, kön och klass påverkar relationen. Vidare syftar uppsatsen till att undersöka hur ålder, kön och klass påverkar maktförhållandet i relationen utifrån Foucaults maktteori. Resultatet visar att ålder, kön och klass genomgående i Twilight försätter Bella i en underordnad maktposition, med några få undantag. Många normer gällande de tre kategorierna reproduceras i relationen mellan Bella och Edward, vilket i sin tur ger upphov till en maktobalans. Med anledning av detta resultat bör Twilight läsas kritiskt ur ett intersektionellt perspektiv, men kan med fördel användas i klassammanhang för att belysa och ifrågasätta normer rörande t. ex. ålder, kön och klass.
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Firestone, Amanda Jayne. ""Is That What You Dream About? Being a Monster?": Bella Swan and the Construction of the Monstrous-Feminine in The Twilight Saga." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5217.

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ABSTRACT This dissertation argues that Bella Swan is a representation of Barbara Creed's monstrous-feminine which serves to reinforce ideologies that insist women are abject, inherently dangerous to men, and threatening to a patriarchal status quo. Through close-textual analysis of The Twilight Saga, I demonstrate how the monstrous-feminine frames the hysterical teenage body, hypersexuality, and eternal motherhood as simultaneously unacceptable and unavoidable. These negative women's stereotypes continue to persist in dominant popular culture, and this doublebind is overcome only by the impossible perfection of vampirism. The monstrous-feminine invites constructions of teenage bodies as unstable and unreliable, women's sexuality as dangerous and impure, and motherhood as a requirement for a complete identity. These constructions are particularly dangerous in Young Adult literature and particularly inspirational in fanfiction.
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Herselman, Charlene. "From ‘logging capital’ to ‘tourism phenomenon’ : the impact of literary tourism on Forks, WA., United States of America." Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/45925.

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Literary tourism refers to any travel inspired by literature. This dissertation considers literary tourism from the perspective of a contemporary literary tourism attraction. It investigates the origins of literary tourism both in the historical context as well as in academic writing as interdisciplinary research between geography and literature. The current state of literary tourism research is also considered and the main research themes at present are identified, that is, authenticity and who the literary tourists are. This study also considers what the future might hold for literary tourism by looking at popular contemporary examples, including the works of J.K. Rowling, G.R.R. Martin, J.R.R. Tolkien, Dan Brown, Stieg Larsson and L.J. Smith. In this context, literary tourism’s reciprocal relationship with film tourism is unpacked. This dissertation then moves on to discuss the main focus of this investigation. A mere decade ago, the world was unaware of a book series called The Twilight Saga by Stephenie Meyer. Yet in a few short years, the literary tourism associated with this series has turned a small town in northwest Washington State into a tourism phenomenon. This study considers the development, extent and impact of literary tourism on this town, called Forks. It also considers other literary and film tourism sites associated with The Twilight Saga to show the vast range of the impact literature can have on tourism.
Dissertation (MHCS)--University of Pretoria, 2014.
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Historical and Heritage Studies
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Fredriksson, Frida. "Vampires - “Culture’s Sexy Drug of Choice” and “Dangerous Warnings” : A comparison of the depiction of vampires in Stephenie Meyer’s Twilight and Bram Stoker’s Dracula connected to genre, narration, and readership." Thesis, Karlstads universitet, Institutionen för språk, litteratur och interkultur, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-48232.

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This essay discusses the differences in depiction of vampires between Stephenie Meyer’s Twilight (2005) and Bram Stoker’s Dracula (1897). By using examples from the novels, the essay exemplifies how genre, narration, and readership affect the description of vampires within the two novels. The essay bases its discussion on genre on the premise that the vampire genre is in fact a genre to itself, but one with a broad variation. Furthermore, the essay briefly discusses the shift within the vampire genre, where vampires during the last centuries have gone from dangerous and scary to appealing and romantic. A connection is made between the shift within the vampire genre and Anne Rice’s vampire fiction. The discussion on genre shows how the romance, fantasy, and horror genres affect the depiction of vampires.
Denna uppsats diskuterar hur vampyrer i verken Twilight (Meyer, 2005) och Dracula (Stoker, 1897) skildras på olika sätt. Skillnader i beskrivningarna illustreras med hjälp av exempel från de båda böckerna och berör genre, berättarperspektiv och läsarkrets. Diskussionen i uppsatsen baseras på att vampyrgenren är en egen genre med många olika beskrivningar av vampyren. Uppsatsen berör även förändringen i genren och lyfter kort hur vampyren från början tolkas som farlig och skrämmande för att sedan framstå som attraktiv och romantisk. En koppling görs också mellan förändringen i vampyrgenren och Anne Rices vampyrnoveller. Vidare i diskussionen kring genre berörs även hur genrerna romantik, fantasy och skräck påverkar skildringen av vampyrerna i de nämnda verken.
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Klaber, Lara. "Taming the Perfect Beast: The Monster as Romantic Hero in Contemporary Fiction." Cleveland State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=csu1408475965.

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Bernard, Lucie. "Les filles qui aimaient les vampires : la construction de l'identité féminine dans Twilight de Stephenie Meyer et deux autres séries romanesques de bit lit, Vampires Diaries et House of Night." Thesis, Brest, 2016. http://www.theses.fr/2016BRES0013.

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La bit lit, un genre littéraire très contemporain qui associe le récit amoureux et le récit vampirique et s'adresse principalement à un public adolescent féminin, a acquis une visibilité mondiale avec la parution de Twilight de Stephenie Meyer en 2005. Ce mouvement littéraire reprend l'un des thèmes les plus récurrents et centraux des histoires d'amour comme des histoires de vampires occidentales : la construction du féminin, la position attribuée à ce dernier, et ses interactions avec un univers majoritairement hostile et dangereux. Or, malgré des représentations très conservatrices, voire rétrogrades, le genre connaît un succès très important en particulier auprès des jeunes femmes. Il est donc indispensable de s'interroger sur cette apparente contradiction, qui amène des auteures exclusivement de sexe féminin et un lectorat très majoritairement féminin à écrire et lire des récits sentimentaux peu féministes. Pour ce faire, la présente étude se penche sur trois oeuvres de bit lit : Twilight de Stephenie Meyer, The Vampire Diaries de L. J. Smith et House of Night de P. C. et Kristin Cast. Elle s'appuie sur trois approches, les études culturelles et l'étude de la réception, la narratologie, puis les études de genre. Les influences littéraires qui nourrissent les romans, le mode de lecture qu'ils encouragent et les choix narratifs qu'ils déploient sont analysés afin de comprendre ce qu'ils mettent en scène : la rencontre entre le sujet féminin et une conception patriarcale du monde
Supernatural romance (or 'bit lit' in French) is a contemporary literary genre which associates sen-timental and vampiric stories and is primarily aimed at a female teenage audience. It acquired global visibility in 2005 with the publication of Stephenie Meyer's Twilight. This literary movement takes up one of the most recurring and central themes of Western love stories and vampire stories alike: the construction of the feminine, of its positioning and its interactions with an essentially hos-tile and dangerous environment. Despite very conservative and even reactionary representations, the genre has met a huge success among young women. It is thus necessary to question this ap-parent contradiction: why do exclusively female writers and mostly female readers write and read sentimental stories that can be qualified at best as 'hardly feminist'? To do so, the current study focuses on three supernatural romance series: Twilight by Stephenie Meyer, The Vampire Diaries by L. J. Smith and House of Night by P. C. and Kristin Cast. It relies on three approaches: cultural and reception studies, narratology and gender studies. The literary influences that inform the nov-els, the reading mode they incite and the narrative choices they unfold are analyzed in order to understand how they stage the encounter between the feminine subject and a patriarchal worldview
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Johnsson, Rebecca. "Team Bella, Team Katniss : En komparativ motivstudie av triangeldraman i Stephenie Meyers Twilight och Suzanne Collins' The Hunger Games." Thesis, Uppsala universitet, Litteraturvetenskapliga institutionen, 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-206926.

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Books on the topic "Twilight (Meyer, Stephenie)"

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Blasingame, James. Stephenie Meyer: In the Twilight. Lanham, MD: Scarecrow Press, 2012.

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Sheen, Barbara. Stephenie Meyer: Twilight saga author. Detroit, MI: KidHaven Press, 2010.

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Kathleen, Deakin, and Walsh Laura A, eds. Stephenie Meyer: In the Twilight. Lanham, MD: Scarecrow Press, 2012.

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Beahm, George W. Bedazzled: Stephenie Meyer and the Twilight phenomenon. Nevada City, California: Underwood Books, 2009.

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Shapiro, Marc. Stephenie Meyer: The unauthorized biography of the creator of the Twilight saga. New York: St. Martin's Griffin, 2010.

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Hardwicke, Catherine. Crepúsculo diario de la directora: Cómo hicimos la película basada en la novela de Stephenie Meyer. Madrid: Alfaguara, 2009.

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Ellen, Hopkins, and Wilson Leah, eds. A new dawn: Your favorite authors on Stephenie Meyer's Twilight series. Ann Arbor, Mich: Borders, 2008.

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Beahm, George W. Twilight tours: The illustrated guide to the real Forks. Nevada City, Calif: Underwood Books, 2009.

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1973-, Meyer Stephenie, ed. Twilight director's notebook: The story of how we made the movie based on the novel by Stephenie Meyer. New York, NY: Little Brown & Co, 2009.

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Jones, Beth Felker. Touched by a vampire: Discovering the hidden messages in the Twilight saga. Colorado Springs, Colo: Multnomah Books, 2009.

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Book chapters on the topic "Twilight (Meyer, Stephenie)"

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Gemsemer, Laura. "Matriarchale Freizügigkeit und mormonische Abstinenz. Religiöse Elemente in P. C. und Kristin Casts House of Night Novels und in Stephenie Meyers Twilight-Saga." In Religion und Literatur im 20. und 21. Jahrhundert, 181–202. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737003759.181.

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"Monstrosising Infertility: Supernatural Barren Females in the Twilight Series by Stephenie Meyer." In Monstrous manifestations: Realities and the Imaginings of the Monster, 151–60. BRILL, 2013. http://dx.doi.org/10.1163/9781848882027_016.

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Conference papers on the topic "Twilight (Meyer, Stephenie)"

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Asmarani, Ratna. "The Transformations from the Novel Twilight by Stephenie Meyer to the Fan Fiction Master of the Universe by E.L. James." In Proceedings of the International Conference on Interdisciplinary Language, Literature and Education (ICILLE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icille-18.2019.61.

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