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Dissertations / Theses on the topic 'Ukiyo-e'

Author: Grafiati

Published: 4 June 2021

Last updated: 25 July 2025

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1

Lummis, Geraldine Erika. "Ukiyo-e and the Canterbury Museum." Thesis, University of Canterbury. School of Humanities, 2011. http://hdl.handle.net/10092/5808.

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The text investigates the history of the Canterbury Museum’s collection of Japanese ukiyo-e prints and paintings focusing mainly on four major contributors: Sir Joseph Kinsey (1852-1936), Frances May Bailey (c.1891-1967), Greggory Kane (1921-1978) and Ronald J Scarlett (1911-2002). The images are set in the context of the ‘floating world’ (ukiyo). The introduction examines the early directors of the Museum and how their interests and policies influenced the collections. The method of grading the prints and the process by which the data base was formed are explained. Chapter One examines the wa

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2

Dicken, Mary. "George Rochberg’s Ukiyo-e (Pictures of the Floating World)." Miami University Honors Theses / OhioLINK, 2006. http://rave.ohiolink.edu/etdc/view?acc_num=muhonors1146856287.

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3

Hockley, Allen F. "Harunobu : an Ukiyo-e artist who experimented with Western- style art." Thesis, University of British Columbia, 1987. http://hdl.handle.net/2429/28070.

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From the beginning of serious art historical study of Japanese woodblock prints or Ukiyo-e, the artist Suzuki Harunobu (1725-1770) has been accorded a prominent position in the development of that art form primarily because of his role in the creation of the first full colour prints. This, and his particular conception of feminine beauty which he chose to illustrate most often as the main subject of his art, made him the dominant artist of his generation. The popularity he achieved during his lifetime was monumental, but he met with a premature and untimely death. Shortly after his death Shiba

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4

Knox, Christa A. "Ukiyo-e, Madame Chrysanthéme and Babel: The Persistent Stereotype of Japanese Women 1885-2007." University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1212158465.

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Knox, Christa. "Ukiyo-e, Madame Chrysanthéme and Babel the persistent stereotype of Japanese women 1885-2007 /." Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1212158465.

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Thesis (M.A.)--University of Cincinnati, 2008.<br>Advisor: Mikiko Hirayama. Title from electronic thesis title page (viewed Feb. 19, 2010). Includes abstract. Keywords: ukiyo-e; madame chrysantheme; babel; racial and sexual stereotype; japanese women. Includes bibliographical references.

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6

Itocazo, Gabriela Rocha. "Um estudo sobre as pinturas de montanhas-e-águas e outras tópicas do mundo-flutuante, em Cem Vistas do Monte Fuji, de Hokusai." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-24102018-111225/.

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Esta dissertação dedica-se ao estudo da obra \"Cem Vistas do Monte Fuji\" (Fugaku Hyakkei) (1834-47?), de Katsushika Hokusai (1760-1849), pintor japonês do século XVIII-XIX. Trata-se de um livro-imagem (ehon), com cento e duas estampas impressas em preto-e-branco (sumizukuri) e tons de cinza (em sua 1ª edição), produzidas com a técnica da xilogravura japonesa, dentro do estilo ukiyo-e (pinturas do mundo-flutuante). O foco da pesquisa está em (1) estudar os assuntos presentes nas estampas, reconhecendo suas categorias dentro de tópicas tradicionais da pintura japonesa, suas referências temática

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Shimizu, Priscila Yanagihara. "Shin-hanga e Hiroshi Yoshida: paisagens de uma nova gravura." Universidade de São Paulo, 2018. http://www.teses.usp.br/teses/disponiveis/8/8157/tde-31102018-155822/.

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A presente pesquisa investiga o movimento de gravura moderna japonesa Shin-hanga, que se iniciou na Era Meiji (1868 1912) e foi desenvolvido nas duas eras subsequentes, Taish (1912 1926) e Shwa (1926 1989), em um momento em que o Japão passava por um processo de ocidentalização. Tal contexto histórico é explicado no primeiro capítulo, o qual nos ajuda a entender o desenvolvimento do Shin-hanga e suas relações com o mundo e a arte ocidental, principalmente a europeia. O movimento em si é explicado no segundo capítulo: o seu início, o desenvolvimento e os principais artistas. A paisagem, ou a

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8

Kreskey, Faith. "Leaping Monsters and Realms of Play: Game Play Mechanics in Old Monster Yarns Sugoroku." Thesis, University of Oregon, 2013. http://hdl.handle.net/1794/12980.

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Taking Utagawa Yoshikazu's woodblock printed game board Monster Yarns as my case study, I will analyze how existing imagery and game play work together to create an interesting and engaging game. I will analyze the visual aspect of this work in great detail, discussing how the work is created from complex and disparate parts. I will then present a mechanical analysis of game play and player interaction with the print to fully address how this work functions as a game. While some elements of game play are problematic, I propose that the highly visual nature of Monster Yarns counteracts these

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9

Biron, Carole. "Pigments et colorants dans l'art de l'estampe japonaise ukiyo-e (XVIIIe - XIXe siècles) : apports de l'imagerie hyperspectrale et de la spectroscopie infrarouge." Thesis, Bordeaux 3, 2019. http://www.theses.fr/2019BOR30032.

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Les ukiyo-e désignent les estampes produites au Japon entre le XVIIe et le XIXe siècle. Elles sont le reflet des changements sociaux et économiques de la société japonaise pendant la période d’Edo (1615-1868), ère de paix et de prospérité, et adoptent une nouvelle iconographie représentant des scènes de la vie quotidienne et des plaisirs de la vie. Les techniques et les matériaux employés par les artistes évoluent également. Les premières estampes colorées apparaissent au début du XVIIIe siècle et au XIXe siècle, avec l’ouverture économique du Japon, des pigments chimiques importés d’Occident

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10

Daniel, Leah. "Utamaro’s Picture Books: A Study in Cross-Cultural Artistic Aesthetic." University of Cincinnati / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1428065911.

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11

Kohlburn, Joseph Robert. "A History of Dissent: Utagawa Kuniyoshi (1797-1861) as Agent of the Edokko Chonin." University of Cincinnati / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1242853913.

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12

Fijalkovich, Bryan. "The Rise of Rustic Genji in Edo and Its Intertextuality." University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1314044811.

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13

Haft, Alfred. "Patterns of correspondence between the floating world and the classical tradition : a study of the terms Mitate, Yatsushi and FuÃŒ?ryuÃŒ? in the context of Ukiyo-e." Thesis, SOAS, University of London, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.417910.

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14

Maire, Palma Gonzalo. "El Ukiyo-e en los límites de la imagen : estudio sobre la colección de estampas japonesas clásicas del Archivo Central Andrés Bello de la Universidad de Chile." Tesis, Universidad de Chile, 2017. http://repositorio.uchile.cl/handle/2250/145228.

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Doctorado en filosofía con mención en estética y teoría del arte<br>La presente investigación doctoral desarrolla un revisionismo y una apertura de tipo conceptual y metodológico de la Colección de Estampas Japonesas Clásicas (conjunto de piezas ukiyo-e) que custodia el Archivo Central Andrés Bello, sobre una doble sedimentación crítica: ser un conjunto de objetos artísticos de procedencia japonesa, y estar emplazados, normativizados, sobre una institucionalidad museal chilena. La naturaleza bicéfala de las obras no es casualidad: la hipótesis de estudio de esta investigación conjetura que el

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15

Amico, Valentina <1990&gt. ""Ukiyoe: un’indagine artistico-economica tra Japonisme e Branding."." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15172.

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Lo scopo di questo elaborato è quello di analizzare attraverso un lungo periodo storico, partendo dal XVII secolo fino all’anno corrente 2019, l’evoluzione artistica delle stampe Ukiyoe; in particolar modo come esse siano state un motivo di propulsione per l’avvento di un nuovo fenomeno culturale che a partire dalla seconda metà del 1800 portò in tutto il mondo occidentale una rinascita artistica fatta di prodotti e temi esotici. Questo fenomeno si è poi fatto strada negli anni evolvendosi e abbracciando non più solo le belle arti, ma anche la fotografia, il cinema, il design, la moda e la gra

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16

Murray, Philippa, and pmurray@swin edu au. "The Floating World - An investigation into illustrative and decorative art practices and theory in print media and animation." RMIT University. Arts and Culture, 2006. http://adt.lib.rmit.edu.au/adt/public/adt-VIT20080506.143949.

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Considered under the theme 'The Floating World', the aim of this research project was to create a written exegesis and a series of artworks, primarily in the form of digital animation and illustration, which investigate decorative and illustrative art practices and their historical lineages. Particular emphasis was given to investigating the links between contemporary decorative/illustrative art practice and the aesthetics and psychology of the Edo period in Japan (C17th - C19th), in which the term 'The Floating World' was used to describe the city of Edo (old Tokyo). The writing concerned wit

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17

Chan, Amy Beth. "Trembling Earth." VCU Scholars Compass, 2008. http://scholarscompass.vcu.edu/etd/1248.

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This thesis details the literary and visual influences in my work, the definition of American Gothic, and its connection it to my work. Literary sources such as Edgar Allan Poe and Fanny Kemble help spark a vision of the landscape. Visual influences include Japanese woodblock prints, scenic wallpapers, vintage postcards and Victorian mourning pictures. My regional explorations span the James River, Tidewater swamps and architecture within the city of Richmond.My work depicts local history and ecology inspired by Richmond and the surrounding region. Subtle Gothic elements add anxiety to the oth

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18

Popaiz, Giulia <1994&gt. "La linea blu. Il colore blu nelle stampe ukiyoe e la rivoluzione blu di Prussia." Master's Degree Thesis, Università Ca' Foscari Venezia, 2019. http://hdl.handle.net/10579/15257.

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Se oggi le xilografie ukiyoe sono riconosciute per il loro valore artistico, non è possibile ignorare il ruolo che ebbero i loro colori nel suscitare fascinazione nei loro confronti, primo fra tutti il blu. Già a partire dalla seconda metà dell’Ottocento uno degli aspetti che colpì i primi collezionisti e studiosi europei di stampe giapponesi furono le brillanti tonalità di blu che caratterizzavano le opere di molti artisti del periodo Edo, primi fra tutti Katsushika Hokusai e Utagawa Hiroshige. L’ammirazione per queste qualità cromatiche fu tale che essi denominarono tale colore “blu di Hiros

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19

Lin, Tzu-Yu, and 林子瑜. "The Legend of Ukiyo-e on 3 Buddhist concept." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/95141229476778060215.

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碩士<br>國立臺北教育大學<br>藝術學系碩士班<br>96<br>This society is filled with various types of people. We have different entities with different external appearance and intrinsic spirit. Despite the variation, we are actually all derived by our own desire. A worn out body which is controlled from it’s non-stop dreamy imagination, lead to a painful and miserable beyond description. From worry to extrication and vice versa, these acts of terror are documented by one of my creations,“The Legend of Ukiyo-e on 3 Buddhist concept of“1. Desire phenomenon 2. Physical phenomenon and 3. Invisible phenomenon.” This

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20

WU, CHIEN-WEI, and 吳建緯. "Contemporary Ukiyo-e: The Research on Ink Painting of Contemporary Network and Social Phenomenon." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/245nc2.

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碩士<br>國立臺南大學<br>視覺藝術與設計學系碩士在職專班<br>106<br>The research uses the art practice to try to convey and analyze the entanglement and power structure in contemporary network society and to rethink the thought and feelings of facing network in contemporary society. Through the practice, the research thinks that if human beings could do some adjustment and change on the behavior to rethink the fundamental meaning of network. The research uses the image to deconstruct the normality and myth of network and wants people to use artform to face the real life and existence and choose the way of life value bu

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21

Yeh, Che-Wei, and 葉哲維. "Applying landscape paintings of Ukiyo-e style to series creations-landscape paintings of Pingsi Township." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/9sbxcs.

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碩士<br>銘傳大學<br>設計創作研究所碩士班<br>94<br>Ukiyo-e or “pictures of the floating world” were popular in eighteenth-century in Edo period of Japan. They took for their subject the real world, people’s lives, and contemporary culture. As Ukiyo-e could be mass-produced, they were affordable and thus circulated widely among ordinary people. Ukiyo-e developed into three main categories: portraits of beauties, portraits of actors, and landscapes. The present work uses Ukiyo-e as the basis for theoretical investigation and creative design, and aims to use them in the promotion of tourism in Pingsi Township, Ta

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張婉瑛. "The Influence of Ukiyo-e on Late Ching Paintings from “Dian-Shih-Chai-Tsung-Hua"." Thesis, 2008. http://ndltd.ncl.edu.tw/handle/4rxyaf.

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碩士<br>國立臺灣師範大學<br>美術學系<br>96<br>The “Shanghai School” is a new group of new-styled painters in late Ching Shanghai. It brings tremendous transfer revolutionary to Formalism in early Ching Dynasty. It is formed by brand-new composition, themes which have never seen before, painters’ creation and foreign painting skills. The article takes Japanese styled paintings in “Dian-shih-chai-tsung-hua” as the begging, finding the reason of forming Japanese styled painting and researching its origins. In fact, I find that those works come from many Japanese paintings. The cultural interaction between Chin

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Kuojuishu and 郭瑞淑. "Integration of ukiyo-e and modern depiction of beauty the female image as an example." Thesis, 2006. http://ndltd.ncl.edu.tw/handle/39399979120200559519.

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碩士<br>樹德科技大學<br>應用設計研究所<br>94<br>My artwork is based on the Japanese ukiyo-e ("pictures of the floating world") and the characteristics of Art Nouveau. By combining six elements, such as bamboo, black teeth, wooden clogs, and peacock, and transforming my idea into an integral 3-dimensional art, my goal is trying to bridge the common elements between the World of East and the West. By presenting this artwork, I hope my ideas can provide the cosmetic industry a new thought and reference.

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24

Chiou, Wei-Ming, and 邱韋明. "A study on the Architectural and Urban Manifestation of Japanese Ukiyo-e in Edo Era." Thesis, 2016. http://ndltd.ncl.edu.tw/handle/16229047476651797112.

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碩士<br>中國文化大學<br>建築及都市設計學系<br>104<br>In 1615, Shogun Tokugawa Ieyasu (1543-1646) had unified the whole country and set up the Tokugawa administration. The Edo era which had achieve the peace of country for nearly 300 years commenced. For keeping the stability of country, Tokugawa issued a decree ordering that all feudal lords with their families have to dwell periodically in capital city Edo. Attracted by the large amount of working opportunities offered in Edo, the people around the country gathered here and worked hard which did bring the prosperity of city. Owing to the peace and prosperousn

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LIN, TING YU, and 林庭羽. "“Ukiyo-e” artstyle applies in the illustration creation presenting to the legends of Chinese medicine." Thesis, 2018. http://ndltd.ncl.edu.tw/handle/f72b3u.

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碩士<br>國立臺灣藝術大學<br>視覺傳達設計學系<br>106<br>The boundless oriental culture is also the product of the passing down of tens of thousands of years. With the continuous exchange among all countries, the foundation of present-day cultural knowledge has been laid. This research focuses on the two major arts and medical cultures as a category. By incorporating the unique Japanese Ukiyo-e style into the works and introducing the legends of Chinese medicine, the two themes are mainly depicting folk life and correspond to each other, making China and Japan Culture can blend with each other. Through literature

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Emiliano, Paulo Alexandre De Albuquerque. "DE SOL A SOL Trabalho-projecto em torno da colecção de ukiyo-e do Museu Calouste Gulbenkian." Master's thesis, 2021. http://hdl.handle.net/10362/129607.

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O objectivo deste Trabalho-Projecto é conceber uma mostra sequencial das estampas japonesas — ukiyo-e —, que se encontram nas reservas do Museu Calouste Gulbenkian, e fazem parte da colecção, propondo uma série de oito exposições temporárias por um período de dois anos, através de um percurso temático, em que são apresentadas cerca de doze estampas em cada mostra. Simultaneamente proponho a forma segura de apresentação das obras, segundo os padrões actuais de conservação preventiva, tendo em conta a fragilidade das peças. Neste sentido são apresentados métodos e dispositivos seguros para que a

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鄭惠美. "The Influence of Bi Zen Ga of Japanese Ukiyo-E on the Style of Chen Chin''s Gouache Paintings." Thesis, 2003. http://ndltd.ncl.edu.tw/handle/81083730846726440926.

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碩士<br>國立屏東師範學院<br>視覺藝術教育研究所<br>91<br>The Influence of Bi Zen Ga of Japanese Ukiyo-E on the Style of Chen Chin’s Gouache Paintings In the 19th, the unique style and character of art of Japanese Ukiyo-E had influenced on the vision experience、art attitude and painting method of painters of Europe. The study adopted research methods of style model，history and art sociology to achieve the study good. The discoveries by the investigation of study are below: Bi Zen Ga of Japanese Ukiyo-E is derived from the folk paintings in the Hei An Period, the Bi Zen Ga produced in the

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28

Korach, Kendal Anee. "From court to pleasure quarters : Edo period ukiyo-e representations of the Tale of Genji as reflections of social transformations in Japan." 2001. http://purl.galileo.usg.edu/uga%5Fetd/korach%5Fkendal%5Fa%5F200112%5Fma.

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"Helen Hyde and Her "Children": Influences, Techniques and Business Savvy of an American Japoniste Printmaker." Doctoral diss., 2016. http://hdl.handle.net/2286/R.I.41261.

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abstract: After the opening of Japan in the mid-1800s many foreigners flocked to the nation. San Franciscan Helen Hyde (1868-1919) joined the throng in 1899. Unlike many of her predecessors, however, she went as a single woman and was so taken with Japan she made it her home over the span of fourteen years. While a number of cursory studies have been written on Helen Hyde and her work, a wide range of questions have been left unanswered. Issues regarding her specific training, her printmaking techniques and the marketing of her art have been touched on, but never delved into. This disser

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Ambrosi, Mónica Cecilia. "Entre lo artesanal y lo digital : un proceso abierto de experimentación gráfica." Bachelor's thesis, 2020. http://hdl.handle.net/11086/21964.

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El presente Trabajo Final es el resultado de un proceso abierto de experimentación gráfica, que establece cruces entre lo artesanal y lo digital, enriqueciéndose constantemente de una reflexión teórica. Se producirá, por un lado, una búsqueda heurística, utilizando técnicas y materiales que se encuentran por fuera del ámbito de la tradición e incorporando tecnología digital y, por otro, se evidenciará la inclusión de oficios artesanales y de técnicas manuales milenarias, hecho que permitirá establecer semejanzas y, a la vez, producir contrastes entre ambos modos de producción.<br>Fil: Ambrosi,

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Dantas, Beatriz Quintais. "Tōkaidō gojūsan tsui – Uma Série Japonesa na Coleção do Museu Calouste Gulbenkian." Master's thesis, 2021. http://hdl.handle.net/10362/123530.

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A presente dissertação é dedicada ao estudo da série de estampas japonesas intitulada Tōkaidō gojūsan tsui (Cinquenta e Três Pares ao Longo da Estrada do Tōkaidō), que integra atualmente o espólio da Coleção do Fundador do Museu Calouste Gulbenkian. Datada do ano de 1845 e composta por um conjunto de cinquenta e cinco xilogravuras, a série é fruto da mestria dos artistas Utagawa Kuniyoshi, Utagawa Hiroshige e Utagawa Kunisada, em conjunto com um grupo formado por seis editores, xilógrafos, tipógrafos e poetas, constituindo, assim, um exemplo de uma complexa produção ukiyo-e. Ao contrário de sé

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