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Dissertations / Theses on the topic 'Typography'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Wong, Yin Yin. "Temporal typography : characterization of time-varying typographic forms." Thesis, Massachusetts Institute of Technology, 1995. http://hdl.handle.net/1721.1/29102.

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2

Olsen, Anckers Linnea. "Typography and Typographic Classification Systems in Swedish Graphic Design Education." Thesis, Linköpings universitet, Medie- och Informationsteknik, 2016. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-130023.

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Studien syftar till att undersöka om det finns ett typografiskt klassificeringssystem som skulle kunna fungera som standard att lära ut i svensk designutbildning. Med hjälp av åsikter från aktiva inom typografi- och undervisningsbranschen värderas de mest kända systemen för att det mest lämpliga att använda som standard i svensk designutbildning därefter utses. Detta resulterade i en lätt reviderad version av det befintliga klassificeringssystemet Vox AtypI. Vidare har en del av ett utbildningsmaterial tagits fram för att ge ämnet en given plats i designutbildningen, och för att det framtagn

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3

Karnes, Eric. "Geologic Typography." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2132.

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In this project, I explore how the processes and structures of non-design disciplines can influence typographic form. Using the field of geology as a test case, I apply geologic processes to typographic form in order to create dimensional structures that speak to a wide audience.

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4

Stake, Leslie-Anne Fernando. "Temporal typography." Thesis, University of Iowa, 2015. https://ir.uiowa.edu/etd/1760.

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Since the digital revolution, there has been a significant impact on how we live, work and play. For designers, it has transformed design practices and created new opportunities. However, this can bring about new problems and challenges. How can we communicate effectively in the digital age with different media and technologies advancing so rapidly? With the overload of information from tablets, smartphones, computers and television, we often start to overlook information. From research I will argue techniques that can help with us understand information in the digital realm and prove the impo

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5

Kurovska, D. V. "International typography style." Thesis, Київський національний університет технологій та дизайну, 2019. https://er.knutd.edu.ua/handle/123456789/14373.

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6

Alfalah, Sarah. "Arabic Typography Play." VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3073.

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I believe that spoken and written languages are verbal and visual expressions of cultures. Language is used to convey and sustain values and the belief system of people. Arabic is a language of complexity and formal beauty that is being disregarded and pushed away by its own native speakers. It is losing its value in the Arab world. In other words it is dying. Both the written and spoken language is being affected. As the world is interchanging, integrating, and becoming closer, there has been a strong impact on many societies, threatening their original culture. Arab cultures are abandoning t

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7

Small, David 1965. "Expressive typography : high quality dynamic and responsive typography in the electronic environment." Thesis, Massachusetts Institute of Technology, 1990. http://hdl.handle.net/1721.1/14011.

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8

DiGioia, Joseph A. "The "new" new typography? : a critical view of the state of typography /." Online version of thesis, 1995. http://hdl.handle.net/1850/12187.

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9

Fisher, David B. "Expert systems in typography /." Online version of thesis, 1990. http://hdl.handle.net/1850/10583.

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10

Blacksell, Ruth. "Typography after conceptual art : text-based conceptual art and its contribution to contemporary typographic discourse." Thesis, University of Sheffield, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.631696.

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11

Rollestone, Giles John. "Lost in transcription : enhancing the typographic description of prosody in written discourse through dynamic typography." Thesis, University of the Arts London, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.650328.

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12

Fellows, Kara S. Gratama Ab. "Typecast the voice of typography /." Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/357.

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13

Paek, Jung Yeun. "Typography in Cross Cultural Environments." Research Showcase @ CMU, 2014. http://repository.cmu.edu/theses/71.

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This thesis examines the structural challenges when designing in two different alphabet systems, Roman and Hangul (Korean alphabet). English being the universal language, it is common to see this pairing in various design solutions, from packaging to posters to websites. However, Korean communication design has a very short history and for that reason, it adopted prevailing western guidelines. Under the western guidelines, Korean designers face challenges when designing text because the guidelines are not entirely fitting for the Korean alphabet. Therefore, Korean communication design needs st

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14

Soo, Douglas. "Implementation of temporal typography system." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/10274.

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15

Fellows, Kara S. "Typecast: the voice of typography." Thesis, University of Iowa, 2009. https://ir.uiowa.edu/etd/357.

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The hypothesis that this project aims to investigate is this: That through the arrangement of letterforms in space, a graphic designer can manipulate this voice in order to deliver a nuanced impression of language as it is intended to be heard. As a graphic designer, my job is to communicate meaning visually. When my choice of typography aids in the assignment of proper tone of voice to words, communication is made more clear. In the typographic studies I've created in the course of this exploration, I've tried to establish the pitch, tone, and volume of typographic voice by manipulating how w

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16

Cho, Peter Sungil. "Computational models for expressive dimensional typography." Thesis, Massachusetts Institute of Technology, 1999. http://hdl.handle.net/1721.1/61105.

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Thesis (S.M.)--Massachusetts Institute of Technology, Program in Media Arts & Sciences, 1999.<br>Includes bibliographical references (p. 83-84).<br>This thesis research explores the prospect of typographic forms, based on custom computational models, which can be faithfully realized only in a three-dimensional, interactive environment. These new models allow for manipulation of letter-form attributes including visual display, scale, two-dimensional structure and three dimensional sculptural form. In this research, each computational model must accommodate the variation in letter shapes, while

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17

Tsen, Jungmei. "picTypo : the face of Chinese typography." Thesis, Royal College of Art, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.565987.

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The aims of this thesis are threefold. First, it provides a broad investigation of the contemporary typographic status of Taiwan through four directions (literature reviews, field work, the western deconstructionist typographic debate, and the semiotic approach in the Study of Chinese Characters). Second, it examines the impact of the pictographic/ideographic feature of Chinese characters on the study of Chinese typographic design. Third, it states that in studying Chinese characters from the typographical point of view there is an interesting connection between the Iiu shu (the six methods of

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18

Matore, Daniel. "Experimental typography in twentieth-century poetry." Thesis, University of Oxford, 2017. https://ora.ox.ac.uk/objects/uuid:34bd524a-74ec-467d-8f70-0b0e825de0e5.

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Experimental Typography in Twentieth-Century Poetry, by Daniel Matore, New College, University of Oxford. A thesis submitted for examination for the degree of Doctor of Philosophy in English Literature in Hilary Term, 2017. This thesis is a study of the typographical experimentation in the verse of twentieth-century poets writing in English. Typography and poetics, it contends, became indissolubly linked in the last century, and this work traces why this is so. It chiefly deals with poetry written roughly in the period 1908 to 1970, rooted in the work of Ezra Pound, E.E. Cummings, and Charles

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19

Pieterse, George F. "Scripted : an urban museum of typography." Diss., University of Pretoria, 2011. http://hdl.handle.net/2263/29902.

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Reading allows for the construction of a new world within the mind as one centralises and processes the literature. Flipping from one page to the next the language and the typography guides and informs this spatial construction and directs us through this new world. It creates an intangible architecture of the mind. In the physical realm however, we experience the real world directly and blatantly without the aid of texts and narratives. In this life the relationship between text and space is inverted. Here text and narrative do not inform the construction and tactile experience of space but r

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20

Yu, Li. "Typography in film title sequence design." [Ames, Iowa : Iowa State University], 2008.

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21

Falla, Dominique Tania. "Tactile Typography in the New Aesthetic." Thesis, Griffith University, 2015. http://hdl.handle.net/10072/365246.

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Modern design communication fails to engage our tactile senses. In an age where the majority of messages are delivered digitally, this preferences our eyes and ears over the remaining senses and as a result, the touch or ‘tactile’ senses are being neglected. Imagine a child born into a digital world where they no longer get to touch the ‘real thing’. What happens to us when there is no longer a stored memory of textures? As a child, touching rough, smooth and a variety of different textures to discover what they ‘feel’ like is essential to developing an understanding of our world (Elgin 1997).

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22

Metz, Marilyn. "Typography preferences of consumers over 50, preferences of consumers age 50+ for typography of product instruction labels." Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp03/NQ30338.pdf.

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23

Bland, Mark. "Johnson, Stansby and english typography 1579-1623." Thesis, University of Oxford, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.319114.

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24

Burke, Christopher. "Paul Renner and German typography, 1900-1950." Thesis, University of Reading, 1995. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283236.

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25

Chao, Chloe Ming-shu 1975. "Kinetext : concrete-programming paradigm for animated typography." Thesis, Massachusetts Institute of Technology, 1998. http://hdl.handle.net/1721.1/29139.

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26

Bernhardi, Ernest F. III. "Typography: From Internal Conflict to External Content." VCU Scholars Compass, 2010. http://scholarscompass.vcu.edu/etd/2100.

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This body of work represents a celebration and pursuit of realizing an alternative language, one capable of expressing internal conflict through process and response to external typographic form and content.

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27

Fan, Feifei. "In Pursuit of Harmony: Calligraphy & Typography." VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1786.

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Chinese calligraphy and Western typography have been evolving for around five thousands years. During this time, they have developed quite different characteristics. Compared with the geometrical form and precision of Western printing types, Chinese calligraphy features abstract shapes and spontaneous strokes. These differences result in a gap that prevents a harmonious and organic relationship between them. This project explores the possibilities of combining these two historical visual systems, demonstrates specific methods and approaches for creating compelling formal relationships, and

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28

Venter, Schalk (Dawid Schalk Willem). "The people's typography : a social semiotic account on the relationship between 'township typography' and South African mainstream cultural production." Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/20278.

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Thesis (MPhil)--Stellenbosch University, 2012.<br>ENGLISH ABSTRACT: This thesis presents an analysis of ‘township typography’ as a complex visual dialect generated by various economic and historical factors within the South African social landscape. A combination of specific tools, skills-sets and applications has produced a body of typographic letterforms that can be visually distinguished from standardised letterforms found in mainstream typography. Due to the origin of these letterforms, as well as their distinct appearance, ‘township typography’ has the capacity to evoke specific soc

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29

Brownie, Barbara Kay. "The behaviours of fluid characterforms in temporal typography." Thesis, University of Hertfordshire, 2012. http://hdl.handle.net/2299/9037.

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This thesis identifies and characterises a particular kind of temporal typography in which verbal forms exhibit behaviours that have been identified by Eduardo Kac as ‘fluid’ , and fluctuate between the verbal and pictorial or abstract. A typology will be constructed which identifies the various behaviours by which fluidity is exhibited, and provides terminology for their analysis, accompanied by analysis of how these behaviours address the relationship between the commonly distinct paradigms of verbal and pictorial signs. The work identifies the distinction between fluidity and other forms of

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30

Lam, Francis S. M. Massachusetts Institute of Technology. "Cheiro : creating expressive textual communication and anthropomorphic typography." Thesis, Massachusetts Institute of Technology, 2006. http://hdl.handle.net/1721.1/36156.

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Thesis (S.M.)--Massachusetts Institute of Technology, School of Architecture and Planning, Program in Media Arts and Sciences, 2006.<br>Includes bibliographical references (leaves 64-66).<br>Despite rapid technological advancement and improvement in network bandwidth, people still like to use text for remote communication. Simplicity, directness and anonymity make textual chat the most popular method of communication in the technology-mediated world. In face-to-face communication, people can use gestures, facial expressions, eye gaze and other body languages to alter, emphasize or strengthen t

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31

Zheng, Huangyuying. "Observation and combination of Chinese and English typography." Thesis, University of Iowa, 2016. https://ir.uiowa.edu/etd/3229.

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The interests in the similarities and differences between Chinese characters and English words lead me to study how various shapes between two languages will affect designs significantly. The curiosity inspired the development of making these two different language forms appear more aesthetically compatible. Moreover, from questioning the characteristics of Chinese and English, I developed interest in recreating a new multi-purpose visual language system which can be read in both Chinese and English without losing any character's original form. Through out my study, I rediscover the meaning an

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32

Harkins, Michael. "Contemporary processes of text typeface design." Thesis, University of the Arts London, 2018. http://ualresearchonline.arts.ac.uk/13455/.

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Text typeface design can often be a lengthy and solitary endeavour on the part of the designer. An endeavour for which, there is little in terms of guidance to draw upon regarding the design processes involved. This is not only a contemporary problem but also an historical one. Examination of extant accounts that reference text typeface design aided the orientation of this research (Literature Review 2.0). This identified the lack of documented knowledge specific to the design processes involved. Identifying expert and non-expert/emic and etic (Pike 1967) perspectives within the existing liter

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33

Da, Cunha Lima Guilherme Silva. "O grafico amador : the roots of modern Brazilian typography." Thesis, University of Reading, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.357199.

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34

Montgomery, James Alexander Ian. "Do real relationships exist between product design and typography?" Thesis, University of Ulster, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310107.

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35

Popeski, Cassandra Jennifer. "Expression of Peer Loss Through Typography and Combined Media." Thesis, The University of Arizona, 2015. http://hdl.handle.net/10150/595062.

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The purpose of this honors creative thesis is to gain a general understanding of the emotional consequences experiencing the loss of a peer can pose for an individual and then expressing these findings through a typographic and mixed media body of artwork. I conducted an anonymous survey that was distributed through social media, which asked various questions regarding the memory of those who have passed away and the changing perceptions of death. After conducting the survey, I compiled and sorted through the responses to create seven typographic posters, each focusing on poignant words or phr

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36

Jones, Sarah. "Graphic intervention interrogating newspaper design as a site of social construction /." Swinburne Research Bank, 2009. http://hdl.handle.net/1959.3/55170.

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Thesis (MDes) - National School of Design, Swinburne University of Technology, 2009.<br>A thesis submitted in fulfillment of the requirements for the degree of Masters of Design by Research, [Swinburne University of Technology], 2009. Typescript. Bibliography: p. [89]-91.

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37

OLIVEIRA, ANA MANSUR DE. "TYPOGRAPHY IN SPACE: SENSE AND SENSIBILITY IN A GRAPHIC PROJECT." PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO, 2005. http://www.maxwell.vrac.puc-rio.br/Busca_etds.php?strSecao=resultado&nrSeq=7236@1.

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PONTIFÍCIA UNIVERSIDADE CATÓLICA DO RIO DE JANEIRO<br>Esta dissertação busca estabelecer uma discussão entre duas maneiras de pensar a solução da tipografia no projeto gráfico: aquela em que o designer privilegia a razão e aquela cujo foco é a sensibilidade. Através de uma análise do significado dos períodos moderno e pós-moderno, buscamos, inicialmente, investigar o contexto em que surgiram estas duas formas de pensar. Em seguida, examinamos o pensamento de alguns autores acerca da concepção mais correta do arranjo da tipografia no espaço gráfico, trazendo a discussão para o âmbito do

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38

Cho, Peter Sungil. "Pliant type : development and temporal manipulation of expressive, malleable typography." Thesis, Massachusetts Institute of Technology, 1997. http://hdl.handle.net/1721.1/10553.

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39

Ford, Ann. "Typography As Performance: bringing the stage into the design process." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1590.

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Graphic design is historically a visual language consisting of text and image composed for the purposes of sending messages in print format. The voice of graphic design is typography—structuring and arranging letter forms into visual language. Over the past two decades, new communication formats such as motion and interaction have frequently been related to performance. My intention, however, is to explore how performance can influence typography in two and three dimensions, and even in digital environments.

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40

Pinkney, Alexander J. "Improving typography and minimising computation for documents with scalable layouts." Thesis, University of Nottingham, 2015. http://eprints.nottingham.ac.uk/28872/.

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Since the 1980s, two paradigms have dominated the representation of formatted electronic documents: flowable and fixed. Flowable formats, such as HTML, EPUB, or those used by word processors, allow documents to scale to any arbitrary page size, but typographical compromises must be made since the layout is computed in real time, and is re-computed each time the document is displayed. Conversely, fixed formats such as SVG or PDF are afforded the potential for arbitrarily complex typography, but are constrained to the fixed layout that is set at the time of creation. With the recent surge in pop

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41

Rocha, Ivan Terestschenko. "A metaphysical and linguistic approach to type design and typography /." Online version of thesis, 1993. http://hdl.handle.net/1850/11737.

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42

Eastwood, Joseph. "An investigation of the relationship between typography and audio-based communication in the urban environment, with particular regard to pedestrian wayfinding." Thesis, University of the Arts London, 2006. http://ualresearchonline.arts.ac.uk/6264/.

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This practice-based study explored the relationship between text-based messages and audio-based communication within the contemporary urban environment. Issues relating to signage overload and urban movement were identified at an early stage in this study, and pedestrian wayfinding was then selected as a form of communication that allowed for exploration of all the key issues. Two practice-based approaches to the research were developed that utilised both analysis and experimentation. Initially informal and then subsequently structured investigations of text and audio-based communications in r

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43

Weisenmiller, Eric Michael. "A Study of the Readability of On-Screen Type." Diss., Virginia Tech, 1999. http://hdl.handle.net/10919/29400.

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This study examined the readability of fonts. More specifically, it investigated how four different fonts effected both reading rate and reading comprehension. The typefaces Georgia, Verdana, (which, according to their designers, optimize onscreen readability) Times, and Arial (both designed for digital output to hard copy) were displayed as treatments both on a computer screen and on paper. The purpose of the study was to determine whether sans serif and serif typefaces optimized for on-screen viewing significantly improve reading rate and reading comprehension. Comparisons were made among th

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44

Klevgaard, Trond. "New typography in Scandinavia : domesticating theory and practice amongst the graphic trades, 1927-43." Thesis, Royal College of Art, 2018. http://researchonline.rca.ac.uk/3424/.

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This work provides the first extended account of New Typography’s path in Scandinavian countries, a topic which has yet to receive attention beyond a handful of articles and book chapters. Based on an exhaustive study of graphic trade journals published in Denmark, Norway and Sweden between the years of 1927 and 1943, it charts debate on New Typography and discusses the journals’ changing designs. Additional visual material has been sourced from a number of Scandinavian archives. In discussing the spread of New Typography’s theory and aesthetic from elsewhere in Europe, and then primarily from

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45

Almusallam, Basma. "Developing an Arabic Typography Course for Visual Communication Design Students in the Middle East and North African Region." Kent State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=kent1397011962.

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46

Lu, Amanda (Meng-Hsuan). "The Exploration of Static Typography for Expressing The Emotive Qualities of Music." The University of Waikato, 2009. http://hdl.handle.net/10289/2785.

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This thesis explores how the pure form of static typography can express the emotive qualities of music. More specifically, how typefaces/letterforms and typographic compositions can produce emotive associations; and whether combining both aspects can enhance the emotive value. Emotion, typography and music are the three core subject areas of this research. Using music as the medium to elicit emotions, the findings from this thesis indicate that typeface/letterform is the most effective aspect of static typography to express emotive qualities, followed by the combination of both typographic as

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47

Metz, Marilyn. "Preferences of consumers age 50+ for typography of product instruction labels." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42096.

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Fifty well-educated consumers over 50 years of age selected print variables within the safety zone for optimal print presentation. A Typography Variable Score (TVScore) matrix based on deviations from optimal print was developed in order to provide a means of assessing consumer product instruction labels. There was a significant correlation between the TVScore and participants' ratings of ease of reading and attractiveness of 40 product instruction labels presented. A modified Miscue Analysis procedure was developed and used to assess the influence of typography on the ease of reading of label

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48

Waller, R. "The typographic contribution to language : Towards a model of typographic genres and their underlying structures." Thesis, University of Reading, 1987. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.379721.

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49

Zelman, Stephanie. "Letterforms, cultural forms : the interplay between graphic design, western culture and communications technologies since mid-century." Thesis, McGill University, 1999. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=30232.

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Beginning with an understanding of the aesthetic and idealism of modern design, this thesis discusses the interrelationship between culture, technology and graphic design since mid-century. A review of the rise of postmodern critique, particularly as expressed through digital technologies, demonstrates how cultural shifts and developing communications technologies work in tandem to influence the emergence of visual systems. By revealing several underlying premises of modernity, it is shown that the linearity of modern design is a biased and limited theory of vision. This argument is reinforced

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Nuttall, D. "English printers 1600-1700 and their supra-text roman and italic types." Thesis, University of Reading, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370815.

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