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Relevant bibliographies by topics / Typography

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Academic literature on the topic 'Typography'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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Journal articles on the topic "Typography"

1

Rinjani, Dian, Maya Purnama Sari, and Ayung Candra Padmasari. "Ensiklopedia Tipografi Sebagai Media untuk Meningkatkan Pemahaman Terhadap Tipografi." Jurnal Pendidikan Multimedia (Edsence) 4, no. 2 (2022): 101–8. http://dx.doi.org/10.17509/edsence.v4i2.52186.

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Typography is one of the important elements in a multimedia product design. It is impossible to learn the science of typography from one course. Many terms exist in typography and can be learned by students to increase their knowledge of typography. One way to make it easier to know these typographic terms can be obtained from the encyclopedia. But the encyclopedia for typography does not yet exist. Based on this, the research is expected to be able to compile data on existing typographic terms which are then summarized into an interesting typographic encyclopedia and can improve student learn

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Limantoro, Gray Hansen. "JAPANESE TYPOGRAPHY ESSENTIALS: LEARNING FRAMEWORK OF TYPOGRAPHY IN JAPAN (Japanese Typography as a Visual Form of Japanese Writing)." ROMEO REVIEW OF MULTIDISCIPLINARY EDUCATION, CULTURE AND PEDAGOGY 3, no. 3 (2024): 246–51. http://dx.doi.org/10.55047/romeo.v3i3.1398.

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This research discusses the comparison of designs that use typography or not. With three types of Japanese fonts representing the gothic, Mincho, and calligraphy categories, namely DFMincho-SU, Yu Mincho, and BIZ UDGothic. The purpose of this study is to look at the differences in typographic characteristics of each font and their influence on Japanese writing. The methods used included font sampling and a comparative study in which each font was typed on two different sheets: one without typographic manipulation and one with typography applied at the same size. Japanese writing is closely tie

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Spitzmüller, Jürgen. "Approaching typographic variation." Vestnik of Saint Petersburg University. Language and Literature 18, no. 4 (2021): 910–28. http://dx.doi.org/10.21638/spbu09.2021.417.

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This article introduces a linguistic approach to typography which is based on (interactional) sociolinguistic and metapragmatic theories of communicative variation that is located in the rather new sociolinguistic strand called the sociolinguistics of writing. Within the framework clarified here, typography, and graphic design in general, is understood as a variable perceptible resource which provides, by means of its reference-indeterminate variability, options for the ascription and interactive contextual construal of social (or indexical) meaning. As will be elaborated upon, the approach dr

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Kurtcu, Fatih. "3D Typography Design in the Digital Environment." New Trends and Issues Proceedings on Humanities and Social Sciences 4, no. 11 (2017): 147–55. http://dx.doi.org/10.18844/prosoc.v4i11.2869.

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Writing is a visual expression of language-based communication and the most basic indicator and result of human social development and his evolution is in tune with language, thought, art and cultural exchange and/or development. Today, in the concept of writing – typography is far beyond just describing a technique. The effects of developments on technology are reflected in typographic studies and new and effective expression forms are created with new software enviroments, new media and new experimental works. Typographic studies designed in the digital environment by use of possibilities of

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Miranda-Dos Santo, Tiago José. "Typography as a mediator of art, space, memory and presence on toponymy." Legado de Arquitectura y Diseño 14, no. 26 (2019): 75. http://dx.doi.org/10.36677/legado.v14i26.14460.

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Communication through some media gives meaning to a message, or canexpress the desire to communicate. roughout history, typography has been atculture and written communication’s service, responding to the languages, cultures andsocieties’ evolution stimuli. Its history should be understood as the study, from thepolitical, philosophical and artistic point-of-view, of the several movements and thehistory of humanity. erefore, the proper use of typography demands mastery of itsform and use, in favour of its content, leaving space for a rational expression of thehuman world, built by his knowled

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Özkal, Özlem. "Ottoman Foundations of Turkish Typography: A Field Theory Approach." Design Issues 34, no. 3 (2018): 59–75. http://dx.doi.org/10.1162/desi_a_00497.

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This paper examines the formation of the field of typography in the Ottoman Empire from within a field-based perspective. By approaching typography as a strategic action field, it analyzes the typographic environment and its various actors from mid-nineteenth to early twentieth centuries according to the criteria of field formation. Through explicatory historical evidence, it demonstrates that the field of typography was in the process of formation in the late Ottoman period.

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Campos, Gisela Belluzzo de, and María Ledesma. "Analog and digital liquid graphics. Supports and devices." DAT Journal 7, no. 1 (2022): 4–18. http://dx.doi.org/10.29147/datjournal.v7i1.562.

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This article aims to think about the possibilities of typographic writing in real or suggested movement, in different supports and devices, as an alternative to traditional formats and uses of typography marked by linearity. Numerous experiments were carried out in analog media, however, digital systems bring tools that favor the occurrence of what Richard Font called liquid graphics. Typography here is approached in two senses: as a typographic sign – the letter itself–, and in compositions of texts, words and typographic characters in different interfaces.

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Turkkan, Halime. "The significance of typography in data visualization." Global Journal of Computer Sciences: Theory and Research 11, no. 1 (2021): 12–23. http://dx.doi.org/10.18844/gjcs.v11i1.5030.

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With the development of technology and the dominance of the digital world, typography has become a critical issue. Information design systems are considered as one of the significant areas of graphic design and big data provides essential information on data visualization. This research aims to analyse the effects of typographic elements on visualizing data in terms of visual communication, by discussing the value that typography gives to design space. The research discusses randomly selected 10 infographic design samples published in the last six months on google. From the results, 5 designs

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Rizqina, Kirana, and Devinnisa Jehan. "Studying Typography Used in Ability "Rashomon: Tenma Tengai" in The Bungou Stray Dogs Anime Adaptation." Lekesan: Interdisciplinary Journal of Asia Pacific Arts 6, no. 2 (2023): 162–69. http://dx.doi.org/10.31091/lekesan.v6i2.2441.

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Typography is the art and technique of arranging letters in a way that makes the written language easier to read and more appealing, display, or distribute. Typography is not limited to Latin or Romaji and is seen in the anime industry, especially anime, where it is used in kanji. Bungou Stray Dogs is an anime that adapts old literature to a younger audience and is a perfect study subject for kanji typography. Despite its manga and anime adaptations, it still sticks to its "old literature" antics. Hence, the focus of the typographic study in this article is solely on the anime version of the B

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Luthfiasari, Annisa, and Citra Fadillah. "Comparative analysis of kinetic typography elements in movie title sequence." Serat Rupa Journal of Design 7, no. 1 (2023): 43–60. http://dx.doi.org/10.28932/srjd.v7i1.5636.

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Typography, usually closely related to printed media, has now been explored in digital media. These changes make typography, which is usually static, more dynamic. One example of digital typography is kinetic typography. Typography's position as a medium of visual and textual communication becomes more interesting because the element of motion in kinetic typography adds another meaning value. This study examines how typography reveals meaning in time-based media formats. In this study, three movie title sequences with different genres will be analyzed: Monsters Inc., Se7en, and Mission: Imposs

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Dissertations / Theses on the topic "Typography"

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Wong, Yin Yin. "Temporal typography : characterization of time-varying typographic forms." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/29102.

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Olsen, Anckers Linnea. "Typography and Typographic Classification Systems in Swedish Graphic Design Education." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-130023.

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Studien syftar till att undersöka om det finns ett typografiskt klassificeringssystem som skulle kunna fungera som standard att lära ut i svensk designutbildning. Med hjälp av åsikter från aktiva inom typografi- och undervisningsbranschen värderas de mest kända systemen för att det mest lämpliga att använda som standard i svensk designutbildning därefter utses. Detta resulterade i en lätt reviderad version av det befintliga klassificeringssystemet Vox AtypI. Vidare har en del av ett utbildningsmaterial tagits fram för att ge ämnet en given plats i designutbildningen, och för att det framtagn

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Karnes, Eric. "Geologic Typography." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2132.

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In this project, I explore how the processes and structures of non-design disciplines can influence typographic form. Using the field of geology as a test case, I apply geologic processes to typographic form in order to create dimensional structures that speak to a wide audience.

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Stake, Leslie-Anne Fernando. "Temporal typography." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1760.

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Since the digital revolution, there has been a significant impact on how we live, work and play. For designers, it has transformed design practices and created new opportunities. However, this can bring about new problems and challenges. How can we communicate effectively in the digital age with different media and technologies advancing so rapidly? With the overload of information from tablets, smartphones, computers and television, we often start to overlook information. From research I will argue techniques that can help with us understand information in the digital realm and prove the impo

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Kurovska, D. V. "International typography style." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14373.

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Alfalah, Sarah. "Arabic Typography Play." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3073.

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I believe that spoken and written languages are verbal and visual expressions of cultures. Language is used to convey and sustain values and the belief system of people. Arabic is a language of complexity and formal beauty that is being disregarded and pushed away by its own native speakers. It is losing its value in the Arab world. In other words it is dying. Both the written and spoken language is being affected. As the world is interchanging, integrating, and becoming closer, there has been a strong impact on many societies, threatening their original culture. Arab cultures are abandoning t

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Small, David 1965. "Expressive typography : high quality dynamic and responsive typography in the electronic environment." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14011.

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DiGioia, Joseph A. "The "new" new typography? : a critical view of the state of typography /." Online version of thesis, 1995. http://hdl.handle.net/1850/12187.

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Fisher, David B. "Expert systems in typography /." Online version of thesis, 1990. http://hdl.handle.net/1850/10583.

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Blacksell, Ruth. "Typography after conceptual art : text-based conceptual art and its contribution to contemporary typographic discourse." Thesis, University of Sheffield, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631696.

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Books on the topic "Typography"

1

Kitching, Alan. Typography. [The Author], 1992.

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F, Temple William, ed. Typography. Thames and Hudson, 2012.

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Andrew, Haslam, ed. Type & typography. Watson-Guptill Publications, 2002.

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Paul, Stiff, and University of Reading. Department of Typography & Graphic Communication., eds. Typography papers. University of Reading, Department of Typography & Graphic Communication, 1997.

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University of Reading. Dept. of Typography & Graphic Communication., ed. Typography papers. Hyphen,., 2005.

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Association, Japan Typography, ed. Applied typography. Graphic-sha Publishing Co. [for] Japan Typography Association, 1997.

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7

Baines, Phil. Type & typography. 2nd ed. Laurence King, 2005.

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Association, Japan Typography, ed. Applied typography. Graphic-sha., 1992.

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9

Corporation, Potlatch. Vintage: Typography. Potlatch Corp., 1998.

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L, Vervliet Hendrik D., Howes Justin, Kindel Eric, et al., eds. Typography papers. Hyphen Press, 2007.

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Book chapters on the topic "Typography"

1

Krause, Jörg. "Typography." In Introducing Bootstrap 4. Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-6203-0_4.

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Gooch, Jan W. "Typography." In Encyclopedic Dictionary of Polymers. Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12274.

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Krause, Jörg. "Typography." In Introducing Bootstrap 4. Apress, 2016. http://dx.doi.org/10.1007/978-1-4842-2382-6_4.

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Rice, Stephen V., George Nagy, and Thomas A. Nartker. "Typography." In Optical Character Recognition. Springer US, 1999. http://dx.doi.org/10.1007/978-1-4615-5021-1_5.

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Christiansen, Jen. "Typography." In Building Science Graphics. A K Peters/CRC Press, 2022. http://dx.doi.org/10.1201/9781003217817-10.

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Busche, Laura. "Typography." In Brand Psychology. Routledge, 2023. http://dx.doi.org/10.4324/9781003336693-17.

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Slocum, Terry A., Robert B. McMaster, Fritz C. Kessler, and Hugh H. Howard. "Typography." In Thematic Cartography and Geovisualization, 4th ed. CRC Press, 2022. http://dx.doi.org/10.1201/9781003150527-13.

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Bhaloo, Zain M., Tobin Tanaka, and Peter Tytell. "Typography." In Forensic Document Examination in the 21st Century. CRC Press, 2020. http://dx.doi.org/10.4324/9780367853587-21.

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Solis, Daniel. "Typography." In Graphic Design for Board Games. CRC Press, 2024. http://dx.doi.org/10.1201/9781003453772-2.

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Budd, Andy, and Emil Björklund. "Web Typography." In CSS Mastery. Apress, 2016. http://dx.doi.org/10.1007/978-1-4302-5864-3_4.

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Conference papers on the topic "Typography"

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Ho, Amic. "Enhancing User Experience: Exploring the Interactions and Visualisation of Data Through Bullet Points and Typographic Design." In 10th International Conference on Human Interaction and Emerging Technologies (IHIET 2023). AHFE International, 2023. http://dx.doi.org/10.54941/ahfe1004171.

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This study aims to examine the impact of bullet points on data comprehension and establish a visual hierarchy. Additionally, it includes a comprehensive analysis of prior research on the effectiveness of bullet points in the context of data visualisation. The importance of typography in establishing a visual hierarchy is underscored, alongside an analysis of different typographic styles and their impact on the emotional aspects of user experience. This study examines case studies that illustrate the successful application of typographic design in data visualisation, specifically focusing on us

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Ho, Amic. "Paradoxes in Typeface Design for creating new Digital Design Experience." In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001437.

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Generally speaking, the paradox of design elements brought about by visual conflict can attract people's attention. Many designers apply similar ideas to their work. However, seldom do designers investigate the reasons behind the paradox of typography, as well as the approaches to creating this contradiction. The research question of this study refers to how the paradox of typography work for communication. The function of typography is not only to deliver messages but also to serve as the foundation for compositional communication. Letterforms were regarded as one of the most valuable graphic

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Yee, Joyce S. R. "Relearning Typography: Introducing a Cross-Disciplinary Typographic Framework." In Futureground - DRS International Conference 2004. Design Research Society, 2004. https://doi.org/10.21606/drs.2004.149.

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Ford, Shannon, Jodi Forlizzi, and Suguru Ishizaki. "Kinetic typography." In CHI '97 extended abstracts. ACM Press, 1997. http://dx.doi.org/10.1145/1120212.1120387.

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Gromala, Diane. "BioMorphic typography." In ACM SIGGRAPH 2002 conference abstracts and applications. ACM Press, 2002. http://dx.doi.org/10.1145/1242073.1242164.

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Wong, Yin Yin. "Temporal typography." In Conference companion. ACM Press, 1996. http://dx.doi.org/10.1145/257089.257401.

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Rougier, Nicolas P., and Behdad Esfahbod. "Digital typography." In SIGGRAPH '18: Special Interest Group on Computer Graphics and Interactive Techniques Conference. ACM, 2018. http://dx.doi.org/10.1145/3214834.3214837.

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Stanić Loknar, Nikolina, Diana Bratić, and Ana Agić. "Kinetic typography - figuration and technology." In 10th International Symposium on Graphic Engineering and Design. University of Novi Sad, Faculty of technical sciences, Department of graphic engineering and design,, 2020. http://dx.doi.org/10.24867/grid-2020-p81.

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Kinetic typography - text in motion is an animation method of characters that has a video form instead of some "static" form such as picture, poster or book. The most important element for figuration of kinetic typography is the choice of font. Furthermore, one should think about the letter cut, the size and color of the characters, and the background color on which the animation takes place. It can be created in various ways, most often using software that applies a multitude of effects to the text or letter character, creating dynamic solutions. The effects vary from the simplest such as "fa

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de Lacerda Pataca, Caluã, and Paula Dornhofer Paro Costa. "Speech modulated typography." In IUI '20: 25th International Conference on Intelligent User Interfaces. ACM, 2020. http://dx.doi.org/10.1145/3377325.3377526.

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Pisklakov, Pavel. "RANDOMNESS AND TYPOGRAPHY: MEANS OF CREATING UNIQUE INSTANCES IN TYPOGRAPHIC DESIGN." In 2nd International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2015. Stef92 Technology, 2015. http://dx.doi.org/10.5593/sgemsocial2015/b41/s15.070.

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Reports on the topic "Typography"

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Wei, Fei. Typography for dress. Iowa State University, Digital Repository, 2014. http://dx.doi.org/10.31274/itaa_proceedings-180814-1006.

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King, James M. Technical Typography Using Personal Computers. Defense Technical Information Center, 1989. http://dx.doi.org/10.21236/ada211381.

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Hershey, Allen V. Cartography and Typography with True Basic. Defense Technical Information Center, 1995. http://dx.doi.org/10.21236/ada299505.

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Coorey, Jillian. Typography as a catalyst for research constructing identity and meaning through type. University of Limerick, 2020. http://dx.doi.org/10.31880/10344/8358.

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del-Olmo-Barbero, Jesús, and Sonia Parratt-Fernández. Typography and colour: A comparative analysis of the free and paid-for newspapers in Spain. Revista Latina de Comunicación Social, 2011. http://dx.doi.org/10.4185/rlcs-66-2011-938-376-398-en.

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Audsley, Neil, Gonzalo Avila, Claudio Ioratti, et al. European spruce bark beetle, Ips typographus (L.). Euphresco, 2023. http://dx.doi.org/10.1079/20240228470.

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The European spruce bark beetle (Ips typographus), widespread across Eurasia, is a major pest of coniferous forests in Europe, primarily attacking Norway spruce (Picea abies). High beetle populations can result in significant damage, especially following environmental stressors like storms. Although there has been no classical biological control program against I. typographus due to its non-invasive nature in other continents, the potential introduction of this beetle into new areas like North America could necessitate such measures. Natural enemies in Europe include numerous parasitoids, pred

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Murphy, Jamie. Typographic design, one character at a time. University of Limerick, 2015. http://dx.doi.org/10.31880/10344/5867.

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Sanders, Jill. Designing an interface to combine typefaces based on typographic anatomy and letter formations. Iowa State University, 2019. http://dx.doi.org/10.31274/cc-20240624-510.

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