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Journal articles on the topic 'Types of dramatic conflict'

Author: Grafiati

Published: 4 June 2025

Last updated: 1 August 2025

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1

Hrubych, Kostiantyn, and Alla Hychka. "Dramatic Conflict: Action-counteraction." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 3, no. 1 (2020): 20–28. https://doi.org/10.31866/2617-2674.3.1.2020.202650.

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The aim of the research is to determine the peculiarities and essence of conflict in dramaturgy, to analyze from the theoretical point definitions action-opposition is and what place it occupies in cinema and literature. In addition, to find out for what reasons an external conflict arises and how it differs from the internal one. The research methodology is based on a systematic approach, which consists of a study of conflict in cinema. For this purpose, empirical and theoretical research methods were used. Scientific novelty. For the first time, the dramatic conflict in m

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Petrov, V. "From "Bliss" to "Ivan Vasilievich": the creative search of Mikhail Bulgakov." Bulletin of Science and Practice 4, no. 6 (2018): 413–20. https://doi.org/10.5281/zenodo.1290054.

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The article considers Bulgakov’s plays “Bliss” and “Ivan Vasilyevich” in the context of the literary process and taking into account the creative history of works. In Bulgakov’s plays, the carnival worldview associated with the critical view of the author not only on the present but also on the prospects of social progress was manifested. His works are intricately intertwined comedic and dramatic, lyrical and satirical, tragic and farcical.

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Čechová, Mariana. "The typology of backstory inter-character conflicts as a core action in the plot." Ars Aeterna 11, no. 2 (2019): 81–90. http://dx.doi.org/10.2478/aa-2019-0012.

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Abstract Using material from classic fairy tales, the author defines three fundamental types of conflict between literary characters in the text model of the fairy-tale world: overt, covert and potential. Their attributes are evidenced and demonstrated via specific texts and their universal (transcultural) analogues are shown in the archnarratives, which go beyond the classic fairy tale genre. At the end of the interpretation, the author proposes a (hypo)thesis that the presented typology could be a starting point for creating a backstory of conflicts as an action-formative factor also in othe

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Dagovych, Tetyana. "Law and religion in “Martian the Lawyer”, the dramatic poem by Lesia Ukrainka." Слово і Час, no. 1 (February 2, 2021): 39–55. http://dx.doi.org/10.33608/0236-1477.2021.01.39-55.

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The paper explains the attitudes towards law and religion in Lesia Ukrainka’s dramatic poem “Martian the Lawyer” (1911). The poem depicts the life of early Christians under the Roman law in the third century and obtains new relevance in the context of the movement ‘Law and Literature’, as the focus on law in this oeuvre allows a deeper exploration of its meaning. Law is connected with religion in two ways in the poem: as a part of the civil religion and as a system of prohibitions and punishments within the Christian community. Analysis of the text shows that Martian is a carrier of a so

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Berdichevsky, Andrey M. "MODERNITY AND ANTIQUITY IN W. WYCHERLEY’S COMEDY “THE GENTLEMAN-DANCING MASTER”." Practices & Interpretations: A Journal of Philology, Teaching and Cultural Studies 7, no. 3 (2022): 139–71. http://dx.doi.org/10.18522/2415-8852-2022-3-139-171.

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The author examines the paradox, implied in the poetics of the play. Its essence is a combination of two types of dramatic actions, excluding one another. One of them belongs to the basic model of comedy, the first one in the history of this genre, according to N. Frye. The other represents the comedy of social roles, created by Restoration dramatists. The incompatibility of these two comedy types is the result of a deep ideological contradiction between the antiquity, which produced the basic model, and modernity, responsible for the birth of the social role comedy. The author tries to solve

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Jeong, Jong-jin. "The Actualization Patterns and The Poetic Effects of Dialogue Accepted in Saseol-Sijo." Korean Association for Literacy 16, no. 1 (2025): 149–76. https://doi.org/10.37736/kjlr.2025.02.16.1.05.

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The purpose of this study is to determine the impact of the dramatic method of dialogue on the Saseol-Sijo. To this end, the actualization patterns and poetic effects of each type of dialogue were examined. The dialogue were realized in three types. And poetic effects are four types of visual effects: daily representation and weakening of idealism, changes in the distance between speech and audience, dramatic scene presentation and foregrounding of conflict, and the formation of laughter through reversal and distancing. These effects influenced the change in the genre character of the Saseol-S

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Sihite, Jubilezer, Tiara Kristina Pasaribu, Febrika Dwi Lestari, and Usman Sidabutar. "THE DRAMATIC ELEMENT CONCEPTS OF TONGGO RAJA – INDONESIA'S TRADITIONAL MUSIC FESTIVAL." LiNGUA: Jurnal Ilmu Bahasa dan Sastra 18, no. 2 (2024): 225–36. http://dx.doi.org/10.18860/ling.v18i2.23967.

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This study aims to reveal the dramatic element concepts of Tonggo Raja, Indonesia’s traditional music festival, which was officially released by the Ministry of Education, Culture, Research and Technology in 2021. It is interesting to investigate performance in traditional musical drama. In this research, the writer applied a descriptive qualitative design with the concept of a dramaturgy approach. The data was collected by watching the YouTube video, interviewing the composer, and transcribing the data. Then, the data are classified into the types of elements they belong to. After obtaining t

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Yanovski, Alexander, and Max L. Fogel. "Effects of Instructions for Visual Imagery on Thematic Apperception Test Responses." Psychological Reports 60, no. 3 (1987): 851–58. http://dx.doi.org/10.2466/pr0.1987.60.3.851.

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Previous clinical investigations identified two types of patients, those who produce either high (Reactors) or low (Nonreactors) levels of affective and conflictual material in response to imagery instructions within a therapeutic context. This classification held up when Reactors and Nonreactors were administered a Rorschach-based procedure under Conventional and Imagery (reporting imagery sequences following exposure to Rorschach cards) conditions. Reactors produced significantly more affect/conflict and other clinically relevant material. The present study addresses the generalizability of

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Kusumah, Danial. "Organisasi Paranoid: Ancaman Disintegrasi Sosial-Manajemen." La Zhulma | Jurnal Ekonomi dan Bisnis Islam 1, no. 1 (2022): 80–95. http://dx.doi.org/10.70143/lazhulma.v1i1.41.

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This study aims to examine the sources, impacts, and ways to overcome paranoid organizations by using a qualitative approach in the method of analysis and reviewing the literature on the research design. Through the elaboration process carried out in the context of the study, the results of the study reveal that there are 5 (five) types of pathological organizations, namely dramatic organizations, suspicious organizations, compulsive organizations, detached organizations, and depressive organizations. The main sources of paranoid organizations are restructuring, leadership styles, and identity

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Arekeeva, Svetlana Timofeevna. "DRAMATURGIC CREATIVITY OF THE UDMURT WRITER-EDUCATOR I. S. MIKHEEV: PROBLEMATICS OF PLAYS, NATURE OF CONFLICTS." Yearbook of Finno-Ugric Studies 13, no. 3 (2019): 446–54. http://dx.doi.org/10.35634/2224-9443-2019-13-3-446-454.

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The content of the study is an analysis of the plays by the Udmurt writer-educator I. S. Mikheev in the aspect of identifying their problems, the nature and types of conflicts depicted. Since the conflict is a key category of the dramatic work, the nature of its forming speaks both of the playwright’s skill and the pressing problems that worried him. According to the author of the article, in the works of I. S. Mikheev social, moral, national and socio-political problems are brought up to date, which are revealed through a variety of conflicts. In the plays “En Lushka” (“Do not steal”) and “Vi

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Alisher, Bobojanov. "Distinctive features of plot types in the novel "IMOM MOTURIDIY"." American Journal Of Social Sciences And Humanity Research 5, no. 2 (2025): 68–69. https://doi.org/10.37547/ajsshr/volume05issue02-16.

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This article examines the plot and compositional features of Luqmon Borikhan’s novel Imom Moturidiy. The narrative is constructed using chronological, retrospective, and concentric plot types, each distinguished by specific conflicts and dramatic developments. The study explores the novel’s key plotlines, particularly those of Imom Moturidiy and Vosiq La’liy, Idris Shomiy, and Khalid Khalaj. Additionally, it analyzes the role of artistic detail and stylistic elements in shaping the novel’s narrative dynamics and psychological depth. Through its plot construction, the author harmonizes historic

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Allison, June W. "Antithesis and the One/Many in Aeschylus’ Septem." Mnemosyne 66, no. 4-5 (2013): 566–92. http://dx.doi.org/10.1163/156852512x617597.

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Abstract Septem exhibits several types of antithesis. The artistic function of the antithetical modes seems to be to maintain the tension between contraries, such as Thebans/Argives, interior/exterior, public/personal, words/symbols, and one/many. The dramatic function is to project conflict, particularly, to allow the verbal duels created by Eteocles and his scout to represent for the audience the duels that take place at the gates. Although antithesis is a common feature of archaic style, Aeschylean antithesis shows arresting similarities with Empedoclean usage where contraries are unified i

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Rebrina, L. N. "Conflict Mobilization in Social Networks Communities as an Actual Practice of Protest Communication: Collective-Personal Dimension." Nauchnyi dialog, no. 5 (May 28, 2021): 115–39. http://dx.doi.org/10.24224/2227-1295-2021-5-115-139.

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The results of the analysis of the collectivepersonal dimension ofthe conflict mobilization realized in the communities of social networks as an actual practice of protest communication are presented. The interactive tools of communities of conflict mobilization as actors of protest communication; correlations between various statistical parameters of communities are characterized. The types of publications that form the content of communities have been determined. The main tools for the formation of Internet solidarity, the patterns of virtual interaction regulated by the “we-they” model are

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Visych, Oleksandra. "Name Code of the French Revolution in the Dramatic Dialogue Three Minutes by Lesya Ukrainka." Volyn Philological: Text and Context 32 (December 28, 2021): 33–45. https://doi.org/10.5281/zenodo.5941858.

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The discourse of the French Revolution is somehow present in Lesya Ukrainka's multi-genre works, in particular in epistolary, journalistic works, etc. This theme is most clearly concentrated in the dramatic dialogue <em>Three Minutes</em>. The writer uses the historical conflict between the Montagnards and the Girondists as an artistic tool to reveal the philosophical choice of an individual between life and death, the hesitation of the individual at the epicenter of turbulent social events. The small text covers an extensive system of cultural codes, in which the leading place is occupied

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Gödde, Susanne. "Nach der Katastrophe: Exit-Strategien in der griechischen Tragödie." Poetica 51, no. 3-4 (2020): 248–75. http://dx.doi.org/10.30965/25890530-05102003.

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Abstract After briefly outlining the vocabulary of closure and endings in Greek tragedy, this article analyses three possible features of closure: (1) lament (kommos), (2) deus ex machina combined with an aetiological myth (almost exclusively in Euripides), and (3) a gnomic coda spoken by the chorus. All three types of ending remain external to the plot and do not resolve the dramatic conflict. The paper then looks at two case studies from dramas centered on the same myth, i.e. the campaign of the Seven against Thebes in Aeschylus’ play of the same name and in Euripides’ Phoenissae. The ending

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Shah, Manu. "H06 The changing face of skin disease in warfare: from World War I to modern times." British Journal of Dermatology 191, Supplement_1 (2024): i168. http://dx.doi.org/10.1093/bjd/ljae090.354.

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Abstract Skin disease has been always been associated with human conflict, causing considerable morbidity and removing soldiers from the battlefield. Records of skin disease in soldiers improved significantly from the early 20th century. Analysis of these quality data gives us an insight into the changing picture of skin disease across many theatres of war. In World War I, the most common skin conditions reported were bacterial infection (42%), scabies (28.5%), eczema/dermatitis (13%) and acne (5.4%). Interestingly, body lice were so common that cases were not routinely recorded, even though t

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Gusev, Alexey O. "Сyclistics and variability of drama in Alain Resnais film «Last year in Marienbad»". Vestnik of Saint Petersburg State University of Culture, № 4 (57) (2023): 119–24. http://dx.doi.org/10.30725/2619-0303-2023-4-119-124.

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In the history of cinema art Alain Resnais film «Last year in Marienbad» was marked as a successful step in the development of new dramatic types. The composition of the film «Last year in Marienbad» is cyclically organized and alongside with an extremely slowing developing plot it conceals its message. Conditional images with their hidden characters exist in the situation where outer conflicts are not shown and the action develops in an abstract limited space. Nevertheless, the authors managed to create a reserved cyclic but at the same time a variable structure of the film. The dramatic meth

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Arato, Andrew. "Democratic constitution-making and unfreezing the Turkish process." Philosophy & Social Criticism 36, no. 3-4 (2010): 473–87. http://dx.doi.org/10.1177/0191453709358543.

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This short article will seek to explore the causes, and possible solutions, of what seems to be the current freezing of the Turkish constitution-making process that has had some dramatic successes in the 1990s and early 2000s. I make the strong claim that democratic legitimacy or constituent authority should not be reduced either to any mode of power, even popular power, or to mere legality. It is these types of reduction that I find especially troubling in recent Turkish constitutional struggles, where the legal claims of two powers — the government-controlled legislative and the judicial bra

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Muratova, N. A. "Paratextual Intrigue in the Dramatic Cycle “The Apartment of Colombina” of L. S. Petrushevskaya." Critique and Semiotics 38, no. 1 (2020): 207–19. http://dx.doi.org/10.25205/2307-1737-2020-1-207-219.

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Abstract The article highlights the paratext specificity in L. S. Petrushevskaya’s drama cycle “The Apartment of Colombina”. It is stated that the paratext in drama is a zone of contact between dramaturgical and stage discourses, moreover, the paratextual frame explicates the space of direct interaction between the author and the addressee. In the analysis, a set of titles and one of the types of remarks is being updated, namely the locatives. It is being proved that from the point of view of a paratext, the cycle is an example of a polycode sense modeling when on the first level, we can highl

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H P, Appu. "Constraint-Driven Timetabling with Real-Time Updates: Design and Implementation." INTERNATIONAL JOURNAL OF SCIENTIFIC RESEARCH IN ENGINEERING AND MANAGEMENT 09, no. 05 (2025): 1–9. https://doi.org/10.55041/ijsrem48599.

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Abstract—The management of academic timetables presents a significant operational challenge for educational institutions worldwide. This paper presents an innovative scheduling system that transforms timetable generation from a time-consuming manual process to an automated, real-time solution. Our ap- proach formulates the scheduling problem as a constraint sat- isfaction challenge, implementing Google’s OR-Tools CP-SAT solver to generate conflict-free timetables that honor essential constraints such as faculty availability, classroom allocation, and curriculum requirements. The system’s disti

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Vlasova, Olha. "GENDER MARKERS OF THE SOCIAL TEMPORALITY AS THE DE-CONFLICTICTING FACTORS IN THE UKRAINIAN SOCIETY." Almanac of Ukrainian Studies, no. 27 (2020): 37–41. http://dx.doi.org/10.17721/2520-2626/2020.27.6.

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The analysis of the gender temporality as some measurement of the social time is presented in the article with the accent on the transformation processes which nowadays determine the life of the Ukrainian society. The peculiarities of the philosophical interpretation of the social time phenomenon are under research concerning also the archaic meanings, which are present in the contemporary Ukrainian culture, and are supported by the patriarchal gender stereotypes. The latter is of great significance because those factors have a great impact on the processes of modelling the contemporary gender

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Zhurkova, D. A. "Retro-Series About the Artists of Soviet Popular Music: Between Conventions, Past and Reality." Art & Culture Studies, no. 4 (December 2021): 298–331. http://dx.doi.org/10.51678/2226-0072-2021-4-298-331.

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The article deals with the dramaturgical and aesthetic patterns of the Russian TV series of the 2000s–2010s, which provide insight into the lives of famous Soviet pop music artists. The main characters in the biopics studied were inspired by Leonid Utyosov, Pyotr Leshchenko, Lyubov Orlova, Anna German, Lyudmila Zykina, Valentina Tolkunova, Alla Pugacheva, Lyudmila Gurchenko, Edita Piekha, Valery Obodzinsky and Muslim Magomaev. The article gives an overview of the similarities in the development of historical and biographical film genres in Hollywood and Soviet cinema. Moreover, a brief introdu

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Kozyriatskyi, Mykhailo. "COMPOSITIONAL-DRAMATIC FEATURES OF THE SONATA FOR OBOE AND PIANO BY F. POULENC." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, no. 58 (2021): 37–52. http://dx.doi.org/10.34064/khnum1-58.03.

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Backround. Chamber instrumental music by F. Poulenс is a bright, original and important part of the composer’s creative heritage. The sonata genre, represented by ten works for different instruments, occupies a special place in it. F. Poulenc’s appealed to it throughout his career, so studying samples of this genre belonging to different periods helps to trace the evolution of F. Poulenc’s compositional style. However, despite the widespread popularity of performers, chamber and instrumental works by F. Poulenс are not sufficiently covered in music studies. The purpose of the article is to rev

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Cameron, John. "Assessing the impact of the Agriculture Perspective Plan (1995 to 2015): The maoist insurgency on rural lives in Nepal and reflections on the current Agricultural Development Strategy." New Angle: Nepal journal of social science and public policy 4, no. 1 (2020): 18–43. http://dx.doi.org/10.53037/na.v4i1.16.

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The fifteen years between 2053 and 2072 in the Nepalese calendar (approximately 1996 to 2015 in the Gregorian calendar) were potentially dramatic for rural development in Nepal. A twenty year market oriented, Asian Development Bank funded and technically assisted, national Agriculture Perspective Plan (APP) was in the early stage of implementation and a Maoist movement was about to launch an armed struggle in rural area that would become a national civil war lasting ten years. The APP had envisioned agriculture intensification for agriculture based economic growth adequate to generate employme

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Alkon, Alison Hope, and Michael Traugot. "Place Matters, But How? Rural Identity, Environmental Decision Making, and the Social Construction of Place." City & Community 7, no. 2 (2008): 97–112. http://dx.doi.org/10.1111/j.1540-6040.2008.00248.x.

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This article investigates the relationship between environmental policy and the social construction of place in two neighboring California counties. We examine two counties with dramatic geographic and sociodemographic differences that drew on similar place narratives in order to justify collaborative solutions to agricultural–environmental conflicts. Each narrative trumpets the importance of agriculture to each county's place character and praises the ability of well–intentioned county residents to work together. Our cases illuminate two processes through which place is socially constructed w

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Betz, Hans-Georg. "The Two Faces of Radical Right-Wing Populism in Western Europe." Review of Politics 55, no. 4 (1993): 663–86. http://dx.doi.org/10.1017/s0034670500018040.

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During the past several years, radical right-wing populist parties have made impressive electoral gains in a growing number of West European countries. Their dramatic surge to political prominence has obscured the fact that these parties hardly form a homogeneous party group. Generally, it is possible to distinguish between neo-liberal and national populist parties. Both types of parties are a response to the profound economic, social, and cultural transformation of advanced societies interpreted as a transition from industrial welfare to postindustrial individualized capitalism. National popu

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Kolesnyk, Olena. "The Motif of Confrontation between Father and Son in Western and Eastern Literature." NaUKMA Research Papers. History and Theory of Culture 7 (August 7, 2024): 139–47. http://dx.doi.org/10.18523/2617-8907.2024.7.139-147.

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In myths and epics, and later in fiction, there is often present a motif of confrontation between father and son, which can take extreme forms, up to the murder of a close relative. In the real social life of the vast majority of the peoples of the world, this type of conflict is assessed as particularly dangerous for society, one that undermines its very foundations. However, probably its very extremity draws special attention to this dramatic situation. Reducing all the various variants of treatment of the theme only to the Oedipus complex seems to greatly simplify the picture. In our opinio

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Yurkevich, V. S. "Intellectual giftedness and social success: an analysis of the contradictory context." Современная зарубежная психология 7, no. 2 (2018): 28–38. http://dx.doi.org/10.17759/jmfp.2018070203.

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The article addressed the problem of the links between the intellectual giftedness (General Intelligence), on the one hand, and social development, on the other. Analysis of experimental data gives a very contradictory picture. While some studies indicate a certain integrity of mental and social development of a gifted child and his/her well-being in social terms, the other part of researchers numerates facts of significant difficulties for gifted children and adults in situations of social contacts. The article discusses the reasons for such conflicts, and the main one is the existence of two

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Shchetynsky, O. S. "Musical iconography of Annunciation: personal experience." Aspects of Historical Musicology 17, no. 17 (2019): 74–89. http://dx.doi.org/10.34064/khnum2-17.05.

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Background. The objective of the article is to analyze the interaction, for sake of artistic unity of a work, of the musical, textural and theatrical structures and solutions in the contemporary opera as in a synthetic genre. The author uses his chamber opera “Annunciation” as an example of these processes and shows the ways certain dramatic and theatrical ideas determine musical solutions. Although since the middle of the 19th century composers sometimes wrote an opera text themselves, the common case was still a collaboration of two (sometimes more) creators: a composer and a librettist, eac

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Kyseliova, Tetiana. "Two worlds of choral dramaturgy of G. Meyerbeer’s “Robert le Diable”." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 68, no. 68 (2023): 107–24. http://dx.doi.org/10.34064/khnum1-68.06.

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Statement of the problem. Recognized as a masterpiece of romantic art, G. Meyerbeer’s five-act ”grand” opera, due to its genre specificity, demonstrates brilliant examples of the use of choral scenes, which carry an important mean and emotional load in the opera. We can talk about the presence of choral dramaturgy in the work, which vividly embodies the idea of romantic “two-worldliness” expressed in the confrontation between Good and evil, real, human, and unreal, otherworldly ones. Objectives, methods and novelty of the research. The purpose of this study is to reveal the essence of the conf

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LUTSENKO, Daria. "RECEPTION OF LIMINAL EXPERIENCE." Filosofska dumka (Philosophical Thought), no. 3 (September 18, 2024): 175–83. http://dx.doi.org/10.15407/fd2024.03.175.

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This article explores theoretical aspects of liminality, tracing the evolution of its concept, from its role in ancient ritual structures to its interpretation in conflict theory. In this context, liminality is understood as a transformative experience characterized by high intensity that significantly affects the subject experiencing it. This subject can be both individual and collective, reflecting the wide range of applications of liminality experiences in both personal and public spheres. The phenomenological tradition, especially in its recent developments, has positioned itself as a phil

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Li, Ting, Oliver Miguel López Valencia, Kasper Johansen, and Matthew F. McCabe. "A Retrospective Analysis of National-Scale Agricultural Development in Saudi Arabia from 1990 to 2021." Remote Sensing 15, no. 3 (2023): 731. http://dx.doi.org/10.3390/rs15030731.

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Agricultural intensification has resulted in the depletion of groundwater resources in many regions of the world. A prime example is Saudi Arabia, which witnessed dramatic agricultural expansion since the 1970s. To explore the influence of policy interventions aimed to better manage water resources, accurate information on the changes in the number and acreage of center-pivot fields is required. To quantify these metrics, we apply a hybrid machine learning framework, consisting of Density-Based Spatial Clustering of Applications with Noise, Convolutional Neural Networks, and Spectral Clusterin

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Hrubych, Kostiantyn, and Alla Hychka. "Dramatic Conflict: Action-counteraction." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 3, no. 1 (2020): 20–28. http://dx.doi.org/10.31866/2617-2674.3.1.2020.202650.

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Murphy, Zachary C., Kristin Murphy, Michael Getman, and Laurie A. Steiner. "HEXIM1 Is Essential for the Establishment of Appropriate Patterns of Gene Expression and Chromatin Architecture during Terminal Erythroid Maturation." Blood 138, Supplement 1 (2021): 284. http://dx.doi.org/10.1182/blood-2021-151865.

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Abstract Terminal erythroid maturation is associated with dramatic changes in gene expression in the setting of a cell that is undergoing rapid division and nuclear condensation. Disruption of this process is associated with inherited anemias and myelodysplastic syndromes. Recent work from our laboratory revealed that terminal erythroid maturation is associated with a dramatic decline in the level of total and elongation competent RNA polymerase II (Pol II), and that control of pol II activity is a critical step in the regulation of gene expression during terminal erythroid maturation. We furt

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Murphy, Zachary C., Maeve Wells, Kristin Murphy, Michael Getman, and Laurie A. Steiner. "The Condensin II Complex Subunit NCAPH2 Is Essential for Erythropoiesis and Regulates Erythroid Gene Expression." Blood 138, Supplement 1 (2021): 286. http://dx.doi.org/10.1182/blood-2021-151957.

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Abstract Erythropoiesis requires dramatic changes in gene expression in a cell that is rapidly proliferating and undergoing progressive nuclear condensation in anticipation of enucleation. Disruption of this process is associated with myelodysplastic syndromes and congenital anemias. Our lab has demonstrated that Setd8, the sole histone methyltransferase that can generate H4K20me1, plays an essential role in this process (Malik 2019). H4K20me1 accumulates during terminal erythroid maturation (Murphy Blood 2021) and can regulate chromatin structure and gene expression through interaction with m

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Reid, Jennifer A. "“Of Robyn-hood and of His Traine": Competition, Combat, and Experimentation in Early Modern Robin Hood Drama." Romard 59 (2022): 39–66. http://dx.doi.org/10.32773/fatc5674.

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This article asks what cultural work is done by different types of Robin Hood performance in early modern England, examining how specific instances of Robin Hood plays and games differ from each other in form, function, and meaning. It examines dramatic and festal activities during the late medieval and early modern period, focusing approximately on the years 1500-1625. A varied corpus of evidence exists illustrating the volume and diversity of Robin Hood activities, ranging from largely unscripted contests and processional activities undertaken at a parish level; to brief, semi-improvisationa

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Melo-Cardenas, Johanna, Yuanming Xu, Beixue Gao, and Deyu Fang. "The Deubiquitylase Usp22 Is Important for KRAS-Driven Myeloproliferative Disease." Blood 126, no. 23 (2015): 1250. http://dx.doi.org/10.1182/blood.v126.23.1250.1250.

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Abstract Mutations in Ras pathway are among the most common gene abnormalities in several types of cancer including hematological malignances. Ras gene (NRAS or KRAS) mutations are found in 20-40% of myeloid malignances and in 15-30% of acute lymphoblastic leukemia. Mutations in KRAS are the second most frequently mutated. Expression of the most common KRAS mutation (G12D) in mouse hematopoietic cells causes a fatal myeloproliferative neoplasm (MPN). The disease observed in these mice resembles the human MPNs juvenileand chronic myelomonocytic leukemias characterized by leukocytosis, splenomeg

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'Amil Hazza', Ahlam. "Abstract: The Dramatic Structure in Hakim Al-Dawudi's Poetry." JOURNAL OF LANGUAGE STUDIES 1, no. 2 (2023): 86–105. http://dx.doi.org/10.25130/jls.1.2.8.

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The dramatic structure in poetry means theemployment of as much as possible of the elements ofdrama such as time, place, action, characters, conflict andthe actual use of dramatic verbs and poetic images. Thoughdramatic elements can be generally found in any poetictext, what is meant by the dramatic structure here is theconscious and intentional existence, i.e. the poetintentionally uses the dramatic values and makes themevidently functional to develope his poem's structure anddeepen its poetic expression. These dramatic elements mayappear in the poetic work without affecting the form of thepo

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Odqvist, Lina, Margarita Sánchez-Beato, Esperanza Martín-Sánchez та ін. "The NF-κB-Inducing Kinase (NIK) Is Involved in Both Classical and Alternative NF-κB Activation and Is Necessary for the Survival of T Cell Lymphoma Cells",. Blood 118, № 21 (2011): 3665. http://dx.doi.org/10.1182/blood.v118.21.3665.3665.

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Abstract Abstract 3665 Nuclear factor κB (NF-κB) signaling has a critical role in the development and progression of several types of cancers. T cell lymphomas have been associated with NF-κB activity and its inhibition has been suggested as a possible therapeutic strategy to be further evaluated. However, the causes of NF-κB activation and the importance of this signaling pathway in T cell lymphomagenesis are still poorly understood. The NF-κB-inducing kinase, NIK, is a serine/threonine kinase that is crucial for the activation of the alternative NF-κB pathway but can also be involved in clas

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Dannenmann, Benjamin, Benedikt Oswald, Malte U. Ritter, et al. "Transcriptome Analysis of Severe Congenital Neutropenia Associated Leukemia with Different Types of RUNX1 Mutations in an iPSC-Based Model." Blood 136, Supplement 1 (2020): 23–24. http://dx.doi.org/10.1182/blood-2020-142524.

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Co-acquisition of CSF3R and RUNX1 mutations is the most frequent combination of acquired genetic abnormalities found in AML and MDS cases associated with severe congenital neutropenia (CN). Using the iPSC-based model for CN-associated leukemia, we compared the outcomes of RUNX1 missense mutations and RUNX1 haploinsufficiency by means of hematopoietic differentiation and transcriptome analysis. We generated iPSC lines from 2 CN/AML patients harboring ELANE mutations p.C151Y or p.G214R (CN1 and CN2, accordingly). CN/AML iPSC clones of CN patient 1 were generated from leukaemia cells with CSF3R p

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Dong, Jun, and Kamal Sabran. "The formation system of film and television language based on drama conflict and misplacement." Advances in Education, Humanities and Social Science Research 7, no. 1 (2023): 385. http://dx.doi.org/10.56028/aehssr.7.1.385.2023.

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Dislocation conflict is an extremely important way and technique of expression in drama art through the construction of differentiated dislocation of personal image, social identity and emotional cognition. It intensifies the contradiction between the relationship between the characters and the narrative conflict of the drama, creates the dramatic tension, and further produces the abrupt beauty, all of which contribute to the generation of dramatic discourse. After vivid representations of dislocation and dramatic conflict, absurd stories often develop. These absurd narratives are motivated no

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Sultanova, B. "LYRISM AND IDENTIFICATION OF IMAGES IN THE PLAY OF A. KEKILBAEV «ABYLAY KHAN»." BULLETIN Series of Philological Sciences 73, no. 3 (2020): 295–300. http://dx.doi.org/10.51889/2020-3.1728-7804.45.

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Kekilbaev's prose is distinguished by the severity of the conflict, the nature of the character's speech. The writer did not diminish these features in the play, if he did not enhance them. In the play, the psychological and dramatic aspect is enhanced according to the laws of dramatic art. The main problem in the play "Abylai Khan" is confusion in feelings, thoughts, actions of people, irresistible dynamics.The article examines the nature of the conflict in the dramatic works of the writer A. Kekilbaev. This article discusses issues that are key to Kazakh literature. The life of the heroes, t

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Yan, Dong. "Juridification in Chinese Labour Law: a cautionary tale of remuneration disputes." Employee Relations: The International Journal 41, no. 6 (2019): 1273–87. http://dx.doi.org/10.1108/er-10-2018-0281.

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Purpose The purpose of this paper is to examine the post-enactment status of China’s Labour Contract Law and Labour Dispute Mediation and Arbitration Law, focusing on the dramatic rise in remuneration litigation amidst much criticism of weak or ineffective implementation of these laws. Design/methodology/approach This paper deploys both quantitative and qualitative analysis methods to investigate the features of remuneration litigation. Remuneration judgments by Beijing People’s Courts from 1 January 2014 to 31 December 2017 provide the primary empirical data. The intrinsic features of remuner

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Sánchez, Natalie Viviana, Katherine Bonilla Badilla, and Cesar Augusto Estevo. "Precipitation explains Wood Thrush (Hylocichla mustelina) occupancy patterns in Northern Costa Rica." Revista de Biología Tropical 72, no. 1 (2024): e55265. http://dx.doi.org/10.15517/rev.biol.trop..v72i1.55265.

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Introduction: The Wood Thrush is a migratory bird that has experienced dramatic declines in its populations in recent decades. This species overwinters in forest fragments with intermediate levels of habitat modification in Central America. However, more studies detailing the use of remnant forests through time are needed to elucidate the threats this species faces in the wintering grounds. Objective: To understand the effects of environmental and forest structure variables on the occupancy of Wood Thrush in Northern Costa Rica. Methods: The study area was the Área de Conservación Guanacaste (

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Abasheva, Marina P., and Kristina S. Spirina. "The Conflict in Ivan Vyrypaev’s Dramaturgy." Вестник Пермского университета. Российская и зарубежная филология 14, no. 2 (2022): 83–91. http://dx.doi.org/10.17072/2073-6681-2022-2-83-91.

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The article deals with the specific features of the dramatic conflict in the plays of the modern playwright, director, actor Ivan Vyrypaev (born in 1974), who works in Russia and Poland. We explore the nature of the conflict in his plays written in the 2010s (Iranian Conference (2017), Disquiet (2018) and others). In that period, new tendencies in the development of the dramatic conflict appeared in Vyrypaev’s works, with the conflict being based on the clash not between characters, as before, but between discourses: currently relevant ideas, statements, the rules and attitudes behind them det

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Pauw, D. A. "Die term dramaties: terug na Aristoteles." Literator 15, no. 1 (1994): 125–44. http://dx.doi.org/10.4102/lit.v15i1.655.

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The word dramatic: Back to AristotleExpressions such as dramatic portrayal, dramatic action or dramatic scene frequently occur in works discussing drama. What is, however, meant by the word dramatic? Do we fully appreciate its meaning as it was meant to be understood by Aristotle in his Ars Poetica? Commencing from Aristotle's definition of tragedy and his ensuing discussion of its elements, the wide spectrum of meaning of the word dramatic is illustrated. The aspects touched upon are the following: the functionality of information, conflict, complication, suspense, turning point, tragic flaw,

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Prylipko, Iryna. "The ‘One’s own — Alien’ conflict in Lesia Ukrainka’s dramaturgy: ethnic-national and worldview aspects." Слово і Час, no. 1 (February 2, 2021): 22–38. http://dx.doi.org/10.33608/0236-1477.2021.01.22-38.

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The paper focuses on the specific features of the ‘One’s own — Alien’ conflict in the dramatic works by Lesia Ukrainka. The majority of her dramas and dramatic poems were written on the basis of foreign cultural phenomena, including the Ancient Greek, Biblical, and other topoi and images. Foreign cultural realities are aimed at the actualization of both the entire context of Ukraine and the writer’s autobiographic discourse in a recipient’s consciousness, forming the imagological paradigms ‘One’s own — Alien,’ ‘Me — Another’. Upon involving the imagological theories, the author of the paper tr

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Oleksiuk, H. V. "MUSICALITY AS ELEMENT OF DRAMATURGIC THOUGHT OF OLEKSANDR OLES." PRECARPATHIAN BULLETIN OF THE SHEVCHENKO SCIENTIFIC SOCIETY Word, no. 2(54) (January 22, 2019): 305–10. http://dx.doi.org/10.31471/2304-7402-2019-2(54)-305-310.

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It was investigated functionality of music elements in Oleksandr Oles’s dramatical pieces. By the example of dramatic etudes of “Quiet Evening” and “Golden Thread” author, it is proved that musicality is a necessary ingredient of artistic (dramatic) thought of the writer, and the whole range of music elements contribute to indepth characteristics of heroes images, the development of the action and the conflict.

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Obot, Charles, and Ubong Andem Obong. "Narratology in Gina Prince-Bythewood’s Film - The Woman King." QISTINA: Jurnal Multidisiplin Indonesia 2, no. 1 (2023): 1–14. http://dx.doi.org/10.57235/qistina.v2i1.331.

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This work was concerned with narratology in Prince-Bythewood’s (2022, 02:14:49) film, The Woman King. It was specifically set to analyse the narrative structure inherent in the film. In doing this, the researchers formulated four research objectives to guide the narrative analysis of the film. The objectives were to: describe how the plot is structured to enhance the film narrative; explain how the director established dramatic elements such as setting, conflict, and denouement in enhancing the film narrative; critically examine the metaphorical and literary themes that help to enhance the fil

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Petrovic, Danijela, and Milica Vucetic. "Types of conflict, types of relationships and preferred conflict resolution strategies: Implications for constructive conflict resolution programmes." Zbornik Instituta za pedagoska istrazivanja 44, no. 1 (2012): 163–78. http://dx.doi.org/10.2298/zipi1201163p.

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Constructive conflict resolution programmes are based on the idea that children and youth do no have sufficient knowledge of the procedures and skills for conflict resolution, which is why the conflicts they take part in soon become destructive. Notwithstanding the indubitable practical significance of the constructive conflict resolution programmes, it can be objected that they are not sufficiently based on empirical findings about the characteristics of conflicts in childhood and adolescence. Hence, this paper explores different types of conflict with peers and friends with the aim of determ

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