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Journal articles on the topic 'Tynjanov'

Author: Grafiati
Published: 4 June 2021
Last updated: 1 February 2022

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1

Depretto, Catherine. "B. M. Èjxenbaum et Ju. N. Tynjanov." Revue des études slaves 57, no. 1 (1985): 61–72. http://dx.doi.org/10.3406/slave.1985.5468.

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2

Depretto, Catherine. "Héros lyrique et personnalité littéraire chez Tynjanov." Revue des études slaves 70, no. 1 (1998): 163–74. http://dx.doi.org/10.3406/slave.1998.6488.

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3

ALT, PETER-ANDRÉ. "Theorien literarischer Evolution bei Šklovskij, Tynjanov und Mukařovsky." arcadia - International Journal for Literary Studies 21, no. 1-3 (January 1986): 1–22. http://dx.doi.org/10.1515/arca.1986.21.1-3.1.

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4

Weinstein, Marc. "Le débat Tynjanov / Baxtin ou la question du matériau." Revue des études slaves 64, no. 2 (1992): 297–322. http://dx.doi.org/10.3406/slave.1992.6045.

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5

Kubícek, Tomáš, Nelly Valtat, and Laurent Vallance. "L’évolution littéraire selon Tynjanov et Jakobson au tournant des années 1920-1930." Communications 103, no. 2 (2018): 181. http://dx.doi.org/10.3917/commu.103.0181.

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6

Peters, Jochen-Ulrich. "Ästhetische Autonomie und kulturkritische Funktion. Jurij Tynjanov als Literaturtheoretiker, Literarhistoriker und Romancier." Poetica 48, no. 3-4 (April 3, 2016): 369–93. http://dx.doi.org/10.30965/25890530-0480304008.

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7

Weinstein, Marc. "L’apport de Tynjanov à la poétique moderne (Éléments pour une science de la littérature)." Revue Russe 2, no. 1 (1992): 25–54. http://dx.doi.org/10.3406/russe.1992.1753.

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8

Breschinsky, Dimitri N., and Zinaida A. Breschinsky. "On Tynjanov the Writer and His Use of Cinematic Technique in The Death of the Wazir Mukhtar." Slavic and East European Journal 29, no. 1 (1985): 1. http://dx.doi.org/10.2307/307921.

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9

Rollberg, Peter. "Das dynamische System: Zur Entwicklung von Begriff und Metaphorik des Systems beijurij N. Tynjanov. By Klaas-Hinrich Ehlers. New York: Peter Lang, 1992. 287 pp. Bibliography. $54.80, paper." Slavic Review 52, no. 4 (1993): 875–77. http://dx.doi.org/10.2307/2499676.

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10

Sosa, Michael. "Gogol' from the 1920s: Tynjanov's Scenario for Šinel'." Slavic and East European Journal 30, no. 4 (1986): 553. http://dx.doi.org/10.2307/307370.

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11

Ivleva, Victoria. "Literary Theory in Practice: Rethinking Jurij Tynjanov's ‘The Wax Figure’." Russian Literature 60, no. 2 (August 2006): 127–57. http://dx.doi.org/10.1016/j.ruslit.2006.09.001.

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12

Debreczeny, Paul. "Puschkinbilder: Bulgakow, Tynjanow, Platonow, Soschtschenko, Zwetajewa. By Nyota Than. Berlin and Weimar: Aufbau, 1984. 252 pp." Slavic Review 48, no. 3 (1989): 528–29. http://dx.doi.org/10.2307/2499043.

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13

Brintlinger, Angela. "Fact and Fiction in Tynjanov's Smert' Vazir-Muchtara: Paradoxes of a “Scientific Novel”." Russian Literature 39, no. 3 (April 1996): 273–302. http://dx.doi.org/10.1016/0304-3479(96)80513-8.

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14

Heil, Jerry. "Jurij Tynjanov's Film-Work. Two Filmscripts: “Lieutenant Kiže” (1927, 1933–34) and “The Monkey and the Bell” (1932)." Russian Literature 21, no. 4 (May 1987): 347–553. http://dx.doi.org/10.1016/s0304-3479(87)80001-7.

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15

Masing-Delić, Irene. "Formalistischer Autor-Funktionalismus: Wie Tynjanovs "Puskin" gemacht ist. By Christoph Veldhues. Slavistische Studienbücher, Neue Folge, no. 13. Wiesbaden: Harrassowitz Verlag, 2003. xii, 538 pp. Notes. Bibliography. Chronology. Index. Tables. €60.00, hard bound." Slavic Review 64, no. 4 (2005): 929–30. http://dx.doi.org/10.2307/3649967.

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16

Carvalho Baptista, José Antonio. "A MATRIZ DIALÉCTICA DO GOSTO NA CONFIGURAÇÃO DO SISTEMA LITERÁRIO." Revista de Letras, no. 15 (February 21, 2013). http://dx.doi.org/10.3895/rl.v0n15.2321.

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Abstract:
Tentaremos comprovar, neste artigo, o modo como o fenômeno do Gosto, tal como postulado no decurso do século XVIII, mormente a partir das formulações produzidas por David Hume, se apresenta dotado de uma morfologia interna constituída por elementos funcionando numa relação de dualismo recíproco. O efeito desta relação traduz-se no originar de uma dialética equivalente no interior do próprio sistema literário, tal como definido por Jurij Tynjanov. Trata-se de uma dialética determinante do modo oscilatório como este sistema se vai configurando e que só pode ser solucionada através daquilo que David Hume designa de “educação do gosto” e Oscar Lopes, em moldes mais específicos, de “educação do gosto literário”.
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