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Books on the topic 'Ukrainian cinema of the 1980s'

Author: Grafiati

Published: 5 June 2025

Last updated: 2 August 2025

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1

Hill, John. British cinema in the 1980s: Issues and themes. Clarendon Press, 1999.

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2

Jo, Campling, ed. Family fictions: Representations of the family in 1980s Hollywood cinema. Macmillan Press, 1997.

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3

Brigitte, Rollet, ed. Cinema and the second sex: Women's filmmaking in France in the 1980s and 1990s. Continuum, 2001.

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4

1962-, Goldberg Lee, ed. The dreamweavers: Interviews with fantasy filmmakers of the 1980s. McFarland & Company, 1995.

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5

Williams, Bruce. Albanian Cinema through the Fall of Communism. Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789462980150.

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Albanian cinema truly represents a terra incognita for most of the world. Decidedly Europe’s most isolated country during the Cold War era, communist Albania had already been cut off from the West for centuries as a one of the western-most outposts of the Ottoman empire. Nonetheless, and unknown to most of the world, communist Albania had a vibrant cinema tradition. Although bound by official orthodoxy, the films of the state-run Kinostudio enterprise were surprisingly innovative and, at times, daringly subversive. This book opens with examinations of moving images in Albania from the Ottoman

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6

Vidal, Fernando. Performing Brains on Screen. Amsterdam University Press, 2022. http://dx.doi.org/10.5117/9789462989146.

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Performing Brains on Screen deals with film enactments and representations of the belief that human beings are essentially their brains, a belief that embodies one of the most influential modern ways of understanding the human. Films have performed brains in two chief ways: by turning physical brains into protagonists, as in the "brain movies" of the 1950s, which show terrestrial or extra-terrestrial disembodied brains carrying out their evil intentions; or by giving brains that remain unseen inside someone’s head an explicitly major role, as in brain transplantation films or their successors

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7

Gaffney, Freddie. Studying British Cinema: The 1980s. Auteur Publishing, 2011.

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8

Gaffney, Freddie. Studying British Cinema: The 1980s. Auteur Publishing, 2011.

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9

Hollywood bloodshed: Violence in 1980s American cinema. Southern Illinois University Press, 2009.

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10

Kendrick, James. Hollywood Bloodshed: Violence in 1980s American Cinema. Southern Illinois University Press, 2009.

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11

American Cinema Of The 1980s Themes And Variations. Bloomsbury Publishing PLC, 2007.

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12

Prince, Stephen. American Cinema of The 1980s: Themes and Variations. Bloomsbury Publishing Plc, 2007.

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13

American cinema of the 1980s: Themes and variations. Rutgers University Press, 2008.

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14

Prince, Stephen. American Cinema of the 1980s: Themes and Variations (Screendecades). Rutgers, 2007.

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15

Prince, Stephen. American Cinema of The 1980s : Themes and Variations. Screen Decades: American Culture/American Cinema. Rutgers University Press, 2010.

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16

Family fictions: Representations of the family in 1980s Hollywood cinema. St. Martin's Press, 1997.

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17

Harwood, Sarah. Family Fictions: Representations of the Family in 1980s Hollywood Cinema. Palgrave Macmillan, 1997.

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18

American Cinema of the 1980s: Themes and Variations (Screen Decades). Rutgers, 2007.

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19

American Cinema of the 1980s: Themes and Variations (Screendecades) (Screen Decades: American Culture/American Cinema). Rutgers University Press, 2007.

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20

First, Joshua. Ukrainian Cinema: Belonging and Identity During the Soviet Thaw. I. B. Tauris & Company, Limited, 2015.

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21

Kaganovsky, Lilya, Joshua First, and Birgit Beumers. Ukrainian Cinema: Belonging and Identity During the Soviet Thaw. Bloomsbury Academic & Professional, 2022.

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22

Ukrainian Cinema Belonging And Identity During The Soviet Thaw. I.B.Tauris & Co Ltd, 2014.

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23

Baumgartner, Michael, and Ewelina Boczkowska. Music, Authorship, Narration, and Art Cinema in Europe: 1940s To 1980s. Taylor & Francis Group, 2022.

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24

Baumgartner, Michael, and Ewelina Boczkowska. Music, Authorship, Narration, and Art Cinema in Europe: 1940s To 1980s. Taylor & Francis Group, 2022.

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25

Powrie, Phil. French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity. Oxford University Press, USA, 1997.

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26

Baumgartner, Michael, and Ewelina Boczkowska. Music, Authorship, Narration, and Art Cinema in Europe: 1940s To 1980s. Taylor & Francis Group, 2022.

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27

Baumgartner, Michael, and Ewelina Boczkowska. Music, Authorship, Narration, and Art Cinema in Europe: 1940s to 1980s. Routledge, 2022.

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28

Powrie, Phil. French Cinema in the 1980s: Nostalgia and the Crisis of Masculinity. Oxford University Press, USA, 1998.

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29

Pike, David L. Canadian Cinema since The 1980s: At the Heart of the World. University of Toronto Press, 2018.

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30

Baumgartner, Michael, and Ewelina Boczkowska. Music, Authorship, Narration, and Art Cinema in Europe: 1940s To 1980s. Taylor & Francis Group, 2022.

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31

Pike, David L. Canadian Cinema since the 1980s: At the Heart of the World. University of Toronto Press, 2012.

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32

French cinema in the 1980s: Nostalgia and the crisis of masculinity. Clarendon Press, 1997.

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33

Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s And 1990s. Taylor & Francis Group, 2017.

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34

Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s And 1990s. Taylor & Francis Group, 2017.

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35

Davison, Annette. Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s And 1990s. Taylor & Francis Group, 2017.

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36

Bollywood Cinema Showcards: Indian Film Art from the 1950s to the 1980s. Royal Ontario Museum Press, 2011.

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37

Cinema and the Second Sex: Women's Filmmaking in France in the 1980s And 1990s. Bloomsbury Publishing Plc, 2016.

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38

Tarr, Carrie, and Brigitte Rollet. Cinema and the Second Sex: Women's Filmmaking in France in the 1980s and 1990s. Bloomsbury Academic, 2016.

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39

Lynch, Paul. 1980s British Conspiracy Thriller. The Rowman & Littlefield Publishing Group, 2022. https://doi.org/10.5040/9781978729131.

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In this book, Paul Lynch explores the genre of the British conspiracy thriller, a confrontational and dark response to what novelists and filmmakers perceived as an increasingly Orwellian secret state in the political landscape of the time. Through analyses of a variety of film and television productions, Lynch examines the ways in which they were influenced by their Hollywood and European counterparts and the work of John le Carré, conveying the real-world practices of the British intelligence services that served as inspiration and evaluating the genre’s effectiveness in providing meaningful

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40

Cosentino, Olivia, and Brian Price, eds. The Lost Cinema of Mexico. University Press of Florida, 2022. http://dx.doi.org/10.5744/florida/9781683402534.001.0001.

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This volume moves beyond the exhausted official history of art cinema and cultural nationalism to recover the dismissed, lost films of 1960s to 1980s Mexican cinema. The Lost Cinema of Mexico features a sample of popular and iconic genres, including rock and roll films, luchadora cinema via star Lorena Velázquez, the Chili Western, Sergio García Michel’s Super-8 productions, 1970s Black melodramas, and 1980s cine familiar, plus auteurism in crisis through Felipe Cazals. This collection tracks industrial trends in production, distribution, exhibition, and reception. The chapters offer insights

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41

Riep, Steven L. Disability in Modern Chinese Cinema. Edited by Michael Rembis, Catherine Kudlick, and Kim E. Nielsen. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780190234959.013.24.

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Depictions of disability in Chinese-language films from China and Taiwan, once a rarity, have become mainstream since the 1980s and have shifted from critiquing national policies, historical accounts, and collective experiences to highlighting disabled people as complex characters and advocating for greater support for them. These films reveal how disability has become a positive source of identity in its own right. Films from the late 1980s and early 1990s such as Tian Zhuangzhuang’s The Blue Kite use disability to offer critiques of official policies or alternative accounts of historical eve

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42

Player, Mark. Japanese Cinema and Punk. Bloomsbury Publishing Plc, 2025. https://doi.org/10.5040/9781350378599.

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In Japanese Cinema and Punk, Mark Player examines how the do-it-yourself ethos of punk empowered a new generation of Japanese filmmakers during a period of crisis and change in Japan’s film industry. Drawing on rare materials and first-hand interviews with key figures from the jishu eiga (self-made film) tradition, including Ishii Gakuryu (formerly Ishii Sogo), Yamamoto Masashi, Tsukamoto Shin’ya, and Fukui Shozin, Player explores how punk’s bricolage style was leveraged to create exciting intermedial film aesthetics. These aesthetics were influenced by rock music, graffiti art, street perform

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43

Leotta, Alfio. Cinema of John Milius. The Rowman & Littlefield Publishing Group, 2018. https://doi.org/10.5040/9781978731264.

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This book is devoted to the critical study of the cinema of John Milius, filling a major gap in the literature by combining the examination of the artistic, historical and cultural significance of Milius’ work, with an in-depth analysis of his films. Although most contemporary film-viewers have forgotten him, John Milius has been one of the most influential and controversial film-makers in the history of American cinema. Along with the likes of George Lucas, Francis Ford Coppola and Martin Scorsese, Milius was a central figure of the so called ‘New Hollywood’. Milius, who gained an Academy Awa

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44

MacDonald, Scott. Comprehending Cinema. Oxford University PressNew York, NY, 2024. http://dx.doi.org/10.1093/9780197758755.001.0001.

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Abstract Comprehending Cinema: Panoramic Audiovisioning, the third book in Scott MacDonald's "Avant-Doc" trilogy (with Avant-Doc: Intersections of Documentary and Avant-Garde Cinema, 2015; and The Sublimity of Document: Cinema as Diorama, 2019) is a collection of 15 in-depth interviews and 3 essays. Central themes include modern uses of the cinematic archive and varieties of filmmaker collaboration. Interviewees include Su Friedrich, Guy Maddin and Evan and Galen Johnson, poet John Ashbery, Tadhg O'Sullivan, Jennifer West, Penny Lane, Dean Fleischer Camp, Daniel Lindsay/TJ Martin, Jennifer And

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45

Boczkowska, Ewelina, and Michael Baumgärtner. Music and Auteur Filmmakers in European Art House Cinema of the 1950s To 1980s: Individuality and Identity. Taylor & Francis Group, 2023.

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46

Lofficer, Randy, Jean-Marc Lofficer, Lee Goldberg, William Rabkin, and Marv Wolfman. Dreamweavers: Interviews with Fantasy Filmmakers of The 1980s. Adventures in Television, Inc., 2022.

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47

Stokes, Lisa Odham, and Rachel Braaten. Historical Dictionary of Hong Kong Cinema. 2nd ed. The Rowman & Littlefield Publishing Group, Inc., 2020. https://doi.org/10.5040/9798881822279.

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Hong Kong cinema began attracting international attention in the 1980s. By the early 1990s, Hong Kong had become "Hollywood East" as its film industry rose to first in the world in per capita production, was ranked second to the United States in the number of films it exported, and stood third in the world in the number of films produced per year behind the United States and India. This second edition of Historical Dictionary of Hong Kong Cinema contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 600 cross-referenced entries on directors, prod

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48

Rabkin, William, Randy Lofficier, and Jean-Marc Lofficier. The Dreamweavers: Interviews With Fantasy Filmmakers of the 1980s. McFarland & Company, 1995.

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49

Lim, Song Hwee. Taiwan Cinema as Soft Power. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780197503379.001.0001.

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This book seeks to understand cinema as a form of soft-power tool. It proposes Taiwan as a prime example of cinema’s effect in assisting a small nation gain prominence on the international stage. It maps Taiwan’s cinematic output in the twenty-first century through the three keywords in the book’s subtitle—authorship, transnationality, historiography. Its object of analysis is the legacy of Taiwan New Cinema, a movement that began in the early 1980s and has had a lasting impact upon filmmakers and cinephiles worldwide for nearly 40 years. By examining case studies that include Hou Hsiao-hsien,

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50

Atakav, Eylem. Feminism and Women’s Film History in 1980s Turkey. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039683.003.0010.

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This chapter explores the relationship between feminism and women's film history in the context of 1980s Turkey. In discussing women's film history, the chapter includes not only the history of women filmmakers and the films they have made but also the link between the history of Turkish film industry and feminism. It begins with a historical overview of the feminist movement in Turkey and then examines its visible traces in film texts produced during the 1980s in order to argue that those films can be most productively understood as explorations of gendered power relations. The chapter then c

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