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Journal articles on the topic 'Ukrainian comics'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Derkachova, Olga. "THE INTRODUCTION OF COMICS ABOUT RUSSIAN-UKRAINIAN WAR IN EDUCATIONAL PROCESS." Mountain School of Ukrainian Carpaty, no. 27 (January 20, 2025): 142–46. https://doi.org/10.15330/msuc.2022.27.142-146.

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The article deals with the study of Ukrainian comics devoted to the russian-Ukrainian war and their introduction in educational process. Creating a new modern reading space is an important problem today, especially after the full-scale russian invasion of Ukraine. Comics already become a part of the Ukrainian reading space, their creation is suggested by teachers to students like a task in lessons, and they are becoming more and more popular. The paper examines the history of the development of Ukrainian comics from the first to the latest, and analyzes the thematic and topical segments. The m

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2

Morozova, І. В., and О. О. Pozharytska. "Translation specifics of English language comics into Ukrainian." MESSENGER of Kyiv National Linguistic University. Series Philology 26, no. 2 (2024): 91–100. http://dx.doi.org/10.32589/2311-0821.2.2023.297677.

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The article addresses the issue of translating comics, a special type of text characterized by a high degree of visuality and textuality. The research is aimed at studying the linguistic aspects of translating multimodal comic narratives, particularly English language comics, into Ukrainian in order to preserve theircomic potential and effective communication with the audience. Having analyzed numerous approaches to the translation of comic speech, the authors identify key factors that influence the preservation of the pragmatic effect and emotional sphere of the original. Additionally, they f

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Kolisnyk, O. V., L. V. Ocheretna, M. I. Yakovlev, O. V. Kolosnichenko, K. L. Pashkevich, and O. M. Kretova. "TENDENCIES AND ART TECHNIQUES IN CONTEMPORARY COMIC BOOK GRAPHIC DESIGN." Art and Design, no. 3 (November 13, 2020): 34–45. http://dx.doi.org/10.30857/2617-0272.2020.3.2.

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Purpose. Exploring of the distinctive features of modern comics, their artistic and compositional solutions, types, main trends in American, European and Asian culture. Definition of the original formation of modern Ukrainian comics. Methodology. The basis of the research methodology includes integrated use of historical and comparative methods, system analysis, synthesis, generalization. Results. Basing on the analysis of modern comic book content, the history of comics and its perception by the audience as a modern media text are revealed, characteristics of individual elements in comics are

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Hudoshnyk, Oksana, and Iryna Bucharska. "THE MEDIALITY OF UKRAINIAN DOCUMENTARY COMICS DURING THE WAR." Bulletin of Lviv Polytechnic National University: journalism 1, no. 5 (2023): 70–79. http://dx.doi.org/10.23939/sjs2023.01.070.

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The communication possibilities of modern graphic narratives are extremely diverse: from the presentation of individual life stories to new cross-genre and even interdisciplinary phenomena (graphic medicine, comic journalism, data comics), which demonstrate the dialogic nature of comics, its universal openness, participatory and empathic nature. The authors pay special attention to the influence of military realities on the formation of national non-fiction discourse, and mediality is considered as a mediating strategy that depends on such influence. The article proposes a typology of forms of

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Hudoshnyk, O. "Documentary comics in modern scientific discourse and Ukrainian comics space." Communications and Communicative Technologies, no. 19 (May 5, 2019): 32–40. http://dx.doi.org/10.15421/291905.

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The characteristics of documentary comics in modern multidisciplinary scientific space is presented, the methods of nonlinear historiography (narrative, oral history, commemoration) and post-documentalism are presented. The scientific discourse focuses on the types of interpretation of reality in comics, the hybridity of genre and style features, the types and forms of empathic involvement of the reader, the compositional specifics of graphic journalism. Scientists’ particular attention is focused on the forms of representation of the “lost history and the history of the lost” (N. Chute), on t

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Derkachova, Olga, Oksana Tytun, and Solomiya Ushnevych. "EDUCATIONAL AND CULTURAL POTENTIAL OF INCLUSIVE COMICS." Mountain School of Ukrainian Carpaty, no. 26 (April 26, 2022): 16–22. http://dx.doi.org/10.15330/msuc.2022.26.16-22.

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The article deals with the research on comics' educational and cultural potential, particularly inclusive comic books, and their influence on inclusive culture formation. Inclusive graphic stories have long been part of the readership abroad. Gradually, this tradition is becoming popular in the Ukrainian cultural space. The chronology of the implementation of inclusive education in Ukraine is established, a brief overview of the regulatory framework is given. There is more and more inclusive literature on the Ukrainian book market: it is both translations and works of domestic writers, it is l

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Vardanian, Maryna. "Memory in Pictures: Ukrainian Comics (Malopys) across War." International Research in Children's Literature 18, no. 2 (2025): 147–59. https://doi.org/10.3366/ircl.2025.0614.

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This article examines the impact of war on the development of Ukrainian comics, known as malopys. It argues that malopys play a significant role in shaping Ukrainian collective memory and cultural memory, based on the frameworks of memory studies by Halbwachs, Erll, and others. The analysis focuses on the representation of memory sites in malopys, highlighting significant dates, places, and figures in Ukrainian history, as depicted in comics from both within and outside Ukraine. The paper explores the theme of struggle in malopys, which span from the Kyivan Rus period to modern events. Malopys

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Lysa, Iryna. "Comics as a separate component of the media space structure." Вісник Книжкової палати, no. 2 (February 23, 2023): 13–18. http://dx.doi.org/10.36273/2076-9555.2023.2(319).13-18.

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The article defines the comics as a separate component of the structure of the modern Ukrainian media space. The theoretical aspects of the concept of "comic journalism" are reflected and the perspective of using comic materials in the modern information space is analyzed. As a result, it was determined that comics are an effective means of conveying information, which not only successfully attract the attention of readers, but also retain it. However, due to the complex visual form, comic materials require more labor and time to create them, which makes it impossible to use comics in "fast" j

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Kopylchak, K. "Особливості формування спільноти фанатів мальописів у сучасному інформаційному просторі". State and Regions. Series: Social Communications, № 1(45) (17 липня 2021): 68. http://dx.doi.org/10.32840/cpu2219-8741/2021.1(45).10.

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<div><p><strong><em>The purpose.</em></strong><em> To trace the peculiarities of the formation of the community of fans of comics in the modern Ukrainian information space.</em></p></div><p><strong><em>Research methodology. </em></strong><em>During the research general scientific methods of synthesis, analysis and observation were used. System analysis was used to study the available Internet resources on comics.</em></p><p><strong><em>Results.</em></strong>

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Krikunenko, Serhii. "Retrospective Analysis of Comics as an Object of Research by Ukrainian and Foreign Scientists." Ukrainian Journal on Library and Information Science, no. 9 (June 17, 2022): 166–76. http://dx.doi.org/10.31866/2616-7654.9.2022.259198.

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The aim of the article is to carry out a retrospective analysis of comics as an object of study in the scientific works of Ukrainian and foreign scholars in the field of painting and comics, as well as to systematise the main periods of studying this topic in the world scientific space. The research methodology of the article is based on the application of both general and special methods of scientific knowledge, in particular retrospective, theoretical-research and system-structural methods. This methodological approach allows revealing and analysing the research of foreign and Ukrainian scho

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Krikunenko, Serhii. "Retrospective Analysis of Comics as an Object of Research by Ukrainian and Foreign Scientists." Ukrainian Journal on Library and Information Science, no. 9 (June 17, 2022): 166–76. https://doi.org/10.31866/2616-7654.9.2022.259198.

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The aim of the article is to carry out a retrospective analysis of comics as an object of study in the scientific works of Ukrainian and foreign scholars in the field of painting and comics, as well as to systematise the main periods of studying this topic in the world scientific space. The research methodology of the article is based on the application of both general and special methods of scientific knowledge, in particular retrospective, theoretical-research and system-structural methods. This methodological approach allows revealing and analysing the research of foreign and Ukra

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Belov, Dmytro. "Types and Genre Specificity of the Comics in Ukraine." Ukrainian Journal on Library and Information Science, no. 5 (June 19, 2020): 29–42. https://doi.org/10.31866/2616-7654.5.2020.205728.

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The article is devoted to the coverage of the main trends in the comics’ development in Ukraine from the standpoint of its types and genre specificity. The increase of comic books popularity as an information product on the domestic book publishing market has been revealed. Based on the analysis of statistical data, the tendency to increase both the number of names of domestic comics and the number of publishers specializing in comics’ products has been shown. The perspectives of comics as a tool for engaging in reading in an informative society have been substantiated. An attempt

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Vasylenko, I. Yu, and I. V. Chalapchii. "Navigating specifics of comics translation into English, Ukrainian and German." MESSENGER of Kyiv National Linguistic University. Series Philology 27, no. 2 (2025): 52–64. https://doi.org/10.32589/2311-0821.2.2024.323962.

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This article examines the specifics of translating comics into English, Ukrainian, and German, highlighting the unique challenges and techniques required for each language pair. Comic translation extends beyond mere textual conversion, and as it concerns the intricate interplay between linguistic adaptation, imagery, and cultural nuances, it requires an approach that balances humor, colloquialisms, visual elements, and cultural references while maintaining the integrity of the original narrative. The study explores specific features and methods in translating comics across the languages under

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14

Zyazyun, Laryssa, and Maryna Dziuba. "COMICS IN THE UKRAINIAN LANGUAGE CLASSROOM: BUILDING SOCIO-CULTURAL COMPETENCE OF SECONDARY SCHOOL STUDENTS." АRS LINGUODIDACTICAE, no. 7 (2021): 53–60. http://dx.doi.org/10.17721/2663-0303.2021.7.06.

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The article investigates the instructional potential of comics in building the socio-cultural competence of secondary school students in the Ukrainian language classroom. The urgency of the problem is related to the task of reforming Ukrainian school education to create learning conditions aimed at the development of a learner as a subject of culture and multicultural language personality, able to successfully engage in social interaction with the bearers of another culture. Moreover, there is a lack of research of the educational potential of comics in the Ukrainian context, which also determ

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15

Hrachova, N. "THE PROJECT OF THE UKRAINIAN CULTURAL FOUNDATION “UKRAINIAN LITERATURE IN COMICS”: IDEA, STRATEGIC GOALS, RESULTS." Aesthetics and Ethics of Pedagogical Action, no. 28 (December 19, 2023): 231–40. http://dx.doi.org/10.33989/2226-4051.2023.28.293194.

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The article presents the results of the “Ukrainian Literature in Comics” project created with the support of the Ukrainian Cultural Foundation. The authors of the project (project manager Nadiia Hrachova, author of scripts for the online catalog Olha Khodatska, and project creative designer Olena Cherkun) created a cultural-artistic product – an online catalog in Ukrainian and English versions, which highlights the plot of the Ukrainian historical era with the help of graphic visualization.  The results of the project “Ukrainian Literature in Comics,” which was done during two stages (20

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16

Gaiduk, Oksana. "THE PHENOMENON OF COMICS IN UKRAINIAN CULTURE." Knowledge, Education, Law, Management 1, no. 5 (2020): 27–30. http://dx.doi.org/10.51647/kelm.2020.5.1.5.

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Hudoshnyk, Oksana, and Oleksandr P. Krupskyi. "Science and comics: from popularization to the discipline of Comics Studies." History of science and technology 12, no. 2 (2022): 210–30. http://dx.doi.org/10.32703/2415-7422-2022-12-2-210-230.

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Modern scientific communication traditionally uses visual narratives, such as comics, for education, presentation of scientific achievements to a mass audience, and as an object of research. The article offers a three-level characterization of the interaction of comic culture and science in a diachronic aspect. Attention is focused not only on the chronological stages of these intersections, the expression of the specifics of the interaction is offered against the background of scientific and public discussions that accompany the comics–science dialogue to this day. Within the framework of the

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18

Lange, Anja. "The Beginning of Ukrman – a Fighter against the Evil and the Coronavirus." Galactica Media: Journal of Media Studies 2, no. 3 (2020): 245–72. http://dx.doi.org/10.46539/gmd.v2i3.118.

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Comics have a big task in Ukraine: Through them nation is built, historical events are discussed and identity is constructed. In 2018 Ukraine’s first superhero was introduced: UKRMAN. In the past, the Cossacks have been the heroes of Ukraine and were also portrayed in various comics. But in a time when the national integrity of Ukraine is tested through an armed conflict in the East, a new superhero is sorely needed. The comic combines the past (Communist era with the Chernobyl nuclear accident) and the present of Ukraine in a unique way. The article will show why the implementation of a new s

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19

Semenova, Olena. "THE IMPROVEMENT OF FOREIGN-LANGUAGE LINGUISTIC COMPETENCE BASED ON THE MATERIAL OF COMIC BOOK TEXTS." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 13(81) (2022): 108–11. http://dx.doi.org/10.25264/2519-2558-2022-13(81)-108-111.

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Creolized or semiotically complicated texts are an integral part of our modern life that can be found everywhere – public places, home, office, transport, so their purpose cannot be underestimated. The comic is considered an effective means of teaching foreign linguistic competence, the basis for improving oral speech skills. Since we live in the era of the media space of information, we mainly perceive it comprehensively. Visualized information is interesting and effective for learning. The comic is a multifunctional didactic material that promotes a number of methodological tasks – overlearn

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Khodatska, Olha. "Creative approach to teaching Ukrainian literature in institutions of general secondary education: project of the Ukrainian Cultural Foundation «Ukrainian literature in comics»." Філологічні діалоги, no. (9) (December 22, 2022): 222–28. http://dx.doi.org/10.31909/26637103.22-(9)-32.

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Oksana, Kyrylova, and Pashchenko Bogdan. "Globalization of manga: rationale of its popularity in the world in comparison with Ukraine." State and Regions. Series: Social Communications, no. 3 (39) (January 25, 2019): 56–62. https://doi.org/10.5281/zenodo.3690823.

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<strong>Research Methodology. </strong>During the research, we used the following methods: systematic analysis, descripting method, comparison and structural analysis. <strong>Results. </strong>The academic paper is devoted to Japanese comics manga in Ukraine. This piece of work aims to rationalize manga popularity in the world and to show if there is an impact of manga on Ukrainian realities. The research reveals globalization of manga as one of the main means of print media in Japan, reasons of its popularity around the world. The author of this paper scrutinizes the points of view of differ

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Mylchenko, Larуsa, and Larуsa Tatarinova. "Features of perception of the visual book. Comics. Manga. Graphic novel." Вісник Книжкової палати, no. 12 (December 17, 2020): 10–15. http://dx.doi.org/10.36273/2076-9555.2020.12(293).10-15.

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The article examines aspects of the development of the visual book, in particular the graphic novel, as the newest synthetic art form, which combines the visual and the verbal. The exploration is devoted to the analysis of the evolution of the graphic novel: from a simple comic book form to a meaningful novel, from a series of drawings to a recognized literary genre. The popularity of the graphic novel continues to grow. Its place in the artistic coordinate system and its significance for the culture of the beginning of the XXI century are studied. The newest kind of synthetic art shows good d

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НАУМЕНКО, Людмила, and Віталія МУНТЯН. "The novel visualization techniques of teaching Ukrainian literature in the secondary school." EUROPEAN HUMANITIES STUDIES: State and Society, no. 1 (April 14, 2020): 83–101. http://dx.doi.org/10.38014/ehs-ss.2020.1.07.

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The paper is devoted to the problem of making educational process in the secondary school more interesting, productive, and effective by means of using visualization techniques of different formats: visual paper images, electronic and Internet resources. The aim of the research is to determine and characterize the most user-friendly visualization techniques suitable for teaching literature in the secondary school. The major attention is paid to the ways of diversification of imagery representation of verbal and factual information at the lessons of the Ukrainian literature. The authors dwell o

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Bozhko, I. S., and A. Kalinichenko. "ONOMOTOPEIA AS A MEANS OF EXPRESSIVENESS IN A GRAPHIC NOVEL: SOME NUANCES OF TRANSLATION." Writings in Romance-Germanic Philology, no. 2(51) (December 19, 2023): 30–41. http://dx.doi.org/10.18524/2307-4604.2023.2(51).296818.

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The article is devoted to onomatopoeia as a means of expressiveness in a graphic novel, to be precise, to the peculiarities of the translation of onomatopoeic words from French into Ukrainian. The purpose of the study is to find out the characteristic traits of onomatopoeia in a graphic novel and analyze its translation strategies, compiling a mini-dictionary of onomatopoeias (language pair French — Ukrainian). In the course of the research, it was found that the graphic novel relies on a purely visual and textual component. It is the visual accompaniment of colors, text and drawing style that

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О., А. Гончарова. "РОЛЬ І МІСЦЕ АНГЛІЙСЬКОЇ ЛІТЕРАТУРИ В СУЧАСНИХ ПІДРУЧНИКАХ З АНГЛІЙСЬКОЇ МОВИ". Педагогіка та психологія, № 59 (23 квітня 2018): 51–58. https://doi.org/10.5281/zenodo.1226850.

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The article highlights the role and place of English literature in the process of teaching English in secondary schools of Ukraine. The following methods of theoretical research were used: analysis of modern requirements for the teaching of foreign languages in secondary educational institutions of Ukraine; analysis of the contents of foreign and Ukrainian textbooks of English with the purpose of revealing the degree of inclusion of English literature in them; comparison and systematization of various approaches regarding the inclusion of literary elements. The main results of the research are

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Kryvenko, S. "Comic in Ukrainian political discourse." National Technical University of Ukraine Journal. Political science. Sociology. Law, no. 3(47) (January 29, 2021): 43–48. http://dx.doi.org/10.20535/2308-5053.2020.3(47).229415.

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In the article there is defined the concept of comic as a rhetorical and semantic technique in public discourse, which exerts psychological and behavioral influences. There are highlighted the main features of the comic, in particular: the comic is available for human perception; it causes laughter among representatives of a certain social group, demonstrates the difference between different groups (motives of comedy are not global, they will be funny only for a certain people); entertains the addressee, does not cause suffering and does not activate emotions of empathy in the audience to whic

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Кропивко, І., and О. Буділова. "MILITARY FICTION FOR CHILDREN OF THE RUSSO-UKRAINIAN WAR AS A LITERARY FIELD." Journal “Ukrainian sense”, no. 1 (December 2, 2023): 5–15. http://dx.doi.org/10.15421/462301.

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Background. The phenomenon of military fiction for children had been on the margin of independent Ukraine’s scientific and social discourses before the outbreak of the Russo-Ukrainian war. Since 2014, writers and publishers have enhanced their activity in this area responding to the needs of the society, particularly to the necessity to explain to children in their language the processes they witness, to the desire to distract them from traumatic experiences or to use books as part of therapeutic intervention. Purpose. To arrange the processes occurring in the Ukrainian literary space an

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Kropyvko, I. "Fantasy in Ukraine: an in-action cultural tradition." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 28 (2023): 127–39. http://dx.doi.org/10.34079/2226-3055-2023-16-28-127-139.

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Fantasy as a metagenre exists in many (art and non-art) forms, due to which scholars refer to it as a symbol of broad modern cultural development (O. Manakhov). Fantasy enhances the magicization of the real world and creates the secondary, non-existing one; it pushes numerous amateurs toward artistic self-implementation, unites the experts in various fields in their shared attempt to explore and create fantasy worlds, to arrange their life space. Fantasy as an in-action cultural tradition has not yet been interpretated as separate research; however, certain issues are regularly raised. Modern

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Oliinyk, Viktoriia. "Artistic and Communicative Transformations of the Book Against the Background of the Evolution of the Visual Paradigm in Ukrainian Design." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 1 (2023): 70–86. http://dx.doi.org/10.31866/2617-7951.6.1.2023.279062.

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The purpose of the study is to outline the artistic and communicative transformations of the Ukrainian book, which reflect the modern visual paradigm, as well as to highlight their influence on the further development of domestic book design. Research methods include theoretical, source-scientific, comparative, chronological and analytical. Scientific novelty. It was found that transformations of artistic and communicative possibilities in domestic book design were actively manifested, primarily due to the development of innovative alternative book forms, as well as the reaction of the artisti

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Oliinyk, Viktoriia. "Artistic and Communicative Transformations of the Book Against the Background of the Evolution of the Visual Paradigm in Ukrainian Design." Demiurge: Ideas, Technologies, Perspectives of Design 6, no. 1 (2023): 70–86. https://doi.org/10.31866/2617-7951.6.1.2023.279062.

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The purpose of the study is to outline the artistic and communicative transformations of the Ukrainian book, which reflect the modern visual paradigm, as well as to highlight their influence on the further development of domestic book design. Research methods include theoretical, source-scientific, comparative, chronological and analytical. Scientific novelty. It was found that transformations of artistic and communicative possibilities in domestic book design were actively manifested, primarily due to the development of innovative alternative book forms, as well as th

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Nikolaeva, N. S., and A. V. Maksymenko. "JOKES ABOUT GODFATHERS IN UKRAINIAN LAUGHTER CULTURE CONTEXT." UKRAINIAN CULTURAL STUDIES, no. 1(10) (2022): 20–25. http://dx.doi.org/10.17721/ucs.2022.1(10).04.

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The article aims to analyze jokes in Ukrainian laughter culture context. It stresses on the chosen topic relevance and researchers' growing in- terest to Ukrainian national identity, national character, spiritual culture specific features and various phenomena associated with Ukrainian humor, satire, and picture of the laughter world. The article attempts to determine the place and peculiarities of a separate series of modern Ukrainian jokes, i.e. jokes about godfathers. Special attention is paid to joke as a cultural phenomenon which is due to laughter folk culture signs presence in it: vario

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Nezhyva, Liudmyla, and Svitlana Palamar. "INNOVATIVE TECHNOLOGIES IN THE LITERARY EDUCATION OF FUTURE PRIMARY SCHOOL TEACHERS." Educological discourse, no. 4 (2020): 129–42. http://dx.doi.org/10.28925/2312-5829.2020.4.9.

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The article substantiates the need for the use of innovative technologies in teaching children’s literature to students majoring in “Primary Education”. The introduction of an integrated course “Native education: children’s literature with studying methods” in the training of future primary school teachers gives them the opportunity to navigate in current trends in children’s literature and model various algorithms of perception and interpretation of the texts. The study analyzes the introduction of interactive technology in literary education, which changes the vector of lectures to dialogic

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Sodel, Oleksandr S. "COMPREHENSIVE METHODOLOGY FOR TRANSLATION ANALYSIS OF CROSS-CULTURAL INCONGRUITY IN ENGLISH ANECDOTES." Alfred Nobel University Journal of Philology 2, no. 26/1 (2023): 261–73. http://dx.doi.org/10.32342/2523-4463-2023-2-26/1-19.

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The article substantiates the problem of performing translation analysis of cross-cultural incongruity in English anecdotes in Ukrainian translation using the methodology consisting of four methodological blocks (qualification, linguocultural, linguistic, and translation ones). The purpose of the article is to justify the presented cognitive and discursive methodology for translation analysis of cross-cultural incongruity when transferring the comic in English anecdotes into Ukrainian. The tasks of the research are the following: to characterize the methods of linguistic and cultural analysis

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Д.М., Івашенюк. "ДО ПИТАННЯ ПРО МОВНІ ЗАСОБИ СМІХОТВОРЕННЯ В ТЕКСТАХ УКРАЇНСЬКИХ АНЕКДОТІВ". Лінгвістичні дослідження, № 45 (20 червня 2017): 123–27. https://doi.org/10.5281/zenodo.814448.

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<em>Modern linguistics requires complex studies that investigate the linguistic and stylistic features, structure and subject matter of the texts of anecdotes. The article analyses Ukrainian anecdotes as specific feature of national culture. The topicality of the article leaves no doubt since this issue is not investigated enough in Modern Linguistics and the article reveals linguistic units, which represent comic means in Ukrainian anecdotes. The article defines linguistic features of jokes, focusing on some words, which are markers of differentiation for Ukrainians focusing on some criteria,

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Kharchenko, Oleg, and Alina Musiienko. "INTERFERENCE OF FOREIGN LANGUAGE LEXEMES IN THE UKRAINIAN HUMOROUS DISCOURSE DURING THE FULL-SCALE INVASION." Integrated communications 17, no. 1 (2024): 37–45. http://dx.doi.org/10.28925/2524-2644.2024.175.

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The article highlights the cognitive and linguistic aspects of Ukrainian humorous discourse during the full-scale Russian invasion, focusing on the process of interference of words of foreign origin. Particular attention is paid to lexemes and their reinterpretation through cognitive patterns, such as availability heuristics, negative thinking, the accessibility cascade, the friend-foe pattern, the effect of contrast and stereotypical expectations. The study reveals a variety of stylistic means of comism that are caused by the interference of words of foreign origin in humorous Ukrainian disco

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Kondratenko, Nataliia, and Anastasiia Kuznietsova. "COMIC METHODS IN UKRAINIAN POLITICAL DISCOURSE 2022-2024." Odessa National University Herald. Series: Philology 29, no. 2(30) (2024): 24–34. https://doi.org/10.18524/2307-8332.2024.2(30).320404.

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The study is devoted to the problems of Ukrainian political discourse in terms of expressing the comic. Attention is focused on the manifestations of the comic in the speeches of the President of Ukraine Volodymyr Zelensky and the jokes and memes of the period of the full-scale invasion of the Russian Federation into Ukraine. The dynamics of humorous discourse on the verge of intersection with political discourse are traced. The goal is to identify and analyze the methods of creating the comic in Ukrainian political discourse 2022-2024, in particular in the context of language strategies used

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KUSHPETA, Roman. "THE IMAGE OF RUTHENIANS AND UKRAINIAN LANDS AS PART OF AUSTRIA-HUNGARY IN THE REPRESENTATION OF THE AMERICAN NEWSPAPER «THE NEW YORK TIMES» (1870–1900)." Ukraine: Cultural Heritage, National Identity, Statehood 37 (2023): 57–66. http://dx.doi.org/10.33402/ukr.2023-37-57-66.

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The image of Western Ukrainian lands and Ukrainians (Ruthenians) in the American press is revealed based on the materials of the newspaper «The New York Times». The article shows how this American newspaper covered the events related to Eastern Galicia, Bukovyna and Transcarpathia in the last third of the 19th century. There was traditionally no analysis in such news, which prevented readers from forming a full-fledged image of the western Ukrainian lands. It was found that the American newspaper most often focused attention on Lviv among all other Ukrainian cities. Other cities were mentioned

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Nikonova, Vira, Yana Boiko, and Yuliia Savina. "Incongruity-specific British and American Humour from the Perspective of Translation Studies." Studies About Languages, no. 35 (December 5, 2019): 89–103. http://dx.doi.org/10.5755/j01.sal.0.35.22962.

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The aim of this study is to reveal the interrelation between the national character of the comic, its cognitive mechanisms and the choice of the strategy while representing the comic in Ukrainian translations of J. K. Jerome’s and O. Henry’s flash fiction. First, using the methodological principles of Linguoculturology, we determine how sociocultural context influenced the British and American authors’ consciousness which determined the cultural aspect of their individual worldview and the specifics of their sense of humour. Then we identified the comically marked contexts in J. K. Jerome’s an

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Kopylchak, Kh S. "Gender stereotypes in a modern ukrainian comic." Printing and Publishing 2, no. 84 (2022): 143–50. http://dx.doi.org/10.32403/0554-4866-2022-2-84-143-150.

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Lisun, Ya V. "Blogging in the field of higher education: theoretical and practical experience of leading HEIs of Europe." Economic Bulletin of Dnipro University of Technology 87 (September 2024): 89–100. http://dx.doi.org/10.33271/ebdut/87.089.

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Methods. The results were obtained through the use of empirical research methods (description of the components of blogging and activities of higher educational institutions in the blogosphere), theoretical methods (analysis, synthesis, abstraction, generalization, explanation, classification of blogging in the field of education). The study covers socio-communication, system and functional approaches, content analysis, elements of SWOT analysis. Results. It is substantiated that the main parameters of an educational blog are the topic, structure and format of content, criteria for publication

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Niewęgłowski, Adrian. "Obligation to register Internet channels (YouTube, TikTok, Facebook) and the legal situation of creators on the audiovisual market according to Polish and European Union law." Theory and Practice of Intellectual Property, no. 4-5 (October 25, 2023): 124–34. http://dx.doi.org/10.33731/4-52023.289806.

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European Union law has introduced a duty for creators engaged in the business of providing various types of on-demand audiovisual content to register. In practice, this duty applies to individuals running audiovisual channels on platforms such as You Tube and similar platforms. The people concerned are very different, providing content of an educational nature (platforms for learning foreign languages, e.g. English, Spanish). The registration duty is also to be extended to those who also provide typically entertaining channels on digital platforms (e.g. reviews of films, books, computer games,

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Pylypchuk, Oleh, Oleh Strelko, and Yuliia Berdnychenko. "PREFACE." History of science and technology 12, no. 2 (2022): 194–96. http://dx.doi.org/10.32703/2415-7422-2022-12-2-194-196.

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The issue of the journal begins with an article on French sinology. French sinology takes a special place in the history of the sinological studies development. It was France that became the first country where the transformation of missionary sinology, which was common among a limited circle of researchers (mainly in a religious sphere), into the academic scientific discipline, which had already been taught and studied at a professional level in academic institutions, occurred. The Parisian type of sinology used to dominate the entire world for a long time, including such powerful centers of

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Kukovynets, Yuliia, Vladyslava Akkurt, and Olena Velychenko. "RENDERING OF THE COMIC EFFECT WHEN TRANSLATING ENGLISH FICTION INTO UKRAINIAN." Naukovy Visnyk of South Ukrainian National Pedagogical University named after K. D. Ushynsky: Linguistic Sciences 2021, no. 32 (2021): 22–34. http://dx.doi.org/10.24195/2616-5317-2021-32-1.

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The article reveals the concept of comic effect, its types, techniques in fiction, as well as their differential features. In order to conduct a deep analysis of humor, the means of its transmission were identified and analyzed, that is, stylistic figures and artistic tropes. The author of the scientific paper revealed the essence of translation transformations, substantiated their role in conveying the comic effect in the literary text for children and adult readers, and also analyzed the features of conveying the comic effect using translation lexical, lexicalsemantic, grammatical, complex l

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Nakhlik, Yevhen. "Trawestacyjne i burleskowe kody „Eneidy” Iwana Kotlarewskiego (The Travesty and Burlesque Codes of Ivan Kotliarevsky’s Aeneid)." Symbolae Philologorum Posnaniensium Graecae et Latinae 34, no. 2 (2025): 81–103. https://doi.org/10.14746/sppgl.2024.xxxiv.2.5.

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The article examines the relationship between the travesty and burlesque poem Aeneid (1794-1822) by the Ukrainian writer Ivan Kotliarevsky (1769-1838) and its sources – the Russian heroic-comic poem Aeneid by N. Osipov and A. Kotelnitsky and Virgil’s poem Aeneid. The codes of the comic (burlesque) travesty of the Ukrainian Aeneid are revealed: the code of three-textuality (Latin original – Russian and Ukrainian travesties), the code of Kotliarevsky’s situational and continuous approach to transforming the ancient plot and character images, the code of double textuality (occasional, according t

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Tsymbal, Inna, and Anastasiia Rudenko. "MEANS OF CREATING A COMIC IN FRENCH AND UKRAINIAN SATIRICAL EDITIONS (A STUDY OF CHARLIE HEBDO NEWSPAPER AND THE PERETS MAGAZINE)." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 14(82) (2022): 75–78. http://dx.doi.org/10.25264/2519-2558-2022-14(82)-75-78.

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The article deals with the peculiarities of creating a comic in French and Ukrainian satirical editions on the basis of the French newspaper Charlie Hebdo and the Ukrainian magazine Perets. Comic forms including humor and satire are described. Humor helps to overcome stress, and satire, which aims to ridicule the politicians etc., is an effective mouthpiece that conveys the popular dissatisfaction, helps to cope with the vices of society. Each satirical magazine, as the center of this information struggle, has its own means of creating a comic, exposing effect. Unlike Perets's satire, Charlie

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Shyshkina, Iryna. "Translation transformations when transferring humor (based on A. Bradley’s novel “The Sweetness at the Bottom of the Pie”)." Philological Review, no. 2 (November 29, 2023): 94–102. http://dx.doi.org/10.31499/2415-8828.2.2023.295597.

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The article analyzes translation transformations from English into Ukrainian when conveying humor. The selected research material is Alan Bradley’s novel “The Sweetness at the Bottom of the Pie” and its translation into Ukrainian by Maria Lapenko. The analysis was carried out on the basis of C. Nord’s typology of translation transformations. The translation of humor in the novel “The Sweetness at the Bottom of the Pie” was carried out with the help of a number of translation transformations, in particular grammatical, lexical-grammatical and lexical. Quite often, the comic effect is enhanced w

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Kondratenko, Nataliia. "Humor in Ukrainian political discourse." Culture of the Word, no. 91 (2019): 112–21. http://dx.doi.org/10.37919/0201-419x-2019.91.10.

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The research focuses on the problem of humor in Ukrainian political discourse, which is interpreted as a manifestation of human activity. The peculiarities of the combination of political and game discourses in Ukrainian political communication were clarified, which resulted in the active use of humorous components in the speeches of politicians. Linguistic means of expression of humor in posts on social networks and speeches of Ukrainian politicians are analyzed. The purpose of our study is to investigate linguistic means of humor representation as the main manifestation of comic relief in Uk

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Lisowska, Kinga. "Twórczość komiksowa uchodźców ukraińskich w edukacji na rzecz transkulturowości w klasach I–III – pilotażowa koncepcja pracy." Kultura-Społeczeństwo-Edukacja 24, no. 2 (2023): 205–23. http://dx.doi.org/10.14746/kse.2023.24.2.12.

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The article presents a pilot concept of using comic books work of Ukrainian youth – war refugees in the field of work for transculturalism in grades I–III. It is an attempt to take a different look at educational activities in the perspective of dynamically changing cultural structures of European and world societies. The presented assumptions thus answer the question: how can the comic books of Ukrainian youth be used to create a pilot concept of work in the field of education for transculturalism in grades I–III and to develop the right concept of work in further scientific activities (suppo

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Shchitova, Svetlana, and Valentyna BRONDZIA MARTYNYUK. "Modern Ukrainian Opera: Varieties of Genres." Studia Universitatis Babeş-Bolyai Musica 68, Sp.Iss. 1 (2023): 57–67. http://dx.doi.org/10.24193/subbmusica.2023.spiss1.04.

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"The article examines the state of modern Ukrainian opera of the 21st century, which reflects European and global trends aimed at updating the genre and searching for new genre models. The authors of the article purposefully chose works by composers of almost all age categories, which are quite different in terms of genre content – interpretation of traditions and innovation – from creative youth to the most famous artists in the whole world (E. Stankovich), and consciously focused attention on examples of modern opera from several regions of Ukraine: Kyiv, Kharkiv, Odessa, Lviv, Dnipro. This

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Baidak, E., and K. Taranenko. "LINGUISTIC MEANS OF COMIC CREATION IN MODERN UKRAINIAN STAND-UP." International Humanitarian University Herald. Philology, no. 68 (2024): 12–15. https://doi.org/10.32782/2409-1154.2024.68.3.

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