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Journal articles on the topic 'Ugly art'

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1

San Choon Kim. "Fine Art? Ugly Art?" Sogang Journal of Philosophy 37, no. ll (2014): 9–29. http://dx.doi.org/10.17325/sgjp.2014.37..9.

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2

Goodman, Diane. "The Art of Ugly." American Book Review 34, no. 2 (2013): 11–12. http://dx.doi.org/10.1353/abr.2013.0020.

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Parret, Herman. "On the Beautiful and the Ugly." Trans/Form/Ação 34, spe2 (2011): 21–34. http://dx.doi.org/10.1590/s0101-31732011000400003.

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Classical aesthetics sees the experience of the beautiful as an anthropological necessity. But, in fact, the beautiful is rather the central category designating classical art, and one can question the relevance of this category considering contemporary art. The reference term most frequently used for contemporary art is interesting: works of art solicit the interests of my faculties (the cognitive-intellectual, the pragmatic community-oriented moral, the affective aesthetic faculties). It is interesting to notice that the categories of the beautiful and the ugly have an axiological-moral valu
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Vlašković Ilić, Biljana. "ESTETIKA RUŽNOG U „RIMSKIM PRIČAMA“ ALBERTA MORAVIJE." Nasledje, Kragujevac XX, no. 54 (2023): 353–67. http://dx.doi.org/10.46793/naskg2354.353vi.

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The paper juxtaposes the key postulates of Kant’s and Hartmann’s aesthetics of the beau- tiful and the sublime with Karl Rosenkranz’s aesthetics of ugliness in order to examine the dynamics of the relationship between the beautiful, the sublime, and the ugly in art. The paper’s working hypothesis is that the aesthetics of ugliness is necessary since the ugly and the beautiful form a binary opposition, given that the concept of the beautiful cannot be known and understood without the concept of the ugly. To investigate this hypothesis, the paper analyzes selected Roman Tales by Alberto Moravia
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5

Goldstein, Philip. "Telling the ugly truth: Communism, theory, spies, art." History of European Ideas 20, no. 1-3 (1995): 219–24. http://dx.doi.org/10.1016/0191-6599(95)92945-q.

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Zainab, Noreen, Aisha Jadoon, and Amna Saeed. "On Being Ugly: An Analysis of Arundhati Roy’s Beauty Norms in The Ministry of Utmost Happiness." Global Language Review III, no. I (2018): 1–16. http://dx.doi.org/10.31703/glr.2018(iii-i).01.

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Beauty in the world of art is one of the most celebrated ideas. In this paper, Arundhati Roy’s novel The Ministry of Utmost Happiness is analyzed with reference to one of its major character, Anjum, an ugly transgender. Adopting the theoretical framework of Halberstam (2005) this paper argues that the physical appearance, either ugly or beautiful, shapes the attitudes of people towards each other. People, who are considered ugly according to social standards, suffer harassment and abuse at various stages of their life in different ways. Therefore, this paper contends the popular social percept
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Muharremi, Agnesa, and Ilir Muharremi. "Development of mural art (street art) after the last war in Kosovo." Street Art & Urban Creativity 6, no. 1 (2020): 52–60. https://doi.org/10.25765/sauc.v6i1.281.

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This paper presents the development of graffiti art after the last war in Kosovo. From 2000 to 2020. The presented murals express emotions, contain satirical nuances, humor, ridicule of various political figures in the state of Kosovo. Except that the ugly spaces are decorated,through this art , artists have used it as a voice of revolt and disappointment by playing with humor to fix the current system. The colour of the graffiti have been analyzed with The content, the messages it contains , the forms and many other details..
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Noreen, Zainab. "On Being Ugly: An Analysis of Arundhati Roy's Beauty Norms in The Ministry of Utmost Happiness." GLOBAL LANGUAGE REVIEW (GLR) III, no. I (2018): 1–16. https://doi.org/10.31703/glr.2018(III-I).01.

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Beauty in the world of art is one of the most celebrated ideas. In this paper, Arundhati Roy’s novel The Ministry of Utmost Happiness is analyzed with reference to one of its major character, Anjum, an ugly transgender. Adopting the theoretical framework of Halberstam (2005) this paper argues that the physical appearance, either ugly or beautiful, shapes the attitudes of people towards each other. People, who are considered ugly according to social standards, suffer harassment and abuse at various stages of their life in different ways. Therefore, this paper contends the popular social p
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9

Solovieva, Greta G., and Zhazira A. Rakhmetova. "The Beautiful As a “Rescue Hopeless”. Hegel and Adorno." Voprosy Filosofii, no. 5 (2021): 148–58. http://dx.doi.org/10.21146/0042-8744-2021-5-148-158.

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Does modern philosophy of art reject the principles and methods of mastering the reality of classical aesthetics, in particular, the category of the beautiful, em­phasizing, on the contrary, the ugly, ugly, terrible, disgusting? The authors strive to find answers in the dialogue of great philosophical masters – “Zeus the Olympian of the German classics” by Hegel and the preacher of “progressive negation” on the border of modernity and postmodernism Theodor Adorno. Hegel insists on the transcendental origin of the beautiful as the coincidence of idea and reality, the sensory phenomenon of the a
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Nascimento Cruz, Danilo. "O QUE PODEMOS APRENDER COM A FEALDADE DO DIREITO? - REFLEXÕES SOBRE DIREITO & ARTE." REVISTA BRASILEIRA DE DIREITO PROCESSUAL 29, no. 116 (2021): 1–21. http://dx.doi.org/10.52028/rbdpro.v9i116.200608pi.

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This essay promotes a conceptual approach between Law & Art. Exemplify how we can determine Law as an art and Process / Procedure as poieses. The rudiments of a legal aesthetic are elaborated while demonstrating how legal ugliness directs the ugly and the bewilderment. Finally, situations of ugliness typical of the theory of law and process are analyzed.
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Geng, Ruiyan. "Research on the Aesthetic Implication of Ugliness in the Appreciation of Portrait Bricks in the Han Dynasty from the Perspective of the “Theory of Play”." Highlights in Art and Design 10, no. 1 (2025): 31–36. https://doi.org/10.54097/mj61yv05.

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The portraits in the Han Dynasty are an intuitive reflection of the life, ideological concepts, and aesthetic tastes of that era. The images of the appreciation of the ugly in them are unique. However, for a long time, academic research on their aesthetics has mainly focused on the positive and harmonious aesthetic category, and relatively less attention has been paid to the part of the appreciation of ugly. This paper introduces the “Theory of play” into the research on the appreciation of ugly in the portraits of the Han Dynasty. By deeply analyzing the types and expression techniques of the
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Holmes, Ros. "Meanwhile in China … Miao Ying and the Rise of Chinternet Ugly." ARTMargins 7, no. 1 (2018): 31–57. http://dx.doi.org/10.1162/artm_a_00199.

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This article examines a series of internet artworks by the artist Miao Ying (b. 1985). Contextualizing her digital collages in relation to China's online culture and media spheres, it situates the contemporary art world's engagement with internet art in relation to anti-aesthetics and the rise of what has been termed Internet ugly. Interrogating the assumption that internet art emerging from China can only belatedly repeat works of Euro-American precedent, it argues that Miao's work presents a dramatic reframing of online censorship, consumerism and the unique aspects of vernacular culture tha
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Boluža, Anda. "The Ugly Mirror Avots." Defence Strategic Communications 11 (February 3, 2023): 231–53. http://dx.doi.org/10.30966/2018.riga.11.8.

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Latvia was under communist rule for almost half a century. The imposed regime brought not only deportations, imprisonments, grief, and fear, but also the pain of lost independence. The vision of the dreamland taken away, of prosperous and thriving Latvia, was kept alive through personal memories in many Latvian families. The spirit 232233Defence Strategic Communications | Volume 11 | Autumn 2022DOI 10.30966/2018.RIGA.11.8Defence Strategic Communications | Volume 11 | Autumn 2022DOI 10.30966/2018.RIGA.11.8of Latvianness that survived under the socialist regime and a longing for essential freedo
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Suojanen, Mika. "The Aesthetic Experiences of Beautiful and Ugly People: a Critique." Philosophical Anthropology 10, no. 1 (2024): 86. https://doi.org/10.21146/2414-3715-2024-10-1-86-105.

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The question of whether beauty exists in nature is a philosophical problem. In particular, there is the question of whether works of art, people, or nature have aesthetic qualities. Most people say they care about their own beauty. Moreover, they judge the appearance of another person from an aesthetic perspective, using aesthetic concepts. However, aesthetic judgments are not objective in the sense that experience justifies their objectivity. In this publication, which is a translation of a scholarly article, the author analyzes the theory of the American philosopher of art and one of the key
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Atanov, Andrei. "Art and Creativity in the System of Emptiness." Bulletin of Baikal State University 30, no. 3 (2020): 484–92. http://dx.doi.org/10.17150/2500-2759.2020.30(3).484-492.

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The article is dedicated to analysis of the phenomenon of art in the context of creative processes. Creativity is defined within the system of interrelation of the concepts of the one, the other, becoming and emptiness. Emptiness is the only possible form to contain becoming. The concepts related to art, such as beauty, harmony, disharmony, ugliness, the ugly etc. are considered as a reason for highlighting the phenomenon in its givenness and definiteness in the system of creativity.
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Zariba, Amal. "The Ugly Reflection of Philosophical and Social Variables in Postmodern Arts." International Journal for Scientific Research 3, no. 6 (2024): 354–410. http://dx.doi.org/10.59992/ijsr.2024.v3n6p13.

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The Ugly Consequence of Philosophical, and Social changes in Postmodern Art has had a profound impact on Art, Thought, and Culture by challenging established Beliefs, and raising questions about the nature of Reality, and Knowledge. And as a Reflection of those changes that occurred in the twentieth century, The Arts in turn rejected traditional concepts such as objective truth, absolute meaning, and classical beauty, and adopted Pluralism, Deconstruction, Uncertainty, Decentralization, Individualism, and Futility over Philosophical Thought, resulting in fragmented and chaotic Artistic Express
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Schacter, Rafael. "The ugly truth: Street Art, Graffiti and the Creative City." Art & the Public Sphere 3, no. 2 (2014): 161–76. http://dx.doi.org/10.1386/aps.3.2.161_1.

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18

Wang, Ling. "A Study of the Humor in Mark Twain’s Classic Works." Journal of Language Teaching and Research 10, no. 6 (2019): 1327. http://dx.doi.org/10.17507/jltr.1006.23.

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Mark Twain is a famous critical realist writer in the late nineteenth Century. Through combining humor and irony, he makes a relentless expose and criticism of the ugly phenomena in American social life. Humor is a unique way of thinking in his mind; he used humor to bring laugh to human. At the same time, he mercilessly criticized the ugly social reality, a profound reflection of the human condition in the world of metaphysical philosophy explores. The excellent satirical art in a number of his works showed, not only became an independent school at the time of the American literature, but als
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Gerasimova, L. D., M. Yu Sapunova, and G. L. Rahubenko. "ART IN THE ERA OF CHANGE AND CHANGE IN ART." Problems of theory and history of architecture of Ukraine, no. 20 (May 12, 2020): 296–306. http://dx.doi.org/10.31650/2519-4208-2020-20-296-306.

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The article examines and analyzes the changes in the world of culture and art that have involved the postmodernism era, which arose during a period of rapidly changing moods in society, which accept the appearance of culture, but are absolutely alien and ugly, bearing the decline and destruction. Art, which is a kind of mark of the epoch and a reflection of morality, established stereotypes, and lifestyle, has experienced many revolutionary trends caused by the demand of a particular time period. In modernculture, there is a negative trend in the development of artistic, literary, and cinemati
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20

Raters, Marie-Luise. "Artists, Dabblers, Dilettantes The Modernity of Hegel's concept of 'work of art'." Aesthetic Investigations 1, no. 2 (2016): 261–76. https://doi.org/10.5281/zenodo.4027424.

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The essay argues for the modernity of Hegel's concept of the ‘profane work of art’. (1) The first part rejects three standard objections to the modernity of Hegel's concept of ‘work of art’. (2) The second part deals with the function of the physical form of the artwork. (3) The third part emphasizes (in discussion with prominent ‘Hegelian aesthetics’) that the profane art after the ‘end of art’ is absolutely free in its contents. (3) For Hegel the artists of all eras have to have the technical skills to embody an interesting content adeq
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Fenner, David E. W. "Why Was There So Much Ugly Art in the Twentieth Century?" Journal of Aesthetic Education 39, no. 2 (2005): 13–26. http://dx.doi.org/10.1353/jae.2005.0018.

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Esmeris, Sabrina, and Ernani Mugge. "ARTE NA ESCOLA: PARA ALÉM DO BELO E DO FEIO." Revista Conhecimento Online 3 (September 29, 2020): 124. http://dx.doi.org/10.25112/rco.v3i0.2218.

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RESUMOO presente texto tem como objetivo apresentar resultados parciais de um projeto de dissertação desenvolvido no mestrado em Processos e Manifestações Culturais da Universidade Feevale. Em um primeiro momento, apresenta as motivações iniciais da pesquisa, emanadas de análises de questionários, aplicados em uma escola na região metropolitana de Porto Alegre, cujas respostas apontam que ainda sobrevivem concepções de arte influenciadas por valores gregos e renascentistas. Após, efetiva-se uma revisão histórica sobre as concepções de belo e feio da cultura ocidental, verificando suas relações
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Kyrpyta, Tamara. "THE UNCANNY IN «CARMILLA» BY J. S. LE FANU IN THE CONTEXT OF NIETZSCHEAN AND PSYCHOANALYTIC PERCEPTION." English and American Studies 1, no. 17 (2020): 112–16. http://dx.doi.org/10.15421/382019.

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The article deals with the category of uncanny as an integral part of Gothic literature in the aspect of philosophical and aesthetic views. It traces the connection between the notions of «horrible», «ugly» and «sublime», as well as the artistic embodiment of this connection in the novella about the vampires «Carmilla» by J. S. Le Fanu. Sigmund Freud’s article «The Uncanny» gave literary critics one of the key concepts that are used in the analysis of Gothic literature and literature of horror. The Uncanny, according to Freud is something strange, which disguises itself as a familiar one, it i
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Neves, Joana P. R. "Unskilled beauty or ugly truth? A dialogic study of the indexical line." Drawing: Research, Theory, Practice 6, no. 1 (2021): 15–31. http://dx.doi.org/10.1386/drtp_00048_1.

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A skilled drawing elicits an elevated aesthetic pleasure that we tend to call beauty. However, conceptual approaches to art influenced by science in association with technology subverted the discipline of drawing and notions of skill and beauty by focusing on the phenomenal world, including the human mind, in a more abstract and schematic way through an indexical line. The displacement of skill and beauty through the notion of a ‘truthful’ and perhaps even ethical line may pluralize beauty (the eternal regulator) and disable – literally – traditional notions of what the body can or should do.
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Vilchinskaya-Butenko, Marina E. "The symbolic nature of rats in street art." Sphere of culture 6, no. 2 (2025): 57–64. https://doi.org/10.48164/2713-301x_2025_20_57.

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The XXth century has seen an inversion of the image of a rat in the work of some European artists. Christian culture has been characterized by a negative attitude towards this rodent as the embodiment of the devil, disease and evil. The present study, exemplified by the work of the French street artist Blek le Rat and the English street artist Banksy, reveals the reasons that prompted both artists to destroy the binary oppositions of the beautiful and the ugly in order to achieve an inversion of artistic meanings, having chosen the image of a rat as a multi-layered one. For them, this is a pro
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Pietrzak, Zbigniew. "Czy zwierzę może być dziełem sztuki. Kilka refleksji na marginesie książki Jerzego Lutego „Sztuka jako adaptacja”." Studia Philosophica Wratislaviensia 16, no. 1 (2021): 61–71. http://dx.doi.org/10.19195/1895-8001.16.1.5.

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Art as Adaptation [published in Polish as Sztuka jako adaptacja], a book by Jerzy Luty, provokes one to seek the roots of art not only in cultural processes but also in biological (evolutionary) processes. The consequences of this evolutionistic perspective render the question whether other species, apart from human beings, create art, and if so, how it manifests itself valid. In this paper, I emphasise that if we recognise art as the effect of evolutionary processes, we should also face the fact that at least some species of animals should be treated as authors or creators to some degree. Wha
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Stoker, W. "Schoonheid als theologisch begrip: Urs von Balthasar’s en Van der Leeuw’s esthetiek kritisch beschouwd." Verbum et Ecclesia 28, no. 2 (2007): 639–61. http://dx.doi.org/10.4102/ve.v28i2.125.

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This article will demonstrate why beauty is an important value for the Christian faith. This is done by investigating how beauty has been developed as a theological concept by Hans Urs von Balthasar and Gerardus van der Leeuw. Beauty is an indispensable value because the holy encompasses the beautiful. Beauty belongs to the joy of shalom, to the joy of the coming Kingdom of God. The argument for beauty deals further with three questions: the relationship between the secular and the religious experience of beauty; the place of the ugly as a contrast to the beautiful and the question of whether
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Hisham Zreiq. "Technology, AI and The Arts His Experience as a Software Engineer, Filmmaker, and Artist." Proceeding of International Seminar Enrichment of Career by Knowledge of Language and Literature 12, no. 1 (2025): 30–35. https://doi.org/10.25139/eckll.v12i1.9601.

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This paper is based on Hisham’s Zreiq’own long experience as a Software Engineer, digital visual artist, filmmaker, animator, and digital musician. Zreiq has been working as a Software Engineer since 1988, and since 1990, He has been creating his art using the computer and, in the last years, AI tools. In the paper,he explored his experience and discuss the experience using computers, social media, and AI tools and the effect of technology and AI on the field of work. The discussion also involved the good, bad, and the ugly things of the application of computer technology involving animations
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Benedicta Maier, Mary. "Does Artwork Have to be Beautiful?" Aristos: A biannual journal featuring excellent student works 1, no. 2 (2015): 1–7. http://dx.doi.org/10.32613/aristos/2015.1.2.6.

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Beauty’s relation to art work is a contentious problem for the philosophy of art. The problem is not new to the history of philosophy. Hume and Kant attempted to tackle the question in the modern era. Contemporary philosophers have broadened the definition of art to include works that stretch modern philosophers’ conceptions. With philosophers shifting their definition from the object to the subject, they have effectively marginalized beauty in place of another good or valued concept. Considering the status quo, this paper argues that beauty is a necessary condition for art work. It argues tha
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Opran, Elena Rodica, Dan Valeriu Voinea, and Mirela Teodorescu. "Art and Being in Neutrosophic Communication." International Letters of Social and Humanistic Sciences 47 (February 2015): 16–27. http://dx.doi.org/10.18052/www.scipress.com/ilshs.47.16.

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What seems to suggest various avant-garde and artistic experimentalism movements from futurism to cubism, from expressionism to surrealism, from Picasso to the great masters of informal art is a Beauty of challenge. The avant-garde art does not arise the issue of Beauty. It is understood without saying that the new images are "beautiful" in terms of art and that should produce the same pleasure that feel the contemporaries of Rafael and Giotto in front of their works” asserts Umberto Eco (Eco, 2005). The phenomenon is due to the fact that the challenge of avant-garde tear down all aesthetic ca
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Hamburger, Jeffrey F. "To Make Women Weep: Ugly Art as "Feminine" and the Origins of Modern Aesthetics." Res: Anthropology and aesthetics 31 (March 1997): 9–33. http://dx.doi.org/10.1086/resv31n1ms20166963.

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Drozdová, Slávka. "Dosah profesijnej etiky na umeleckú tvorbu." Disputationes Scientificae Universitatis Catholicae in Ružomberok 25, no. 1 (2025): 77–88. https://doi.org/10.54937/dspt.2025.25.1.77-88.

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In its long history, art has confronted social norms. Artists often work with controversial and taboo subjects, exploring our darker sides to shock, provoke emotions and spark debate. The uncomfortable, ugly and taboo is an integral part of the human experience. It depends on the context in which it is presented. However, such topics often transcend social norms and ethics; art as individual and creative expression thus encounters a kind of boundary. These boundaries may be defined by social norms, cultural conventions, legislation, etc. Although the arts are not strictly regulated like other
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Кобзей, Наталія. "ОБРАЗ ГЕРОЯ-ХУДОЖНИКА НА МАТЕРІАЛІ ТВОРІВ ВОЛОДИМИРА ВИННИЧЕНКА". Pomiędzy. Polonistyczno-Ukrainoznawcze Studia Naukowe 4, № 1 (2022): 23–31. http://dx.doi.org/10.15804/ppusn.2022.01.02.

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In modern science of literature there is a growing interest in the subject of the artist and his creative process as one of the ways of self-expression of extraordinary personality in the real world in general and in the art world in particular, and to study the nature of the artist. Fine art occupied a significant place in the aesthetics and poetics of Vladimir Vynnychenko. The themes and issues of some of his literary works were influenced by the creative environment of Paris, where the writer spent many years, as well as personal acquaintance with individual Impressionist artists. Vynnychen
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Mateas, Michael, and Andrew Stern. "Demonstration: The Interactive Drama Façade." Proceedings of the AAAI Conference on Artificial Intelligence and Interactive Digital Entertainment 1, no. 1 (2021): 153–54. http://dx.doi.org/10.1609/aiide.v1i1.18733.

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Façade is an artificial intelligence-based art/research experiment in electronic narrative — an attempt to move beyond traditional branching or hyper-linked narrative to create a fully-realized, one-act interactive drama. You, the player, using your own name and gender, play the character of a longtime friend of Grace and Trip, an attractive and materially successful couple in their early thirties. During an evening get-together at their apartment that quickly turns ugly, you become entangled in the high-conflict dissolution of Grace and Trip's marriage. No one is safe as the accusations fly,
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Guan, Beibei. "Oscar Wilde’s Aestheticism." Journal of Arts and Humanities 7, no. 2 (2018): 24. http://dx.doi.org/10.18533/journal.v7i2.1331.

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<p> <em>Abstract</em>-Dandyism is a very important and significant social phenomenon in 19<sup>th</sup> century Europe. This paper focuses on Oscar Wilde and Wilde’s numerous works. Aestheticism was used as a tool by the dandy in his rebellious performances in London, manifesting the contradiction between the spiritual and the material, the aristocracy and the bourgeoisie, and art and nature. The social backgrounds and life experiences of Wilde influenced his transformation into dandies during the time of the Victorian period. With his strong sense of fashion and
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Siopsi, Anastasia. "Aural and visual manifestations of the Scream in art, beginning with Edvard Munch's 'Der Schrei der Natur'." New Sound, no. 50-2 (2017): 237–57. http://dx.doi.org/10.5937/newso1750237s.

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In Munch's painting entitled Der Schrei der Natur (1893), a figure, while walking on a bridge, feels the cry of nature, a sound that is sensed internally rather than heard with the ears. The Scream is thought to be the ultimate embodiment of fear, angst, and alienation. It is also thought to symbolize humanity's existential panic expressed by ugly, even hideous, sounds of living beings undergoing both physical and emotional suffering in the modern age. As a motive, the so-called Ur-schrei is manifested mainly, but not only, in expressionist literature, painting and music, in order to articulat
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Hall, Ann C. "Making the Call: Art and Politics in Ronald Harwood’s Taking Sides." Humanities 9, no. 4 (2020): 118. http://dx.doi.org/10.3390/h9040118.

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Set in Germany during the denazification processes following World War Two, Ronald Harwood’s Taking Sides (1995 play, 2001 film) pits German conductor Wilhelm Furtwängler against a relatively uncultured American interrogator, Steve Arnold, to, as Harwood says, examine the role of an artist under a totalitarian state and an American’s mistreatment of the world-renowned maestro. While there is certainly a contrast between the old world, represented by the classical music of Furtwängler, and the new, represented by Arnold’s affinity for jazz, there is much more at stake in both the play and the f
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Hughes, Erika. "Art and illegality on the Weimar stage." Journal of European Studies 39, no. 3 (2009): 320–35. http://dx.doi.org/10.1177/0047244109106685.

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This essay explores the representations of crime and madness in the work of three German dancers during the interwar years. Before World War I, public displays of nudity were illegal, but after 1918 a window of opportunity appeared. This article analyses the work and reception of Celly de Rheydt, Anita Berber and Valeska Gert – contemporaries whose works differed greatly from one another but who all displayed contempt for onstage sexual norms. All three used the female body as a site where notions of art, pornography, legality and illegality were contested, both on stage and in the courtroom.
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Singh, Raj Kishor. "Body Aesthetic Myths in Toni Morrison’s The Bluest Eye." SCHOLARS: Journal of Arts & Humanities 5, no. 1 (2023): 25–34. http://dx.doi.org/10.3126/sjah.v5i1.52474.

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This paper aims to explore the body aesthetic myth in Toni Morrison’s The Bluest Eye. Body is a rich object of inquiry in the discussion of aesthetics in art and literature. In the case of this fictional work, the problem is seen in Pecola, the protagonist of the novel, who feels herself ugly and desires for blue eyes. The paper has adopted the concepts of Immanuel Kant as an approach to the novel. Kant differentiates the pleasure in the beautiful from other pleasures, by claiming that it is not based on any interest, but it is a disinterested and free satisfaction. The other theory is related
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Mustika, I. Wayan. "The Taxonomy Of The Tupping Art as Life Representation of South Lampung People." Mudra Jurnal Seni Budaya 37, no. 2 (2022): 195–202. http://dx.doi.org/10.31091/mudra.v37i2.1984.

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Knowing that Performing mask art is getting rare in Indonesia, It is interesting to find out how the art survives and becomes the cultural icon of the regency, in this case, the Performing Tupping in Kesugihan Village, Kalianda, South Lampung. Performing Tupping (Mask) art in Kesugihan Village, Kalianda, South Lampung Regency is a very essential folk art that has been rearranged with character forms from several types. It is interesting to find the history and its taxonomy, from just a village performance until it becomes South Lampung’s cultural icon. This article attempted to describe the ta
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Monrad, Kaper. "The Nordic contributions to romanticism in the visual arts." European Review 8, no. 2 (2000): 173–83. http://dx.doi.org/10.1017/s1062798700004749.

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The Nordic achievements in the visual arts in the age of romanticism were first and foremost accomplished by Danish artists. The great initiator was C. W. Eckersberg, who observed reality with great scrutiny and demanded of himself a faithful rendering of all the details. However, at the same time, he stuck to the classical principles of composition and omitted all accidental and ugly aspects of the motif that did not fit into his concept of an ideal picture. The principles he laid down in his art in around 1815 formed the basis of Danish (and Norwegian) painting until 1850. He introduced open
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Mohammad Nasser AL-Arifi, Tahani. "Phenomenology as an approach to seeing the aesthetics of ugliness in contemporary art designs." Al-Academy, no. 110 (December 15, 2023): 315–50. http://dx.doi.org/10.35560/jcofarts1307.

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With a descriptive and analytical approach, it discusses the concept of phenomenology as an approach to seeing the aesthetics of ugliness as one of the concepts associated with the aesthetic experience in contemporary art designs, as it is the result of communication between artistic production and the recipient, which leads to creating a state of aesthetic pleasure. A phenomenological method is used to uncover the aesthetics of ugly and to connect ugliness and beauty since ugliness in aesthetics incorporates beauty as a modern aesthetic vision from the phenomenological perspective. The study
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Aziz, Abdul. "Leadership Quality in the Millennial Era in Achieving Organizational Goals." Inovbiz: Jurnal Inovasi Bisnis Seri Manajemen, Investasi dan Kewirausahaan 3, no. 1 (2023): 231. http://dx.doi.org/10.35314/inovbizmik.v3i1.3316.

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Becoming a leader in the era of the industrial revolution and the evolution of society or better known as the millennial era requires a different leadership style. George Bradt said, "Don't even try to manage Millennials but lead them". The basic concept of this journal is extracted from the results of a review of 5 (five) International Journals and is supported by articles and other relevant journals. The important thing that a leader needs to understand is knowledge which includes science, morals and art. Science will determine what is right and wrong, morals will determine good and bad, and
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Boutoleau-Bretonnière, Claire, Cédric Bretonnière, Christelle Evrard, et al. "Ugly aesthetic perception associated with emotional changes in experience of art by behavioural variant of frontotemporal dementia patients." Neuropsychologia 89 (August 2016): 96–104. http://dx.doi.org/10.1016/j.neuropsychologia.2016.06.001.

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Fazekas, Gergely. "‘Unhealthy’ and ‘ugly’ music or a ‘compass pointing towards a purer art of superior quality’? The early reception of Debussy in Hungary (1900–1918)." Studia Musicologica 49, no. 3-4 (2008): 321–39. http://dx.doi.org/10.1556/smus.49.2008.3-4.6.

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It is sufficiently well documented how Kodály and Bartók discovered the music of Claude Debussy in 1907, albeit Debussy’s music was not unknown in Hungary at least since the first performance of his String Quartet in the autumn of 1905. The present essay gives a survey of Debussy’s early critical reception in the Hungarian press from the first Budapest performances of his works until the obituaries of 1918; Debussy’s visit to Budapest at the beginning of December 1910 is discussed in detail. Though the majority of the press was not really open to Debussy’s new music, there were some supporters
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Cabasag, Ypril James. "Friedrich Nietzsche on Aesthetic Experience and the Phenomenon of Depression." Psychology and Education: A Multidisciplinary Journal 19, no. 8 (2024): 881–92. https://doi.org/10.5281/zenodo.11177072.

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Basically, humans desire nothing but to be happy. Humans exert much effort to make their lives meaningful and worth living. For humans, obtaining the meaning of existence is the foundation of happiness. However, despite humans’ desire to be happy, an ugly truth still remains: life is a tragedy. Friedrich Nietzsche argues that life is a constant struggle and that to live is to suffer. By seeing this ugly picture of life, humans gradually fall into depression. “Depression is a common mental disorder that presents with depressed mood, loss of interest or pleasure . . . and may lead to
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ARIZA, LÓPEZ Ricardo Arturo. "Los feos, los sucios, los malos: criminalización surrealista de los acontecimientos urbanos." Utopía y Praxis Latinoamericana (Interlocuciones) I, no. 1 (2018): 170–78. https://doi.org/10.5281/zenodo.1774309.

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ES: Parodiando al maestro y director de cine Etore Scola, con el título de su película Los feos, sucios y malos (1976) este artículo se construye desde lecturas fragmentadas a partir de una hipótesis de lectura: la intervención urbana en una ciudad como Bogotá, en un sector céntrico, denominado el Bronx, sólo fue posible cuando se criminalizaron los acontecimientos y subsecuentemente a quienes son protagonistas de los mismos. EN: Parodying the master and film director Etore Scola, with the title of his film. The ugly, dirty and bad (1976)
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Averianova, Nina. "BATALISTICS IN FOREIGN AND UKRAINIAN ART HISTORY." Almanac of Ukrainian Studies, no. 29 (2021): 8–15. http://dx.doi.org/10.17721/2520-2626/2021.29.1.

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he author of the article shows that in art there have always been and are works of art that accurately reflect life conflict situations. They become an object of study for their further prevention and leveling. In turn, the artistic understanding of conflict phenomena complements, strengthens and facilitates the scientific analysis of the problems of the emergence of conflicts and the dynamics of their passage. In the visual arts, the works of the master depicting war, armed conflicts and confrontations are singled out in a separate - battle genre. Its origins can be found in many ancient cult
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Assunção, Teodoro Rennó. "Uma arte dessueta e démodée." Revista do Centro de Estudos Portugueses 26, no. 36 (2006): 101. http://dx.doi.org/10.17851/2359-0076.26.36.101-140.

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<p>O artigo analisa textos do poeta português Alexandre O’Neill, como exemplos de continuidade com a poesia jocosa e satírica do século XVIII, voltada, não para o belo e o bom, mas para o feio e o desagradável. Enfatizam-se afinidades dessas e de outras manifestações literárias com a arte abjeta e com a exploração da dor e da violência em performances e nas artes visuais. Discutindo a relação entre essas criações atuais e a arte do passado, o artigo conclui com uma reflexão sobre a função retórica das produções analisadas no mundo contemporâneo.</p>The text discusses two texts by t
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Mankovskaya, N. B. "Aesthetics of Early French Romanticism and Its Literary Aspects. Germaine de Stael." Art & Culture Studies, no. 3 (October 2021): 44–81. http://dx.doi.org/10.51678/2226-0072-2021-3-44-81.

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The article reconstructs the early romantic philosophical aesthetics of Madame de Stael, which was embodied in her literary work. She made a significant contribution to the creation of the theory of romanticism, compared the romantic and classical types of creativity. De Stael was one of the first French romantics to use the term “romanticism”, define it and analyze from a philosophical and aesthetic point of view a number of key concepts for this new direction of artistic life: love, passion, enthusiasm, spirituality, sensitivity, reflection, self-reflection, melancholy, self-sacrifice, lonel
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