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Relevant bibliographies by topics / Tzara

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Academic literature on the topic 'Tzara'

Author: Grafiati

Published: 4 June 2021

Last updated: 1 February 2022

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Journal articles on the topic "Tzara"

1

Steele, Stephen. "Tristan Tzara (review)." L'Esprit Créateur 46, no. 2 (2006): 112–13. http://dx.doi.org/10.1353/esp.2006.0027.

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Heller-Roazen, Daniel. "Secrets of Tristan Tzara." October 144 (May 2013): 25–48. http://dx.doi.org/10.1162/octo_a_00139.

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Szalay, M. "Inviolate Modernism: Hemingway, Stein, Tzara." Modern Language Quarterly 56, no. 4 (1995): 457–85. http://dx.doi.org/10.1215/00267929-56-4-457.

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Howard, Seymour. "DUCHAMP, DALÍ, TZARA, AND DADAIST COPROPHILIA." Source: Notes in the History of Art 10, no. 1 (1990): 26–35. http://dx.doi.org/10.1086/sou.10.1.23202678.

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Hemus, R. "Modernist Song: The Poetry of Tristan Tzara." French Studies 62, no. 4 (2008): 492–93. http://dx.doi.org/10.1093/fs/knn119.

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Deco Prados, Francisco Javier. "Vingt-cinq (et un) poèmes de Tristan Tzara : las etapas de su elaboración." Epos : Revista de filología, no. 25 (January 1, 2009): 131. http://dx.doi.org/10.5944/epos.25.2009.10611.

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En este artículo me propongo aportar algunos datos para la historia de un libro clave en la formación de las vanguardias europeas de principios del siglo XX, Vingt-cinq poèmes de Tritan Tzara. En un primer momento se estudia la evolución textual del libro a partir del análisis pormenorizado de las variantes del poema inicial del volumen, «Le géant blanc lépreux du paysage». Una atención especial es consagrada al problema que plantean las pruebas de imprenta TZR 577 del fondo Tzara de la Biblioteca Doucet, identificadas por el editor de las obras completas del poeta, Henri Béhar, como las galer

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Lévesque, Martine. "Hamlet dans Mouchoir de nuages de Tristan Tzara." Urgences, no. 25 (1989): 30. http://dx.doi.org/10.7202/025542ar.

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Boeschoten, Cheryl. "Tzara et Marinetti: Une étude de leur théâtre." Quaderni d'italianistica 7, no. 1 (1986): 33–75. http://dx.doi.org/10.33137/q.i..v7i1.11016.

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Baker, George. "The Artwork Caught by the Tail." October 97 (July 2001): 51–90. http://dx.doi.org/10.1162/octo.2001.97.1.51.

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If it were married to logic, art would be living in incest, engulfing, swallowing its own tail.… —Tristan Tzara, Manifeste Dada 1918 The only word that is not ephemeral is the word death…. To death, to death, to death. The only thing that doesn't die is money, it just leaves on trips. —Francis Picabia, Manifeste Cannibale Dada, 1920

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Eram, Cosana. "The Posthuman Dada Guide: Tzara & Lenin Play Chess." Modernism/modernity 17, no. 3 (2010): 696–98. http://dx.doi.org/10.1353/mod.2010.0012.

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Dissertations / Theses on the topic "Tzara"

1

Forcer, Stephen. "Modernist song : the poetry of Tristan Tzara." Thesis, University of Oxford, 2004. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400622.

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Beiu, Papanastasiou Adela Nicoleta. "Absurd Romania : revisiting Tristan Tzara and Eugène Ionesco." Thesis, University of East Anglia, 2017. https://ueaeprints.uea.ac.uk/63136/.

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“Absurd Romania” revisits Romanian history and politics, and their intersection with the literary scene out of which both Tzara and Ionesco emerged, in order to better situate the diverse roots of European modernism and transnational avant-garde. I examine how their radical aesthetics developed in response to the specific political issues and cultural debates, which animated and inspired Tzara, Ionesco and their contemporaries. In the first chapter, I show that the writings of literary critic Titu Maiorescu and playwright I.L. Caragiale, two important exponents of a specifically Romanian ironi

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Dufour, Catherine. "La vocation cosmopolite de Tristan Tzara (1915-1925)." Paris 3, 2001. http://www.theses.fr/2001PA030156.

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Le corpus qui a permis d'étudier la "vocation cosmopolite" de Tristan Tzara comprend les écrits qui vont des origines de sa carrière roumaine, en 1912, à l'année 1925, date où son nom s'efface provisoirement de l'actualité littéraire parisienne. Mais de nombreux écrits théoriques d'après 1925 ont été pris en compte -car ils constituent une historiographie critique de Dada par Tzara lui-même- ainsi que sa correspondance. L'ensemble a donné lieu à une étude en sept étapes : les prémisses roumaines, les enjeux de l'activisme zurichois, les relations avec les futurismes -italien et russe-, avec la

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López, Lupiáñez Nuria. "Pensamiento de Tristan Tzara en el periodo dadaísta, El." Doctoral thesis, Universitat de Barcelona, 2002. http://hdl.handle.net/10803/2034.

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Esta tesis se propone presentar el pensamiento de Tristan Tzara en su etapa dadaísta, a través del análisis de fragmentos suyos, y de la confrontación de éstos con los de algunos filósofos como Nietzsche y Bergson, filósofos que influyeron directamente a Tzara. Se articula en tres capítulos, que corresponden a tres nociones de Tzara: (1) El asco, (2) La dictadura del espíritu y (3) Lo cósmico.<br/><br/>El "asco" -el tema del primer capítulo-, para Tzara, es el origen de Dadá: rechazo visceral ante el estado de cosas, ante la situación del hombre europeo, enfermo y debilitado. Tzara, a menudo e

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Beauchard, Marie-Josèphe. "La tension utopique chez Tristan Tzara et André Breton." Paris 3, 1986. http://www.theses.fr/1986PA030096.

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Apres un expose de l'evolution historique de lanotion d'utopie s'inserant dans un courant litteraire jusqu'au 18eme siecle, dans un courant politico-social ensuite tendant a l'elaboration d'une societe plus juste et fraternelle en voie de realisation dans l'histoire (en depit de son contraire, la dystopie), il est etudie de quelle maniere tzara et breton ont participe a ce courant utopique tout au long de leur vie et de leur oeuvre. Venus au meme moment au dadaisme dont les tendances individualistes et violement negatrices le rattachent plutot au courant dystopique, tzara et breton, le premier

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Papachristos, Katherine. "Le théâtre de Tristan Tzara : le passage de l'oralité à l'écriture." Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=40221.

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This doctoral thesis analyzes the plays of Tristan Tzara, specifically La Premiere Aventure Celeste de Monsieur Antipyrine (1920), La Deuxieme Aventure Celeste de Monsieur Antipyrine (1920), Coeur a Gaz (1921) et Mouchoir de Nuages (1924).<br>In the first part of our study we examine the production of (dramatic) language in its oral, graphic and written qualities. The dada language of the two drama-manifestoes tends to adopt a syllabic writing which defines itself as a sonorousness free of syntaxico-semantic contingencies. The writing in Coeur a Gaz is more graphic in that it defines linear wr

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Maruta, Vasile. "La poésie et le théâtre Dada de Tristan Tzara : continuité d'inspiration et rupture." Université Marc Bloch (Strasbourg) (1971-2008), 1989. http://www.theses.fr/1989STR20016.

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Cette recherche porte sur les douze premières années de création littéraire (1912-1924) de Tristan Tzara (1896-1963). Connue et étudiée surtout comme un moment de turbulences sans précédent par rapport à la tradition littéraire, sa création dadaïste (1916-1924) doit être analysée dans le prolongement de ses débuts poétiques. L'unique volume de poèmes conçus en roumain - sa langue maternelle - relève en effet une utilisation surprenante du discours dans la poésie pour mettre en cause la construction du poème lui-même. Ainsi, La "rupture dadaïste", survenue à Zurich (Cabaret Voltaire), se tradui

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Jiménez, Alvaro. "Ars Combinatoria — epresentación y discurso filosófico en Ramón Llul y en Tristan Tzara." Tesis, Universidad de Chile, 2011. http://www.repositorio.uchile.cl/handle/2250/101310.

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Nos referiremos en este documento a la teoría y la práctica del Ars Combinatoria, particularmente en dos de autores, Ramón Llul y Tristan Tzara. Ramón Llul, beato del siglo XII, cuyo pensamiento ha sido instruido por la rama teológica de escolástica medieval de orientación platónica, la cual comprende la totalidad de la creación, organizada de manera sinfónica, construida según una voluntad inicial, y ordenada según los principios de una inteligencia superior e inmanente. Para Llul, el Ars Combinatoria constituye un método con el cual el buen cristiano puede desentrañar los misterios de la cr

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Jerônimo, Thiago dos Santos [UNESP]. "Le rêve qu’on appelle nous: sujeito e linguagem em L’Homme approximatif de Tristan Tzara." Universidade Estadual Paulista (UNESP), 2014. http://hdl.handle.net/11449/116046.

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Made available in DSpace on 2015-03-03T11:52:57Z (GMT). No. of bitstreams: 0 Previous issue date: 2014-04-28Bitstream added on 2015-03-03T12:06:48Z : No. of bitstreams: 1 000810045.pdf: 376158 bytes, checksum: 7aeb866705298719cffefd95365807cb (MD5)<br>Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)<br>Dans ce travail, nous avons l'intention d'analyser le poème L'Homme approximatif (1931), de Tristan Tzara (1896-1963), en nous concentrant principalement sur la formation du langage poétique et du sujet lyrique dans cette oeuvre. Nous considérons les processus de création

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Jerônimo, Thiago dos Santos. "Le rêve qu'on appelle nous : sujeito e linguagem em L'Homme approximatif de Tristan Tzara /." Araraquara, 2014. http://hdl.handle.net/11449/116046.

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Orientador: Adalberto Luis Vicente<br>Banca: Guacira Marcondes Machado Leite<br>Banca: Norma Domingos<br>Resumo: Neste trabalho, pretende-se analisar o poema L'Homme approximatif (1931), de Tristan Tzara (1896-1963), focalizando sobretudo como se dá a formação da linguagem poética e a constituição do sujeito lírico nesta obra. Consideramos o processo de criação poética a partir dos procedimentos surgidos nas Vanguardas do início do século XX, destacando-se as estéticas dadaísta e surrealista, das quais o poeta franco-romeno se vale em sua obra, que se constitui em uma grande reflexão sobre o f

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Books on the topic "Tzara"

1

Tzara mea. Editura Arc, 2000.

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Tristan Tzara. Oxus, 2005.

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3

Béhar, Henri. Tristan Tzara. Oxus, 2005.

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Herranz, Albert. Fresas para Tristan Tzara. Colectivo Cultural Baile del Sol, 1997.

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5

Troendle, Yves. The mark of Tzara. Gesture Press, 1988.

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Ilk, Michael. Brancusi, Tzara und die rumänische Avantgarde. Museum Bochum, 1997.

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7

Chanson dada: Tristan Tzara, selected poems. Coach House, 1987.

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8

Tzara, Tristan. Chanson Dada: Tristan Tzara, selected poems. Black Widow Press, 2006.

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9

Rosenstock, Samuel. Chanson Dada: Tristan Tzara, selected poems. Black Widow Press, 2005.

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10

1892-1974, Huelsenbeck Richard, ed. Tristan Tzara: Dompteur des acrobates : Dada Zurich. L'Echoppe, 1992.

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Book chapters on the topic "Tzara"

1

Wild, Gerhard. "Tzara, Tristan." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18174-1.

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Knapp, Bettina L. "Tristan Tzara (1896–1963)." In French Theatre 1918–1939. Macmillan Education UK, 1985. http://dx.doi.org/10.1007/978-1-349-17985-5_2.

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Theisen, Josef. "Tzara, Tristan: L'homme approximatif." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18176-1.

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Ammer, Andreas. "Tzara, Tristan: Sept manifestes dada." In Kindlers Literatur Lexikon (KLL). J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_18175-1.

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D’Ambrosio, Vinnie-Marie. "Tzara in The Waste Land." In T. S. Eliot Annual No. 1. Palgrave Macmillan UK, 1990. http://dx.doi.org/10.1007/978-1-349-07790-8_6.

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Valla, Tomáš, and Pavel Veselý. "WALTZ: A Strong Tzaar-Playing Program." In Communications in Computer and Information Science. Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-05428-5_7.

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"Tristan Tzara." In Surrealist Painters and Poets. The MIT Press, 2001. http://dx.doi.org/10.7551/mitpress/6565.003.0082.

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"Tristan Tzara, ‘Dada manifesto 1918’." In Modernism. Routledge, 2013. http://dx.doi.org/10.4324/9781315833125-33.

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"Tristan Tzara and Francis Picabia." In Man Ray. Yale University Press, 2021. http://dx.doi.org/10.2307/j.ctv1vbd144.10.

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"Old Acquaintances, New Collaborations: Tzara and Reverdy." In Matisse’s Poets. Bloomsbury Academic, 2017. http://dx.doi.org/10.5040/9781501326868.ch-010.

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Conference papers on the topic "Tzara"

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Levashev, Yevgeniy, Nadezhda Teterina, and Yelena Shcheboleva. "M. I. Glinka's Opera A Life for the Tzar: a Historical- Archaeological Perspective of Research." In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.93.

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Galeev, Timur. "Russian Titles in the Context of Russian Culture History of the title TZAR (king) and it s derivates in Old Slavic, Ancient Russian and modern Russian languages." In International Conference on Education, Language, Art and Intercultural Communication (ICELAIC-14). Atlantis Press, 2014. http://dx.doi.org/10.2991/icelaic-14.2014.104.

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