Relevant bibliographies by topics / Ukrainian cinema of the 1980s

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Ukrainian cinema of the 1980s'

Author: Grafiati
Published: 5 June 2025
Last updated: 2 August 2025

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Journal articles on the topic "Ukrainian cinema of the 1980s"

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Skurativskyi, Vadym, and Oleksandr Okhida. "Author and Author's are in the Ukranian Cinema in 1960-70s and the First Half of the 1980s." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 1 (2019): 42–49. https://doi.org/10.31866/2617-2674.2.1.2019.170870.

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The purpose of the article is to investigate the system of functioning of the Ukrainian auteur cinematography in the 1960-80s, in the difficult Soviet times of the individuality and spirit oppression of the Ukrainian people as a nation in general and it is based on a comprehensive analysis and available scientific datas and sources. The relation of the auteur theory to the Ukrainian cinema of the Soviet period is going to be found out and also to investigate the development of prominent Ukrainian figures in the cinema and the peculiarities of their creative self-expression. Research Methodolog
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Molotkina, Valentyna, Inna Levchenko, and Iryna Berezanska. "SOVIET CINEMATOGRAPHY IN THE TERRITORY OF THE USSR IN THE 1960S–1980S: THE PROBLEM OF BILINGUALISM." European Historical Studies, no. 23 (2022): 57–66. http://dx.doi.org/10.17721/2524-048x.2022.23.4.

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The article reveals the influence of Soviet cinema on the change in the linguistic identity of the population of the Ukrainian SSR. The content, ideological context of the cinema of the 1960s – 1980s in the conditions of the Russification policy of the party nomenclature is analyzed. The role of the contemporary film industry in realizing the concept of a single community – the «Soviet people» is highlighted. It is worth highlighting the key reasons for this process: the attempt of the Soviet authorities to avoid free-thinking among workers in creative professions, the prevention of any manife
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Nykonenko, Volodymyr. "Reflection of the Crisis of the Soviet Gender Project in Ukrainian Cinema of the 1980s (on the Example of an Artistic Image of Father)." Bulletin of KNUKiM. Series in Arts, no. 50 (June 27, 2024): 59–66. https://doi.org/10.31866/2410-1176.50.2024.306758.

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<strong>The aim of the article</strong>&nbsp;is to outline and analyse peculiarities of artistic interpretations of the father&rsquo;s image in Ukrainian cinema of the 1980s. Particular attention is paid to those social and cultural factors that fundamentally influenced the tendencies in cinematic interpretations of the fatherly character in the mentioned period. <strong>Results.</strong>&nbsp;In the collective unconscious of humanity, the fatherly archetype is a representative of the social order foundations, and serves as a symbolic regulator of the moral and value hierarchical system. There
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Chubotina, Iryna. "Artistic and stylistic features of men's costumes of the 1970s in R. Balayan's film "Flights in Dreams and Realities" (Polyoty vo sne i nayavu)." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 132–38. http://dx.doi.org/10.32461/2226-0285.1.2021.238608.

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The purpose of the article is to reveal the artistic and stylistic features of men's costumes in R. Balayan film "Flights in Dreams and Reality" (Polyoty vo sne i nayavu) as significant for Ukrainian cinema and design of the 1970s-1980s. The proposed research contributes to the history of costume in cinema, considering it as an object of design in the context of the 1970s-1980s fashion, world and domestic cultural paradigm. Methodology. Work on the chosen topic involves the following theoretical methods: an analytical research method for generalization and delineation of issues; comparative an
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Bilenka, Anastasiia. "Stage Word in National 1930s–1940s Cinematography: Historical and Cultural Process." Issues in Cultural Studies, no. 38 (October 29, 2021): 14–23. https://doi.org/10.31866/2410-1311.38.2021.245523.

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The purpose of the article is to review the evolution stages of the Ukrainian word in the industry of cinema in the context of the historical and cultural process of the 1930s &ndash;1940s and analyse the features of Socialist Realism and its impact on cinema. The research methodology is based on historical and culturological approaches. The method of the historical retrospective is used to analyse the stage word of actors&rsquo; screen performances of the studied period of time (the 1930s&ndash;1940s). The culturological method is used to study the influence of the ideological foundations of
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Myslavskyi, Volodymyr. "Interrupted Flight. Ukrainian Cinema of the All-Ukrainian Photo and Film Administration Era." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 309–13. http://dx.doi.org/10.31866/2617-2674.6.2.2023.289316.

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Larysa Briukhovetska’s monograph “Interrupted Flight. Ukrainian Cinema of the VUFKU Era: An Attempt at Reconstruction”, based on documentary sources – 1920s periodicals, archives and memoirs of participants in the film process – reconstructs an almost unknown but extremely rich and fruitful period in the history of Ukrainian cinema, namely the activities of the All-Ukrainian Photo and Film Administration under conditions of autonomous management. This research is one of the first in Ukraine to comprehensively cover not only cinematic art but also the development of the film industry and film d
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Myslavskyi, Volodymyr. "Interrupted Flight. Ukrainian Cinema of the All-Ukrainian Photo and Film Administration Era." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 6, no. 2 (2023): 309–13. https://doi.org/10.31866/2617-2674.6.2.2023.289316.

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Larysa Briukhovetska's monograph "Interrupted Flight. Ukrainian Cinema of the VUFKU Era: An Attempt at Reconstruction", based on documentary sources – 1920s periodicals, archives and memoirs of participants in the film process – reconstructs an almost unknown but extremely rich and fruitful period in the history of Ukrainian cinema, namely the activities of the All-Ukrainian Photo and Film Administration under conditions of autonomous management. This research is one of the first in Ukraine to comprehensively cover not only cinematic art but also the development of the film industry and film d
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Kindrachuk, Nadia. "Eradication of the National Element in Ukrainian Cinema in the 1960s–1970s." Historia i Polityka, no. 24 (31) (June 11, 2018): 113. http://dx.doi.org/10.12775/hip.2018.015.

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Naumova, Larysa. "Oleksandr Dovzhenko, Ivan Kavaleridze, Leonid Skrypnyk: The avant-garde and philosophical explorations of Ukrainian filmmakers of the 1920s." Images. The International Journal of European Film, Performing Arts and Audiovisual Communication 34, no. 43 (2023): 195–208. http://dx.doi.org/10.14746/i.2023.34.43.12.

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&#x0D; &#x0D; &#x0D; The filmmakers Oleksandr Dovzhenko and Ivan Kavaleridze created bold avant-garde works at the time when Ukrainian cinema was being established, at the end of the 1920s and early 1930s. In effect, the works of these two directors shaped the defining features of Ukrainian cinema. This article discusses the creative methods used by Dovzhenko in his three films Zvenyhora (1927), Arsenal (1929) and Earth (1930), which clearly depict Ukrainian worldviews and mentality. Kavaleridze’s approach is considered in the light of two of his films, Downpour (1929) and Perekop (1930). Alre
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Knyzhnykova, Sofiia. "Opening Credits to the Films of the All-Ukrainian Photo and Cinema Administration: Artistic Language, Historical and Cultural Context." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 202–13. https://doi.org/10.31866/2410-1176.44.2021.235432.

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The purpose of the article is to analyse the special features of the artistic language of the opening credits in the films of the All-Ukrainian Photo and Cinema Administration. To achieve this goal, the relevant research methods were applied, in particular, historical (study of the archives of the All-Ukrainian Photo and Cinema Administration), cultural (the Administration&rsquo;s influence on the development of such a field of culture as cinema) and art studies (analysis of the artistic language of the opening credits to the films of the All-Ukrainian Photo and Cinema Administration). Scienti
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Dissertations / Theses on the topic "Ukrainian cinema of the 1980s"

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Oliveira, Sandra Cristina Reis Marques de. "Representations of American youth in Hollywood film in the 1980s." Master's thesis, Universidade de Aveiro, 2008. http://hdl.handle.net/10773/2762.

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Mestrado em Estudos Ingleses<br>O presente trabalho propõe-se examinar diferentes representações da adolescência no cinema de Hollywood, particularmente na década de 80. Esta dissertação inicia a sua análise debruçando-se sobre as representações da adolescência no cinema de Hollywood, no período após a II Guerra Mundial, numa tentativa de determinar alguns acontecimento que afectaram a forma como essas representações evoluíram até ao final da década de 80. Finalmente, uma reflexão sobre os aspectos mais relevantes das representações da adolescência no cinema na época conservadora de Ronald Rea
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Ribon, Riccardo <1995&gt. "The 1980s AIDS Crisis in Contemporary American Cinema." Master's Degree Thesis, Università Ca' Foscari Venezia, 2020. http://hdl.handle.net/10579/17032.

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The following work deals with the representation of the 1980s AIDS crisis in 21st century American cinema. Chapter 1 introduces the concept of “stigma” as theorized by Susan Sontag in AIDS and Its metaphors (1989). Stigma negatively contributed to the reception and treatment of the disease, which was considered an issue of just some minorities and thus ignored by the government and the institutions of the 1980s. I will use the concept in order to analyze the early representation of the AIDS crisis in the 1980s and 1990s AIDS movies such as An Early Frost (1985). Chapter 2 is devoted to analyzi
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RAGAN, MOLLY BAKER. "DIFFUSION OF NONVIOLENT CIVIL RESISTANCE AND THE UKRAINIAN INDEPENDENCE MOVEMENT OF THE 1980S." Thesis, The University of Arizona, 2016. http://hdl.handle.net/10150/614154.

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Much research has been conducted about the diffusion of nonviolent civil resistance and its various mechanisms, with a majority of the attention being paid to diffusion on a global level via external pressure and normative imitation. There is little research, however, about the mechanisms that occur on a much narrower field via individual-level communications, which lead to individuals learning from surrounding ideas and adapting them to fit their situation. Using the case study of the independence movement of the late 1980s in the former Ukrainian Soviet Socialist Republic, I provide a
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Davison, Annette. "Hollywood theory, non-Hollywood practice : cinema soundtracks in the 1980s." Thesis, University of Sheffield, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.310816.

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Atakav, Atil. "The representation of women in Turkish cinema in the 1980s." Thesis, Southampton Solent University, 2009. http://ssudl.solent.ac.uk/774/.

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This thesis examines the relationship between feminism and cinema in the context of the women's movement and women's films of the 1980s. In focusing on the nature and implications of the representation of women constructed in Turkish cinema and the issues addressed by the women's movement, it argues that there are connections to be made on an analytical and theoretical level between the two sets of practices. The thesis argues that the enforced depoliticisation introduced after the coup (on 12th September 1980) by the incoming military government is responsible for uniting feminism and film. F
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Higbee, William Edward. "Marginality and ethnicity in French cinema of the 1980s and 1990s." Thesis, University of Exeter, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.364416.

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Shin, Chi-Yun. "Diaspora and cinematic formations : black British cinema,the 1980s and 1990s." Thesis, University of Exeter, 2003. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.400903.

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Gurga, J. "Echoes of the past : Ukrainian poetic cinema and the experiential ethnographic mode." Thesis, University College London (University of London), 2012. http://discovery.ucl.ac.uk/1380194/.

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This thesis introduces the concept of the Experiential Ethnographic Mode to describe fiction film in which a particular approach is adopted during the filmmaking process, one which involves time spent on location and close collaboration with local residents. This filmmaking process forms an integral part of the filmic product, which seeks to evoke within the viewer a sense of the filmmakers’ experience of being there. The Experiential Ethnographic Mode is elaborated according to its three basic components – time, space and sound – which are fundamental to the experience of being there and, of
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Olson, Eric Lars. "Great Expectations: The Role of Myth in 1980s Films with Child Heroes." Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/32929.

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This study performed a mythic analysis on three films with child heroes including E.T. the Extra-Terrestrial, Stand by Me, and The Goonies. Several unifying themes were extracted and then compared with the dominant values of Reagan America to determine if these films provided a unique cultural outlook. While most of the uncovered themes have been recognized in other films of the era, the theme of childhood as a community in peril is unique. It is purported these films pass judgment on Reagan as a dubious national patriarch, and that it is possible that this is a function that many myths
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Kotsyuba, Oleh. "Rules of Disengagement: Author, Audience, and Experimentation in Ukrainian and Russian Literature of the 1970s and 1980s." Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:23845486.

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Is there a direct correlation between the degree of an artist’s participation in ideologically defined discursive practices and the aesthetic value and expressive innovation of her or his work? How does the concept of the implied audience influence an author’s approach to the creative process? How relevant is the author’s own self-projection in her or his works to their aesthetic quality? Examining these and other questions, this dissertation studies the strategies of an artist’s engagement with or disengagement from repressive political systems which are understood here as mechanisms of putti
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Books on the topic "Ukrainian cinema of the 1980s"

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Hill, John. British cinema in the 1980s: Issues and themes. Clarendon Press, 1999.

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Jo, Campling, ed. Family fictions: Representations of the family in 1980s Hollywood cinema. Macmillan Press, 1997.

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Brigitte, Rollet, ed. Cinema and the second sex: Women's filmmaking in France in the 1980s and 1990s. Continuum, 2001.

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1962-, Goldberg Lee, ed. The dreamweavers: Interviews with fantasy filmmakers of the 1980s. McFarland & Company, 1995.

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Williams, Bruce. Albanian Cinema through the Fall of Communism. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462980150.

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Albanian cinema truly represents a terra incognita for most of the world. Decidedly Europe’s most isolated country during the Cold War era, communist Albania had already been cut off from the West for centuries as a one of the western-most outposts of the Ottoman empire. Nonetheless, and unknown to most of the world, communist Albania had a vibrant cinema tradition. Although bound by official orthodoxy, the films of the state-run Kinostudio enterprise were surprisingly innovative and, at times, daringly subversive. This book opens with examinations of moving images in Albania from the Ottoman
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Vidal, Fernando. Performing Brains on Screen. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462989146.

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Performing Brains on Screen deals with film enactments and representations of the belief that human beings are essentially their brains, a belief that embodies one of the most influential modern ways of understanding the human. Films have performed brains in two chief ways: by turning physical brains into protagonists, as in the "brain movies" of the 1950s, which show terrestrial or extra-terrestrial disembodied brains carrying out their evil intentions; or by giving brains that remain unseen inside someone’s head an explicitly major role, as in brain transplantation films or their successors
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Gaffney, Freddie. Studying British Cinema: The 1980s. Auteur Publishing, 2011.

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Gaffney, Freddie. Studying British Cinema: The 1980s. Auteur Publishing, 2011.

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Hollywood bloodshed: Violence in 1980s American cinema. Southern Illinois University Press, 2009.

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Kendrick, James. Hollywood Bloodshed: Violence in 1980s American Cinema. Southern Illinois University Press, 2009.

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Book chapters on the topic "Ukrainian cinema of the 1980s"

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Celli, Carlo. "Ukrainian Dualism." In National Identity in Global Cinema. Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230117174_9.

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Torner, Evan. "1980S German Cyberpunk Cinema." In Cyberpunk and Visual Culture. Routledge, 2017. http://dx.doi.org/10.4324/9781315161372-14.

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Harrow, Kenneth W. "What the 1980s Brought." In African Cinema in a Global Age. Routledge, 2023. http://dx.doi.org/10.4324/9781003397595-3.

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Celli, Carlo, and Marga Cottino-Jones. "The 1980s and 1990s: A Changing Society." In A New Guide to Italian Cinema. Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230601826_9.

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Athanickal, Hariprasad. "Minor Avant-Gardists in the 1970s—1980s." In South Asia in Alternative Cinema(s). Routledge India, 2025. https://doi.org/10.4324/9781003600374-3.

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Mazumdar, Ranjani. "The Legal Unspeakable: Rape in 1980s Bombay Cinema." In Gendered Citizenship. Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-59093-6_9.

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"Rebuilding a National Studio During the Early 1960s." In Ukrainian Cinema. I.B.Tauris, 2015. http://dx.doi.org/10.5040/9780755694457.ch-002.

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Stiazhkina, Olena. "The Soviet Consumer in the Art of Life and Cinema." In Ukrainian Society in the 1960s–1980s. Historical Essays. Institute of History of Ukraine, National Academy of Sciences of Ukraine, 2022. https://doi.org/10.15407/book11-0018680.

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The chapter "The Soviet Consumer in the Art of Life and Cinema" by Olena Stiazhkina explores food consumption in late Soviet Ukraine as a reflection of broader social, economic, and ideological structures. The study examines how food practices, scarcity, and state-controlled nutrition policies shaped Soviet citizens' daily lives and identities. By analyzing archival documents, press materials, oral histories, and films, the author reconstructs the gastronomic order of the Soviet Union, revealing its contradictions. Soviet food culture was marked by industrialized production, standardization, a
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Besarab, Olena. "UKRAINIAN CINEMA ART AND TV AS A SIGNIFICANT ELEMENT OF SOCIAL DEVELOPMENT". У Іншомовна комунікація: інноваційні та традиційні підходи. Випуск 3, 3-тє вид. Primedia eLaunch LLC, 2024. http://dx.doi.org/10.36074/ikitp.monograph-2024.01.

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The research deals with cinematography and television as significant components of contemporary mass art. An attempt to analyse the origin and main stages of development of the above-mentioned art types is made. Cinema and TV are studied as cultural and social phenomena and their most outstanding representatives are pointed out. As these genres of modern art are not totally studied by the scientists, the popular articles dominate, so there is a wide range of aspects to analyse in this and many other following works. The first part of the work offers an overview of main stages of the cinema art
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Serafim, José Francisco, Maria Conceição Ramos, and Maria Natália Ramos. "Migração, Trabalho e Cinema Documentário: Abordagem no Contexto Europeu." In The Overarching Issues Of The European Space. Sustainable development and territorial preservation in a globalized world. Faculdade de Letras da Universidade do Porto, 2022. http://dx.doi.org/10.21747/978-989-9082-57-1/overa5.

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The purpose of this text is to reflect on the binomial migration and work and its representation through documentary cinema. The current social and political crisis, as well as environmental catastrophes and political and armed conflicts, such as the wars that the world is currently facing, mainly in the European context, is reflected in reception strategies for large portions of the population that leave the country invaded by its neighbor, Russia, in a situation of forced migration and refuge. Images of war and people abandoning their homeland, Ukraine, have been frequent in all the world's
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Conference papers on the topic "Ukrainian cinema of the 1980s"

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Yelchik, O. M. "Screen adaptations of theatrical performances made through the language of cinema and television in the Ukrainian SSR during the 1970s-1980s." In TRANSFORMATION OF CULTURE AND ART UNDER THE INFLUENCE OF ARTIFICIAL INTELLIGENCE. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-488-7-10.

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Andreeva, Olga. "Postwar Cinema in Search of a New Artistic Imagery (1950-1980s)." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.007.

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Krupyna, Viktor. "Abuse of Power by Soviet Ukrainian Nomenklatura, 1945–1991." In Lviv Interactive. Lviv Interactive, 2024. https://doi.org/10.69915/edu010en.

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In addressing the causes of unlawful actions committed by high-ranking officials in the 1940s and 1960s, Soviet authorities often attributed them to the lingering influence of pre-revolutionary capitalist mentalities among certain managers. This explanation lost credibility over time, as by the 1970s and 1980s, the leadership consisted largely of individuals born and fully socialized within the Soviet Union, supposedly free from the flaws of other, non-communist societies. In this module, Viktor Krupyna uses unpublished archival materials and available source collections to examine the widespr
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Buralova, Elina. "THE FILM "SHADOWS OF FORGOTTEN ANCESTORS": THE IMPACT OF UKRAINIAN CINEMA ON CULTURAL LIFE OF UKRAINIAN DIASPORA IN THE UNITED STATES." In Ways to Develop Science in the Current Crisis Conditions. Publishing House “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-379-8-8.

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Sheremeta, Bozhena. "CLASSIFICATION OF INTERNAL AND EXTERNAL ENVIRONMENTAL FACTORS AFFECTING THE EFFICIENCY OF STRATEGIC MANAGEMENT OF UKRAINIAN CINEMA NETWORKS." In DÉBATS SCIENTIFIQUES ET ORIENTATIONS PROSPECTIVES DU DÉVELOPPEMENT SCIENTIFIQUE. European Scientific Platform, 2021. http://dx.doi.org/10.36074/logos-05.02.2021.v1.43.

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Yanovska, K. O. "THE DEVELOPMENT OF OPPOSITIONAL UKRAINIAN LITERATURE DURING THE AGGRAVATION OF THE CRISIS OF THE SOVIET SYSTEM (1960S – 1980S)." In GLOBAL SCIENTIFIC TRENDS IN HISTORY, POLITICAL SCIENCE, SOCIOLOGY, AND PHILOSOPHY. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-490-0-7.

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SAVCHENKO, A. V., and M. S. KHMELEVSKY. "LEXICAL AND PHRASEOLOGICAL YIDDISHISMS IN THE “ODESSAN LANGUAGE”." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_347.

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The article examines the aspect of the influence of Yiddish on the formation of a unique linguistic and cultural phenomenon – the so-called “Odessanlanguage”. The formation of this linguistic code, which is a special urban koine, was largely influenced by the syntactic, lexical and other grammatical features of Yiddish. As concrete illustrations, both dictionary materials and recordings from the spoken language of residents of the Odessa city, as well as from fiction, are provided. Past and present situation, which is firmly rooted in modern Russian culture and has become an integral part of i
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