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Dissertations / Theses on the topic 'Two flute'
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1
Cannon, Angela Renee Fredrickson William E. "A preliminary study of the effectiveness of two breath management exercises on three aspects of flutists' performance duration, breath control, and tone quality /." Diss., UMK access, 2005.
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Thesis (D.M.A.)--Conservatory of Music. University of Missouri--Kansas City, 2005.<br>"A dissertation in performance, flute." Advisor: William E. Fredrickson. Typescript. Vita. Title from "catalog record" of the print edition Description based on contents viewed Nov. 13, 2007. Includes bibliographical references (leaves 178-183). Online version of the print edition.
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Edwards, Peter Ivan Edwards Peter Ivan. "Two explorations in musical objects /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2005. http://wwwlib.umi.com/cr/ucsd/fullcit?p3170275.
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Thesis (Ph. D.)--University of California, San Diego, 2005.<br>Includes 2 compositions: Puer natus est nobis (zu irgendeiner Zeit) for full orchestra, and Annicha, for flute, clarinet, and piano. Vita. Includes audio reel tape of compositions (analog, stereo., 7 1/2 ips : 7 in.).
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Okajima, Shuri. "A Comparison Between the Two Works for Flute, Viola, and Harp by Toru Takemitsu and Claude Debussy: Influences of Debussy on Takemitsu and Similarities Between the Two Composers." Diss., The University of Arizona, 2007. http://hdl.handle.net/10150/194224.
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This study serves as a comparison between the two works for flute, viola, and harp by Toru Takemitsu and Claude Debussy; influences of Debussy on Takemitsu and similarities between the two composers. It examines how cultural influences from both Japan and France affected each composer, and explores how other artists and composers impacted their writing. Particular focus will be put on Takemitsu's philosophical aesthetics, especially in his later years, and a comparative analysis between the two composers' trios, which include the harp. This study will present a comparative analysis of Takemitsu's trio, And then I knew 'twas Wind for Flute, Viola, and Harp, and Debussy's Sonata for Flute, Viola, and Harp, pointing out similarities and possible influences upon the composers, focusing on elements indicated in the score and writings by and about the composers.
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Cunningham, Jennifer Ann Reinert. "A critical edition of Johann Christoph Schultze’s Six sonatas for two flutes without basso and a chaconne for two equal voices in canon." Diss., University of Iowa, 2015. https://ir.uiowa.edu/etd/1578.
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By the eighteenth century, the business of music publishing in Europe had exploded. Europe had become more culturally international, and interest in purchasing and performing music written by foreign composers was in vogue. Unfortunately laws governing copyright and editing of music were either difficult to enforce or non-existent, and most were not applicable on an international level.
Around 1750 music publishers Leclerc and Boivin published an edition of flute sonatas in Paris. This edition was attributed to Georg Friderich Handel, whose work, at the time, was the most sought after in Western Europe. This particular collection is identical to an earlier edition published in 1729 in Hamburg, Germany by an unknown German composer, Johann Christoph Schultze.
This paper is the first modern critical edition of Schultze’s Six Sonate â Doi Flauti Traversi Senza Basso Con una Ciacconna tra mischiata di doi Canoni nella medesima nascosti (Six Sonatas for Two Flute without Basso and A Chaconne for Two Equal Voices in Canon) and marks the first time the Chaconne has appeared in modern notation. The edition aims to be as true as possible to the 1729 publication, notes standard performance practices, and answers the question as to why the 1750 edition may have been falsely attributed to Handel.
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Ruppe, Elizabeth Ambler. "Form and tonality as elements of neoclassical style in two works by Jean Francaix: Divertimento pour flute et piano (1955) and Suite pour flute seule (1963) with three recitals of selected works of Mozart, Widor, Feld, Muczynski and others." Thesis, University of North Texas, 1996. https://digital.library.unt.edu/ark:/67531/metadc278680/.
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The music of Jean Francaix is well known to those familiar with woodwind chamber literature. His long, successful career began in the 1930s when French composers rejected the excessively chromatic harmonies, intense emotionalism and grandiose proportions of late Romantic music. Embracing the concepts of neoclassicism, economy of means, clarity and objectivity, and a return to diatonicism and formal structures, the new "Classical" music contained the added spice of twentieth-century harmonic techniques including bitonality, modality, and quartal and quintal harmonies.
Francaix has written many concertos and solos for woodwind instruments, but his enduring popularity resides in his chamber music for various combinations. His publisher for the last six decades has been B. Schott's Sohne who commissioned Francaix to write several chamber works in honor of his eightieth birthday.
Two of his works for flute, Divertimento pour flute et piano and Suite pour flute seule, are known to professional flutists but not considered standards in the flute repertoire. The purpose of this paper is to call attention to the wide variety of Francaix's repertoire which is eminently suitable for concert and recital programming. The identification of formal and tonal elements in Francaix's two works for flute helps to place his prodigious output within the context of the prevailing musical and philosophical aesthetic in France of the 1920s through 1940s. An annotated list of Francaix's works with flute in a primary role is included as an appendix.
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Ti, Yu-ju. "Duo Sonatas and Sonatinas for Two Clarinets, or Clarinet and Another Woodwind Instrument: An Annotated Catalog." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1243880660.
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Stirzaker, Kim E. (Kim Elizabeth). "Structure and Form in Two Late Works for Flute and Orchestra by Ernest Bloch (1880-1959): Suite Modale (1956) and Two Last Poems (Maybe. . .) (1958) -- a Lecture Recital, Together With Three Recitals of Selected Works of J.S. Bach, Jolivet, Mozart,and Others." Thesis, University of North Texas, 1992. https://digital.library.unt.edu/ark:/67531/metadc278196/.
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The lecture was presented on November 18, 1991. This presentation focused on the only two compositions for solo flute and orchestra by Ernest Bloch. Written during the last three years of the composer's life, the pieces are representative of his last style period. While Suite Modale is neobaroque in style, Two Last Poems is much more subjective. Together they represent a synthesis of many of the stylistic characteristics of Ernest Bloch. The musical parameters discussed included form, melody, texture, rhythm, harmony, and expressive devices.
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Kesner, Lori Ann. "Krishna meets Pan Indian-Western fusion in two works for flute and harp by Ravi Shankar and John Mayer /." Cincinnati, Ohio : University of Cincinnati, 2006. http://www.ohiolink.edu/etd/view.cgi?acc%5Fnum=ucin1154446863.
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Thesis (Dr. of Musical Arts)--University of Cincinnati, 2006.<br>Title from electronic thesis title page (viewed Oct.10, 2006). Includes abstract. Keywords: Ravi Shankar; John Mayer; Nava Rasa; Enchanted Dawn; L'aube enchantee Includes bibliographical references.
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KESNER, LORI ANN. "KRISHNA MEETS PAN: INDIAN-WESTERN FUSION IN TWO WORKS FOR FLUTE AND HARP BY RAVI SHANKAR AND JOHN MAYER." University of Cincinnati / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1154446863.
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Krystal, Kuhns R. "Organizational Principles in Two of George Crumb's Chamber Works with Flute: Madrigals, Book II and Federico's Little Songs for Children." Kent State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=kent1309128280.
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Ti, Yu-Ju. "Duo sonatas and sonatinas for two clarinets, or clarinet and another woodwind instrument an annotated catalog /." Columbus, Ohio : Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view.cgi?acc%5Fnum=osu1243880660.
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Codner, Kimberly. ""Toward Silence" for two flutes and ensemble." Thesis, McGill University, 2013. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=114532.
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Toward Silence (12 minutes) is a composition for two flutes and ensemble. The instrumentation consists of eight performers: two flutes, Bb clarinet, bassoon, horn in F, percussion (vibraphone, marimba, snare drum), piano, and violin. The spatial disposition of the instruments emphasizes the two flutes in the front and allows smaller groupings to emerge. The single-movement work is made up of numerous cycles of sound that differ in duration and consists of four parts: A) a gesture (motivic material) B) multiple "echoes" of that gesture (freely spaced repetitive notes, comparable to reverberations) C) the resonance of the echoes (no fresh attacks) and D) silence (the fade-out of the resonance). These cycles operate at numerous micro-levels and one macro-level of structure. Gradually, the whole piece moves toward silence.<br>Toward Silence est une composition de 12 minutes pour deux flûtes et un ensemble. L'œuvre est écrite pour huit interprètes : deux flûtes, une clarinette en si bémol, un basson, un cor en fa, un percussionniste (vibraphone, marimba, et caisse claire), un piano, et un violon. Les instruments sont disposés de façon à mettre en évidence les deux flûtes à l'avant et à permettre l'émergence de petites groupes. L'œuvre, en un seul mouvement, est constituée de nombreux épisodes sonores de différentes durées qui contiennent chacun quatre parties : A) un geste (matériel motivique); B) multiples « échos » de ce geste (notes répétitives librement espacées à la façon de réverbérations); C) la résonance des échos (aucune attaque nouvelle); et D) le silence (résonance en fondu). Ces cycles peuvent être entendus à des niveaux micro et macro de la structure. Progressivement, la pièce devient silencieuse.
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Roddan, Bruce Harrison. "Two prototype fluvial suspended sediment samplers evaluated in an instream flume." Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/5312.
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Fluvial suspended sediment (FSS) is a measured physical component of
hydrologic and environmental watershed studies. A variety of tools and strategies are
employed to collect a FSS sample that is representative of the source water FSS. The
discrete point-in-time automatic fixed speed pump sampler (DPS) is a commonly used
tool in FSS studies. During May-October 2006, two prototype FSS samplers, a time
integrated passive sampler (TIPS) and a continuous flow proportional variable speed
pump sampler (CPS), were evaluated using an instream flume and a DPS sampler, placed
in a small, low energy, second order stream in the Southern Interior of British Columbia,
Canada. The time integrated passive sampler consisted of a passive instream sampler,
and collected FSS continuously over a 24-hour period from a point in the stream
cross-section. The CPS consisted of a combined instream suction pipe, pressure
differentially controlled variable speed peristaltic pump, removable inclined pipe
expansion, and filter bed system. The CPS pumped and filtered water for FSS
continuously over a 24-hour period from a point in the stream cross-section. The instream
flume consisted of an immersed 1 m diameter by 5 m long half pipe section on adjustable
legs.
Results indicated that all three samplers were correlated in the assessment of FSS
silt/clay (mineral particle size fractions < 53 μm), sand (mineral particle size fractions
> 53 μm), and organic matter based on weight, concentration, and percent proportions.
Regression results demonstrated that there was disagreement between the DPS and the
other two samplers for the assessment of organic fractions. The CPS- and TIPS-measured
blend of percent organic and percent mineral fractions were in agreement, particularly if
the TIPS measured percent sand was less than 35%. The TIPS collected FSS variables
were most responsive to changes in flume flow velocity (log-log relationship),
particularly the measurement of FSS total weight. The TIPS weight variables were
predictors of flume FSS load values when calibrated to CPS or DPS load values.
The study of the TIPS operational characteristics revealed that the inlet velocity
was less than the ambient flume velocity of 400 mm ⁻¹ by a factor of 3.9. The proportion
of inlet FSS retained in the TIPS body was determined by studying the ratio of expelled
to retained FSS proportions (E:R). The E:R ratio was stable at 1:1 for flume velocities
between 300 mm ⁻¹ and 400 mm s⁻¹. The E:R ratio varied predictably (linearly)
according to the flume velocity, but less predictably according to changing proportions of
organic matter, mineral particle size < 53 μm, and mineral particle size> 53 μm.
The TIPS and CPS were capable of collecting enough FSS to assess a mineral
particle size < 53 μm and> 53 μm. DPS assessment was restricted by the collected
sample size to the assessment of organic matter and total mineral fractions only. The
DPS was capable of partitioning the 24-hour hydrograph into 2-hour segments, whereas
the CPS and TIPS collected a time integrated composite sample over the 24-hour period.
The DPS pump speed was fixed, whereas the CPS pump speed was variable, according to
the pressure differential readings on a venturi at the TIPS sampler outlet that responded to
flume flow velocity. The instream flume provided a stable 24-hour sediment supply,
linearized flow and isolated the FSS supply from streambed sediments. The flume was
also a convenient, adjustable working platform above the watercourse.
The CPS and TIPS prototypes represent successful initial steps toward designing
an alternative sampling device to the automatic pump sampler.
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McShane, E. M. "Investigations into action of triclabendazole and two naturally-derived potential flukicides against liver fluke, Fasciola hepatica." Thesis, Queen's University Belfast, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.546331.
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Blake, Kevin. "Experimental Characterization and Modeling of Wettability in Two Phase Oil/Water Flow in the Annular Flume Apparatus." Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1547060617833221.
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Chiou, Jing-Fu Jeffrey. "Using Lao Tzu’s Tao Te Ching to cultivate a Classical performing musician’s professional mindset." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6395.
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This thesis reaches across multiple disciplines, including music psychology, performing arts, and philosophy, to propose using Lao Tzu’s philosophical thoughts in his book Tao Te Ching (also Dao De Jing, daodejing) to cultivate a classical performing musician’s “professional mindset.” “Professional mindset” is defined as the performer’s attitude in dealing with people including himself, and philosophical perspectives in making music.
Part I evaluates the recurring traits of classical performing musicians (CPMs) as key for later arguing that Tao Te Ching helps enhance and transform the associated behaviors of a CPM’s recurring traits. These traits include being aloof, intelligent, emotionally unstable, dominant, sensitive, imaginative, self-sufficient, having high ergic tension, along with the associated second-order factors introversion, anxiety, independence, and being unrestrained.
Part II introduces Tao Te Ching by building its thinking system map, with each of the book’s components explained and the underlying concepts hidden in the map uncovered via my English translations of the text as found in Chen Guying’s commentary.
Part III presents three perspectives that collectively argue how Tao Te Ching cultivates a CPM’s professional mindset. The first analyzes anecdotes from the biographies of flutist Marcel Moyse using the recurring traits of CPMs in order to show how Lao Tzu’s thoughts can enhance or transform the associated behaviors of the recurring traits of CPMs. The second philosophically applies the duality of Lao Tzu to a CPM’s main musical activities and defines his daily performing cycle. The third explains how Tao Te Ching creatively deals with musical matters.
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Quantz, Johann Joachim. "Concerto D-Dur QV 6:1." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2011. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-70021.
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Johann Joachim Quantz, am 30. Januar 1697 im niedersächsischen Oberscheden geboren und am 12. Juli 1773 in Potsdam gestorben, gilt nicht nur als einer der bedeutendsten Flötenvirtuosen seiner Zeit, sondern hatte sich auch einen großen Namen gemacht als Lehrer des Flöte spielenden Preußenkönigs Friedrich II. und als Verfasser des theoretischen und selbst noch für die heutige Musikforschung wichtigen Grundlagenwerkes Versuch einer Anweisung die Flöte traversiere zu spielen (1752)1. Überdies hatte er ein umfangreiches OEuvre an Kompositionen – Konzerte und kammermusikalische Werke vornehmlich für sein Instrument – geschaffen, die zumeist für seinen königlichen Schüler bestimmt waren, an dessen Hof er seit Dezember 1741 lebte und wirkte. Zwar gehörten die Jahre am preußischen Hof für den Flötenmeister zu den wichtigsten seines Lebens und Schaffens, jedoch war seine vorangegangene Anstellung – seit 1718 als Mitglied der so genannten »Polnischen Capelle«2 und seit 1728 Flötist in der Hofkapelle – am Hofe August II. (des Starken) in Dresden für seine Entwicklung und Reife entscheidend. Dort hatte er nicht nur Gelegenheit, die hohe künstlerische Qualität der vorzüglichen Hofkapelle hauptsächlich unter Leitung von Johann Georg Pisendel (1687–1755) zu erleben und späterhin mitzugestalten, sondern sich frühzeitig durch gründlichen Unterricht beim ersten Flötisten der Königlichen Kapelle, Pierre Gabriel Buffardin (1689–1768), ausbilden zu lassen und sich selbst zu einem herausragenden Musiker zu entwickeln. Während einer dreijährigen Studienreise (1724–1727) nach Italien, Frankreich und England machte er sich mit den bekanntesten Instrumentalisten und Gesangskünstlern bekannt, versuchte, sich auch kompositorisch weiter zu bilden (u. a. Unterricht bei Francesco Gasparini) und studierte mit Eifer die Eigenheiten und Besonderheiten des italienischen und französischen Nationalstils.
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Quantz, Johann Joachim. "Concerto D-Dur QV 6:1." Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-149841.
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Johann Joachim Quantz, am 30. Januar 1697 im niedersächsischen Oberscheden geboren und am 12. Juli 1773 in Potsdam gestorben, gilt nicht nur als einer der bedeutendsten Flötenvirtuosen seiner Zeit, sondern hatte sich auch einen großen Namen gemacht als Lehrer des Flöte spielenden Preußenkönigs Friedrich II. und als Verfasser des theoretischen und selbst noch für die heutige Musikforschung wichtigen Grundlagenwerkes Versuch einer Anweisung die Flöte traversiere zu spielen (1752)1. Überdies hatte er ein umfangreiches OEuvre an Kompositionen – Konzerte und kammermusikalische Werke vornehmlich für sein Instrument – geschaffen, die zumeist für seinen königlichen Schüler bestimmt waren, an dessen Hof er seit Dezember 1741 lebte und wirkte. Zwar gehörten die Jahre am preußischen Hof für den Flötenmeister zu den wichtigsten seines Lebens und Schaffens, jedoch war seine vorangegangene Anstellung – seit 1718 als Mitglied der so genannten »Polnischen Capelle«2 und seit 1728 Flötist in der Hofkapelle – am Hofe August II. (des Starken) in Dresden für seine Entwicklung und Reife entscheidend. Dort hatte er nicht nur Gelegenheit, die hohe künstlerische Qualität der vorzüglichen Hofkapelle hauptsächlich unter Leitung von Johann Georg Pisendel (1687–1755) zu erleben und späterhin mitzugestalten, sondern sich frühzeitig durch gründlichen Unterricht beim ersten Flötisten der Königlichen Kapelle, Pierre Gabriel Buffardin (1689–1768), ausbilden zu lassen und sich selbst zu einem herausragenden Musiker zu entwickeln. Während einer dreijährigen Studienreise (1724–1727) nach Italien, Frankreich und England machte er sich mit den bekanntesten Instrumentalisten und Gesangskünstlern bekannt, versuchte, sich auch kompositorisch weiter zu bilden (u. a. Unterricht bei Francesco Gasparini) und studierte mit Eifer die Eigenheiten und Besonderheiten des italienischen und französischen Nationalstils.
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Nakielski, Christopher John. "A scholarly edition of Suita Maryjna, a Polish Marian suite for treble chorus, string quartet and two flutes, by Irena Pfeiffer." Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6228.
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This is the first published edition of Suita Maryjna (1987), a nine-movement Marian suite intended for three-part treble chorus, string quartet and two flutes composed by the Polish neoclassicist composer Irena Pfeiffer (1912-1986). The work was most likely intended for performance during Pope John Paul II’s pilgrimage to the Wawel Cathedral in Cracow, Poland in June 1987. It is structured according to a Marian prayer service known as the Jasna Góra Appeal, first prayed in the Jasna Góra Sanctuary in Częstochowa, Poland when the nation gained its sovereignty in 1918. The appeal was popularized by Pope John Paul II, who prayed it across Poland during his pilgrimages.
Following the 1987 pilgrimage, Pfeiffer sent a manuscript of Suita Maryjna to the Lira Ensemble, a professional ensemble in Chicago specializing in Polish music, song and dance. Pfeiffer played an important role in the Lira by serving as a long-distance artistic advisor and by providing co-founder and current artistic advisor Lucyna Migala with modern Polish compositions for nearly twenty-five years. Suita Maryjna became a cornerstone of the ensemble’s repertory and was performed frequently, including in a studio recording in 1996. This edition of Suita Maryjna is placed in the context of Pfeiffer’s career, with particular attention to her working relationship with Pope John Paul II and the Lira Ensemble. Moreover, it discusses how Suita Maryjna reflects archaism, one of several strands of Polish neoclassicism in which diverse styles from earlier historical periods are fused.
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Córdoba, Solà Patricia. "Partitioning and speciation of trace elements at two coal-fired power plants equipped with a wet limestone flue gas desulphurisation (FGD) system." Doctoral thesis, Universitat Politècnica de Catalunya, 2013. http://hdl.handle.net/10803/116331.
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Coal-fired power plants are a major source of emissions for a number of air pollutants including SO2, NOx, particulate matter (PM), HCl, HF, and Hg amongst.
In this work, intensive sampling campaigns were carried out at two power plants in Spain in 2007 and 2008 to study the fate of trace elements. Input and output flows were sampled in the coal combustion unit (boiler and Electrostatic Precipitator (ESP)) and in the Flue Gas Desulphurisation (FGD) system. Analyses of solid, water, gaseous, and PM samples, mass balance calculations and studies on partitioning for trace elements were conducted for the Pulverised Coal Combustion, FGD systems, and for the whole installation (PCC+FGD). Desulphurisation efficiency and emission abatement capacity for inorganic trace pollutants at both power plants was also assessed on the basis of these results.
Results revealed (1) an unusual speciation of Hg in the outgoing gaseous stream of the flue gas desulphurisation (OUT-FGD) system at the two power plants: Hg0 was the dominant Hg OUT-FGD species at PP1, and Hg2+ at PP2; (2) a different retention of gaseous Hg between the two sampling campaigns at the coal-fired power plant under co-combustion conditions: a higher retention of Hg2+ in 2007 (73%) than in 2008 (24%) at PP2; (3) a high concentration of trace pollutants and a distinctive behaviour of some elements in the waters of re-circulation to the scrubber at both power plants: Al, F, and SO42 presented a higher concentration in the 2007 gypsum slurry than at PP2 in 2008 and that at PP1; and (4) a characteristic leaching behaviour of some elements from FGD-gypsum: insignificant leaching of heavy metals from FGD-gypsums was found at PP2. The behaviour of Se proved to be the inverse.
Laboratory experiments were conducted to reproduce the differences in speciation of gaseous Hg OUT-FGD with respect to that detected at industrial scale.
Thermodynamic modelling tools were employed to study the causes of the different retention and speciation of gaseous Hg OUT-FGD and causes and effects of the high concentration of elements in the waters of re-circulation. Potentiometric titration experiments for FGD-gypsum samples were conducted to study the leaching behaviour of some elements from FGD-gypsum.
Laboratory experiments confirmed Hg0 as the dominant species in the OUT-FGD gas at PP1, and Hg2+ at PP2. The gaseous speciation of Hg2+ OUT-FGD at PP2 in 2007 and in 2008 was caused by the high concentration of HCl and Hg in the IN-FGD gaseous stream. The unusual speciation of Hg2+ OUT-FGD at PP2 was probably due to the evaporation of HgCl2 particles from the gypsum slurry in the OUT-FGD gas. The Al-additive used at PP2 was responsible for the higher retention of gaseous Hg in 2007 than in 2008.
The enrichment of inorganic trace pollutants in the re-circulated water streams at PP1 and PP2 resulted from the continuous re-circulation of filtered water to the scrubber. The emission of the enriched elements by entraining particles and droplets of gypsum slurry OUT-FGD was the most significant consequence of such a fact.
Thermodynamic modelling revealed that the Al-additive i) increased the concentration of F- in filtered waters at PP2 in 2007, ii) gave rise to the differential behaviour and enrichment of Al, F, SO42-, Mg, and U in gypsum slurries and filtered waters, iii) led to the formation of SO42- complexes with metals increasing their concentrations in the gypsum slurry from PP1 to PP2-2008 and 2007, iv) caused the acidification of gypsum slurry from PP2 via aluminium hydrolysis, and v) induced the protonation of the PP2 FGD-gypsum surfaces.
The relatively high leaching values of Se and the absence of significant leaching of heavy metals from the PP2 FGD-gypsums resulted from the protonation of the surface of the FGD-gypsum and the formation of SO4-complexes.
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Maar, Tomáš. "Dvoutlaký horizintální kotel na odpadní teplo za spalovací turbinu;121,3kg/s spalin, 456 C." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2012. http://www.nusl.cz/ntk/nusl-230062.
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This thesis deals with a heat recovery steam generator for gas turbine. According to the given parameters of the flue and steam, thermal balance boiler was design and configuration of the heating surfaces. Furthermore, the parameters calculated in the thermal balance of the individual heat transfer surfaces designed and drawn in the drawing.
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Kolarčík, Vojtěch. "Dvoutlaký horizintální kotel na odpadní teplo za spalovací turbinu;131kg/s spalin, 558° C." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2014. http://www.nusl.cz/ntk/nusl-231073.
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This master‘s thesis describes thermal calculation and design of proportions of calorific components of a heat recovery steam generator (HRSG) for given input parameters of flue gas and output parameters of steam. Part of the thesis is design proportions of boiler drums, irrigation and transfer pipes. On the end of the thesis is counting draught losses and design drawning of steam generator.
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Šmejkal, Petr. "Dvoutlaký horizontální kotel na odpadní teplo za plynovou turbinu,137,4kg/s spalin,569° C." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2013. http://www.nusl.cz/ntk/nusl-231045.
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This thesis deals with thermal calculation and design of proportions and layout of calorific components of a heat recovery steam generator according to given output parameters of steam and input parameters of flue gas. Furthermore, the proportions of boiler drums and irrigation and transfer pipes are designed and draught losses are calculated.
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Smolinský, Petr. "Dvoutlaký horizontální kotel na odpadní teplo (HRSG)." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2015. http://www.nusl.cz/ntk/nusl-232159.
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This master‘s thesis deals with the design of horizontal heat recovery steam generators (HRSG) with two pressure levels after a combustion turbine. In the introduction part is performed thermal calculation and proposal of a heat transfer surfaces. Furthermore, are suggested dimensions of the drums and pipes for flooding and transferring. The emphasis is placed on the fulfillment the required parameters of steam and flue gas at HRSG outlet. At the end is calculated loss of boiler draft and made technical documentation a drawing of the boiler.
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Li, Junhong Li. "Pier Streamlining as a Bridge Local Scour Countermeasure and the Underlying Scour Mechanism." University of Akron / OhioLINK, 2018. http://rave.ohiolink.edu/etdc/view?acc_num=akron1518565785864439.
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Muratori, Giacomo. "Application of multivariate statistical methods to the modelling of a flue gas treatment stage in a waste-to-energy plant." Master's thesis, Alma Mater Studiorum - Università di Bologna, 2018. http://amslaurea.unibo.it/17262/.
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Among all the flue gas components produced in waste-to-energy plants, acid airborne pollutants such as SO2 and HCl have the most rigorous emission standards provided by the European Parliament. Their removal is thus a key step of the flue gas treatment which is mainly achieved with the Dry Treatment Systems (DTS), technologies based on the direct injection of dry solid sorbents which is capable to subtract the acid from the gas stream with several important advantages and high removal efficiencies. However, the substantial lack of a deeper industrial knowledge makes difficult to determine accurately an optimal operating zone which should be required for the design and operation of these systems. The aim of this study has been therefore the exploration, while basing on an essential engineering expertise, of some of the possible solutions which the application of multivariate statistical methods on process data obtained from real plants can give in order to identify all those phenomena which rule dry treatment systems. In particular, a key task of this work has been the seeking for a general procedure which can be possibly applied for the characterization of any type of DTS system, regardless of the specific duty range or design configuration. This required to overcome the simple mechanical application of the available techniques and made necessary to tailor and even redefine some of the available standard procedures in order to guarantee specific and objective results for the studied case. Specifically, in this so called chemometric analysis, after a pre-treatment and quality assessment, the process data obtained from a real working plant was analyzed with basic and advanced techniques in order to characterize the relations among all the available variables. Then, starting from the results of the data analysis, a linear model has been produced in order to be employed to predict with a certain grade of accuracy the operating conditions of the system.
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Zaidullina, Liliia. "Návrh dvoutlakého vertikálního kotle na odpadní teplo za plynovou turbínou na zemní plyn." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2018. http://www.nusl.cz/ntk/nusl-378733.
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This Master’s thesis focuses on the design of vertical heat recovery steam generators. This work focuses on three main objectives. The first objective is to describe the heat recovery steam generators, there basic principle and construction. The second focal objective is thermal calculation, design of heat tranfer surfaces and choice of materials. The third objective was to calculate the boiler loss, hydraulic calculation and subsequent design of the drum dimensions.
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Loukota, Martin. "Návrh dvoutlakého vertikálního kotle na odpadní teplo za plynovou turbínou na zemní plyn." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2017. http://www.nusl.cz/ntk/nusl-319280.
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This master‘s thesis deals with design of vertical heat recovery steam generators (HRSG). In the introduction part is performed description and distribution HRSG, thermal calculation, proposal of a heat transfer surfaces and choice of materials. Finally is executed aerodynamic calculation, hydraulic calculation and then are suggested dimensions of the drums. Thesis also includes technical documentation of the boiler.
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Šíma, Kamil. "Energetické využití komunálního odpadu." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2010. http://www.nusl.cz/ntk/nusl-229193.
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The topic of the diplome thesis is draft of the waste-to-energy plant for municipal waste with cogeneration of heat. Basic specification of project: Waste-to-Energy plant is facilitated by two rotary kilns of type operating in parallel. Further flue gas leaving the post-combustor enters a multicyclone unit to separate substatial portion of fly-ash. Heat of flue gas at the temperature of 1000°C generates superheated steam in a Heat Recovery Steam Generator (HRSG). Dry sorption process is appllied for flue gas treatment. Specifically sodium bi-carbonate is used for it. Products of reactions and remnants of dust are separated by a baghouse. Superheated steam, generated by two HRSG, presents the inlet stream of a condensing steam turbine with steam extraction. The diploma thesis contains calculation of major devices and basic economical and financial statement of project.
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Ptáček, Ondřej. "Návrh dvoutlakého vertikálního kotle na odpadní teplo za plynovou turbínou na zemní plyn." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2017. http://www.nusl.cz/ntk/nusl-319246.
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This diploma thesis deals with proposal of a two-lane vertical boiler using the waste heat after gas turbine. In the first part the heat calculation has been done followed by the arrangement of particular heat exchange surfaces and the drawing of real saw diagram. There are also dimensions of drums, inlet and outlet pipes and transfer pipelines drafted. Furthermore, I have listed the materials that are used for casing the boiler and pipelines. Finally, the boiler loss is calculated and the boiler hydraulic calculation is performed. The supplement contains a boiler drawing.
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Korytár, Zbyněk. "Návrh spalovny odpadu s parní turbinou." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2012. http://www.nusl.cz/ntk/nusl-230307.
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The aim of this thesis is the design of municipal waste incinerator using the generated steam for power generation and distribution of heat. At the beginning is engaged in development of waste issues and the current state of waste management. The next section describes the options of waste treatment and possible solutions to the current state of waste issues. The concept of waste incineration plants: For waste incineration is used line for burning 100,000 tons of municipal waste per year.Combustion takes place in a grate boiler. Its advantage is the versatility and flexibility to waste. Electricity generation is dealt with condensing turbine with controlled consumption. The flue gas cleaning is designed to semi-wet method. The final stage involves the calculation of the balance, the calculation of electric energyand basic economic evaluation.
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Maršík, Jaroslav. "Dvoutlaký horizontální kotel na odpadní teplo (HRSG)." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2015. http://www.nusl.cz/ntk/nusl-232157.
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The Master’s thesis dealing with design of heat recovery steam generator with two pressure levels is split into nine sections. The first section describes the design and the layout of HRSG. The second part deals with heat calculation. The third section deals with design of flue-gas duct. The fourth part describes designs of individual heating surfaces, including steam superheaters, vaporizers and economizer. Next section shows the real temperature diagram and choice of the materials. The seventh section describes the calculation of outer pipelines and the eighth part deals with the drums design. The last section deals with the calculation of draft loss of steam generator.
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Med, Lukáš. "Návrh dvoutlakého horizontálního kotle na odpadní teplo." Master's thesis, Vysoké učení technické v Brně. Fakulta strojního inženýrství, 2016. http://www.nusl.cz/ntk/nusl-241924.
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This master's thesis deals with thermal calculation and design of proportions of calorific components of a heat recovery steam generator (HRSG), which is placed behind a combustion turbine, for given parameters of exhaust gases and requested parameters of steam. In the first chapters is described the design, layout of HRSG and the thermal calculation. The next parts deal with the design of flue-gas duct and each individual heating surface. Next section shows computations of dimensions of drums, flooding pipes, transferring pipes and all other outer pipes. The chosen materials are described in one of the last chapters and the last chapter deals with calculation of draft loss of steam generator.
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Doležal, Lukáš. "Provozní účinnosti zdrojů tepla." Master's thesis, Vysoké učení technické v Brně. Fakulta stavební, 2019. http://www.nusl.cz/ntk/nusl-392150.
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The topic of this diploma thesis is the operational efficiency of heat sources. The work had several goals. The first was to determine the efficiency of the wood boiler according to available calculation methods and to compare the methods among them. The second was to determine the difference in the performance of the flue gas analyzer and the real calculation. Further, to determine the efficiency of a boiler firing different wood species - spruce and hornbeam based on their properties and elemental composition. Experimental measurement of various operating states of effectiveness took place in an older two-generation family house, which was also the subject of the project part. Due to lack of project documentation, it was necessary to focus and plot the object. Afterwards, the building was thermally inspected and the design of the heating system and the reconstruction of the whole heating system was carried out. The project was developed in two variants for two different heat sources - a heat pump and a solid fuel boiler for heating and water preparation. The thesis deals with the technical report, the conceptual solution of the related professions, the evaluation of the heat source variants and the project documentation.
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Cheng, Hsing-Yi Cindy. "Selected aspects of musical style in the performance of flute repertoire [sound recording] : a package of two CDs and exegesis." Thesis, 2005. http://hdl.handle.net/2440/70170.
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Title page, table of contents and abstract only. The complete thesis in print form is available from the University of Adelaide Library.<br>Thesis (M.Mus.) -- University of Adelaide, Elder School of Music, 2005
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Bakker, Twila Dawn. "Two responses to modernism: minimalism and new complexity in solo flute repertoire." Thesis, 2011. http://hdl.handle.net/1828/3260.
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Wind repertoire, especially for flute, has received little focused attention in the musicological world especially when compared with other instruments. This gap in scholarship is further exacerbated when the scope of time is narrowed to the last quarter of the twentieth century. Although Minimalism and New Complexity are – at least superficially – highly divergent styles of composition, they both exhibit aspects of a response to modernism. An examination of emblematic examples from the repertoire for solo flute (or recorder), specifically focusing on: Louis Andriessen’s Ende (1981); James Dillon’s Sgothan (1984), Brian Ferneyhough’s Carceri d’Invenzione IIb (1984), Superscripto (1981), and Unity Capsule (1975); Philip Glass’s Arabesque in Memoriam (1988); Henryk Górecki’s Valentine Piece (1996); and Steve Reich’s Vermont Counterpoint (1982), allows for the similarities in both genre’s response to modernism to be highlighted. These works are situated historically and characteristics of both styles are highlighted with particular regard to Late or Post-Modernism.<br>Graduate
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Tucker, Aubrey Stephen. "Breath: Two scenes for soprano, tenor and baritone voices; flute, cello and piano." Thesis, 1999. http://hdl.handle.net/1911/19451.
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Breath is based on a story written by R. Lawrence Reed II, M.D., when he chaired the Trauma Surgery Department at the University of Texas Medical School in 1989.
Breath is a setting of two hospital scenes. "Emergency Room" is the tragic aftermath of a young man's alcohol related motorcycle accident when his parents (soprano and baritone) are given hopeless news by the Doctor (tenor or contralto). In "Intensive Care Unit," the parents are next confronted with the unthinkable procedure of having their son's ventilator disconnected.
Musically, Breath is generally organized with three pitch series which are associated with paired voices and instruments.
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CHANG, ING-LAN, and 張瑛蘭. "Elements of Native American Music in Katherine Hoover's Flute Solo Pieces- A Case Study of Two Katherine Hoover's Flute Solo Pieces“Kokopeli” and “Winter Spirits”." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/50173500280297099685.
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碩士<br>實踐大學<br>音樂學系碩士班<br>98<br>Regarding to the influence of Native American music in the Classical music, one may trace back to Antonín Dvořák. When Dvořák was in American, he was influenced by Native American music, and he considered it as one of the representive styles of the American music. Consequently, there are many local musicians in America try to fuse the elements of Native American music with their music in 20th century to further reinterpret and express the Native American music in various ways.
Katherine Hoover was born in America, she is an extraordinary composer and flutist. Owing to her exquisite observation and feeling, her music is filled with many possibilities. Because of the diversity of her music, there are many topics worth to discuss in her works.
Besides the introduction, there are four parts in the present thesis. Two solo flute pieces of Katherine Hoover ─Kokopeli and Winter Spirits─are chosen as the subject of study. In the begining, the Native American’s culture, including the geographical position and the history, are introduced to provide the readers the related background knowledge. The life, the recordings and the works of Katherine Hoover are discussed in the subsequent chapter, especially her four flute solo pieces. The most important part in this thesis is the analysis result of two pieces of Hoover to verify the use of the elements of Native American music discussed in the previous chapters in her works. The last part of the thesis provides some tips about interpretation of her works and also the summary of the thesis.
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Lee, Chia-Yun, and 李佳芸. "CHIA-YUN LEE FLUTE RECITAL WITH A SUPPORTING PAPER COMPOSITIONAL INTENTION AND PERFORMANCE PRACTICE IN THE TWO EDITIONS OF BERIO’S SEQUENZA I." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/94262638513938491581.
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碩士<br>國立交通大學<br>音樂研究所<br>98<br>Luciano Berio’s Sequenza I (1958) for flute solo is an exploration in new sound world and technical frontier, and establishes itself as a 20th-century classical repertoire. Since the original spatial notation with proportional duration could not safeguard adequate interpretation of the work, Berio revised it with conventional rhythmic notation in 1992. After a formal analysis of the piece, this study compares the two versions in regard of rhythmic duration and grouping, fermatas, and articulation. Finally, it examines the correlation between compositional intention and performance practice, and discusses the significance of the seemingly return of the avant-garde form of the Ecoan “open work” to the traditional notation paradigm.
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Kim, Yeong Su Ko Eunae. "20th century French oboe repertoire from two groups of composers "Le triton" and "Le jeune France"." 2006. http://hdl.handle.net/1903/9756.
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Ciou, Zong-Wei, and 邱宗威. "The Reconditioning of Cutting Edges of A Two-Fluted Drill." Thesis, 2007. http://ndltd.ncl.edu.tw/handle/08500295919229855832.
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碩士<br>國立成功大學<br>機械工程學系碩博士班<br>95<br>Drilling is one of the most important machining processes that have been widely applied in manufacturing area. According to the statistics, the capital spending of drills is over forty billion US dollars per year in the world. Drills are usually reconditioned four or more times. Therefore, the OEM is only responsible for about 20 percent of a drill’s cutting-edge life. That means the reconditioning service is responsible for 80 percent.
In the past, drills were manually reground. Compared with references of drill design, the existing literature addressing regrinding is rather meager. Today, it’s important to use CNC grinders in drill grinding. CNC machines offer much greater repeatability than manual grinders to get greater consistency from drill to drill. A CNC grinder has a program, program variables and tooling offsets to be properly adjusted to produce drills to specific dimensions and within specific tolerances. However, to use a CNC grinder, there are three difficulties have to be overcome: (1) how to determine the flank and flute for given rake and clearance angle distribution along cutting edges; (2) how to determine the drill home position; (3) how to obtain the NC data equations to regrinding the drill.
Regrinding a drill usually requires a face- or flank-grinding operation, a web-thinning or gashing operation. Therefore, in Section 2 we will review the main geometrical characteristics of a conventional drill. The drilling performance of a drill depends significantly on three characteristic angles (rake, clearance and wedge angle) of cutting edge. In Chapter 3 the tool-in-use system of characteristic angles based on the International Standard Organization (ISO) will be used to determine the required flank and face surfaces. In Chapter 4 the required pose of the grinding wheel will be determined to overcome the second and third difficulties. Five off-the-shelf drills of tungsten carbide material are reground into various drill points for comparisons in Chapter 5. Important conclusions are given in Chapter 6.
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Rodriguez, Florida. "The history of the flute in jazz, basic techniques, and how jazz and improvisation can inform a classical performance." 2018. http://hdl.handle.net/2097/39040.
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Master of Music<br>Department of Music, Theatre, and Dance<br>Karen M. Large<br>This report covers a history of the flute in jazz music as well as the advancement of the flute in jazz, starting from the late 1920s. The lives of jazz flute pioneers Alberto Socarrás, Wayman Carver, Herbie Mann, Hubert Laws, and Ali Ryerson are discussed, as well as their contributions to the history of jazz flute. Basic jazz techniques such as improvisation are broken down and explained for classically trained flutists and others who have an interest in playing jazz music but do not know where to begin. This report also discusses how practicing these techniques can further aid in preparing a classical performance. Examples included in this report are excerpts from Mozart’s Concerto in D Major for flute and Mike Mower’s Sonata Latino.
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Kang, Chun-Hao, and 康峻豪. "Friction effect on the dynamics of unsteady two-phase solid-liquid flow down a flume." Thesis, 2009. http://ndltd.ncl.edu.tw/handle/30438110699755554219.
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碩士<br>國立臺灣大學<br>機械工程學研究所<br>97<br>A laboratory-scale flume has been developed and integrated with a high-speed image acquisition system to investigate the unsteady bulk motion of a dry and a wet granular mixture. Monatomic Polyoxymethylene (POM) spheres and water are employed to prepare the experimental materials.
An image analysis routine has been developed to achieve efficient tracking for the individual particles within a moving bulk. Special efforts are made to examine how the coexisting liquid modifies the flow properties of a wet mixture from that exhibits by the dry bulk. The basal friction and the corresponding friction coefficients, that are typically difficult to measure, are estimated using image analysis and control volume analysis.
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KAO, JUNG-YI, and 高榕逸. "An Analysis of Albert Franz Doppler's Concerto in D Minor for Two Flutes and Orchestra." Thesis, 2019. http://ndltd.ncl.edu.tw/handle/3qjqj9.
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碩士<br>國立臺南大學<br>音樂學系碩士在職專班<br>107<br>Albert Franz Doppler (1821-1883) was a renowned 19th-century Austrian flute virtuoso and composer. Living in an era where Romanticism and Nationalism movements were at their peaks had profoundly influenced Doppler. His works not only display vivid emotion with dramatic contrast but also draw inspirations from rich national elements. Doppler composed a wide variety of flute repertoire, however his《Concerto in D Minor for Two Flutes and Orchestra》is the only double concerto for two solo flutes.
This thesis has five chapters, the first one introduces the aim and the scope of the thesis. The second chapter briefs about the three stages to Doppler’ s life by compiling background materials. The third chapter discusses in depth the styles and techniques that Doppler uses in his music. The fourth chapter focuses on analyzing the elements such as form, harmony, melody, and rhythm. Finally, the final chapter summarizes the thesis to provide a useful analytic reference for flutists and music professionals in the future.
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MAGNO, RAMONA. "Mediterranean ecosystems response to climate variability: carbon sink of two similar Holm oak forests." Doctoral thesis, 2011. http://hdl.handle.net/2158/478066.
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Chou, Wan-Fa, and 周萬發. "Study of Recovery and Concentration of SO2 / CO2 from Flue Gas by Two-Stage Pressure Swing Adsorption." Thesis, 2005. http://ndltd.ncl.edu.tw/handle/7dm2t8.
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碩士<br>國立中央大學<br>化學工程與材料工程研究所<br>94<br>This study uses a two-stage vacuum swing adsorption process to separate SO2, NO2 and CO2 from flue gas. Simulation is performed for the bulk separation of SO2/NO2/CO2/N2 (0.5/0.13/18/81.37 vol %) system. The first stage of SO2-VSA (vacuum swing adsorption) utilizes Dowex MWA-1 as adsorbent to recover SO2 and NO2, and the second stage of CO2-VSA utilizes 13X zeolite as adsorbent to recover CO2. The equilibrium mixture adsorption in SO2-VSA and CO2-VSA can be expressed by the loading ratio correlation (LRC) and extended Langmuir isotherm, respectively. This study uses the equilibrium model and the pressure drop can be neglected. We assumed instantaneous equilibrium between the solid and gas phase with non-isothermal operation. In operating process, the waste stream of SO2-VSA is taken as the feed stream of CO2-VSA.
Two-stage vacuum swing adsorption process is simultaneously simulated. The 0.5%SO2 in the feed can be concentrated to 6.43% in the product with a recovery of 92.13%, the 0.13%NO2 in the feed can be concentrated to 1.00% in the product with a recovery of 54.99%, and the 18%CO2 in the feed can be concentrated to 71.88% in the product with a recovery of 84.31%. The effects of operating variables such as tank volume, P/F ratio, adsorption pressure, desorption pressure, and steps time are investigated on the performance of this study.
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Bezchlebová, Pavlína. "Metodika výuky hry na zobcovou flétnu dětí od 4 do 6 let." Master's thesis, 2012. http://www.nusl.cz/ntk/nusl-304143.
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This thesis Methodology of playing the flute of children from 4 to 6 years deals with the problem of learn to play the flute preschool children. The theoretical part deals with the importance of this activity, its contribution to the children themselves. It focuses on the developmental characteristics of this period, the physical and mental maturity, the skills needed for learning to play flute. It also compares the methodology and the methodology of music education games on the soprano recorder for children of school age and younger children. The practical part deals with the specific methodology you learn to play the soprano flute - using the "color music". Describes the formation method, its advantages for the acquisition of flute playing children 4 to 6 years, application of methods in teaching and, not least, textbook design, the concept would be based on this method.