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Journal articles on the topic 'Twin Peaks'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 January 2025

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1

Morain, William D. "Twin Towers, Twin Peaks." Annals of Plastic Surgery 58, no. 2 (2007): 224–25. http://dx.doi.org/10.1097/01.sap.0000255198.87334.e8.

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2

Mashour, G. A. "Twin Peaks." Science Translational Medicine 4, no. 126 (2012): 126ec48. http://dx.doi.org/10.1126/scitranslmed.3004010.

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3

Stevens, Leslie. "Twin Peaks." Cell 95, no. 3 (1998): 291–94. http://dx.doi.org/10.1016/s0092-8674(00)81759-6.

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4

Burdzy, Krzysztof, and Soumik Pal. "Twin peaks." Random Structures & Algorithms 56, no. 2 (2019): 432–60. http://dx.doi.org/10.1002/rsa.20883.

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5

Nash, David L., and Michael C. Brodsky. "“Twin Peaks” Papilledema." Ophthalmology 124, no. 2 (2017): 169. http://dx.doi.org/10.1016/j.ophtha.2016.07.038.

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6

Akass, Kim. "Book Review: Twin Peaks." Critical Studies in Television: The International Journal of Television Studies 16, no. 3 (2021): 333–35. http://dx.doi.org/10.1177/17496020211015463c.

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7

Mirakhorli, Mehdi, and Jane Cleland-Huang. "Traversing the Twin Peaks." IEEE Software 30, no. 2 (2013): 30–36. http://dx.doi.org/10.1109/ms.2013.40.

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8

Goodman, Sally. "Twin peaks Rhône-Alpes." Nature 426, no. 6964 (2003): 366–67. http://dx.doi.org/10.1038/nj6964-366a.

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9

Galster, Matthias, Mehdi Mirakhorli, and Anne Koziolek. "Twin Peaks goes Agile." ACM SIGSOFT Software Engineering Notes 40, no. 5 (2015): 47–49. http://dx.doi.org/10.1145/2815021.2815038.

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10

Pearlman, Joseph G. "Twin Peaks-A Reassessment." Manchester School 71, no. 1 (2003): 78–88. http://dx.doi.org/10.1111/1467-9957.00336.

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11

Rosen, Brian. "Editorial: Twin peaks mission." Systematics and Biodiversity 1, no. 1 (2003): 1–2. http://dx.doi.org/10.1017/s1477200003001075.

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12

Christensen, Jørgen Riber. "TV peaks: Twin Peaks and modern television drama." MedieKultur: Journal of media and communication research 32, no. 60 (2016): 3. http://dx.doi.org/10.7146/mediekultur.v32i60.23314.

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13

Hills, Matt. "Cult TV Revival: Generational Seriality, Recap Culture, and the “Brand Gap” of Twin Peaks: The Return." Television & New Media 19, no. 4 (2017): 310–27. http://dx.doi.org/10.1177/1527476417742976.

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By exploring one case study of a cult TV revival after decades off-air— Twin Peaks: The Return (Showtime, 2017)—this article defines and then focuses on generational seriality. I consider how the gap of twenty-six years between 1990s Twin Peaks and The Return has impacted on its resurrection by reading new Twin Peaks for its representations of aging and loss. I further consider how fantastical connotations of dementia via the figure of Dougie Jones/Dale Cooper (Kyle MacLachlan) generate a “brand gap” between new and old Twin Peaks. Finally, I address how recap culture has shaped The Return’s g

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14

Shlush, Liran I. "Clonal hematopoiesis sees Twin Peaks." Blood 135, no. 4 (2020): 235–36. http://dx.doi.org/10.1182/blood.2019003869.

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15

Girling, John. "Thailand: Twin Peaks, Disturbing Shadows." Southeast Asian Affairs 1994 1994, no. 1 (1994): 305–19. http://dx.doi.org/10.1355/seaa94r.

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16

Hassig, Ralph C., and Kongdan Oh. "The Twin Peaks of Pyongyang." Orbis 50, no. 1 (2006): 5–21. http://dx.doi.org/10.1016/j.orbis.2005.10.002.

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17

Mehta, Jodhbir S., Gordon T. Plant, and James F. Acheson. "Twin and Triple Peaks Papilledema." Ophthalmology 112, no. 7 (2005): 1299–301. http://dx.doi.org/10.1016/j.ophtha.2005.01.047.

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18

Qumba, Mmiselo Freedom. "A comparative analysis of the Twin Peaks model of financial regulation in South Africa and the United Kingdom." South African Law Journal 139, no. 1 (2022): 78–113. http://dx.doi.org/10.47348/salj/v139/i1a3.

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This article examines the recent adoption of the Twin Peaks model by the United Kingdom and South Africa. An international and comparative analysis is provided. It observes that there is a gradual paradigm shift across the world towards the Twin Peaks model of financial regulation. There are slight variations in the design of the two countries’ Twin Peaks models. The variations in regulatory design indicate the flexibility of the Twin Peaks model and its adaptability to suit local conditions, regulatory culture, and the country’s specific needs. Therefore, while the South African model has dra

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19

Schmulow, Andrew. "Regulating the Regulator : Improving Consumer Protection under a Twin Peaks Regulatory Framework." International Review of Financial Consumers 3, No. 1 Apr 2018 (2018): 1–14. http://dx.doi.org/10.36544/irfc.2018.1-1.1.

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Australia is in the midst of a financial regulatory crisis. Evidence of malpractice, fraud, criminality, contempt for the law, and the abuse of consumers on an industrial scale, all while Australia’s Twin Peaks regulators looked on, has come as a shocking surprise. The implications stretch well beyond Australia: they are relevant wherever the Australian ’Twin Peaks’ model has been adopted or is under consideration. This article argues that the Twin Peaks model must be analysed from the perspective of regulatory design, as well as implementation. The design - the architecture of Twin Peaks - re

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20

Schmulow, Andrew. "Financial Regulatory Governance in South Africa: The Move Towards Twin Peaks." African Journal of International and Comparative Law 25, no. 3 (2017): 393–417. http://dx.doi.org/10.3366/ajicl.2017.0201.

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This article examines the implementation of the Twin Peaks model of financial system regulation in South Africa, the purpose of which is to create a financial system stability regulator, and a financial system consumer protection and market conduct regulator. It examines the historical development of Twin Peaks and its regulatory enforcement principles. It then analyses the similarities and differences between Twin Peaks in Australia (upon which the South African reforms are based) and South Africa. Finally the article provides concluding observations.

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21

Woźniak, Bartosz. "Real and unreal – different kinds of realities in "Twin Peaks"." Irydion. Literatura - Teatr - Kultura 3, no. 1 (2017): 165–75. http://dx.doi.org/10.16926/i.2017.03.10.

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22

Cantner, Uwe, Bernd Ebersberger, Horst Hanusch, Jens J. Krüger, and Andreas Pyka. "The Twin Peaks in National Income." Revue économique 55, no. 6 (2004): 1127. http://dx.doi.org/10.3917/reco.556.1127.

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23

Oldknow, Adrian. "On Twin Peaks and Flat Functions." Mathematical Gazette 79, no. 484 (1995): 47. http://dx.doi.org/10.2307/3619988.

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24

Lønstrup, Ansa. "Hvordan gør musikken i Twin Peaks?" MedieKultur: Journal of media and communication research 8, no. 18 (1992): 17. http://dx.doi.org/10.7146/mediekultur.v8i18.925.

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Det er almindelig erkendt, at musikken spiller en afgørende rolle for den totale oplevelse af film og TV. Men det glemmes ofte igen, især i fortolk- ninger, der focuserer på handlingen og ser bort fra musikken og måske også den visuelle formidling. Tendensen til at "glemme" musikken i fortolkningen skyldes især, at den er svær at beskrive og svær at analysere. Ansa Lønstrups analyse af musikkens rolle i TV-serien Twin Peaks er en eksemplarisk gennem- gang af hvorledes musikken skaber betydning. Den er samtidig et bidrag til forståelsen af netop denne serie, der bl.a. udmærker sig ved, at den n

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25

Bovier, François, and André Chaperon. "Twin Peaks. La loi des séries." Décadrages, no. 4-5 (April 10, 2005): 18–31. http://dx.doi.org/10.4000/decadrages.575.

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26

Crainer, Stuart. "TWIN PEAKS: CHANGING LIVES IN NEPAL." Business Strategy Review 23, no. 4 (2012): 22–25. http://dx.doi.org/10.1111/j.1467-8616.2012.00891.x.

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27

Pearson, Gail. "A credit lens: implementing twin peaks." Law and Financial Markets Review 11, no. 4 (2017): 174–82. http://dx.doi.org/10.1080/17521440.2017.1419621.

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28

Starks, Lisa S. "Kabbalah, "Dybbuks", and the Religious Posthuman in the Shakespearean Worlds of "Twin Peaks"." Multicultural Shakespeare: Translation, Appropriation and Performance 24, no. 39 (2022): 29–52. http://dx.doi.org/10.18778/2083-8530.24.03.

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In the series Twin Peaks, Mark Frost, David Lynch and others create a mythological framework structured by and filtered through Shakespeare in a postsecular exploration of the posthuman. Twin Peaks exemplifies a cultural postsecular turn in its treatment of the posthuman, taking the religious and spiritual perspectives to new —and often extreme—heights in its use of Kabbalah and other traditions. Twin Peaks involves spiritual dimensions that tap into other planes of existence in which struggles between benign and destructive entities or forces, multiple universes, and extradimensional, nonhuma

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29

Moldovan, Raluca. "“That Show You Like Might Be Coming Back in Style”: How Twin Peaks Changed the Face of Contemporary Television." American, British and Canadian Studies Journal 24, no. 1 (2015): 44–68. http://dx.doi.org/10.1515/abcsj-2015-0003.

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Abstract The present study revisits one of American television’s most famous and influential shows, Twin Peaks, which ran on ABC between 1990 and 1991. Its unique visual style, its haunting music, the idiosyncratic characters and the mix of mythical and supernatural elements made it the most talked-about TV series of the 1990s and generated numerous parodies and imitations. Twin Peaks was the brainchild of America’s probably least mainstream director, David Lynch, and Mark Frost, who was known to television audiences as one of the scriptwriters of the highly popular detective series Hill Stree

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30

Monden, Christiaan, Gilles Pison, and Jeroen Smits. "Twin Peaks: more twinning in humans than ever before." Human Reproduction 36, no. 6 (2021): 1666–73. http://dx.doi.org/10.1093/humrep/deab029.

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Abstract STUDY QUESTION How many twins are born in human populations and how has this changed over recent decades? SUMMARY ANSWER Since the 1980s, the global twinning rate has increased by a third, from 9.1 to 12.0 twin deliveries per 1000 deliveries, to about 1.6 million twin pairs each year. WHAT IS KNOWN ALREADY It was already known that in the 1980s natural twinning rates were low in (East) Asia and South America, at an intermediate level in Europe and North America, and high in many African countries. It was also known that in recent decades, twinning rates have been increasing in the wea

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31

Novitz, Julian. "Expansion, Excess and the Uncanny: Deadly Premonition and Twin Peaks." Arts 7, no. 3 (2018): 49. http://dx.doi.org/10.3390/arts7030049.

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The influence of the cult television series Twin Peaks (1990–1991) can be detected in a wide range of videogames, from adventure, to roleplaying to survival horror titles. While many games variously draw upon the narrative, setting and imagery of the series for inspiration, certain elements of the distinctive uncanniness of Twin Peaks are difficult to translate into gameplay, particularly its ability consistently disrupt the expectations and emotional responses of its audience. This paper examines the ways in which the 2010 survival horror title Deadly Premonition replicates the uncanniness of

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32

Hirschman, Elizabeth C. "Using Consumption Imagery to Decode Twin Peaks." American Journal of Semiotics 9, no. 2 (1992): 185–217. http://dx.doi.org/10.5840/ajs199292/327.

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33

Guis, Margot, William C. Mentzer, Danny L. Jue, Mary H. Johnson, James E. McGuffey та Winston F. Moo-Penn. "Hemoglobin Twin Peaks α113(GH1) Leu→His". Hemoglobin 9, № 2 (1985): 175–77. http://dx.doi.org/10.3109/03630268508996999.

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34

Sands, Philippe. "Twin Peaks: The Hersch Lauterpacht Nuremberg Speeches." Cambridge Journal of International and Comparative Law 1, no. 1 (2012): 37–44. http://dx.doi.org/10.7574/cjicl.01.01.41.

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35

Cleland-Huang, Jane, Robert S. Hanmer, Sam Supakkul, and Mehdi Mirakhorli. "The Twin Peaks of Requirements and Architecture." IEEE Software 30, no. 2 (2013): 24–29. http://dx.doi.org/10.1109/ms.2013.39.

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36

Marziani, P., M. Calvani, and J. W. Sulentic. "Twin peaks - IC 4329A and Arakelian 120." Astrophysical Journal 393 (July 1992): 658. http://dx.doi.org/10.1086/171533.

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37

Opoku-Mensah, Aida. "Twin Peaks: WSIS from Geneva to Tunis." Gazette (Leiden, Netherlands) 66, no. 3-4 (2004): 253–73. http://dx.doi.org/10.1177/0016549204043610.

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38

Baqué, Zachary. "Twin Peaks, ou l’exploration de l’espace américain." Caliban, no. 19 (June 1, 2006): 79–86. http://dx.doi.org/10.4000/caliban.2382.

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39

Garner, Ross. "Book Review: TV Peaks: Twin Peaks and Modern Television Drama, Return to Twin Peaks: New Approaches to Materiality, Theory, and Genre on Television." Critical Studies in Television: The International Journal of Television Studies 12, no. 2 (2017): 211–14. http://dx.doi.org/10.1177/1749602017696130c.

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40

Christensen, Ove, and Claus K. Kristiansen. "Det hemmelige og det hellige i Twin Peaks." K&K - Kultur og Klasse 19, no. 71 (1992): 153–76. http://dx.doi.org/10.7146/kok.v19i71.20295.

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41

Süveges, Maria, Richard I. Anderson, and Laurent Eyer. "How stable are our standard candles? Time-resolved analysis of amplitude and period changes in OGLE-III LMC Cepheids." Proceedings of the International Astronomical Union 11, A29B (2015): 505–8. http://dx.doi.org/10.1017/s1743921316005998.

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AbstractWe revisit a group of OGLE-III Cepheids that exhibit nearby double peaks in their periodograms using a technique of statistics called kernel modelling. We investigate the phenomenology of these Cepheids (termed twin-peak Cepheids in this paper) in more detail by comparing a sample of 29 LMC Cepheids that exhibit twin frequency peaks with 24 other Cepheids that do not. Using the kernel technique, we investigate light curve variability as a function of time, revealing both frequency and amplitude modulations. We present the preliminary results of our study in progress, which suggests a c

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42

Peters, Luc. "Siamese ghost(s), the Doppelgänger in Twin Peaks." Culture and Organization 27, no. 4 (2021): 332–44. http://dx.doi.org/10.1080/14759551.2021.1924172.

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43

Bradley, Jake, Alessandro Ruggieri, and Adam Hal Spencer. "Twin Peaks: Covid-19 and the labor market." European Economic Review 138 (September 2021): 103828. http://dx.doi.org/10.1016/j.euroecorev.2021.103828.

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44

Boulègue, Franck. "Twin Peaks : de l’autre côté de la toile." Ligeia N° 165-168, no. 2 (2018): 63. http://dx.doi.org/10.3917/lige.165.0063.

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45

Fuentes, Raúl. "¿Tienes fuego? La tercera temporada de Twin Peaks." Estudios Cinematográficos, no. 1 (April 1, 2018): 101–6. http://dx.doi.org/10.22201/cuec.01888056p.2018.1.37.

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La aparición, 25 años después, de una nueva temporada de la serie de televisión creada por Mark Frost y David Lynch desató especulaciones en redes sociales sobre el significado de los sucesos que conforman su ficción, así como una oleada de fanáticos que intenta desentrañar todos y cada uno de los misterios que la anécdota presenta e incluso una especie de nuevo culto tras la muy particular admiración que ahora existe por el episodio 8. Más allá del fenómeno pop (bastante discreto con respecto al que provocan otras series de más reciente creación, como Juego de tronos o Stranger Things), exist

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46

Glover, Thomas W., and Thomas E. Wilson. "Twin peaks: finding fragile sites with MiDAS-seq." Cell Research 30, no. 11 (2020): 944–45. http://dx.doi.org/10.1038/s41422-020-0376-8.

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47

Parezanović, Tijana, and Marko Lukić. "Tracing the Nowhere: Heterotopian Incursions in Twin Peaks." Journal of Popular Culture 51, no. 1 (2018): 109–28. http://dx.doi.org/10.1111/jpcu.12637.

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48

Schmulow, Andrew, Dore Virginia, Reardon Jacob, and Hanna William. "AFCA: the first foothill between Australia’s Twin Peaks." Law and Financial Markets Review 14, no. 4 (2020): 201–22. http://dx.doi.org/10.1080/17521440.2020.1810906.

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49

Pucci Junior, Renato Luiz, and Fabiano Pereira de Souza. "O Sound design da série Twin Peaks e a herança de Alan Splet." Rumores 13, no. 25 (2019): 169–91. http://dx.doi.org/10.11606/issn.1982-677x.rum.2019.148627.

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Este artigo examina o sound design da série televisiva Twin Peaks (TWIN…, 1990-1991), criada por David Lynch e Mark Frost. Analisam-se distorções ou substituições de vozes, técnicas que Lynch havia empregado em um curta e em quatro longas-metragens, com o sound designer Alan Splet. O objetivo é identificar na série, realizada após o término da parceria com Lynch, a persistência do tipo de elaboração sonora de Splet. O exame da mais recente temporada de Twin Peaks (TWIN…,2017) mostra que se intensificaram recursos sonoros das temporadas anteriores, em conjunção com a trama mais ousada em termos

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50

Nelson, Robin. "From Twin Peaks, USA, to lesser peaks, UK: building the postmodern TV audience." Media, Culture & Society 18, no. 4 (1996): 677–82. http://dx.doi.org/10.1177/016344396018004011.

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