Academic literature on the topic 'Two gentlemen of Verona (Shakespeare, William)'

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Journal articles on the topic "Two gentlemen of Verona (Shakespeare, William)"

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Iyengar, Sujata. "The Two Gentlemen of Verona by Royal Shakespeare Company." Shakespeare Bulletin 33, no. 1 (2015): 142–45. http://dx.doi.org/10.1353/shb.2015.0006.

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MacPhee, Chantelle. ":The Oxford Shakespeare: "The Two Gentlemen of Verona." Sixteenth Century Journal 41, no. 1 (2010): 267–68. http://dx.doi.org/10.1086/scj27867731.

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Hopkins, Justin B. "The Two Gentlemen of Verona by Pennsylvania Shakespeare Festival, and: Macbeth by Pennsylvania Shakespeare Festival." Shakespeare Bulletin 32, no. 4 (2014): 730–39. http://dx.doi.org/10.1353/shb.2014.0066.

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Knowles, Richard Paul. "Stratford's First Young Company." Theatre Research in Canada 11, no. 1 (1990): 3–28. http://dx.doi.org/10.3138/tric.11.1.3.

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The first so-called 'Young Company' at the Stratford Festival was founded in 1975 by the incoming Artistic Director, Robin Phillips. This essay describes the brief history of that loosely-defined company and analyses their productions of The Two Gentlemen of Verona and The Comedy of Errors in 1975 and of Hamletand The Tempest in 1976, the Festival's first productions of Shakespeare at the Avon Theatre.
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Wu, Hui. "Shakespeare in Chinese Cinema." Multicultural Shakespeare: Translation, Appropriation and Performance 10, no. 25 (2013): 71–81. http://dx.doi.org/10.2478/mstap-2013-0006.

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Shakespeare’s plays were first adapted in the Chinese cinema in the era of silent motion pictures, such as A Woman Lawyer (from The Merchant of Venice, 1927), and A Spray of Plum Blossoms (from The Two Gentlemen of Verona, 1931). The most recent Chinese adaptations/spinoffs include two 2006 films based on Hamlet. After a brief review of Shakespeare’s history in the Chinese cinema, this study compares the two Chinese Hamlets released in 2006—Feng Xiaogang’s Banquet and Hu Xuehua’s Prince of the Himalayas to illustrate how Chinese filmmakers approach Shakespeare. Both re-invent Shakespeare’s Ham
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Joubin, Alexa Alice, Terri Power, and King Sammy Silver. "Identities in Drag: An Interview with King Sammy Silver on August 20, 2020." Borrowers and Lenders The Journal of Shakespeare Appropriations 14, no. 2 (2023): 109–15. http://dx.doi.org/10.18274/bl.v14i2.331.

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This interview with King Sammy Silver, conducted by Alexa Alice Joubin and Terri Power, explores drag as a stage practice. A London-based actor and YouTube personality, he represents a new generation of trans artists. He has worked with Power on multiple Shakespeare productions at Bath Spa University in the UK and elsewhere, and has been influenced by Power’s Drag King Richard III. He has played Valentine in Two Gentlemen of Verona, Viola in Twelfth Night, Capulet and Tybalt in Romeo and Juliet, and Benedict in Much Ado About Nothing. He reflects on Shakespeare’s role in trans theater today as
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İZMİR, Sibel. "The Concept of Male Friendship in Shakespeare s The Two Gentlemen of Verona : A Contextual Approach." Journal of International Social Research 8, no. 37 (2015): 160. http://dx.doi.org/10.17719/jisr.20153710593.

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Pearlman, E. "Staging Romeo and Juliet: Evidence from Brooke's Romeus." Theatre Survey 34, no. 1 (1993): 22–32. http://dx.doi.org/10.1017/s004055740000973x.

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In his first plays, Shakespeare exercised great freedom in devising his plots. The First Part of King Henry VI, it has been said, “darts about the period in a bewildering way.” It is “not so much a Chronicle play as a fantasia on historical themes.” Its two episodic sequels are equally or perhaps even more loosely plotted, while Richard III picks and chooses among events that took place in the decade and a half before 1485 and also seems to incorporate matter from earlier plays (Latin as well as English). In the The Comedy of Errors, Shakespeare began with a groundwork drawn from Plautus's Men
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Chandler, David. "The Two Gentlemen of Verona 's Dramatic Crux: William Charles Macready and the Modern Critical Tradition." Notes and Queries 50, no. 4 (2003): 403–7. http://dx.doi.org/10.1093/nq/500403.

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Korchevsky, A. A. "Arden of Faversham. Translator’s notebook." Voprosy literatury, no. 4 (August 22, 2019): 231–46. http://dx.doi.org/10.31425/0042-8795-2019-4-231-246.

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The author explores different aspects of his work on the Russian translation of Arden of Faversham, a famous play from Tudor period, first published in 1592, and written, and staged apparently several years earlier. Andrey Korchevsky argues why this textbook piece was never translated into Russian language and suggests that the anonymity of the author could play a role in its exclusion from consideration by the Soviet translation school. The context of authorship, in general, seems to be very relevant for the translation process, especially with Shakespeare being named as a ‘suspect’ for parti
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Dissertations / Theses on the topic "Two gentlemen of Verona (Shakespeare, William)"

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Hao, Priscilla Ruth. "An Interpretation of Modern: Costume Designs for An Adaptation of Shakespeare's The Two Gentlemen of Verona." Diss., CLICK HERE for online access, 2006. http://contentdm.lib.byu.edu/ETD/image/etd1486.pdf.

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Books on the topic "Two gentlemen of Verona (Shakespeare, William)"

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June, Schlueter, ed. Two gentlemen of Verona: Critical essays. Garland Pub., 1996.

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Company, Royal Shakespeare. The two gentlemen of Verona by William Shakespeare. Royal Shakespeare Company, 1998.

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Company, Royal Shakespeare. The two gentlemen of Verona by William Shakespeare. RoyalShakespeare Company, 1991.

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Two Gentlemen of Verona. CreateSpace Independent Publishing Platform, 2013.

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Two Gentlemen of Verona. Standard Publications, Inc., 2013.

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Two Gentlemen of Verona. CreateSpace Independent Publishing Platform, 2013.

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Jackson, Russell. Two Gentlemen of Verona. Penguin Books, Limited, 2016.

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Two Gentlemen of Verona. Wilder Publications, Incorporated, 2013.

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Two Gentlemen of Verona. CreateSpace Independent Publishing Platform, 2013.

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Two Gentlemen of Verona. HardPress, 2013.

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Book chapters on the topic "Two gentlemen of Verona (Shakespeare, William)"

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Pfister, Manfred, and Rebekka Rohleder. "Shakespeare, William: The Two Gentlemen of Verona." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17033-1.

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Goodland, Katharine, and John O’Connor. "The Two Gentlemen of Verona." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_34.

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Goodland, Katharine, and John O’Connor. "The Two Gentlemen of Verona." In A Directory of Shakespeare in Performance Since 1991. Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1007/978-1-349-58788-9_73.

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Goodland, Katharine, and John O’Connor. "The Two Gentlemen of Verona." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_34.

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Goodland, Katharine, and John O’Connor. "The Two Gentlemen of Verona." In A Directory of Shakespeare in Performance, 1970–1990. Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1007/978-1-349-60041-0_75.

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Smith, Peter J. "Re(-)fusing the Sign: Linguistic Ambiguity and the Subversion of Patriarchy in Romeo and Juliet and The Two Gentlemen of Verona." In Social Shakespeare. Palgrave Macmillan UK, 1995. http://dx.doi.org/10.1007/978-1-349-24225-2_6.

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Sheen, Erica. "Calling Fools into a Circle: The Woman’s Prize, The Two Gentlemen of Verona, The Merchant of Venice, As You Like It." In Shakespeare and the Institution of Theatre. Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234529_5.

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Gooch, Bryan N. S., and David Thatcher. "The Two Gentlemen of Verona." In A Shakespeare Music Catalogue. Oxford University PressOxford, 1991. http://dx.doi.org/10.1093/oso/9780198129431.003.0006.

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Abstract 18348 Amram, David. [—]. MS [1957 (composer)]. Incidental music: [singing actor(s)]; fl, ob, bsn, hn, perc, hpchd. First performed New York Shakespeare Festival, Belvedere Lake Theatre, Central Park, 22 July 19 57 (Robert Blackburn, Valentine; [Paul Stevens], Proteus; Anne Meara, Julia; Herta Payson, choreographer; Stuart Vaughan, director). 18349 Applebaum, Louis. Two Gentlemen of Verona. MS 1958 (Tyu [Louis Applebaum Papers/Accession I/Box 19/File 308 (T-4)]). Incidental music: [male] solo voice; instr ensemble (ob, cl, hp, vln, vcl). First performed Grand Theatre, London, ON, 14 February 1958; this touring production opened in New York at Phoenix Theatre, 18 March 1958 (Stratford Shakespearean Festival Company [of Stratford, ON]: Eric House, Valentine; Lloyd Bochner, Proteus; Ann Morrish, Julia; William Cole, singer; Tom Brown, choreographer; Michael Langham, director).
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"The Two Gentlemen of Verona, Love’s Labour’s Lost and The Comedy of Errors." In The Routledge Guide to William Shakespeare. Routledge, 2013. http://dx.doi.org/10.4324/9780203835234-15.

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Shakespeare, William. "Two Gentlemen of Verona." In One-Hour Shakespeare. Routledge, 2019. http://dx.doi.org/10.4324/9780429262647-7.

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