Relevant bibliographies by topics / Twilight saga

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Twilight saga'

Author: Grafiati
Published: 4 June 2021
Last updated: 25 February 2023

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Journal articles on the topic "Twilight saga"

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이혜진. "Monsters Among Us: “Twilight Saga”." New Korean Journal of English Lnaguage & Literature 59, no. 1 (February 2017): 1–23. http://dx.doi.org/10.25151/nkje.2017.59.1.001.

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Curganov, Marika. "Identiteitsontwikkeling in de Twilight saga." Pedagogiek 37, no. 3 (November 21, 2017): 253–74. http://dx.doi.org/10.5117/ped2017.3.curg.

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Parkin, Rachel Hendershot. "Breaking Faith: Disrupted Expectations and Ownership in Stephenie Meyer’s Twilight Saga." Jeunesse: Young People, Texts, Cultures 2, no. 2 (December 2010): 61–85. http://dx.doi.org/10.3138/jeunesse.2.2.61.

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My paper suggests that the Twilight saga’s enormous popularity is closely tied to its author’s tension-filled relationship with her fans, who claim ownership of her text by forcing their own interpretations through online media. The result is that through engaging with her fans, Stephenie Meyer actually empowers the Twilight fandom and alters the role readers play in the tri-part relationship of reader, author, and text. Fan studies and reception theory help me to effectively examine this dynamic by considering interpretations of what is “canon,” representations of women, and the creation of new Twilight books.
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Park, Yunki. "Blood, Sex, and Violences in the Twilight Saga." Modern Studies in English Language & Literature 59, no. 4 (November 30, 2015): 151–74. http://dx.doi.org/10.17754/mesk.59.4.151.

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Fournet-Pérot, Sonia. "Onomastique et parodie dans la saga bédéïque "Crepúsculon"." e-Scripta Romanica 8 (November 3, 2020): 63–73. http://dx.doi.org/10.18778/2392-0718.08.05.

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Le mythe du vampire a inspiré de nombreuses créations littéraires et audio-visuelles qui ont, pour certaines, cherché à atteindre un public adolescent. C’est le cas de la saga cinématographique Twilight (adaptation des romans de Stephenie Meyer) que les quatre BD espagnoles du cycle Crepúsculon s’emploient à parodier. Nous aborderons Crepúsculon en adoptant une approche exclusivement linguistique, et, en particulier, dans le cadre de cet article, onomastique, par le biais des tropes rhétoriques.
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Chaplin, Sue. "‘Daddy, I'm falling for a monster’: Women, Sex, and Sacrifice in Contemporary Paranormal Romance." Gothic Studies 21, no. 1 (May 2019): 10–27. http://dx.doi.org/10.3366/gothic.2019.0004.

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This paper examines a key trope within much contemporary paranormal romance: the absence, or ineffectiveness, of the father. The first part of the essay develops an analysis of this aspect of the genre (in the Twilight Saga especially) through the work of René Girard, Luce Irigaray, and Juliet MacCannell. Of particular importance here is the extent to which Twilight and similar narratives stage female self-sacrifice as a pre-condition for the redemption of the hero and the restoration of patriarchal bonds initially compromised by some crisis in the effective functioning of paternal authority. The second section extends this analysis to consider ways in which paranormal romances featuring werewolves and vampires shift away from this conservative and reductivist romance paradigm so as to affirm and contest heteronormative, paternalistic models of masculinity and sexual desire.
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Sanna, Antonio. "The Postmodern Evolution of Telepathy: from Dracula to the Twilight Saga." Gothic Studies 15, no. 1 (May 2013): 66–75. http://dx.doi.org/10.7227/gs.15.1.7.

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Taylor, Jessica. "Romance and the Female Gaze Obscuring Gendered Violence inThe Twilight Saga." Feminist Media Studies 14, no. 3 (December 11, 2012): 388–402. http://dx.doi.org/10.1080/14680777.2012.740493.

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Rachel Hendershot Parkin. "Breaking Faith: Disrupted Expectations and Ownership in Stephenie Meyer’s Twilight Saga." Jeunesse: Young People, Texts, Cultures 2, no. 2 (2010): 61–85. http://dx.doi.org/10.1353/jeu.2010.0034.

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Myers-Bowman, Karen, and Joan Jurich. "Parent–Child Relationships in the Twilight Saga: Implications for Family Life Education." Marriage & Family Review 51, no. 4 (April 6, 2015): 356–83. http://dx.doi.org/10.1080/01494929.2015.1033311.

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Dissertations / Theses on the topic "Twilight saga"

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Catalán-Morseby, Elizabeth. "Vampires in The Twilight Saga : The Reinvention and Humanization of the Vampire Myth." Thesis, Linnéuniversitetet, Institutionen för språk och litteratur, SOL, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-6709.

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This paper aims to make a comparison and investigation between three popular vampire fictions, Bram Stoker’s Dracula, Anne Rice’s Interview with the Vampire and Stephanie Meyer’s The Twilight Saga in order to show a development of the vampire. During the investigation it has become clear that the vampire over a decade has become an object that writers continue to reinvent and humanize. Concepts of Self and Other are thus important terms in this paper in the attempt to analyze the reinvention and humanization of the vampire myth. In Stoker’s Dracula, the vampire will be discussed from an Eastern and Western perspective where hence the vampire figures as an Oriental demon that in every way is the opposite from the British Empire. Rice’s novel, Interview of the Vampire shows a seemingly more humanized vampire that is less Evil, whilst Meyer’s The Twilight Saga demonstrates a vampire that is entirely human, however, with “special” abilities.
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Tsang, Wai-ho, and 曾煒豪. "Post-9/11 American gothic family in The hills have eyes duology and Twilight saga." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B48395079.

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9/11 attacks open the 21st Century into the fear of the Other, which is coincidentally at the core of the Gothic tradition. In post-911 Gothic texts, the tension of Self and Other can be seen from the gothic family (representing homeland and country) and the gothic monster (representing foreign, dangerous intruder) respectively. This essay is a close study of two sets of Hollywood films dealing with such tension - Twilight saga and The Hills Have Eyes duology. It is argued, with Foucault’s notion of Power/Knowledge, that such Hollywood gothic productions further create and hence reinforce the fear of, but not suppress, the Other. The 21st Century Gothic genre is therefore no longer subversive, but appropriated to educate the unaware public.
published_or_final_version
Literary and Cultural Studies
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Master of Arts
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Ryd, Camilla. "Deltagande, empowerment och kommersiell mediekultur : Relationen mellan Twilight fandom och franchise." Thesis, Stockholm University, Department of Journalism, Media and Communication (JMK), 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-40301.

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Den här studien utforskar deltagande kring det populärkulturella fenomenetThe Twilight Saga. Ett fenomen som både utgörs av fandom och kommersiell franchise. Fokus ligger på hur praktiker utvecklats fördeltagande på Internet. Materialet är både fansidor ägda och administreradeav enskilda fans och webbsidor som representerar aktörer inom franchise.Syftet är att undersöka relationen mellan fandom och franchise. Det för attundersöka karaktären av deltagande när fans har sina egna kanaler för attpublicera och producera material. Fans beskrivs teoretiskt både sompotentiella aktivister i en kommersiell mediekultur, som skriver över denmed sina egna texter, eller så karaktäriseras fans deltagande som ett understödjande deltagande som stärker kommersiella intressen.

Metoden är en modifiering av Foot & Schneiders webbsfärsanalys. Genomatt studera hur relationerna konkret manifesterar sig i webbläsaren beröra frågeställningarna; På vilket sätt associerar aktörer inom och mellan fandom och franchise med varandra och till synes med vilka intentioner? Vilken typav innehåll samproduceras av fandom och franchise? Hur används struktureronline för att mobilisera fans offline? Hur hanteras spänningen mellansjälvständighet och kontroll när fans blir medproducenter av ettpopulärkulturellt fenomen?

Studien visar att trots att fansidorna agerar självständigt är deras deltagandeett understödjande av kommersiella intressen. Fans kreativitet inkorporeras ifranchisen och ger både underhållningsvärde och stärker varumärket”Twilight”. Med fansen fascination för kändiskultur upprätthålles också ensymbolisk hierarki mellan producenterna av den ”primära texten” ochfansen. Relationer som kan ses som en inkarnation av de relationer mellanpubliker och producenter förknippade med massmedier.

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Syväniemi, M. (Marianne). "Writing Mormonism:vampires and werewolves in the Twilight Saga as exemplars for an ideal way of living." Master's thesis, University of Oulu, 2013. http://urn.fi/URN:NBN:fi:oulu-201305301389.

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The topic of my thesis is Writing Mormonism — Vampires and Werewolves in the Twilight Saga as Exemplars for an Ideal Way of Living. In my study I examined four novels written by Stephenie Meyer, commonly known as the Twilight saga. It consists of following books: Twilight, New Moon, Eclipse and Breaking Dawn. Firstly, my aim was to look for reasons why the vampires and werewolves in Meyer’s novels are so different from those in earlier horror literature. Secondly, I was interested in finding out, if the author’s religious beliefs had impact on her writing and in what ways. For theoretical background I read literature about vampires, werewolves and the Church of Jesus Christ of Latter-day Saints (the Mormon Church). Regarding vampire literature Nina Auerbach was my main source. She claims that throughout time the vampire image has been influenced by the current society and political surroundings, and thus supported my argument that Stephenie Meyer’s religious beliefs had an impact on her writing. Regarding werewolves I read Leena Peltonen’s article in which she tells about the werewolf image in detail — from their origin to features, ways of changing, and lastly the werewolves in literature. I used this to show similarities and differences to Meyer new, altered werewolf image. In addition, I got to know the holy books of the Church of Jesus Christ of Latter-day Saints of which the Book of Mormon is the most important. I found similarities between the teachings of the Book of Mormon and the vampire authorities as well as the vampire transformations in in Twilight. Furthermore, I read researches on the Church of Jesus Christ of Latter-day Saints in order to be able to recognise Mormon features in Meyer’s writing. Among this theoretical background were texts written by Rodney Stark, Jon Krakauer and Lori Beaman — each giving a slightly different approach to the religion. The span reached from describing violent fundamentalists over the average member of the LDS Church to Mormon housewives. I was able to show that Stephenie Meyer’s novels portray in a rather subtle way an ideal way of living — from the Mormon point of view. The vampires of the Cullen coven stand for an ideal Church of Jesus Christ of Latter-day Saints’ family: they are wealthy, educated and beautiful and have strong family bonds. All vampires and werewolves in the Twilight saga form a livelong, even eternal, bond of love. Premarital sex and other things forbidden by the LDS Church, such as alcohol or caffeine, are not present in the novels. Furthermore, I found similarities between the authorities of the Church of Jesus Christ of Latter-day Saints and the vampire authorities as well as werewolf leaders in the Twilight saga. Lastly I discussed the parallels of converting to Mormonism and transforming into a vampire or a werewolf in the series. I showed clearly in my thesis that the religious background of the author Stephenie Meyer has influenced her writing. It would be interesting to study novels written by other Mormon writers and to see if there are comparable parallels
Pro Gradu tutkielmani aihe oli tutkia, kuinka Stephenie Meyerin kirjoittaman Twilight-sarjan vampyyrit ja ihmissudet edustavat ihanteellista elämäntapaa Myöhempien Aikojen Pyhien Jeesuksen Kristuksen Kirkon (eli Mormoniuskonnon) näkökulmasta. Twilight-sarjan neljä kirjaa (Twilight eli Houkutus, New Moon eli Uusikuu, Eclipse eli Epäilys ja Breaking Dawn eli Aamunkoi) olivat tutkimukseni perustana. Tarkoituksena oli selvittää, miksi Meyerin luomat vampyyri- ja ihmissusihahmot ovat niin erilaisia kuin aiemmassa kauhukirjallisuudessa esiintyvät hahmot. Lisäksi halusin tutkia, vaikuttaako Stephenie Meyerin uskonnollinen tausta hänen kirjoihinsa ja jos vaikuttaa, niin millä tavoin. Tutkimuksen teoriapohjaksi valitsin kirjallisuutta, joka selitti vampyyrien ja ihmissusien taustaa, kehitystä ja ominaispiirteitä. Vampyyrien osalta tärkein lähde oli tutkija Nina Auerbach, jonka artikkelit käsittelivät kattavasti vampyyreja. Auerbach selitti, että ympäröivä yhteiskunta ja poliittinen tilanne vaikuttavat vampyyrikirjallisuuteen teemoihin — näin sain vahvistuksen sille, että Meyerin ympäristö on vaikuttanut hänen kirjoihinsa. Ihmissusia koskien hyödynsin Leena Peltosen artikkelia, jossa hän selitti ihmissusien historiaa, ominaispiirteitä ja esiintymistä kirjallisuudessa. Näiden hirviöiden lisäksi perehdyin Myöhempien Aikojen Pyhien Jeesuksen Kristuksen Kirkkoon tutustumalla heidän pyhiin kirjoituksiinsa sekä lukemalla tutkimuksia tästä uskonnosta. Mormonien pyhiin kirjoituksiin kuuluu muista kristinuskonnoista tutun Raamatun lisäksi seuraavat tekstit: Kallisarvoinen helmi, Oppi ja liitot sekä Mormonin kirja, joista erityisesti viimeistä hyödynsin osoittaessani yhteneväisyyksiä Twilight-sarjan hahmojen ja Mormoniuskonnon kanssa. Perehdyin myös Mormoneista tehtyihin tutkimuksiin. Näistä tärkeimpinä olivat Rodney Starkin, Jon Krakauerin ja Lori Beamanin kirjoittamat tekstit. Ne käsittelivät monipuolisesti kyseistä uskontoa, niin fundamentalistisia moniavioisuuden kannattajia, tavallisia kirkonjäseniä kuin moderneja Mormoninaisiakin. Onnistuin osoittamaan, että Stephenie Meyerin teksteistä välittyy hänen uskonnollinen tausta. Hänen luomansa Cullenin vampyyriperhe voidaan nähdä kuvastavan ihanteellista Mormoniperhettä: he ovat varakkaita, korkeasti koulutettuja sekä kauniita. Lisäksi heillä on vahvan perhesiteet. Meyerin kehittämät vampyyrit ja ihmissudet ovat voimakkaasti yksiavioisia ja he luovat elinikäisen, jopa ikuisen, parisuhteen — aivan kuten Myöhempien Aikojen Pyhien Jeesuksen Kristuksen Kirkon jäsenetkin. Kirjoissa ei esiinny esiaviollista seksiä tai muitakaan Mormonien kieltämiä asioita kuten alkoholia tai tupakkaa. Löysin yhteneväisyyksiä niin Myöhempien Aikojen Pyhien Jeesuksen Kristuksen Kirkon johtajien ja vampyyriauktoriteettien kuin ihmissusilauman johtajienkin kesken. Lisäksi Mormoniuskontoon kääntymisestä ja vampyyriksi muuttamisesta löytyy samankaltaisuutta. Osoitin tutkielmassani, että kirjailijan uskonnollinen tausta välittyy Meyerin kirjoista. Olisi mielenkiintoista tutkia myös muiden Myöhempien Aikojen Pyhien Jeesuksen Kristuksen Kirkkoon kuuluvien kirjailijoiden tekstejä nähdäkseen löytyykö niistä vastaavia uskonnollisia viittauksia
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Agnell, Emma. "Sadomasochism and compliance in the Twilight Saga : Female Submission and the Romance of Being Loved to Death." Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-23375.

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This essay examines the sadomasochistic relationship between the main characters of the Twilight Saga from a psychoanalytic perspective, and looks at the family and gender roles in the Saga from a post-feministic view. Aspects also considered are the portrayal of female sexuality as something dangerous and negative, recreational sex as something perverted, and the pro-marriage and anti-abortion propaganda in the last two novels. The purpose of the essay is to reveal how the author’s personal, and to some extent religious, beliefs and values are validated through the storyline; how the relationship between the main characters, as well as their personal psychological and physical health, change after matrimony and parenthood.
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Martin, Shelley-Ann. "Robert Pattison as the object of desire: an investigation into the representation of the Twilight saga in online media." Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1014075.

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This study aimed to provide researchers in the development of media studies with research into understanding the star as the object of desire in a contemporary context, using Robert Pattinson as the star and The Twilight Saga, which made him famous, as an example of the effects that the use of social and online media have on audiences in terms of their perception and identification of a particular star. This study drew from literature and theories such as stardom, star as the object of desire, audience theory, fantasy, desire and escapism as well as theory on globalisation, the mass media and online and social media. Whilst social and online media have been in existence for a number of years, there is little research that has been performed in order to determine whether or not the use of social and online media directly affect users’ understanding and perception of certain stars and films. There has also been little research performed in order to gain an understanding of fantasy and desire, in terms of films and film stars, outside the constraints of the cinema. This study examined this notion, noting that The Twilight Saga has been successful production worldwide, in order to discover whether or not the use of social and online media perpetuates obsession in the fans and audience members. The first part of the study that was conducted, applied certain theories discussed and developed in the literature review, to Robert Pattinson and The Twilight Saga in order to obtain a better understanding of the star and the film series in terms of cinema, stardom, fantasy and escapism and online and social media. A comparative case study of six online articles, from prominent online sources featuring Pattinson, was then conducted in order to investigate Pattinson’s image and status in the online community. Finally, a content analysis of various online and social media platforms such as Facebook, Twitter and YouTube was performed in order to find out what type of information and imagery was being generated about Pattinson and the Saga as well as to investigate how fans and followers engaged with the different media channels and what kinds of comments they were making about the star and the Saga. It was found that Pattinson, the character he plays in the film series, Edward Cullen, and The Twilight Saga have a large presence on key social media platforms such as Facebook and Twitter, with a vast amount of followers and fans; Facebook and Twitter being the most popular and interactive media avenues. It was also found that Pattinson, Edward and The Twilight Saga, through the avid use of the social media tools, elicited and incited signs of obsession, fantasy and desire within an extensive amount of fans and followers, outside the constraints of the cinema
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Firestone, Amanda Jayne. ""Is That What You Dream About? Being a Monster?": Bella Swan and the Construction of the Monstrous-Feminine in The Twilight Saga." Scholar Commons, 2014. https://scholarcommons.usf.edu/etd/5217.

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ABSTRACT This dissertation argues that Bella Swan is a representation of Barbara Creed's monstrous-feminine which serves to reinforce ideologies that insist women are abject, inherently dangerous to men, and threatening to a patriarchal status quo. Through close-textual analysis of The Twilight Saga, I demonstrate how the monstrous-feminine frames the hysterical teenage body, hypersexuality, and eternal motherhood as simultaneously unacceptable and unavoidable. These negative women's stereotypes continue to persist in dominant popular culture, and this doublebind is overcome only by the impossible perfection of vampirism. The monstrous-feminine invites constructions of teenage bodies as unstable and unreliable, women's sexuality as dangerous and impure, and motherhood as a requirement for a complete identity. These constructions are particularly dangerous in Young Adult literature and particularly inspirational in fanfiction.
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Smyth, Karen Elizabeth. ""What's a Nice Mormon Girl Like You Doing Writing about Vampires?": Stephenie Meyer's "Twilight" Saga and the Church of Jesus Christ of Latter-day Saints." W&M ScholarWorks, 2011. https://scholarworks.wm.edu/etd/1539626647.

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Herselman, Charlene. "From ‘logging capital’ to ‘tourism phenomenon’ : the impact of literary tourism on Forks, WA., United States of America." Diss., University of Pretoria, 2014. http://hdl.handle.net/2263/45925.

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Literary tourism refers to any travel inspired by literature. This dissertation considers literary tourism from the perspective of a contemporary literary tourism attraction. It investigates the origins of literary tourism both in the historical context as well as in academic writing as interdisciplinary research between geography and literature. The current state of literary tourism research is also considered and the main research themes at present are identified, that is, authenticity and who the literary tourists are. This study also considers what the future might hold for literary tourism by looking at popular contemporary examples, including the works of J.K. Rowling, G.R.R. Martin, J.R.R. Tolkien, Dan Brown, Stieg Larsson and L.J. Smith. In this context, literary tourism’s reciprocal relationship with film tourism is unpacked. This dissertation then moves on to discuss the main focus of this investigation. A mere decade ago, the world was unaware of a book series called The Twilight Saga by Stephenie Meyer. Yet in a few short years, the literary tourism associated with this series has turned a small town in northwest Washington State into a tourism phenomenon. This study considers the development, extent and impact of literary tourism on this town, called Forks. It also considers other literary and film tourism sites associated with The Twilight Saga to show the vast range of the impact literature can have on tourism.
Dissertation (MHCS)--University of Pretoria, 2014.
tm2015
Historical and Heritage Studies
MHCS
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Helseth, Veslemøy. "Vampyrbølgens Fankultur : En studie av The Twilight Sagas fankultur og hvordan den kommer til uttrykk gjennom de sosiale mediene." Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for kunst og medievitenskap, 2013. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-23990.

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Books on the topic "Twilight saga"

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Meyer, Stephenie. The Twilight Saga collection. London, UK: Atom, 2008.

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Le guide de l'univers "Twilight". [Saint-Victor-d'Épine]: City éd., 2010.

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Stephenie Meyer: Twilight saga author. Farmington Hills, MI: KidHaven Press, 2010.

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Sheen, Barbara. Stephenie Meyer: Twilight saga author. Detroit, MI: KidHaven Press, 2010.

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Irwin, William. "Twilight": Les secrets d'une saga fascinante. Champs-sur-Marne: Original Books, 2011.

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From Twilight to Breaking dawn: Religious themes in the Twilight saga. Saint Louis, MO: Chalice Press, 2010.

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Gravett, Sandra L. From Twilight to Breaking dawn: Religious themes in the Twilight saga. Saint Louis, MO: Chalice Press, 2010.

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Meyer, Stephenie. The twilight saga: The official illustrated guide. New York: Little, Brown and Co., 2011.

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Spencer, Liv. Love bites: The unofficial saga of Twilight. Toronto: ECW Press, 2010.

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Meyer, Stephenie. The twilight saga: The official illustrated guide. New York: Little, Brown and Co., 2011.

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Book chapters on the topic "Twilight saga"

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Burke, Brianna. "The Great American Love Affair: Indians in the Twilight Saga." In Bringing Light to Twilight, 207–19. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119246_16.

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Leavenworth, Maria Lindgren. "Variations, Subversions, and Endless Love: Fan Fiction and the Twilight Saga." In Bringing Light to Twilight, 69–81. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119246_6.

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Bealer, Tracy L. "Of Monsters and Men: Toxic Masculinity and the Twenty-First Century Vampire in the Twilight Saga." In Bringing Light to Twilight, 139–52. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119246_11.

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Deffenbacher, Kristina, and Mikayla Zagoria-Moffet. "Textual Vampirism in the Twilight Saga: Drawing Feminist Life from Jane Eyre and Teen Fantasy Fiction." In Bringing Light to Twilight, 31–42. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119246_3.

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Pyrhönen, Heta. "The Twilight Saga as an Adaptation of Shakespeare and Austen." In Jane Austen and William Shakespeare, 335–55. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-25689-0_15.

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Grinner, Leslie A. "Bella’s Choice: Deconstructing Ideology and Power in The Twilight Saga." In Race/Gender/Class/Media, 181–85. Fourth edition. | Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9781351630276-40.

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Gemsemer, Laura. "Matriarchale Freizügigkeit und mormonische Abstinenz. Religiöse Elemente in P. C. und Kristin Casts House of Night Novels und in Stephenie Meyers Twilight-Saga." In Religion und Literatur im 20. und 21. Jahrhundert, 181–202. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737003759.181.

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Pieri, Mara. "Multiple Estrangements in the Twilight Zone: Chronic Illness and Queerness in Southern Europe." In The SAGE Handbook of Global Sexualities, 386–403. 1 Oliver's Yard, 55 City Road London EC1Y 1SP: SAGE Publications Ltd, 2020. http://dx.doi.org/10.4135/9781529714364.n18.

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Jancovich, Mark. "‘Cue The Shrieking Virgins’?: The Critical Reception of The Twilight Saga." In Screening Twilight. I.B.Tauris & Co. Ltd, 2014. http://dx.doi.org/10.5040/9780755694679.ch-002.

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Edwards-Behi, Nia. "‘Flicks For Chicks (and Chicks With Dicks) Who Can’T Take Serious Horror’: The Generic Misrecognition of The Twilight Saga." In Screening Twilight. I.B.Tauris & Co. Ltd, 2014. http://dx.doi.org/10.5040/9780755694679.ch-003.

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Conference papers on the topic "Twilight saga"

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Thahara, Yopi, Riyadi Santosa, M. R. Nababan, and Dyah Ayu Nila Khrisna. "Translating Masculinity Into Different Culture: Is Jacob Black Masculine in Indonesian Version of Twilight Saga Novels?" In Eighth International Conference on English Language and Teaching (ICOELT-8 2020). Paris, France: Atlantis Press, 2021. http://dx.doi.org/10.2991/assehr.k.210914.059.

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Reports on the topic "Twilight saga"

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Бережна, Маргарита Василівна. Психолінгвістичний архетип «Проблемна юначка». Видавничий дім «Гельветика», 2021. http://dx.doi.org/10.31812/123456789/6055.

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Abstract:
У статті розглянуто особливості психолінгвістичного образу кіноперсонажів відповідно до психологічного архетипу «Проблемна юначка» (the Troubled Teen). Робота є частиною дослідження системи психолінгвістичних кінообразів англомовних фільмів масової культури ХХІ сторіччя. Матеріалом роботи є американський супергеройський комедійний фільм «Дедпул» (Deadpool), фентезі фільм «Гаррі Поттер і Таємна кімната» (Harry Potter and the Chamber of Secrets), романтичний фентезі фільм «Сутінки. Сага: Молодий місяць» (The Twilight Saga: New Moon) та американський комп'ютерно-анімаційний комедійно-драматичний фільм «Думками навиворіт» (Inside Out). Об’єкт роботи: репліки Надзвукової (Negasonic), Плаксивої Мірти (Moaning Myrtle), Белли Свон (Bella Swan) та Райлі (Riley), які належать у досліджуваному матеріалі до архетипу «Проблемна юначка». За основу визначення психологічного архетипу персонажів взято класифікацію В. Шмідт (2007). Визначальними рисами архетипу є такі. «Проблемна юначка» сконцентрована на власних проблемах та емоціях, вона часто страждає від депресії, що зумовлює частотне використання займенників першої особи однини, лексики на позначення негативних емоцій, лексико-семантичних груп DEATH та LONELINESS, окличних речень. «Проблемна юначка» демонструє пасивно-агресивну поведінку у стосунках з родиною; відповідно, використовує конфронтативний стиль спілкування, тактики образи, звинувачення та ухилення від розмови, знижену лексику, вульгаризми, сарказм. У мовленні членів родини риса реалізована лексико-семантичною групою WORRY. Вона надає перевагу ризикованим розвагам, що відбивається у використанні лексико-семантичних груп DANGEROUS та RUSH. «Проблемна юначка» не переймається майбутнім; відповідно у репліках персонажів цієї групи переважають дієслова у формі теперішнього часу, а використання дієслів у формах майбутнього часу має найнижчий показник серед архетипів.
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