Academic literature on the topic 'Ukiyo-e'

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Journal articles on the topic "Ukiyo-e"

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Brown, Innes, and Ognjen Arandjelović. "Making Japenese Ukiyo-e Art 3D in Real-Time." Sci 2, no. 1 (2020): 6. http://dx.doi.org/10.3390/sci2010006.

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Ukiyo-e is a traditional Japanese painting style most commonly printed using wood blocks. Ukiyo-e prints feature distinct line work, bright colours, and a non-perspective projection. Most previous research on ukiyo-e styled computer graphics has been focused on creation of 2D images. In this paper we propose a framework for rendering interactive 3D scenes with ukiyo-e style. The rendering techniques use standard 3D models as input and require minimal additional information to automatically render scenes in a ukiyo-e style. The described techniques are evaluated based on their ability to emulat
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Brown, Innes, and Ognjen Arandjelović. "Making Japenese Ukiyo-e Art 3D in Real-Time." Sci 2, no. 2 (2020): 32. http://dx.doi.org/10.3390/sci2020032.

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Ukiyo-e is a traditional Japanese painting style most commonly printed using wood blocks. Ukiyo-e prints feature distinct line work, bright colours, and a non-perspective projection. Most previous research on ukiyo-e styled computer graphics has been focused on creation of 2D images. In this paper we propose a framework for rendering interactive 3D scenes with ukiyo-e style. The rendering techniques use standard 3D models as input and require minimal additional information to automatically render scenes in a ukiyo-e style. The described techniques are evaluated based on their ability to emulat
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Patria, Asidigisianti Surya. "UKIYO-E SENI POPULAR ( POP ARTIS) ZAMAN EDO." Jurnal Dimensi Seni Rupa dan Desain 9, no. 2 (2012): 163–76. http://dx.doi.org/10.25105/dim.v9i2.940.

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AbstractThe root of Ukiyo-e can be traced back when urbanization became trend in Japan in 16 century leading the developing of merchans and actors started to write stories and novels, then combinedwith picture painting, called ehon. Ehon is picture book with full illustration and story. Ukiyo-e also used as Kabuki show poster. The source of inspiration was real life and urban culture in that time. In the beginning Ukiyo-e was only art expression but then became industry which related with literature. In the end Ukiyo-e shifted into literature visualization. Abtrrak Akar seni Ukiyo-e dapat dila
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Huang, Xinyi. "The influence of Japanese Ukiyo-e on Western painting art in the 19th Century." BCP Social Sciences & Humanities 20 (October 18, 2022): 304–10. http://dx.doi.org/10.54691/bcpssh.v20i.2334.

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Ukiyo had a profound influence on western painting in the 19th century. It can be seen from the works of Artists such as Monet and Van Gogh that they extensively used, imitated and improved Japanese Ukiyo techniques such as brushwork, composition and color. In addition, under the historical background and social environment at that time, the expression of thoughts and emotions was also greatly influenced by Ukiyo. This paper, starting from the origin and characteristics of Japanese Ukiyo, explains in detail the influence of Japanese Ukiyo-e on western painting in the 19th century, explores the
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Shi, Yanqiu, and Hao Zhou. "The Influence of Ukiyo-e on Modern Illustration." Highlights in Art and Design 3, no. 1 (2023): 12–14. http://dx.doi.org/10.54097/hiaad.v3i1.9159.

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Ukiyo-e is an art form that was developed during the Edo period in Japan, depicting mainly the culture of the Japanese marketplace, as well as places of entertainment and landscape scenery. Ukiyo-e had a great impact on European painting and influenced the creation of a large number of people, including the Impressionists, and gave European art a new look. Ukiyo-e's lines, composition, colors, and choice of materials not only profoundly influenced Western art, but also the creation of modern illustration, and traces of Ukiyo-e can be seen everywhere in modern illustration works.
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James, W. Ellis. "The Floating World of Ukiyo-e Prints: Images of a Japanese Counterculture." Journal of Social and Political Sciences 2, no. 3 (2019): 701–18. https://doi.org/10.31014/aior.1991.02.03.113.

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Ukiyo-e, or “pictures of the floating world,” were woodblock prints that, among other subjects, depicted the “women of pleasure” and Kabuki actors of Japan’s Edo Period pleasure quarters. The pleasure quarters, or yukaku, were popular gathering places for the chonin, or urban working class. This essay contextualizes ukiyo-e images of courtesans, geishas, and Kabuki actors, and discusses how such countercultural artworks often came into conflict with the ruling Tokugawa shogunate’s dominate social order. The essay also includes a brief discussion of historica
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Abdullah, Farid. "MENCUKIL SEJARAH DAN ESTETIKA UKIYO-E." Jurnal Dimensi Seni Rupa dan Desain 9, no. 1 (2012): 25–34. http://dx.doi.org/10.25105/dim.v9i1.954.

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AbstractHistory and aesthetic of Ukiyo-e was a portrait of East culture, an effect of increased trade and communication between Asian and European countries during the late 19 century, caused a cultural collision; both East and West exprerienced change as a result of reciprocal influences. asian art provided European and North american artists and designers with new approaches to space, color, drawing conventions, and subject matter that were radically not similar witrh Western tradition . Ukiyo-e defines an art movement of Japan's Takogawa period ( 1603-1867) . Revitalized graphic design duri
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Zając, Bartosz. "Elegia dla ruchów kontestacyjnych w obrazach Przepływającego Świata („ukiyo-e”)." Kwartalnik Filmowy, no. 65 (March 31, 2009): 197–208. https://doi.org/10.36744/kf.3181.

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Tekst mówi o esteycznych powiązaniach japońskiego kina nowej fali z ikonografią przednowoczesnej Japonii, „obrazami przepływającego świata” (ukiyo-e), pornograficznymi drzeworytami (shunga) i teatrem kabuki. Związki między ukiyo-e i kinem nowej fali autor przedstawił na przykładzie jednego z najbardziej znaczących filmów dekady Buraikan (1970, reż. Masahiro Shinoda, scen. Shuji Terayama). Jego autorzy, opierając się na powinowactwach estetycznych i narracyjnych, odzyskali kulturową ciągłość, która wydawała się bezpowrotnie przerwana w wyniku drugiej wojny światowej i nacjonalistycznej polityki
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Kozbelt, Aaron, and Yana Durmysheva. "Lifespan Creativity in a Non-Western Artistic Tradition: A Study of Japanese Ukiyo-E Printmakers." International Journal of Aging and Human Development 65, no. 1 (2007): 23–51. http://dx.doi.org/10.2190/166n-6470-1325-t341.

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Western cultures' conceptions about creativity emphasize originality and final products; Eastern cultures, skill and process. Does this cultural difference impact how creativity unfolds over the lifespan? To examine this, we investigated Japanese “ukiyo-e” printmaking (c. 1670–1865). Almost 2,000 illustrations of datable prints by 44 artists were found in 36 art books. Career landmarks (earliest, most frequent, and latest illustrated print) and eminence ratings were estimated for each artist. Results are largely consistent with prior research on Western samples: artists' career peaks vary grea
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Lillehoj, Elizabeth, and Timothy Clark. "Ukiyo-e Paintings in the British Museum." Asian Folklore Studies 54, no. 1 (1995): 143. http://dx.doi.org/10.2307/1178231.

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Dissertations / Theses on the topic "Ukiyo-e"

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Lummis, Geraldine Erika. "Ukiyo-e and the Canterbury Museum." Thesis, University of Canterbury. School of Humanities, 2011. http://hdl.handle.net/10092/5808.

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The text investigates the history of the Canterbury Museum’s collection of Japanese ukiyo-e prints and paintings focusing mainly on four major contributors: Sir Joseph Kinsey (1852-1936), Frances May Bailey (c.1891-1967), Greggory Kane (1921-1978) and Ronald J Scarlett (1911-2002). The images are set in the context of the ‘floating world’ (ukiyo). The introduction examines the early directors of the Museum and how their interests and policies influenced the collections. The method of grading the prints and the process by which the data base was formed are explained. Chapter One examines the wa
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Dicken, Mary. "George Rochberg’s Ukiyo-e (Pictures of the Floating World)." Miami University Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1146856287.

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Hockley, Allen F. "Harunobu : an Ukiyo-e artist who experimented with Western- style art." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/28070.

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From the beginning of serious art historical study of Japanese woodblock prints or Ukiyo-e, the artist Suzuki Harunobu (1725-1770) has been accorded a prominent position in the development of that art form primarily because of his role in the creation of the first full colour prints. This, and his particular conception of feminine beauty which he chose to illustrate most often as the main subject of his art, made him the dominant artist of his generation. The popularity he achieved during his lifetime was monumental, but he met with a premature and untimely death. Shortly after his death Shiba
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Knox, Christa A. "Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212158465.

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Knox, Christa. "Ukiyo-e, Madame Chrysanthéme and Babel the persistent stereotype of Japanese women 1885-2007 /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212158465.

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Thesis (M.A.)--University of Cincinnati, 2008.<br>Advisor: Mikiko Hirayama. Title from electronic thesis title page (viewed Feb. 19, 2010). Includes abstract. Keywords: ukiyo-e; madame chrysantheme; babel; racial and sexual stereotype; japanese women. Includes bibliographical references.
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Itocazo, Gabriela Rocha. "Um estudo sobre as pinturas de montanhas-e-águas e outras tópicas do mundo-flutuante, em Cem Vistas do Monte Fuji, de Hokusai." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-24102018-111225/.

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Esta dissertação dedica-se ao estudo da obra \"Cem Vistas do Monte Fuji\" (Fugaku Hyakkei) (1834-47?), de Katsushika Hokusai (1760-1849), pintor japonês do século XVIII-XIX. Trata-se de um livro-imagem (ehon), com cento e duas estampas impressas em preto-e-branco (sumizukuri) e tons de cinza (em sua 1ª edição), produzidas com a técnica da xilogravura japonesa, dentro do estilo ukiyo-e (pinturas do mundo-flutuante). O foco da pesquisa está em (1) estudar os assuntos presentes nas estampas, reconhecendo suas categorias dentro de tópicas tradicionais da pintura japonesa, suas referências temática
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Shimizu, Priscila Yanagihara. "Shin-hanga e Hiroshi Yoshida: paisagens de uma nova gravura." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-31102018-155822/.

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A presente pesquisa investiga o movimento de gravura moderna japonesa Shin-hanga, que se iniciou na Era Meiji (1868 1912) e foi desenvolvido nas duas eras subsequentes, Taish (1912 1926) e Shwa (1926 1989), em um momento em que o Japão passava por um processo de ocidentalização. Tal contexto histórico é explicado no primeiro capítulo, o qual nos ajuda a entender o desenvolvimento do Shin-hanga e suas relações com o mundo e a arte ocidental, principalmente a europeia. O movimento em si é explicado no segundo capítulo: o seu início, o desenvolvimento e os principais artistas. A paisagem, ou a
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Kreskey, Faith. "Leaping Monsters and Realms of Play: Game Play Mechanics in Old Monster Yarns Sugoroku." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12980.

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Taking Utagawa Yoshikazu's woodblock printed game board Monster Yarns as my case study, I will analyze how existing imagery and game play work together to create an interesting and engaging game. I will analyze the visual aspect of this work in great detail, discussing how the work is created from complex and disparate parts. I will then present a mechanical analysis of game play and player interaction with the print to fully address how this work functions as a game. While some elements of game play are problematic, I propose that the highly visual nature of Monster Yarns counteracts these
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Biron, Carole. "Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30032.

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Les ukiyo-e désignent les estampes produites au Japon entre le XVIIe et le XIXe siècle. Elles sont le reflet des changements sociaux et économiques de la société japonaise pendant la période d’Edo (1615-1868), ère de paix et de prospérité, et adoptent une nouvelle iconographie représentant des scènes de la vie quotidienne et des plaisirs de la vie. Les techniques et les matériaux employés par les artistes évoluent également. Les premières estampes colorées apparaissent au début du XVIIIe siècle et au XIXe siècle, avec l’ouverture économique du Japon, des pigments chimiques importés d’Occident
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Daniel, Leah. "Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065911.

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Books on the topic "Ukiyo-e"

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Akira, Watanabe, and Kenji Hinohara. Kowai ukiyoe: Scary pictures of ukiyo-e. Seigensha, 2016.

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editor, Fujisawa Murasaki 1967, ed. Ukiyoe meihin 100-sen: The 100 greatest works of ukiyo-e form Japan Ukiyo-e Museum. Shōgakkan, 2020.

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Prints, Adachi Institute of Woodcut. Ukiyo-e woodblock printing. MOA Foundation, 1985.

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Morena, Francesco. Ukiyo-e: Utamaro, Hokusai, Hiroshige. Giunti, 2007.

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Mihashi, Mari. Gendai no ukiyo eshi: A modern ukiyo-e artist's works. Sōkai Shuppan, 2006.

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Yamaguchi, K. Ukiyo-e Hakka =: Eight flowers of ukioy-e. (s.n.), 1985.

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Akira, Watanabe, and Kenji Hinohara. Nippon no ukiyoe: Ukiyoe ni egakareta "Nihon no imēji" = Japan in ukiyo-e. Shōgakkan, 2020.

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1904-, Narazaki Muneshige, ed. Ukiyo-e masterpieces in European collections. Kodansha, 1988.

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Belgique, Bibliothèque royale de, and Yomiuri Shinbunsha Bunka Jigyōbu, eds. Ukiyo-e royal collections from Belgium. Yomiuri Shinbunsha, 2008.

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Purojekuto, Kokusai Nihon Bunka Kenkyū Sentā Kaigai Nihon Bijutsu Chōsa. Kaigai ukiyoe shozai sakuin =: Index of ukiyo-e in western collections. Kokusai Nihon Bunka Kenkyū Sentā, 1996.

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Book chapters on the topic "Ukiyo-e"

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Hodge, Susie. "Ukiyo-e." In 50 Schlüsselideen Kunst. Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-39328-0_17.

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Vaporis, Constantine Nomikos. "Anatomy of a Ukiyo-e (Woodblock Print)." In Voices of Early Modern Japan. Routledge, 2020. http://dx.doi.org/10.4324/9781003005292-56.

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Monta 早川聞多, Hayakawa. "Uses of shunga and ukiyo-e in the Tokugawa period." In The Tokugawa World. Routledge, 2021. http://dx.doi.org/10.4324/9781003198888-45.

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Li, Kangying, Biligsaikhan Batjargal, Akira Maeda, and Ryo Akama. "Artwork Information Embedding Framework for Multi-source Ukiyo-e Record Retrieval." In Digital Libraries at Times of Massive Societal Transition. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-64452-9_23.

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Sammeck, Marina. "7. Ausstellungen in den Zweitausenderjahren: Ukiyo-e als Vorboten populärkultureller Medien." In Reise ins bekannte Fremde. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839471487-007.

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Wang, Jiayun, Biligsaikhan Batjargal, Akira Maeda, and Kyoji Kawagoe. "A Recommender System in Ukiyo-e Digital Archives for Japanese Art Novices." In Lecture Notes in Computer Science. Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-04257-8_22.

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Song, Yuting, Biligsaikhan Batjargal, and Akira Maeda. "A Preliminary Attempt to Evaluate Machine Translations of Ukiyo-e Metadata Records." In Digital Libraries at Times of Massive Societal Transition. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-64452-9_24.

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Wu, Bohao, and Akira Maeda. "A BERT-Based Method of Named Entity Recognition for Ukiyo-e Titles." In Lecture Notes in Computer Science. Springer Nature Singapore, 2024. https://doi.org/10.1007/978-981-96-0865-2_1.

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Batjargal, Biligsaikhan, Fuminori Kimura, and Akira Maeda. "Approach to Cross-Language Retrieval for Japanese Traditional Fine Art: Ukiyo-e Database." In Research and Advanced Technology for Digital Libraries. Springer Berlin Heidelberg, 2010. http://dx.doi.org/10.1007/978-3-642-15464-5_71.

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Sammeck, Marina. "5. Ukiyo-e, Japanfieber und Imagekampagne: japanische Holzschnitte als Medium der japanischen Kulturdiplomatie in den Achtzigerjahren." In Reise ins bekannte Fremde. transcript Verlag, 2024. http://dx.doi.org/10.14361/9783839471487-005.

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Conference papers on the topic "Ukiyo-e"

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Li, Liang, Chulapong Panichkriangkrai, and Kozaburo Hachimura. "Ukiyo-e Rakkan Retrieval System." In 2013 12th International Conference on Document Analysis and Recognition (ICDAR). IEEE, 2013. http://dx.doi.org/10.1109/icdar.2013.37.

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Eustachio Fonseca Ribeiro, Lucia, and Amadeo Gatti Galdino. "Drawing in Ukiyo-e Prints." In XXIII Congresso de Iniciação Científica da Unicamp. Galoá, 2015. http://dx.doi.org/10.19146/pibic-2015-36981.

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Okuda, S., S. Taguchi, M. Melgosa, and K. Okajima. "PREFERRED LIGHTING FOR UKIYO-E, JAPANESE WOODBLOCK PRINT PAINTINGS." In CIE 2023 Conference. International Commission on Illumination, CIE, 2023. http://dx.doi.org/10.25039/x50.2023.po129.

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In most cases the appearance of cultural properties depends on surface colours, materials and lighting conditions. This study aims to clear the preferred lighting conditions for the appearance of specific cultural properties named Ukiyo-e, Japanese woodblock print paintings. We used two kinds of Ukiyo-e as visual targets and investigated their appearance under 12 illuminants (D65, A, D50 plus nine LEDs proposed in CIE 015:2018), and three levels of vertical illuminance (50, 200 and 500 lx). According to the results, the preferred appearance of Ukiyo-e was affected by the lighting conditions as
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Wang, Jiayun, and Kyoji Kawagoe. "Ukiyo-e recommender system using restricted boltzmann machine." In iiWAS2017: The 19th International Conference on Information Integration and Web-based Applications & Services. ACM, 2017. http://dx.doi.org/10.1145/3151759.3151833.

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Kubo, Yuka, Sho Cho, Takanori Usami, and Koichi Hirota. "A method for 3D scene reconstruction from Ukiyo-e." In ACM SIGGRAPH 2008 posters. ACM Press, 2008. http://dx.doi.org/10.1145/1400885.1401005.

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Kusajima, Shota, Takuya Takahashi, and Yasuyuki Sumi. "Virtual Participation in Ukiyo-e Appreciation using Body Motion." In AH2018: The 9th Augmented Human International Conference. ACM, 2018. http://dx.doi.org/10.1145/3174910.3174946.

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Khan, Selina J., and Nanne van Noord. "Stylistic Multi-Task Analysis of Ukiyo-e Woodblock Prints." In British Machine Vision Conference 2021. British Machine Vision Association, 2021. https://doi.org/10.5244/c.35.410.

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Yoshimura, Fujiko, and Suguru Saito. "Generalized projection for yamato-e and ukiyo-e with projection reference plane." In CGI '17: Computer Graphics International 2017. ACM, 2017. http://dx.doi.org/10.1145/3095140.3095159.

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Lopes, Giovana, and Luise Weiss. "O ukiyo-e em diálogo com os seres fantásticos ocidentais." In Congresso de Iniciação Científica UNICAMP. Universidade Estadual de Campinas, 2019. http://dx.doi.org/10.20396/revpibic2720192397.

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Aoki, Miho. "Teaching Image Composition with Ukiyo-e and Digital Painting Application." In SA '24: SIGGRAPH Asia 2024 Educator's Forum. ACM, 2024. http://dx.doi.org/10.1145/3680533.3697069.

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