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1

YU, Yaxian, and Liliya Z. BORODOVSKAYA. "Types of singing in China: history and modernity of vocal culture." Service plus 18, no. 2 (2024): 103–16. https://doi.org/10.5281/zenodo.12178400.

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This study aims to explore the historical evolution and modernity of Chinese vocal music culture, focusing on comparing the differences and connections between traditional and modern vocal music in terms of singing style and technique, musical structure and composition, themes and cultural connotations, and performance forms and stage performances. First, the origin and development of Chinese vocal music is reviewed, and the characteristics of traditional vocal music, including forms of operatic vocal music (e.g., Peking Opera and Chinese Opera), folk songs and local operas, and their unique s
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Yang, T. "CHINESE NATIONAL ACADEMIC SINGING AS A PHENOMENON OF THE CONTEMPORARY MUSIC ART." SCIENTIFIC-DISCUSSION, no. 95 (December 16, 2024): 20–23. https://doi.org/10.5281/zenodo.14498991.

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Academic art in the new century is increasingly gaining new followers: performers, composers, and listeners, and new forms of embodiment along with traditional ones. It reveals at concerts, festivals, competitions, and is heard in music programs around the world. It never ceases to interest scientists who try on new approaches, methods of analysis and research. This all creates a necessity to clarify the concepts and characteristics of different developments, and to expand the empirical field of study including a variety of experiences from the West, East, and China. One of the new phenomena i
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Sheng, Yihui. "Performative Readings of Printed Southern Arias in Late-Ming China." CHINOPERL: Journal of Chinese Oral and Performing Literature 43, no. 2 (2024): 143–76. https://doi.org/10.1353/cop.2024.a948460.

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Abstract: Printed collections of southern arias in late-Ming China often feature not only tune titles and lyrics of the arias but also seemingly unfathomable marks on or next to the lyrical words. The marks take various shapes, including circles, squares, teardrops, and dots, and, as a few scholars have pointed out, gesture toward the musicality of the arias (see, e.g., Carlitz 2005 and Lam 2005). However, none of the marks notates the exact melodies of the arias. For that reason, we as modern readers can no longer decipher from those collections the complete contours of the music despite the
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BAO, NAIXUE, YI-LI CHANG, and KU WING CHEONG. "The Differences in 21st-Century 4C Skills Among Diverse University Choirs in China." Malaysian Journal of Music 13, no. 1 (2024): 1–17. http://dx.doi.org/10.37134//mjm.vol13.1.1.2024.

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Choir singing originated from the choir of Christian churches in medieval Europe and first appeared in the 1st century. However, the focus of choir education had long been on musical knowledge, neglecting the cultivation of practical skills, resulting in variations in skill performance. In the 21st century, choir singing flourished, particularly in Chinese universities. Aligned with modern educational trends, choir singing aimed to foster students' 4C skills: critical thinking, creativity, communication, and collaboration. Music educators gradually emphasized skill development, recognizing it
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Wu, Zeyuan. "Music, Words, and Moral Cultivation: A Ming–Qing Debate on Qin Songs versus Instrumental Solos." CHINOPERL: Journal of Chinese Oral and Performing Literature 43, no. 2 (2024): 177–97. https://doi.org/10.1353/cop.2024.a948461.

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Abstract: This paper investigates how the relationship between music and words as communicative tools was understood and deployed by the practitioners of the qin (the seven-string zither) in late-imperial China. Qin song, a combination of qin playing and song singing, saw its heyday from the mid-Ming (1368–1644) to the early Qing (1644–1911). However, a debate about whether qin music should be accompanied with lyrics and/or singing also rose during this time, which eventually led to the decline of qin song from the eighteenth century onward. While previous scholars have considered this debate
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Pengfei, Wei. "CHINESE TRADITIONAL ART — QUYI." Arts education and science 1, no. 1 (2020): 134–36. http://dx.doi.org/10.36871/hon.202001017.

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The purpose of this article is to provide a comprehensive cultural and art history analysis of such a form of performing arts as Quyi, which has deep historical roots in China. Quyi art is endowed not only with a unique aesthetic function, but also has cultural significance and plays an important role in the history of China. Based on the study of historical sources, the article analyzes the traditions of vocal performance of Quyi, taking into account the cultural characteristics of certain regions of China and dialect differences, vocal variations, types of performing techniques, styles, scho
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Bing, Zhao, Md Jais Ismail, Huang Sile, and Wei Lun Wong. "Harmony Amidst Change: Revitalizing Guangxi's Intangible Cultural Heritage Music in Higher Education." International Journal of Religion 5, no. 4 (2024): 213–23. http://dx.doi.org/10.61707/5fat0w79.

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Guangxi's intangible cultural heritage music culture has a long history, diverse types, and profound connotations. As a precious and primitive ethnic music cultural heritage, Guangxi's intangible cultural heritage can improve the quality of contemporary vocal teaching in professional skills such as music singing, instrument performance, enhance the training quality of national vocal music talents in China, and promote the development of folk music culture in China. However, as the rapid development of modern society, these valuable musical traditions are facing gradual marginalization and obli
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8

Zhiping, Fang, Sarayut Khan, and Kanokkan Kanjanarat. "Bridging Expectations and Satisfaction: The Effectiveness of After-School Music Training at Meiledi Art Center, Nanning, China." Journal of Advances in Humanities Research 3, no. 3 (2024): 1–26. http://dx.doi.org/10.56868/jadhur.v3i3.232.

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This study explores the effectiveness of after-school music training programs at the Meiledi Art Centre in Nanning, China, focusing on aligning student expectations and satisfaction across key dimensions of the educational experience. Objective: The objectives were to assess the demographic characteristics of students, evaluate their satisfaction levels with the programs, and identify key factors influencing their overall experience.A structured questionnaire was administered to 217 students aged 12 to 18 years, collecting data on satisfaction across five core dimensions: Supporting Environmen
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9

Lu, Guo Dongxing Liu. "A Study On The Dance Form Of Yangge In Hebei, China." Multicultural Education 9, no. 3 (2023): 54. https://doi.org/10.5281/zenodo.7775257.

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<em>The development of the Yangge is closely related to human activities. At first, the Yangge was a repertoire hummed by people during labor, initially to relieve fatigue, and in the subsequent development it further absorbed various arts such as agricultural songs, rhizomes, and operas, and gradually became a folk dance with performance nature, which was liked by people. Yangge is a typical folk dance of the Han people, and is a key component of the life of the Han people. In a broad sense, Yangge refers to the folk dance that includes activities such as &quot;walking meeting&quot; and &quot
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10

Chernyavska, Marianna, and Sun Le. "Sound image of Peking opera in piano works of Chinese composers." Aspects of Historical Musicology 37, no. 37 (2024): 138–66. https://doi.org/10.34064/khnum2-37.07.

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Statement of the problem. Among the regional varieties of Chinese musical and dramatic art, the leading place belongs to the capital drama – Beijing (Peking) opera Jingcui, which has absorbed many elements of performances from other regions of China. This art form is considered one of the most valuable cultural treasures of China, it inspires many Chinese composers to create piano music, which presents the sound image of Peking opera. Objectives, methods, and novelty of the research. The purpose of the article is to identify and scientifically substantiate the connections of the piano works of
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11

Li, Qiang. "Peculiarities of the mutual influence of Italian and Chinese musical theater tradition in historical development." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 67, no. 67 (2023): 56–77. http://dx.doi.org/10.34064/khnum1-67.04.

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Statement of the problem. Modern opera performance art in China is closely related to the national theater tradition, which has a thousand-year history. Despite the fact that Italian (and generally European) musical and dramatic art has been known in China for more than a few century, the public did not perceive it for a long time due to significant differences in many aspects: from stage dramaturgy, vocal roles to behavioral norms in the theater institutions. This study draws historical parallels between Italian opera and national Chinese music-theatre art and examines attempts to adapt Itali
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Zhang, Xiqui. "Interpretive properties of recitation in the vocalist’s performing arts." Aspects of Historical Musicology 21, no. 21 (2020): 247–60. http://dx.doi.org/10.34064/khnum2-21.16.

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Background. One of the main positions of the vocalist’s practice is to understand the recitation as a kind of interpretation of the musical text, which is fixed in the notes. In the process of performing a piece of music, be it the song, the romance, the recitative, the aria in an opera or a musical drama, one specific variant is selected each time from its many potential meanings. This is the performer’s interpretation of the declamatory intonation, because the composer usually does not indicate the tone, timbre and strength of the voice, minimally orienting a singer in the desired intonation
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13

Gong, Ni. "Discussion on the “Localization” Singing Technique Transformation of Opera in the Background of Chinese Culture." Review of Educational Theory 2, no. 1 (2019): 16. http://dx.doi.org/10.30564/ret.v2i1.221.

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Opera has been developed in China for more than a hundred years as an “imported product” in the West. But the deep-rooted traditional ideas and the artistic aesthetics accumulated over thousands of years have also given the opera a new youth in China. Among them, the most affected area is singing technique. As one of the most intuitive external performance features of opera, singing technique has been the most affected by “localization” and has created a unique singing method belonging to China. Of course, this method is not formed in one fell swoop. The purpose of this paper is to explore the
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14

He, Xian, and Phiphat Sornyai. "Cultural Studies and Heritage Education of Nanyin Performance Art in Quanzhou City, Fujian Province, China." International Journal of Education and Literacy Studies 11, no. 4 (2023): 141–50. http://dx.doi.org/10.7575/aiac.ijels.v.11n.4p.141.

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Nanyin, a traditional Chinese music genre originating from Fujian Province, China, encompasses a wide range of singing and instrumental playing techniques. This study aims to analyze the historical development and performance form of Nanyin in Quanzhou, Fujian, China, employing an interdisciplinary approach that incorporates musicology, ethnomusicology, historical musicology, and organology, the study aims to gain a comprehensive understanding of Nanyin and its relevance to cultural studies and heritage education. Key informants, interviews, and observations were utilized as primary research t
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15

Xiong, Yahuan. "Musical symbolism in the mirror of vocal performance poetics (on the material of Lesia Dychko’s vocal cycle “Moods”)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 69, no. 69 (2023): 87–103. http://dx.doi.org/10.34064/khnum1-69.04.

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Statement of the problem. Vocal performance is an impotent component of the national dimension of Ukrainian musical culture, it is not only choral, but also the solo singing. Currently, it is singers who are often raising the bar of interest in the composer’s person. Getting to know the meaning-making mechanism of symbolism owing to the isolation of the singing-gender component of the vocal image focuses the urgency of the topic at a practical level. In our case, it is the timbre-image of the soprano as the personification of “Ukrainian femininity”. The originality of female chamber and vocal
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16

Dong, Li, and Jiangping Kong. "Electroglottographic Analysis of the Voice in Young Male Role of Kunqu Opera." Applied Sciences 11, no. 9 (2021): 3930. http://dx.doi.org/10.3390/app11093930.

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The phonation types used in the young male role in Kunqu Opera were investigated. Two national young male role singers volunteered as the subjects. Each singer performed three voice conditions: singing, stage speech, and reading lyrics. Three electroglottogram parameters, the fundamental frequency, contact quotient, and speed quotient, were analyzed. Electroglottogram parameters were different between voice conditions. Five phonation types were found by clustering analysis in singing and stage speech: (1) breathy voice, (2) high adduction modal voice, (3) modal voice, (4) untrained falsetto, a
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17

Lin, Binxing. "The Structure of Education in European Bel Canto Vocal Art in Contemporary China." Edukacja Muzyczna 19 (2024): 137–61. https://doi.org/10.16926/em.2024.19.06.

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The beginnings of teaching Western bel canto vocal style in China date back to the 1930s. Over the course of nearly a century, bel canto has become deeply entrenched in the musical culture of the country. Bel canto singing is not the dominant trend in Chinese vocal education, however, as the Chinese take painstaking care to cultivate traditional singing forms, which are marked by the extraordinary diversity and character of the country’s numerous ethnic groups. In spite of the challenges involved in adopting and understanding Western musical styles, bel canto instruction has seen dynamic devel
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18

Lin, Binxing. "The Structure of Education in European Bel Canto Vocal Art in Contemporary China." Edukacja Muzyczna 19 (2024): 163–85. https://doi.org/10.16926/em.2024.19.07.

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The beginnings of teaching Western bel canto vocal style in China date back to the 1930s. Over the course of nearly a century, bel canto has become deeply entrenched in the musical culture of the country. Bel canto singing is not the dominant trend in Chinese vocal education, however, as the Chinese take painstaking care to cultivate traditional singing forms, which are marked by the extraordinary diversity and character of the country’s numerous ethnic groups. In spite of the challenges involved in adopting and understanding Western musical styles, bel canto instruction has seen dynamic devel
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19

Ma, Heting. "The Historical Evolution of the Art of Singing." International Journal of Education and Humanities 15, no. 2 (2024): 346–52. http://dx.doi.org/10.54097/wxbjkh09.

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Singing art, as an ancient and unique art form, has a long history. This paper starts from the origin and development of ancient singing art, comparing the singing art of Egypt, Greece, Rome and other countries, as well as the origin and development of ancient Chinese singing art. Then, the paper describes the transformation of singing art in the Middle Ages, especially the influence of religion on singing art, and the development of singing art in the Renaissance. The paper then explores the transformation of modern singing art, including the commercialisation of music, the incorporation of s
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20

Dyck, Bruno, and Arran Caza. "An Exploratory Study of Corporate Singing and Organizational Culture." Journal of Management, Spirituality & Religion 18, no. 2 (2021): 74–99. http://dx.doi.org/10.51327/mdon6306.

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This study examined corporate singing, specifically when members sing together in religious organizations. Consistent with the literature, we found that organizations whose members participate in corporate singing, versus merely listening to others sing, had more prosocial behavior (i. e., greater voluntarism). In addition, the study examined whether four different types of singing (chanting, unison, harmony, or a combination of types) aligned in predictable ways with the four organizational cultures associated with the Competing Values Framework (bureaucracy, market, clan, and adhocracy, resp
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Wierød Borčak, Lea. "Community as a discursive construct in contemporary Danish singing culture." SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 9, no. 1 (2020): 81–97. http://dx.doi.org/10.7146/se.v9i1.113023.

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Community singing—the informal practice of collective singing at social occasions—has traditionally served various societal purposes. Recently, however, new types of community singing events have emerged in Denmark that make the singing act itself the central purpose for gathering rather than an appendage. Such events indicate that community singing is becoming more about participating in a performance and less about consolidating an ideological common ground. On the basis of an analysis of present public discourse, this article pursues the questions of how singing is perceived to construct co
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Ji, Kai. "Classification Method of Emotional Characteristics of Vocal Singing under Multicultural Values." Journal of Sensors 2022 (July 22, 2022): 1–10. http://dx.doi.org/10.1155/2022/8168970.

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In today’s world economic integration development, the development of cultural pluralism and diversity has become a major trend of social development in this era. In the process of development of the times, China’s vocal singing is constantly adapting to and meeting the growing and changing aesthetic needs of people, while also constantly seeking its own perfection and development and releasing its unique artistic tension. Accordingly, the author explores the inheritance and development of China’s vocal singing from the background of multiculturalism, explores the main characteristics of China
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Kelly, Janice K., and Michael P. Ward. "Do songbirds attend to song categories when selecting breeding habitat? A case study with a wood warbler." Behaviour 154, no. 11 (2017): 1123–44. http://dx.doi.org/10.1163/1568539x-00003461.

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Breeding habitat selection strongly affects reproduction and individual fitness. Among birds, using social cues from conspecifics to select habitat is widespread, but how different types of conspecific social cues influence breeding habitat selection remains less understood. We conducted a playback experiment evaluating if the yellow warbler (Setophaga petechia), a species with two song categories linked to pairing status, uses categories differently when selecting breeding habitat. We hypothesized that yellow warblers use second-category singing mode, which is mostly sung by paired males, ove
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Pashina, O. A. "Folk Terminology Associated with Multipart Singing among Russians." Art & Culture Studies, no. 4 (December 2023): 422–41. http://dx.doi.org/10.51678/2226-0072-2023-4-422-441.

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The article is devoted to folk singing terminology associated with multipart singing in Russian regional musical and folklore traditions. This terminology reveals a systemic character, since it directly correlates with the terms denoting the intonation types characteristic, on the one hand, of a broad (protyazhnïy) style of singing, a clear representative of which is the genre of lyrical songs, and on the other hand, of lamentable intonation, which is due to the desire to emphasize the personal nature of the expressed feelings. The article discusses the types of multipart texture and functions
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Opaev, A. S. "The communicative value of complex singing in passerine birds." Povolzhskiy Journal of Ecology, no. 2 (August 9, 2021): 191–229. http://dx.doi.org/10.35885/1684-7318-2021-2-191-229.

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Birdsong is one of the most complex signals in the animal world, as it may consist of many different sounds grouped according to certain rules. Singing acts as a distant signal, indicating, e.g., the species and gender identity of the singer. However, territorial songbirds also use singing as an interactive social signal during territorial disputes, as well while interacting with female. In these contexts, males vary the type and timing of their songs to convey graded information about their motivational state, and those variations can play a role in communication. In this review, we considere
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Semenova, Antonina S. "THE TABLE REPERTOIRE OF THE INHABITANTS OF MEZEN VILL AGES IN THE 20TH AND THE FIRST QUARTER OF THE 21ST CENTURY." Texts and History Journal of Philological Historical and Cultural Texts and History Studies 2 (2025): 207–17. https://doi.org/10.31860/2712-7591-2025-2-207-217.

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Offering a fresh perspective, this article explores collective singing at the festive table with relatives and neighbors as a local community practice. Russian philological folkloristics typically focuses on the texts of songs, leaving the practical aspects of singing essentially unexplored. Singing at the table represents one of the types of singing practices that modern residents of villages located on the Mezen River and its tributaries in the Arkhangelsk region engaged in. This type of singing has survived the destruction of the traditional village way of life that began a century ago. The
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Derrickson, Kim C. "Yearly and Situational Changes in the Estimate of Repertoire Size in Northern Mockingbirds (Mimus polyglottos)." Auk 104, no. 2 (1987): 198–207. http://dx.doi.org/10.1093/auk/104.2.198.

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Abstract The singing behavior of 4 male Northern Mockingbirds (Mimus polyglottos) was studied during 1980 and 1981. Over 10,000 song bouts (repetition of a particular song type) were analyzed spectrographically. Between 102 and 412 distinct song types were identified for each male in a given year. Many of these song types (25.8-57.4%) occurred only once in this sample of singing behavior. Repertoire size was estimated by fitting an exponential curve to a cumulative plot of distinct song types as a function of consecutive bouts sampled. The resulting asymptote was the estimate of repertoire siz
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Shuangshuang, Zhang Chao-Jung Wu. "The Curriculum Construction Of Yunnan Minority Music In Vocal Singing Major Of Yunnan Colleges And Universities In China From The Perspective Of Applied Ethnomusicology." Multicultural Education 9, no. 3 (2023): 73. https://doi.org/10.5281/zenodo.7790163.

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<em>Among Chinese vocal singing majors, the vocal singing majors in Yunnan universities have their own unique characteristics. Its rich minority music resources help to give advantages in building the special courses. In order to be able to conform to the needs and development of the times and meet its own construction and status, the vocal singing majors in Yunnan universities should devote themselves to inherit and carry forward the excellent Yunnan minority music, strengthen the combination of theory and practice in the construction of the curriculum of vocal singing majors, optimize the cu
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LO, WAI HAN. "The music culture of older adults in Cantonese operatic singing lessons." Ageing and Society 35, no. 8 (2014): 1614–34. http://dx.doi.org/10.1017/s0144686x14000439.

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ABSTRACTCantonese operatic singing, one of the regional opera forms in China, flourishes mainly in the southern province of Guangdong. By exploring the culture of Cantonese operatic singing, this study relates older people's music participation to a sense of collectivism, thereby contributing to the maintenance of interpersonal relationships and promoting successful ageing. The study also illustrates how the musical participation of older adults can be influenced by the lifecourse and ageing in terms of both vocal abilities and levels of participation. Data analysed through participation obser
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Zhu, Yuhan. "A Preliminary Exploration of the Effects of Different Sound Types on the Behavior of Melopsittacus undulates (Budgerigar)." BIO Web of Conferences 60 (2023): 02010. http://dx.doi.org/10.1051/bioconf/20236002010.

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Objective: To explore the effects of different sound types (including different species, frequencies, and volumes on Melopsittacus undulatus singing and approach and avoidance behaviors. Methods: The experimental or test group was set up with different combinations of sound types, frequencies, and volume, and its effects on Melopsittacus undulatus singing and approach and avoidance response were observed. Results: The immediate and sustained effects of noise on Melopsittacus undulatus singing behavior were significantly increased compared to musical tones; under the same volume, high frequency
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Zhang, Wuyun. "Khoomei Research on Singing Techniques and Stage Performance." International Journal of Education and Humanities 10, no. 1 (2023): 139–40. http://dx.doi.org/10.54097/ijeh.v10i1.11103.

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The Mongolian word "Khoomei" refers to a special sound emitted by exhalation from the lungs. Because of its unique and distinctive pronunciation, it is called "the oldest singing method in the world", which is a unique singing art in the world, because its unique pronunciation is that a person can make two parts at the same time.Therefore, Khoomei has extremely distinctive national characteristics. However, due to the influence of language and singing technology, the spread is not wide. Nowadays, only Mongolia, the Altai region of Xinjiang and the Republic of Tuva still has the vocal art of Kh
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Janney, Eathan, Hollis Taylor, Constance Scharff, David Rothenberg, Lucas C. Parra, and Ofer Tchernichovski. "Temporal regularity increases with repertoire complexity in the Australian pied butcherbird's song." Royal Society Open Science 3, no. 9 (2016): 160357. http://dx.doi.org/10.1098/rsos.160357.

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Music maintains a characteristic balance between repetition and novelty. Here, we report a similar balance in singing performances of free-living Australian pied butcherbirds. Their songs include many phrase types. The more phrase types in a bird's repertoire, the more diverse the singing performance can be. However, without sufficient temporal organization, avian listeners may find diverse singing performances difficult to perceive and memorize. We tested for a correlation between the complexity of song repertoire and the temporal regularity of singing performance. We found that different phr
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Buryak, Marina K. "Creative Work of Novgorod Original Singers as a Reference for Modern Folk-Singing Education." Musical Art and Education 8, no. 3 (2020): 159–74. http://dx.doi.org/10.31862/2309-1428-2020-8-3-159-174.

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The article presents the theoretical grounding of the folk-singing technologies of Novgorod original singers (authentic performers) as fundamental to the developed author’s methods: intonational-formulaic, vocal-phonatory, polyphonic-specific, local-style. The identified features of authentic intonation-formulaic education and the study resulted singing fund of children’s song folklore became “key” and end-to-end mechanisms in the author’s method of forming and developing skills of sustainable singing intonation with each participant in the educational process aimed at preserving and further d
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Wilson, Sarah J., Kate Parsons, and David C. Reutens. "Preserved Singing in Aphasia." Music Perception 24, no. 1 (2006): 23–36. http://dx.doi.org/10.1525/mp.2006.24.1.23.

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This study examined the efficacy of Melodic Intonation Therapy (MIT) in a male singer (KL) with severe Broca’s aphasia. Thirty novel phrases were allocated to one of three experimental conditions: unrehearsed, rehearsed verbal production (repetition), and rehearsed verbal production with melody (MIT). The results showed superior production of MIT phrases during therapy. Comparison of performance at baseline, 1 week, and 5 weeks after therapy revealed an initial beneficial effect of both types of rehearsal; however, MIT was more durable, facilitating longer-term phrase production. Our findings
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Erdemir, Aysu, and John J. Rieser. "Singing Without Hearing." Music Perception 33, no. 5 (2016): 546–60. http://dx.doi.org/10.1525/mp.2016.33.5.546.

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Singing is a universal form of music expression. However, the extent of skill in carrying a tune and maintaining correct timing varies across people. Differences have been reported between professional singers and non-singers; however, whether singing accuracy depends on specialized vocal training or more general types of music training has not been investigated before. In this study, singers, instrumentalists, and nonmusicians sang Happy Birthday under conditions where they could or could not hear themselves singing. The main purpose of the study was to determine the influence of vocal versus
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W, Allaerts. "On Singing Together." Philosophy International Journal 7, no. 4 (2024): 1–15. https://doi.org/10.23880/phij-16000340.

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This paper starts from the remarkable habit of yoik singing among the Sámi people and the notion of togetherness in ‘singing together’, being confronted with the role of technology in the contemporary manifestations of ‘singing’. An important link appears to exist between several forms of grooming and the social dimensions of language and singing, as previously shown by Robin Dunbar. These types of interaction surpass the physiological, hormonal and psychological roles of grooming in humans, in non-human primates and in other mammals. For they also determine the constraints of group-forming pr
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HE, ZHU-QING, HUI LU, YU-QING LIU, HAN-QIANG WANG, and KAI LI. "First report of a wingless species of Ornebius—a scaly cricket usually with winged males (Orthoptera: Mogoplistidae: Mogoplistinae)." Zootaxa 4388, no. 4 (2018): 586. http://dx.doi.org/10.11646/zootaxa.4388.4.10.

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A new species, Ornebius apterus sp. nov., is described from Guangdong, China. This wingless species is monophyletic with Ornebius spp., which are all singing species. The type specimens are deposited in East China Normal University, Biology of History Museum (ECNU).
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Sari, Winda Febrianti. "PENDIDIKAN KARAKTER MELALUI PEMBELAJARAN BERNYANYI PADA MATA KULIAH KONSEP PENDIDIKAN SENI 1 SD DI STKIP NASIONAL PADANG PARIAMAN." Ensiklopedia Education Review 2, no. 3 (2021): 41–44. http://dx.doi.org/10.33559/eer.v2i3.615.

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Implementation of character education through learning to sing in the concept of art education 1 SD at STKIP Nasional Padang Pariaman in music, there are 3 meetings for singing material, 1 meeting for material and singing theory and the next meeting is continued with singing practice accompanied by a lecturer, then at the last meeting will be assessed with a practice exam singing with the concept of a choir. Determining the types of songs to be performed is also a way for prospective elementary school (SD) teachers to enrich their compulsory, national and regional songs in Indonesia. By implem
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Woolley, Sarah C. "Social context differentially modulates activity of two interneuron populations in an avian basal ganglia nucleus." Journal of Neurophysiology 116, no. 6 (2016): 2831–40. http://dx.doi.org/10.1152/jn.00622.2016.

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Basal ganglia circuits are critical for the modulation of motor performance across behavioral states. In zebra finches, a cortical-basal ganglia circuit dedicated to singing is necessary for males to adjust their song performance and transition between spontaneous singing, when they are alone (“undirected” song), and a performance state, when they sing to a female (“female-directed” song). However, we know little about the role of different basal ganglia cell types in this behavioral transition or the degree to which behavioral context modulates the activity of different neuron classes. To inv
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AYDIN ERDEM, Derya, and Sadık ÖZÇELİK. "THE EFFECTS OF SINGING FOR ON BREATHING HEALTH." ZEITSCHRIFT FÜR DIE WELT DER TÜRKEN / JOURNAL OF WORLD OF TURKS / TÜRKLERİN DÜNYASI DERGİSİ 15, no. 2 (2023): 151–64. http://dx.doi.org/10.46291/zfwt/150211.

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The objective of this research is to display what types of effects singing could provide over physical, mental and emotional health with respect to some national and international studies conducted with the limitations mentioned. This is a qualitative study conducted with general review model and document analysis among qualitative data collection methods has been used. Within the scope of document analysis, we have included 1 national and 11 international studies, a total of 12 studies, indicating the effects of singing on healthy individuals and patients. The collected data indicated that si
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Lin, Khay. "Traditions and current trends of china's vocal and choir school development." Educational Dimension 16, no. 1 (2006): 265–71. http://dx.doi.org/10.31812/educdim.6101.

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Kolesnikova, Y. A., and Nguyen Van Linh. "VOCALIZATION OF BLACK-HOODED ORIOLE (<i>ORIOLUS XANTHORNUS</i>, ORIOLIDAE, PASSERIFORMES, AVES): FEMALE SINGING AND DUETTING." Зоологический журнал 102, no. 8 (2023): 914–23. http://dx.doi.org/10.31857/s004451342307005x.

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Singing is known to play significant roles in songbird communication. For a long time, singing was believed to be a male attribute, whereas rare episodes of female singing were seen as deviations. However, there has been more and more research on female vocals in recent times, suggesting this in no way to be a rare event. In this study, we investigated the vocalization of the Black-hooded oriole (Oriolus xanthornus) in the Nam Cat Tien National Park, southern Vietnam. We identified two singing variants significantly differing in both maximum frequency and frequency range, these parameters bein
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Chen, Yanxi, Sarawut Choatchamrat, and Sanchai Duangbung. "An Investigation of the Musical Singing Style and Accompaniment for “Pingtan Li Diao” in Suzhou, China." International Journal of Education and Literacy Studies 13, no. 2 (2025): 108–21. https://doi.org/10.7575/aiac.ijels.v.13n.2p.108.

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This study explores the musical singing style and accompaniment characteristics of Suzhou Pingtan Li Diao in China, along with its societal role and protection policies. As an integral part of traditional Chinese culture, Suzhou Pingtan Li Diao boasts a long history and distinctive artistic appeal. The study aims to (1) examine its historical development and influencing factors, (2) analyze its musical singing style and accompaniment characteristics, and (3) evaluate its societal significance while proposing effective preservation strategies. Through a literature review, field research, and da
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Ma, Heting. "Current Situation and Countermeasures of Singing Teaching in Universities." International Journal of Global Economics and Management 3, no. 3 (2024): 103–12. http://dx.doi.org/10.62051/ijgem.v3n3.13.

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The purpose of this paper is to discuss the current situation and existing problems of university singing teaching in China, and to put forward corresponding countermeasures and suggestions. Firstly, the introduction part explains the significance and value of university singing teaching, and briefly introduces the purpose and method of the study. Then, through the analysis of the current situation of university singing teaching, it is found that there are problems such as single teaching mode, insufficient teachers and quality problems, low student participation and insufficient curriculum re
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Goldberg, Jesse H., and Michale S. Fee. "Singing-Related Neural Activity Distinguishes Four Classes of Putative Striatal Neurons in the Songbird Basal Ganglia." Journal of Neurophysiology 103, no. 4 (2010): 2002–14. http://dx.doi.org/10.1152/jn.01038.2009.

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The striatum—the primary input nucleus of the basal ganglia—plays a major role in motor control and learning. Four main classes of striatal neuron are thought to be essential for normal striatal function: medium spiny neurons, fast-spiking interneurons, cholinergic tonically active neurons, and low-threshold spiking interneurons. However, the nature of the interaction of these neurons during behavior is poorly understood. The songbird area X is a specialized striato-pallidal basal ganglia nucleus that contains two pallidal cell types as well as the same four cell types found in the mammalian s
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Zhang, Jun. "Joyful singing in parks." Antropologia Portuguesa, no. 39 (December 12, 2022): 103–28. http://dx.doi.org/10.14195/2182-7982_39_5.

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This article draws on Bayat’s discussions of the “quiet encroachment” and “social nonmovement” to explore the intertwined relationships between mundane lives, public culture, and spatial orders. It takes the collective singing practices in public parks in the city of Guangzhou in South China as a case study, and at the center of analysis are senior urban residents who have experienced double marginalization under the new political economy and the new spatial order in public spaces. I show that collective singing in parks, which is a cultivated practice acting upon a body’s habitus shaped by th
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González, Clementina, and Juan Francisco Ornelas. "Song Structure and Microgeographic Song Variation in Wedge-Tailed Sabrewings (Campylopterus Curvipennis) in Veracruz, Mexico." Auk 122, no. 2 (2005): 593–607. http://dx.doi.org/10.1093/auk/122.2.593.

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AbstractWe studied the songs of Wedge-tailed Sabrewings (Campylopterus curvipennis) in six localities from central Veracruz, Mexico, to document structure and variation within and between singing groups in the same geographic region. Wedgetailed Sabrewing songs were acoustically, structurally, and behaviorally complex, rivaling those of other taxa with complex signals. Songs of individual birds were composed of &gt;45 well-differentiated and structurally complex syllables. We found 239 different syllable types across eight recorded singing groups of Wedge-tailed Sabrewings (∼20 syllable types
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Iqbal Syahrul Ramadhan and Yos Sudarman. "Tinjauan Teknik Vokal Gaya Dendang dalam Menyanyikan Lagu Minyak Habih Samba Tak Lamak Ciptaan David Iztambul." PUSTAKA: Jurnal Bahasa dan Pendidikan 4, no. 4 (2024): 01–20. http://dx.doi.org/10.56910/pustaka.v4i4.1693.

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The aim of this research is to review the singing style vocal technique in singing the song Minyak Habih Samba Tak Lamak created by David Iztambul. This research uses descriptive qualitative research which looks at how singing style vocal techniques are used when research is carried out in the field and presents the results as they are. The informants in this research were David Iztambul himself and his colleagues. Data collection techniques use observation, interviews and documentation methods which will then be analyzed later to reach a conclusion. Based on the results of this research, the
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Chen, Qiao, Wenfeng Zhao, Qin Wang, and Yawen Zhao. "The Sustainable Development of Intangible Cultural Heritage with AI: Cantonese Opera Singing Genre Classification Based on CoGCNet Model in China." Sustainability 14, no. 5 (2022): 2923. http://dx.doi.org/10.3390/su14052923.

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Chinese Cantonese opera, a UNESCO Intangible Cultural Heritage (ICH) of Humanity, has faced a series of development problems due to diversified entertainment and emerging cultures. While, the management on Cantonese opera data in a scientific manner is conducive to the sustainable development of ICH. Therefore, in this study, a scientific and standardized audio database dedicated to Cantonese opera is established, and a classification method for Cantonese opera singing genres based on the Cantonese opera Genre Classification Networks (CoGCNet) model is proposed given the similarity of the rhyt
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Sarasola, Xabier, Eva Navas, David Tavarez, Luis Serrano, Ibon Saratxaga, and Inma Hernaez. "Application of Pitch Derived Parameters to Speech and Monophonic Singing Classification." Applied Sciences 9, no. 15 (2019): 3140. http://dx.doi.org/10.3390/app9153140.

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Speech and singing voice discrimination is an important task in the speech processing area given that each type of voice requires different information retrieval and signal processing techniques. This discrimination task is hard even for humans depending on the length of voice segments. In this article, we present an automatic speech and singing voice classification method using pitch parameters derived from musical note information and f 0 stability analysis. We applied our method to a database containing speech and a capella singing and compared the results with other discrimination techniqu
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