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Journal articles on the topic 'Typographic Devices'

Author: Grafiati
Published: 4 September 2021
Last updated: 29 July 2025

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1

Campos, Gisela Belluzzo de, and María Ledesma. "Analog and digital liquid graphics. Supports and devices." DAT Journal 7, no. 1 (2022): 4–18. http://dx.doi.org/10.29147/datjournal.v7i1.562.

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This article aims to think about the possibilities of typographic writing in real or suggested movement, in different supports and devices, as an alternative to traditional formats and uses of typography marked by linearity. Numerous experiments were carried out in analog media, however, digital systems bring tools that favor the occurrence of what Richard Font called liquid graphics. Typography here is approached in two senses: as a typographic sign – the letter itself–, and in compositions of texts, words and typographic characters in different interfaces.
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van Peer, Willie. "Typographic foregrounding." Language and Literature: International Journal of Stylistics 2, no. 1 (1993): 49–61. http://dx.doi.org/10.1177/096394709300200104.

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This article investigates the way in which devices of foregrounding play a role at the typographical level of a text's organisation. In poetry, such devices are very old and are regularly used in a bold way, thereby creating specific effects. However, a historical overview reveals that such bold typographic experiments are not distributed evenly over time. It also emerges that some of these texts survive in the literary canon, while others are forgotten. On the basis of an analysis of some test cases in literary history, hypotheses are proposed which may explain this uneven distribution. The d
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Brüning, Gerrit, and Dietmar Pravida. "Dramatische ‹mise en page› in Handschrift und Druck." editio 34, no. 1 (2020): 123–41. http://dx.doi.org/10.1515/editio-2020-0007.

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AbstractThe paper compares the typography of the first edition of Goethe’s collected writings 1787–1790 with the layout (‹mise en page›) of the manuscript copies from which the print was set. It tries to establish the textual authority of particular typographic devices for print dramas such as the indications of scenes, stage directions, and speech prefixes by tracing their relation to the manuscript setting copies and their development in subsequent volumes of the print edition, but especially for the tragedy Torquato Tasso. It turns out that print typography is sensitive to the manuscript re
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Finkbeiner, Rita. "Sprechakttheoretische Überlegungen zur Typographie – am Beispiel von Presseüberschriften." Zeitschrift für germanistische Linguistik 49, no. 2 (2021): 244–91. http://dx.doi.org/10.1515/zgl-2021-2029.

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Abstract Using the example of newspaper headlines, this paper develops a speech-act theoretic approach to aspects of meaning that can be communicated through the use of typographic means. After considering, more generally, the relationship between speech act theory and writing, analogies between prosody and typography are discussed and the claim is developed that typographic means, just as prosodic means, may function as illocutionary force indicating devices. Using Gallmann’s (1985) system of graphic means, newspaper headlines are defined, more specifically, as typographic objects indicating
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Ayiter, Elif. "Space, Text and Hoopla." International Journal of Art, Culture and Design Technologies 3, no. 1 (2013): 12–25. http://dx.doi.org/10.4018/ijacdt.2013010102.

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This text attempts to delve into the creation of textual content as well as its visualization through typographic design mechanisms inside three dimensional virtual worlds known as the metaverse, with a particular focus upon the way in which such virtually three dimensional environments may place the usage of text within a context that stands in contradiction to its traditional one by creating an unexpected novel purpose: This takes a marked departure from the intrinsic attribute with which text has inherently been associated – namely the attribute of legibility. In such environments readabili
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Sadokierski, Zoë. "Disturbing the text: typographic devices in literary fiction." Book 2.0 1, no. 2 (2011): 101–25. http://dx.doi.org/10.1386/btwo.1.2.101_1.

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Rinas, Karsten. "Gesellschaftsordnung, Mentalität und Schriftsprache im Barock." Acta Facultatis Philosophicae Universitatis Ostraviensis Studia Germanistica, no. 32 (September 2023): 21–50. http://dx.doi.org/10.15452/studiagermanistica.2023.32.0002.

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This paper discusses striking, ‘bizarre’ features of textual design and language use in the Baroque period. These features include high complexity, prolixity, conspicuous formulas of politeness, indirectness, mixing of style levels, and the extensive use of a ‘squiggly’ script and other typographic devices. The perspective of social history and history of mentality is used to explain these phenomena. In particular, this paper reflects the influence of the estates in society and the role of confessional differences.
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Miroshnichenko, Evgeniy Igorevich, and Daria Petrovna Fomenko. "INTERACTION BETWEEN VERBAL AND VISUAL IN THE TEXTS OF GROUP «41˚»." Russkaya literatura 4 (2021): 136–48. http://dx.doi.org/10.31860/0131-6095-2021-4-136-148.

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The article analyses the practices of text visualization in the works by the «41˚» group. It is suggested that visual devices play an essential role not only as the complements to the verbal component of a text, but also as the basis for verbalisation per se. In the texts, the combination of these aspects is realised through two strategies: typographic (I. Terentiev and I. Zdanevich), and handwritten (A. Kruchyonykh). The practice of text visualization is closely related to the group’s theoretical pursuits in the sphere of language.
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Bala, Parveen, Vishnu Kumar Sharma, Vijaylakshmi Vijaylakshmi, Nidhi Bhatnagar, and Prachi Atreya. "Typographic tools for semantic exploration in Aravind Adiga's “The white tiger”." Edelweiss Applied Science and Technology 8, no. 6 (2024): 2651–61. http://dx.doi.org/10.55214/25768484.v8i6.2521.

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This study aims to explore the typographic strategies employed by Aravind Adiga in his novel The White Tiger, focusing on how visual elements contribute to the narrative’s thematic depth and infer deeper meaning. Through detailed discourse analysis, the research investigates the use of typography, including bold text, italics, capitalization, superscript, and other extra-linguistic elements as tools for emphasizing key moments, conveying character emotions, and highlighting deeply entrenched social, political and bureaucratic injustices. The method involves a close reading of the novel and a s
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Turner, Elizabeth. "The cover of Herbs’ first Pacific reggae album: Perusing the paratext." Back Story Journal of New Zealand Art, Media & Design History, no. 6 (July 1, 2019): 5–18. http://dx.doi.org/10.24135/backstory.vi6.42.

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The cover of Herbs’ award-winning EP What’s Be Happen? is dominated by an image of the final day of the Bastion Point occupation in Ōrākei, Auckland on 25 May, 1978. Released in 1981, the album has been recognised in a number of music industry awards for its important contribution to cultural life in Aotearoa New Zealand, and for the musician’s brave political stance in a period of activism that achieved significant social change. This article presents an analysis of the ways in which the record cover acts as a visual and textual introduction to the songs it encloses. Drawing on theorisations
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Saldanha, Gabriela. "Emphatic Italics in English Translations: Stylistic Failure or Motivated Stylistic Resources?" Meta 56, no. 2 (2011): 424–42. http://dx.doi.org/10.7202/1006185ar.

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This article argues that emphatic italics, a typographic feature regularly ignored by linguists and associated with poor style, have an important stylistic function in English, often working in implicit association with prosodic patterns in spoken language to signal marked information focus, thus fulfilling an important role in information structure and adding a conversational and involved tone to written texts. Emphatic italics are more common in English than in other languages because tonic prominence is the preferred means of marking information focus in English, while other languages use p
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Liu, Yina. "The Silence of Digital Practices in Contemporary Fiction Picture Books." Alberta Academic Review 5, no. 1 (2022): 5. http://dx.doi.org/10.29173/aar137.

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 Contemporary childhood exists in a rapidly changing literacy context in the digital age, where digital devices and technology are progressively used at home (OECD 2019). In the global context, digital technology is greatly emerging in children’s lives, including the way of their play, learning, communicating and entertainment (Marsh et al. 2016). In this paper presentation, the author who is a researcher in the intersection of digital literacy and children’s literature, engages in autobiographical narrative inquiry (Clandinin and Connelly 2000), where she tells and retells her stories o
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Le Bigot, Claude. "A(ho)rmar la lengua del poema: Ángel González o la dinámica del código." Prosemas 4 (February 19, 2020): 223. http://dx.doi.org/10.17811/prep.4.2019.223-240.

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Resumen: Este artículo pretende examinar la evolución del lenguaje poético de Ángel González, especialmente la transición desde los modelos codificados dentro de una tradición bien asentada (lira, canción, romance, soneto, elegía) hasta una subversión de las formas que, si bien se emparentan con el versolibrismo, mantienen lazos con lo canónico, no haciendo más que duplicar recursos surgidos con la modernidad: versos escalonados, sangrados, guiones. Todo lo que permite agujerear el texto es también portador de ritmo. La oposición medida / encabalgamiento, factor tensional de antiguo abolengo,
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Biniek, Sébastien, Guillaume Touya, and Gilles Rouffineau. "Fifty shades of Roboto: Text Design Choices and Categories in Multi-Scale Maps." Advances in Cartography and GIScience of the ICA 1 (July 3, 2019): 1–8. http://dx.doi.org/10.5194/ica-adv-1-2-2019.

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<p><strong>Abstract.</strong> The impetus induced by the development of multi-scale, multi-style maps calls for thinking our resources and protocols with greater interoperability. In the field of toponymy, this requires, in particular, thinking of categories and their structuring with more granularity. Assuming that typography, as a device for visualizing toponyms, is a tool whose potential is still under-exploited, we ask ourselves how the field of typographic design can improve our understanding of toponymic categories and help to structure them in a multi-scale logic. The
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Jourdan, Dawn. "Introduction." Interdisciplinary Journal of Signage and Wayfinding 1, no. 2 (2017): 1. http://dx.doi.org/10.15763/ijsw.v1i2.15.

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The second issue of the Interdisciplinary Journal of Signage and Wayfinding is dedicated to the topic of visibility. As simply put by the Texas Transportation Institute:
 Seeing the road and everything around it while driving is not a preferred option, rather it is an essential component of safe driving. Driving is a visual activity, and as we make our way down a road, we all look at a wide range of visual inputs—the roadway, the surrounding terrain, other vehicles, roadside buildings and advertisements and traffic control devices such as signs, markings, and signals—to help us get where
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Jourdan, Dawn. "Introduction." Interdisciplinary Journal of Signage and Wayfinding 1, no. 2 (2017): 1. http://dx.doi.org/10.15763/issn.2470-9670.2017.v1.i2.a15.

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The second issue of the Interdisciplinary Journal of Signage and Wayfinding is dedicated to the topic of visibility. As simply put by the Texas Transportation Institute:
 Seeing the road and everything around it while driving is not a preferred option, rather it is an essential component of safe driving. Driving is a visual activity, and as we make our way down a road, we all look at a wide range of visual inputs - the roadway, the surrounding terrain, other vehicles, roadside buildings and advertisements and traffic control devices such as signs, markings, and signals - to help us get wh
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Ziyazova, Irina. "Typographical devices in subtitling (a case study of English and Russian subtitles)." Anuari de Filologia Lleng�es i Literatures Modernes - LLM, no. 6 (January 12, 2017): 27–35. http://dx.doi.org/10.1344/aflm2016.6.3.

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The paper examines the role of typographical devices in subtitling practices. As subtitling is significantly determined by its temporal and spatial constraints, the verbal part of a subtitle may be rather condensed and incomplete for perception, which requires additional means to modify meaning-making processes and add up information. The research gives a systematic account of typographical devices and their functions in a subtitled filmic text. The common graphical devices featured are typefaces, colour, punctuation marks, and numeric signs. The performed analysis showed that typographical de
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18

Lehmann, Michael H., and Nachman Levine. "An alliterative-typographical device in Psalm 37: Divine destruction of the wicked, enacted in real time." Journal for the Study of the Old Testament 45, no. 3 (2021): 407–21. http://dx.doi.org/10.1177/0309089219882444.

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Addressing the problem of the prospering of the wicked, Psalm 37 uses a poetic device to enact their destruction symbolically and concretely for the reader/listener in visible and audible correspondence and semantic affinity. A pivotal alliterative word series, chiastic in sound and sense, serves as an organizing pattern to subsume a system of literary devices and imagery.
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Hammerschmidt, Christopher. "Typography in patient information leaflets for mobile devices." Information Design Journal 21, no. 3 (2014): 244–59. http://dx.doi.org/10.1075/idj.21.3.07ham.

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Öz Pektaş, Hatice. "Font games in typography education: Typewar." SHS Web of Conferences 48 (2018): 01072. http://dx.doi.org/10.1051/shsconf/20184801072.

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Typography is an area of expertise that focuses on artistic and design-based features and production technologies of all printed scripts. Although typography is an important element of many design branches, it is primarily one of the basic courses of Communication Design, Visual Communication Design, and Graphic Design departments. Current education methods are outdated and boring for the young target audience who got used to a lifestyle full of computers and mobile devices. Digital games are important means used in educational environments thanks to computer technologies. In 2017-2018 Academi
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Saad Najim Abid Al-Khafaji (Ph.D). "The Graphological ,Typographical and Orthographical Devices in the poetry of e e Cummings." journal of the college of basic education 22, no. 96 (2022): 21–42. http://dx.doi.org/10.35950/cbej.v22i96.8902.

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Critics were not always on the American poet Edward Estlin Cummings’ side and mostly he was a target to their invective criticism .The reason is that the style of this poet is inventive and eccentric to such an extent that it makes his poems difficult for the reader unfamiliar with his style. The invented a new style by which he transforms the traditional language to a means to express his feelings and ideas into a visual art . He works with great freedom on the shapes and sizes of letters and their distribution on page , the words and their syntactic function and also on grammatical rules and
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Diogo, Nildo. "Análise da textualização publicitária turístico-hoteleira em Moçambique: descrevendo os mecanismos de construção argumentativa." Redis: Revista De Estudos Do Discurso 9 (2020): 79–105. http://dx.doi.org/10.21747/21833958/red9a3.

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This paper aims to analyse and describe the devices of tourism and hotel advertising textualization in Mozambique. It is a qualitative approach combined with pragmatic methods and Discourse Analysis. The corpus was selected from Facebook pages of tourism and hotel institutions, using the following categories as criteria: dialogism; polyphony; intertextuality; autonomic modal- ity; and the reinforcing illocutionary devices. Dialogism is on the top of textual relations; it recov- ers the polyphony and intertextuality notions. The polyphony recovers intertextuality, and the last manifests itself
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Dunn, John. "Computer assisted music printing." ITNOW 29, no. 3 (1987): 9–11. https://doi.org/10.1093/combul/29.3.9.

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Abstract Although typography and type-setting of textual material has undergone a major revolution in the past decade through the introduction of computer techniques and devices, no such progress has occurred in what would appear to be the closely allied field of music printing, especially in the commercial area of high quality presentation. From the purely graphical point of view, there appears to be little problem. A piece of music consists of a rather small collection of stylised black symbols printed on white paper, something quite within the capability of a large number of graphics output
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Mohammed, Yassin Mohd Aba Sha'ar, and Abdullah Abdulghaffar Abdulqader Khalil. "LINGUISTIC FOREGROUNDING IN BUFFALO BILL BY E. E. CUMMINGS: A STYLISTIC ANALYSIS." International Journal of Interdisciplinary Research in Arts and Humanities 3, no. 1 (2018): 137–42. https://doi.org/10.5281/zenodo.1205104.

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To begin with, stylistics in the one hand is a discipline of applied linguistics that utilizes linguistic theories, perspectives and methods in analyzing all the literary narratives. More tellingly, stylistics in the one side is a field of study that stands between literary criticism and linguistics, i.e. it involves both literature and linguistics. Foregrounding in the other side refers to the use of literary devices (poetic language, parallelism and deviation for instance) for the sake of challenging the common and/or traditional literary norms and achieving deautomatization or literary &nda
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Howe, Daniel C., and John Cayley. "The Readers Project: Procedural Agents and Literary Vectors." Leonardo 44, no. 4 (2011): 317–24. http://dx.doi.org/10.1162/leon_a_00208.

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The Readers Project is an aesthetically oriented system of software entities designed to explore the culture of human reading. These entities, or “readers,” navigate texts according to specific reading strategies based upon linguistic feature analysis and real-time probability models harvested from search engines. As such, they function as autonomous text generators, writing machines that become visible within and beyond the typographic dimension of the texts on which they operate. Thus far the authors have deployed the system in a number of interactive art installations at which audience memb
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Rodríguez González, Félix. "Aspectos tipográficos del anglicismo." Zeitschrift für romanische Philologie 135, no. 2 (2019): 442–68. http://dx.doi.org/10.1515/zrp-2019-0026.

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Abstract The aim of this article is twofold: on the one hand, to point out the various typographical devices used in writing to highlight Anglicisms due to their specific form or meaning. On the other, to examine the different factors contributing to the choice of a particular model which are of two kinds: linguistic, based on the nature of the borrowing and its degree of integration in the language; and stylistic and sociolinguistic, in relation to the attitude of the journalist or writer, which can vary depending on his/her experience, the type of text, its textual function and the semantic
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Ding, Pengbiao. "Evaluating the Typographical Features of "Word of the Day" in Online English Learner's Dictionaries Based on a Multimodal Communicative Approach." Scientific Journal Of Humanities and Social Sciences 6, no. 9 (2024): 35–43. http://dx.doi.org/10.54691/y1b75016.

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The emergence of online electronic dictionaries has brought convenience to English learners. The "Big Five" in English learning dictionaries have kept up with the pace of the times, and have established their own websites which are now working as online dictionaries, so that users can use any device which is connected to the Internet to access consultations for words. On the basis of previous studies, this paper aims to focus the research on "Word of the Day", a section unique to nowadays online dictionaries, and conducts an analysis of this section in the "Big Five" learner's dictionaries fro
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Peng, Hao, Juan Bayon, Joaquin Recas, and Maria Guijarro. "Efficient Expiration Date Recognition in Food Packages for Mobile Applications." Algorithms 18, no. 5 (2025): 286. https://doi.org/10.3390/a18050286.

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The manuscript introduces an innovative framework for expiration date recognition aimed at improving accessibility for visually impaired individuals. The study underscores the pivotal role of convolutional neural networks (CNNs) in addressing complex challenges, such as variations in typography and image degradation. The system attained an F1-score of 0.9303 for the detection task and an accuracy of 97.06% for the recognition model, with a total inference time of 63 milliseconds on a single GeForce GTX 1080 GPU. A comparative analysis of quantized models—FP32, FP16, and INT8—emphasizes the tra
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Biela, Katarzyna. "Staging Joyce’s Prose – Zenon Fajfer and Katarzyna Bazarnik’s Finnegans Make." Studia Litteraria 18, Special Issue (2023) (2023): 29–39. http://dx.doi.org/10.4467/20843933st.23.009.17841.

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The purpose of the paper is to examine Finnegans Make, Zenkasi Theatre Company’s adaptation of Joyce’s prose devised and directed by Zenon Fajfer and Katarzyna Bazarnik, staged in the 1990s. It aims to demonstrate how by employing avant-garde compositional ideas and language games, they translate the structural and linguistic complexity characteristic of the Irish author to the idiom of the stage. demonstrate the thematic coherence of Joyce’s work, accompanied by compositional and. It analyses in detail the play’s circular structure that draws on excerpts from Dubliners, A Portrait of the Arti
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Faccoli, Massimo, and Fabio Stergulc. "Damage reduction and performance of mass trapping devices for forest protection against the spruce bark beetle,Ips typographus(Coleoptera Curculionidae Scolytinae)." Annals of Forest Science 65, no. 3 (2008): 309. http://dx.doi.org/10.1051/forest:2008010.

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Kuhn, Alexandre, Louis Hautier, and Gilles San Martin. "Do pheromone traps help to reduce new attacks of Ips typographus at the local scale after a sanitary cut?" PeerJ 10 (September 28, 2022): e14093. http://dx.doi.org/10.7717/peerj.14093.

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The spruce bark beetle, Ips typographus, is causing severe economic losses during epidemic phases triggered by droughts and/or windstorms. Sanitation felling and salvage logging are usually the most recommended strategies to limit the damages. However, any additional control method to limit the economic impact of an outbreak would be welcome. In this respect, the efficiency of pheromone trapping is still controversial or poorly documented. In this 2-year study (2020–2021), at the peak of a severe outbreak in Belgium, we quantified the wood volume and presence/absence of new attacks at 126 site
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Anisa Fitri Latifah, Fadila Sholaica Gunatria, Gina Mardiah, et al. "Pelatihan Desain Grafis Menggunakan Aplikasi Canva dalam Mengasah Keterampilan Siswa-Siswi di MTS Wonosobo." ASPIRASI : Publikasi Hasil Pengabdian dan Kegiatan Masyarakat 3, no. 2 (2025): 18–26. https://doi.org/10.61132/aspirasi.v3i2.1502.

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Graphic design training using the Canva application aims to enhance the skills of MTs Al-Muttaqin students in creating visual designs, particularly posters with the theme "Environmental Awareness." This activity was conducted by the Community Service Program (KKN) team from Universitas Tidar on January 20, 2025, using the Asset Based Community Development (ABCD) method, which consists of five stages: discovery, dream, design, define, and destiny. The results of the training showed that students exhibited high enthusiasm and were able to understand basic design concepts, such as color, typograp
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SIRISHA, KOTHAPALLI. "Enhancing of Efficient Fuzzy Keyword Search Over Encoded Cloud Multi-User Environment." International Journal of Advanced Research in Computer Science and Software Engineering 7, no. 10 (2017): 33. http://dx.doi.org/10.23956/ijarcsse.v7i10.401.

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Cloud computing relies on sharing computing resources rather than having local servers or personal devices to handle sensitive information. With much recent advancement in cloud computing domain, sensitive information is being fused into the cloud. To guarantee security and protection to this information, data is to be encoded before being transferred onto the cloud server’s, subsequently making search a confusing task. Sometimes clients' search queries related information may not precisely coordinate with pre-set keywords of data because of grammatical errors. In this paper, fuzzy search enha
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Roccia, Gioiella Bruni. "Between Parentheses: The Poetics of Irrelevance in Virginia Woolf’s Experimental Fiction." European Journal of Language and Literature 7, no. 1 (2017): 97. http://dx.doi.org/10.26417/ejls.v7i1.p97-106.

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The understanding and appreciation of Virginia Woolf’s modernist fiction demands careful attention, not only for the obvious complexity of its experimental form but also for the apparent simplicity of certain typographical and stylistic devices. Among these is the use of parenthetical expressions, consisting of explanatory or qualifying remarks inserted into a passage and usually marked off by brackets, dashes, or commas. Generally speaking, the main functions fulfilled by parentheticals have been examined and classified by Woolf scholars. What has received less critical attention, however, is
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Chapdelaine de Montvalon, Sophie. "Labouring up and down Prisunic’s styling streams: The creative studio of a retail chain in 1960s France." International Journal of Fashion Studies 8, no. 2 (2021): 213–36. http://dx.doi.org/10.1386/infs_00051_1.

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This article looks at the French retail chain Prisunic’s fashion production in the 1960s and, in particular, at the collective and invisible labour of its creative studio established in 1953. It examines the processes by which Prisunic evolved from selling clothes, infamous for their shabbiness, to selling fashion during the 1960s. First, this article focuses on the organization of Prisunic. Second, it turns to the interactions between Prisunic as a fashion producer and cultural intermediaries such as forecasting agencies. Specifically, it analyses how Maïmé Arnodin’s ‘colour books’ became ins
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Cidrim, Luciana, Pedro Henrique Magalhães Braga, and Francisco Madeiro. "Desembaralhando: a mobile application for intervention in the problem of dyslexic children mirror writing." Revista CEFAC 20, no. 1 (2018): 13–20. http://dx.doi.org/10.1590/1982-0216201820111917.

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ABSTRACT Purpose: to present a new application for mobile devices, referred to as Desembaralhando, for intervention in the problem of dyslexic children mirror writring. Methods: the development of the application is the result of a set of clinical and speech therapy information and experiences, which points out frequency of letter mirroring as a challenging problem in children with dyslexia. The application, developed in the light of the multisensory approach, was created by a multidisciplinary team of computer scientists, a game designer and a speech therapist, in order to meet users requirem
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Belluzzo de Campos, Gisela, and Rafael Neder. "Visões sobre a Tipografia: aspectos histórico-críticos, metodológicos e tecnológicos." DAT Journal 1, no. 1 (2016): 1–2. http://dx.doi.org/10.29147/dat.v1i1.7.

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Esta edição do periódico DATJournal, a qual tem a Tipografia como tema, marca os 10 anos do Programa de Pós-Graduação Stricto Sensu em Design, da Universidade Anhembi Morumbi. A Tipografia é tratada sob aportes teóricos, críticos, metodológicos e históricos, e na relação com tecnologias, procedimentos e dispositivos tradicionais e emergentes, abraçando assim as duas linhas de concentração do referido Programa. O número traz um ensaio visual e 12 artigos com contribuições de pesquisadores, docentes e discentes, bem como de profissionais da área.Gisela Belluzzo de Campos e Rafael Neder
 Tha
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Radziej, Robert, and Katarzyna Molek-Kozakowska. "Making abstract values tangible: how European University Alliances construct their visual identity in the perspective of creativity." Creativity Studies 17, no. 2 (2024): 532–47. http://dx.doi.org/10.3846/cs.2024.20020.

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The European University Initiative established 64 transnational alliances of higher education institutions. Each of these European Universities Alliances seeks to align universities to enhance academic excellence and competitiveness of the European Higher Education Area. While branding of higher education institutions has become a professionalized practice, creating a transnational alliance poses challenges beyond traditional academic visual identity. The aim is to map out visual and discursive self-representation patterns of European University Alliances on their websites, involving European
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Valkema Blouw, Paul. "A Haarlem press in Sedan and Emden (1561-9) Part two: Sedan and Emden." Quaerendo 19, no. 4 (1989): 253–98. http://dx.doi.org/10.1163/157006989x00014.

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AbstractIn 1561, after a deadlock of many years, a new printing-office was set up in Holland by Jan van Zuren and three others, including the author Dirck Coornhert. After one year of publishing the press concluded most of its activities, and-according to documentary information recently found- the company was dissolved. Jan van Zuren became the sole owner of the firm, which over the next three years only issued a few books on commission. The production then ended completely. What became of the typographical material of the printing-shop has always been a mystery. As a result of bibliographica
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Lee, Seungho, and Sangkon Lee. "Text Typing Using Blink-to-Alphabet Tree for Patients with Neuro-Locomotor Disabilities." Sensors 25, no. 15 (2025): 4555. https://doi.org/10.3390/s25154555.

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Lou Gehrig’s disease, also known as ALS, is a progressive neurodegenerative condition that weakens muscles and can lead to paralysis as it progresses. For patients with severe paralysis, eye-tracking devices such as eye mouse enable communication. However, the equipment is expensive, and the calibration process is very difficult and frustrating for patients to use. To alleviate this problem, we propose a simple and efficient method to type texts intuitively with graphical guidance on the screen. Specifically, the method detects patients’ eye blinks in video frames to navigate through three seq
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Nanda, Muhammad Irvan, and Muhammad Ismail Nasution. "Struktur, Kategori, dan Fungsi Sosial Petatah Petitih Minangkabau di Nagari Sianok IV Suku Kabupaten Agam." Persona: Kajian Bahasa dan Sastra 3, no. 3 (2024): 484–96. http://dx.doi.org/10.24036/jpers.v3i3.259.

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This research is conducted to document the structure, categories, and social functions of Minangkabau proverbs at Nagari Sianok VI Suku Agam Regency. The aim of this research is to describe structure, categories, and social functions of Minangkabau proverbs at Nagari Sianok VI Suku Agam Regency. This research is a qualitative using a descriptive methods. The data were conducted by doing interview using recording sheers, voice recording device, and interview guideline. The results of this research is revealing 42 Minangkabau proverbs at Nagari Sianok VI Suku Agam Regency which have: physical st
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Baron, Naomi S. "Redefining Reading: The Impact of Digital Communication Media." PMLA/Publications of the Modern Language Association of America 128, no. 1 (2013): 193–200. http://dx.doi.org/10.1632/pmla.2013.128.1.193.

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It's not a book. It doesn't have a smell, you don't touch it …, you're plugged into the internet, you can't concentrate, it hurts your eyes, and you lose the beauty of the words behind this screen. Life itself is in hard copy. … Not this treacherous digitalism which has permeated our lives and our reality.—Respondent to survey comparing on-screen with hard-copy readingEach new technology may be janus-faced, potentially improving and degrading the human condition. The steam engine made industrial products cheaper and more diverse but contributed to the exploitation of child labor and proliferat
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Woźniak, Weronika. "Les jeux de mots homophoniques en tant qu’instrument du potentiel langagier: exemple des microtextes oulipiens." Białostockie Archiwum Językowe, no. 23 (2023): 285–301. http://dx.doi.org/10.15290/baj.2023.23.16.

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This article seeks to explore the role of homophonic puns in the works of the Oulipo group. The study is based on the example of a corpus drawn from the Oulipian microtexts collected in Anthologie de l’OuLiPo (2009) by M. Bénabou and P. Fournel. With reference to the classification of figures of words proposed by J.-J.Robrieux (2000) and the theory of word plays by P. Guiraud (1976), an analysis of specific realisations of Oulipian linguistic ‘constraints’ founded on the phenomenon of homophony was undertaken. The analysis explores the question of the double reading, synthetic and analytical,
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Bertolotti, Elisa, and Anca Serbanescu. "‘1 Question 10 Answers’." Convergences - Journal of Research and Arts Education 15, no. 29 (2022): 21–39. http://dx.doi.org/10.53681/c1514225187514391s.29.84.

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'1 Question 10 answers' is a didactic exercise, designed to investigate the notion of interpretation in communication design, and to reflect upon issues that arise in the creation of non-fiction narratives. In particular, this research analyses the relationship between the interviewer and the interviewee, as well as the poetic devices of collection, tabulation and repetition in storytelling. The exercises discussed in this project were applied in various educational contexts: initially from 2017-2019 on the Typography module of the BA in Design at the Universidade da Madeira (Madeira, Portugal
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Bagili, Varshitha, Harika Kotra, Meera Alphy Dr., and K. Shrisha Ms. "Chat Application." Recent Trends in Androids and IOS Applications 6, no. 3 (2024): 44–47. https://doi.org/10.5281/zenodo.13365067.

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<em>Real-time communication has become a cornerstone of modern digital interactions. This project sets out to develop a feature- rich chat application using fundamental web technologies: HTML for structure, CSS for styling, and JavaScript for interactivity. Through meticulous design and implementation, this application aims to offer users an immersive and seamless chat experience while showcasing the versatility and power of web development. The project begins by establishing a solid foundation with HTML, leveraging its semantic elements to structure the chat interface efficiently. Key compone
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Тетяна, Божко. "Композиційні передумови графічного втілення візуальних звернень". ВІСНИК Львівської національної академії мистецтв, № 35 (16 липня 2018): 173–86. https://doi.org/10.5281/zenodo.1313146.

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In recent years, there has been an increasing interest significant increase in the volume of visual messages that require accuracy of encoding for high-quality and fast decoding by consumers. The requirement for the graphic design experts is intensive stacking of the visual structures. This visual structures should make not only informational but also emotional imaginative impression that increase the influence of the given information. This publication is a continuation of scientific research into the impotrance of compositional organization of communication elements for the design of adverti
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Milián, Marvin R. "Time, space and art: The Olympic poster and the chronotope." Visual Inquiry 11, no. 1 (2022): 7–13. http://dx.doi.org/10.1386/vi_00066_1.

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The visual aesthetic of the Olympic Games fuses time and space into the commodification of sport and culture. Rarely does poster art function beyond commodity and advertising. Spanning over a hundred years, the Olympics has adopted the poster as an artefact of the games, documenting the event’s spirit in concert with the essence of the host city. The union of time and space functioning under one aesthetic device, the poster, brings forth Mikhail Bakhtin’s revolutionary theory of the chronotope that the Russian philosopher and critic exposed in language and literature. This article will look at
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Franken, Gregor, Maruša Pangerc, and Klementina Možina. "Impact of Typeface and Colour Combinations on LCD Display Legibility." Emerging Science Journal 4, no. 6 (2020): 436–42. http://dx.doi.org/10.28991/esj-2020-01243.

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The evolution of high resolution displays, especially liquid crystal displays (LCD), which are among the most commonly used ones, has contributed to a larger number of display readers. Regardless of high resolutions, problems in the legibility of typefaces still occur. Many typefaces may well be readable in print, but cause more difficulties when being read on displays. The aim of this study was to examine the influence of colour contrast on the legibility on LCDs to establish which type style is appropriate for a coloured text to be legible. Two different typefaces specially designed for disp
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Bratić, Diana, Nikolina Stanić Loknar, and Tajana Koren Ivančević. "Readability Evaluation of Variable Handwritten Fonts on Different Screen Sizes Using Fuzzy Logic." International Journal of Interactive Mobile Technologies (iJIM) 16, no. 11 (2022): 121–35. http://dx.doi.org/10.3991/ijim.v16i11.31137.

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According to the OpenType standard, variable font is a single font file which contains all style versions of one typeface family, as opposed to standard font families that use different files for each style version. Therefore, they are suitable for use on web because one file with all the necessary typeface styles is significantly smaller in size than classic families with multiple files. This shortens the font loading time, which enables wide range of typographical use on various devices. This paper investigates the readability of handwritten variable fonts in a responsible web environment on
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Yudenkov, V. S., and P. Y. Sulim. "Study of the influence of paper parameters on quality rizographic printing." «System analysis and applied information science», no. 1 (March 27, 2020): 11–16. http://dx.doi.org/10.21122/2309-4923-2020-1-11-16.

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Creation of new digital technologies let automate the reproduction of text and graphic information, led to the creation and development of the digital printing. Digital printing is a technology for producing prints in the printer based on the original layout, created as corresponding codes with a computer. One of the technologies of digital printing is a computer-to-press and one of the devices in this direction is risograph. The risograph printing quality is worse than offset printing. The text is printing with medium sharpness and images remind photos in old newspapers and require special pr
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