Relevant bibliographies by topics / Ukrainian Autobiographical fiction

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Academic literature on the topic 'Ukrainian Autobiographical fiction'

Author: Grafiati
Published: 25 July 2024
Last updated: 31 July 2025

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Journal articles on the topic "Ukrainian Autobiographical fiction"

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Saifutdinova, Olena. "RESEMANTIZATION IN THE NOVEL “EMERSON’S GARDEN” (“EL HUERTO DE EMERSON”) BY LUIS LANDERO." PROBLEMS OF SEMANTICS, PRAGMATICS AND COGNITIVE LINGUISTICS, no. 40 (2021): 61–67. http://dx.doi.org/10.17721/2663-6530.2021.40.07.

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This article is devoted to the study of resemantization of the key terms in the text of the new autobiographical novel «Emerson’s Garden» (“El huerto de Emerson”) by Luis Landero. In Ukrainian Spanish studies the name of Luis Landero is associated with the Generation of 1968, postmodern realism, post postmodern novel and existentialism, the features which mark the early works of the writer. Writing activity of Luis Landero for the last decades was not mentioned by Ukrainian investigators nevertheless it demonstrates a new high level of literary mastership. In his autobiographical novel «Emerso
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Vasyliev, Oleksii. "BIOGRAPHY AND AUTOBIOGRAPHY: COLLISIONS OF FICTION AND REALITY IN THE CREATIVITY OF A PERSON'S LIFE." Educational Discourse: collection of scientific papers, no. 46(10-11) (December 14, 2023): 50–58. http://dx.doi.org/10.33930/ed.2019.5007.46(10-11)-5.

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Actual scientific researches and issues analysis. A significant impetus for understanding and involvement of the scientific potential embedded in the life description practices was given in works of F. Schleiermacher, V. Dilthey, K. Jaspers, J.-P. Sartre, R. Rorty. Ukrainian scientists O. Va-levskyi, V. Horskyi, I. Holubovych, A. Tsyapa, V. Menzhulin have especially carefully worked out the biographical discourse within the framework of philosophical science and have derived some thorough, in our opinion, methodological principles The research objective. This research examines biography and au
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3

Biliatska, Valentina Р., and Oleg A. Rarytskyi. "THE ANTHOLOGY “STATE OF WAR”: SYNERGY, PROBLEMATICS, GENRE ORIGINALITY OF THE TEXTS." Alfred Nobel University Journal of Philology 1, no. 27 (2024): 364–75. http://dx.doi.org/10.32342/2523-4463-2024-1-27-23.

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The anthology “State of War” is a fiction and documentary prose about the bloody war unleashed by Russia on Ukrainian lands, a prose in which the authors, through the prism of their own worldview, experience and emotions, offer the general readership the recorded tragedies of “timeless truth”, the facts of grave illegal crimes committed by the Russian occupiers. The article aims to examine the reception of martial law events in the anthology as non-fiction literature in contemporary Ukrainian prose. The object of the study is the texts of the anthology “State of War”, united by the subject of
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4

CHUI, Kateryna. "Historical fact as a structural element of “Legion-naire’s notes” by Joseph Honza-Dubnitsky." Problems of slavonic studies 70 (2021): 170–80. http://dx.doi.org/10.30970/sls.2021.70.3745.

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Background. The article analyzes historical facts as the structural elements of “Legionnaire’s Notes” by Joseph Honza-Dubnitsky. Synthesis of documentary and ar-tistic is one of the genre dominant of notes in the Slovak literature of the twentieth cen-tury. Slovak authors’ notes are similar to the Ukrainian and Russian works of this gen-re. It encourages drawing parallels, find common features and differences. Purpose. To investigate the features of individual-author’s interpretation of the genre of notes in Joseph Honza-Dubnitsky’s work, in particular to focus on the role of a historical fact
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5

Mocherniuk, Nataliia. "To apprehend and to retain a considerable length of time: the memoirs of Sviatoslav Hordynsky." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 90–96. http://dx.doi.org/10.28925/2412-2475.2020.16.13.

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The paper covers the subject and genre varieties of memoirs by Sviatoslav Hordynsky. Such genres are highlighted as the memoirs itself, travel writing, diary notes, portrayals of famous artists, letters, obituaries, oral stories, interviews with the author. The main art subject-matter in the memoirs has been accentuated. The travel writing was practiced in his early works, the memories of the Western Ukrainian art processes of the interwar period pertain to the creative period in emigration. The narrative features of the artist’s memories have been traced. Hordynsky’s memoir texts are perceive
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6

Zubko, Olga. "Ukrainian detective (Soviet and emigre): History and pragmatics. (1920–1930)." V. N. Karazin Kharkiv National University Bulletin "History of Ukraine. Ukrainian Studies: Historical and Philosophical Sciences", no. 38 (June 23, 2024): 32–40. https://doi.org/10.26565/2227-6505-2024-38-04.

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The task of scientific research. The study of ukrainian soviet and emigration literary tastes, which changed under the pressure of historical realities in the 1920s and 1930s. Distinguishing the concepts of «ukrainian soviet detective story» and «ukrainian emigration sensational stories». Methodology of research and scientific approaches. Methodology of research is based on the principles of historicism, objectivity, comprehensiveness, integrity, systematicity, as well as on the use of methods of analysis and synthesis, historical‑genetic, historical-comparative, historically-typological, prob
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7

Gerasymenko, Nina. "Nonfiction in contemporary literature: advantage or disadvantage? (On the material of B. Humeniuk’s works «Blockpost», M. Mathios «Private diary. Maidan. War…», N. Rozlutsky «Notes of the mobilized")." LITERARY PROCESS: methodology, names, trends, no. 16 (2020): 16–22. http://dx.doi.org/10.28925/2412-2475.2020.16.2.

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The article is devoted to the problem of nonfiction in modern Ukrainian literature. The author, based on books by domestic writers about the Revolution of Dignity and the war in the East, in particular the works of B. Humeniuk, M. Mathios, N. Rozlutsky, etc., considers the literature of fact as a separate kind of modern literature, analyzes its features in the context of similar publications. for the further consistent "fitting" of the concept into the latest literary paradigm. Such works appeared in the array of military prose for the first time, but are still one of the most popular authors
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8

Musii, Valentyna. "POSTMODERNIST VISION OF THE RELATIONSHIP BETWEEN THE AUTHOR AND THE HERO AS AN ACT OF TRANSGRESSION." Odessa National University Herald. Series: Philology 27, no. 1(25) (2023): 28–37. http://dx.doi.org/10.18524/2307-8332.2022.1(25).283137.

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The focus of the author of the article is the solution of the problem of reality in the literature of postmodernism. We are talking about the subjective nature of the perception of space by the characters of two stories. The author of the first of them, “Podmiot”, is the Polish writer and psychologist Olga Tokarczuk. The author of the second, “The Incredible Story of the «Pocket Oracle»”, is Ukrainian writer and literary critic Oleksandr Mikhed. The key event in each of the stories is the destruction of the boundary between literature and reality, between the author and his hero. In the story
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9

Mekh, Nataliia. "Interpretation of the Tiger Trappers Novel by Ivan Bahrianyi in the Ukrainian Cinematography of the 1990s and Musical Theatre of the 2020s." Folk Art and Ethnology, no. 2 (June 30, 2024): 35–43. http://dx.doi.org/10.15407/nte2024.02.035.

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Attention is paid in the article to the landmark event of modern Ukrainian culture – the book celebrating its anniversary in 2024 – Ivan Bahrianyi’s novel the Tiger Trappers and the rethinking, interpretation of this work in the modern Ukrainian artistic space, in particular in cinematographic and theatrical texts. This year, 80 years have passed since the world saw the adventure work with autobiographical elements, which resonated not only at home, but also abroad. And this is not surprising, because Tiger Trappers has been translated into many languages of the world and had a circulation of
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10

Kovalets, Lidiia. "Taras Shvchenko in the Space of his Reading: The Time before 1837." Pitannâ lìteraturoznavstva, no. 108 (December 29, 2023): 69–96. http://dx.doi.org/10.31861/pytlit2023.108.069.

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The paper examines the beginning of Taras Shevchenko’s history as a reader – the period up to 1837, which is the date of the first known work of the young genius, the ballad “Insane” (“Prychynna”). Three stages (“the ages”) are distinguished in this period: childhood (until 1828), pre-bachelorhood (1828–1831), and bachelorhood (1831–1837). The analysis involves direct self-evidence (memoirs of relatives and acquaintances, Shevchenko’s autobiographical novels and letters), scholarly and popular science studies of Shevchenko studies, samples of historical and biographical Shevchenko studies, etc
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Books on the topic "Ukrainian Autobiographical fiction"

1

Mykhaĭlo, Slaboshpyt͡sʹkyĭ, and Andrusiv Stefanii͡a, eds. Storonoi͡u ĭshla hroza: Spohady. I͡Aroslaviv Val, 2008.

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2

Nezabutni͡e i nezabutni. Stat i K⁰, 2009.

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3

Novely nevoli. Vydavnycha firma "Vidrodz︠h︡enni︠a︡", 2008.

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Hnizdo: Roman u dvokh chastynakh. I͡Aroslaviv Val, 2013.

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