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Books on the topic 'Type Typefaces Typography'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 January 2023

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1

1978-, Strals Nolen, ed. Lettering & type: Creating letters and designing typefaces. New York: Princeton Architectural Press, 2009.

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2

Reči i slova: Tipografska pisma, 8-29. septembar 2005 = Words & letters : typefaces, September 8-29, 2005. Beograd: Muzej primenjene umetnosti, 2005.

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3

Tubaro, Antonio. Lettering: Studies and research on the evolution of writing and print typefaces. Milan, Italy: Istituto Europeo di Design, 1994.

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4

Ben, Day, and Meggs Philip B, eds. Typographic design: Form and communication. New York: Van Nostrand Reinhold, 1985.

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5

B, Meggs Philip, and Day Ben, eds. Typographic design: Form and communication. 4th ed. Hoboken, N.J: John Wiley & Sons, 2007.

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6

Ben, Day, and Meggs Philip B, eds. Typographic design: Form and communication. 2nd ed. New York: Van Nostrand Reinhold, 1993.

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7

Ben, Day, and Meggs Philip B, eds. Typographic design: Form and communication. 2nd ed. New York: John Wiley, 1993.

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8

B, Meggs Philip, and Day Ben, eds. Typographic design: Form and communication. 3rd ed. New York: John Wiley & Sons, 2002.

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9

B, Meggs Philip, and Carter Rob, eds. Typographic specimens: The great typefaces. New York: Van Nostrand Reinhold, 1993.

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10

Typeface: Classic typography for contemporary design. New York: Princeton Architectural Press, 2009.

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11

Typography, Monotype. Monotype non-Latin typeface library. Surrey, England: Monotype Typography, 1994.

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12

Perfect, Christopher. Rookledge's classic international typefinder: The essential handbook of typeface recognition and selection. London: Laurence King, 2004.

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13

Consuegra, David. Classic Typefaces: American Type and Type Designers. Skyhorse Publishing Company, Incorporated, 2011.

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14

Classic Typefaces: American Type and Type Designers. Skyhorse Publishing Company, Incorporated, 2011.

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15

The Field Guide to Typography: Typefaces in the Urban Landscape. Prestel, 2013.

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16

Wageningen, Mark van. Type and Color: How to Design and Use Multicolored Typefaces. Princeton Architectural Press, 2019.

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17

(Editor), Philip B. Meggs, and Roy McKelvey (Editor), eds. Revival of the Fittest: Digital Versions of Classic Typefaces. RC Publications, 2000.

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18

(Translator), Stuart A. Thom, ed. Lettering: Studies and Research on the Evolution of Writing and Print Typefaces. Idea Books, 1997.

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19

Archer-Parré, Caroline, and Malcolm Dick, eds. John Baskerville. Liverpool University Press, 2018. http://dx.doi.org/10.5949/liverpool/9781786940643.001.0001.

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This book is concerned with the eighteenth-century typographer, printer, industrialist and Enlightenment figure, John Baskerville (1707-75). Baskerville was a Birmingham inventor, entrepreneur and artist with a worldwide reputation who made eighteenth-century Birmingham a city without typographic equal, by changing the course of type design. Baskerville not only designed one of the world’s most historically important typefaces, he also experimented with casting and setting type, improved the construction of the printing-press, developed a new kind of paper and refined the quality of printing inks. His typographic experiments put him ahead of his time, had an international impact and did much to enhance the printing and publishing industries of his day. Yet despite his importance, fame and influence many aspects of Baskerville’s work and life remain unexplored and his contribution to the arts, industry and technology of the Enlightenment are largely unrecognized. Moreover, recent research in archaeology, art and design, history, literary studies and typography, is leading to a fundamental reassessment of many aspects of Baskerville’s life and impact, including his birthplace, his work, the networks which sustained him and the reception of his printing in Britain and overseas. This interdisciplinary approach provides an original contribution to printing history, eighteenth-century studies and the dissemination of ideas.

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20

Typographic Design. Adams Media, 2014.

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21

Sanders, Mark, Ben Day, Philip B. Meggs, Rob Carter, and Sandra Maxa. Typographic Design. Wiley & Sons, Incorporated, John, 2014.

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22

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley, 2006.

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23

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2012.

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24

Sanders, Mark, Ben Day, Philip B. Meggs, Rob Carter, and Sandra Maxa. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2014.

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25

Sanders, Mark, Ben Day, Philip B. Meggs, Rob Carter, and Sandra Maxa. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2017.

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26

Meggs, Philip B. Typographic Design: Form and Communication. Wiley & Sons, Limited, John, 2018.

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27

Sanders, Mark, Ben Day, Philip B. Meggs, Rob Carter, and Sandra Maxa. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2014.

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28

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2012.

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29

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2011.

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30

Day, Ben, Philip B. Meggs, and Rob Carter. Typographic Design: Form and Communication. Wiley & Sons, Incorporated, John, 2012.

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31

Meggs, Philip B. Typographic Specimens: The Great Typefaces. Van Nostrand Reinhold, 1993.

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32

Meggs, Philip B. Typographic Specimens: The Great Typefaces. Wiley & Sons, Incorporated, John, 2008.

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33

Meggs, Philip B. Typographic Specimens: The Great Typefaces with Typographic Design: Form and Communication 4th Edition Set. John Wiley & Sons, 2007.

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34

AbiFarès, Huda Smitshuijzen. Typographic Matchmaking: Building Cultural Bridges with Typeface Desi. Bis B.V., Uitgeverij (BIS Publishers), 2009.

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35

Helvetica: Homage to a Typeface. Lars Müller Publishers, 2005.

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