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Journal articles on the topic 'Ukrainian directing art'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Ivashchenko, Iryna, and Viktoriia Strelchuk. "Dmytro Bohomazov's Style of Directing in the Context of Innovative Theatrical Practices." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 170–76. https://doi.org/10.31866/2410-1176.42.2020.207648.

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The purpose of the article is to find out the specifics of D. Bohomazov’s creative work in the context of evolution and transformational processes of Ukrainian theatre directing from the late 20th to early 21st centuries; to determine the impact of the artist’s innovative theatrical practices on the formation of contemporary theatre arts in Ukraine. Research methodology. To insight the purpose and achieve the objectives, historical-art criticism and analytical-art criticism approaches and methods that developed in Ukrainian art criticism were applied by the study. The method of com

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2

Buhaiova, V. "Ukrainian resistance to Russian aggression in the context of “directing of action”." Culture of Ukraine, no. 78 (December 23, 2022): 87–93. http://dx.doi.org/10.31516/2410-5325.078.11.

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The purpose of the article is to analyze the reflection of the Ukrainian people’s heroic resistance to Russian aggression in modern theatrical art forms in the context of “action directing”. The main methodological tool for the study of the mentioned problem is a formal and art-scientific analysis of a set of theatrical artistic forms, which, in our opinion, today form a certain theatrical environment. An important set of ideas on which the study of such a symbolic environment is based are ideas related to the formation of a certain “symbolic field”. In addition to the interpretati

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3

Izvarina, О. M. "Opera directing in the Ukrainian Musical Theatre in 20s of 20th century." Musical art in the educological discourse, no. 3 (2018): 66–70. http://dx.doi.org/10.28925/2518-766x.2018.3.6670.

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The article highlights the prerequisites for the formation of Ukrainian opera directing on the basis of materials from rare editions, musical criticism of the 1920s, memoirs of contemporaries, modern scientific research. The close connection of the Ukrainian opera direction with the traditions of the direction of the Ukrainian music and drama theatre is considered. The assimilation of the experience and creative achievements of the directors of the «theatre of the coryphaeuses» M. Staritsky, M. Kropiwnicki and M. Sadovsky is covered. The features of the stage life of operas of the classical re

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4

Kasianova, Olena. "The Concept of Training a Doctor of Art from Music Directing." Ukrainian musicology 47 (October 21, 2021): 17–27. http://dx.doi.org/10.31318/0130-5298.2021.47.256713.

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The relevance of the research is due to need to train highly qualified professionals in today's sociocultural challenges, able to generate creative ideas in the implementation of creative projects, able to respond quickly to changes in the market of theater services, to be competitive in the fleeting space. Scientific novelty - outlining the concept of formation of professional competencies of the artist in the synthesis of domestic traditions and foreign innovations, taking into account the specifics of the mental perception of works by the Ukrainian audience. Main objectives of the research

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5

Chepalov, Oleksandr. "Origins of Art Director. From the Previous Works of Ukrainian Theatrics." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 2, no. 1 (2019): 42–51. https://doi.org/10.31866/2616-759x.2.1.2019.170748.

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Direction as a creative profession and the problem of creating an author's theatrical performance has been over the century in the center of discussion of theatrical scholars, cultural experts and specialists of other branches, touching the stage art. The purpose of the article is to include in the scope of the contemporary theoretical problems the forgotten works of the art history profile which were characteristic of the key moments of Ukrainian history: ideological and political self-determination after 1917 (M. Voronyi, G. Gaevsky) and returning to the public memory of creative the ach

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6

Vorobiov, Serhii. "Implementation of art Project "May Night" by M. Lysenko in Author's Directing Design." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(54) (March 21, 2022): 119–35. http://dx.doi.org/10.31318/2414-052x.1(54).2022.255432.

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The author explores the process of embodiment of the Ukrainian classic work "May Night" by M. Lysenko in the author's director's project in the realities of today. The relevance of the study is to begin the process of optimizing the cosmopolitan and national components in the education of the Ukrainian audience. The purpose of the study is to determine the director's concept of the art project "May Night" by M. Lysenko in the context of national specifics of artistic images. It was possible to carry out an artistic reconstruction of the rites of divination on wreaths and mermaids in the contex

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7

Dats, Iryna. "Format of Musical Theatre Director's Training in Socio-Cultural Realities of Independent Ukraine." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(52-53) (December 14, 2021): 181–202. http://dx.doi.org/10.31318/2414-052x.3-4(52-53).2021.251821.

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The relevance of the study lies in the need to find a solution to the problem of training music directors in Ukraine under the influence of a paradigm shift in theatrical art, which requires the harmonization of Ukrainian and European educational systems. The scientific novelty of the article is in determining the ways of professional education modernization in accordance to the rector O. Tymoshenko’s strategic vision of the ‘musical directing’ specialization development at the Tchaikovsky National Academy of Music of Ukraine. The purpose of the study is to determine the strategic directions o

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8

Derkach, Svitlana. "Nykonenko R. M. Plastic Direction: Monograph." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 5, no. 1 (2022): 74–76. https://doi.org/10.31866/2616-759X.5.1.2022.255236.

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In the presented monograph, the topic of development of the concept of plastic direction as a phenomenon of theatrical art is relevant and interesting. The author considers the peculiarities of semantic plastic interactions of the performer as a significant means of embodying the concept of director, analyses the art of scenography as a component of plastic directing, explores the features of visual plastic expression and the specifics of its detection in Ukrainian directors on the resources of alternative and plastic theatres.

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9

Pyvovarova, Kateryna, Уuliya Tsyvata, and Yevheniia Skrypnyk. "The Neoclassical Style of Theatre Directing by Petro Ilchenko." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 5, no. 2 (2022): 150–61. https://doi.org/10.31866/2616-759X.5.2.2022.266531.

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The article is devoted to the study of general trends in the development of Ukrainian theatrical art. The article deals with the issue of creative work and the contribution of Petro Ilchenko to modern Ukrainian theatre. Key artists who influenced the formation of the director’s creative preferences and tastes are identified. The purpose of the article is to determine the features and phenomenon of the neoclassical style of theatre direction by Petro Ilchenko. The research methodology is determined by the purpose of the work and includes the use of general scientific a

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10

Serhiy, Hordieiev. "Pedagogy of modern Ukrainian theater: on the way to artistic synthesis." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 63, no. 63 (2023): 91–107. http://dx.doi.org/10.34064/khnum1-63.05.

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Statement of the problem. Modern Ukrainian theatre studies, based on the theatre practice of the 20th – 21st centuries, pay considerable attention to the issues of evolution of the directing and acting art, theatre pedagogy, synthesis of traditional and innovative forms of education for creative youth. These explorations acquire special importance in the context of today’s theatre art, marked by the creative and pedagogical searches of Ukrainian theatre masters. The article is about the artistic and cultural situation in modern theatre education in Ukraine, the search for education models for

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Nуkonenko, Ruslan. "Visual Plastic Expressiveness in the Context of the Ukrainian Theatre Art Development (the 1990s – Early 2000s)." Culture and Arts in the Modern World, no. 21 (July 22, 2020): 231–40. https://doi.org/10.31866/2410-1915.21.2020.208260.

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The purpose of the article is to identify the characteristic features of the use of visual plastic expressiveness by the Ukrainian stage directors in the 1990s and the early 2000s based on art review of theatrical productions of avant-garde, drama theatres and studio theatres. Research methodology. The typological method is applied to identify influence factors of the actualization of visual plastic expressiveness; due to the semiotic method the means of plastic expressiveness are considered according to the theory of signs and sign systems as artistic and aesthetic symbols that carry generali

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12

Nykonenko, Ruslan. "Formation of the Conceptual and Categorical Apparatus in Research on Plastic Directing." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 6, no. 2 (2023): 119–26. https://doi.org/10.31866/2616-759X.6.2.2023.288149.

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The purpose of the study is to determine the prerequisites for a conceptual and categorical apparatus formation in plastic directing related to the specifics of body expression in theatrical art through the prism of the ideology of corporeality, norms, and values that have been formed by culture and society. Research methodology. The method of historical and cultural analysis was used for theoretical comprehension of foreign and Ukrainian theatrical experience; the theatrical and art approach was used to study the stage embodiment of plastic directorial decisions in contemporary Ukrainian stag

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13

Nуkonenko, Ruslan. "Experimental Creative Workshop "Theatre in the Basket": Means of Plastic Expressiveness." Bulletin of KNUKiM. Series in Arts, no. 42 (July 14, 2020): 177–82. https://doi.org/10.31866/2410-1176.42.2020.207649.

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The purpose of the article is to identify and characterise the means of plastic expressiveness for performances and one-man productions of the experimental creative workshop “Theatre in the Basket”. Research methodology. The method of systematic art studies analysis and a descriptive method (to interpret and analyse the individual methods of plastic directing by I. Volytska) were applied, a comparative method (to identify the features of the plastic expressiveness for the performances of “Theatre in the Basket” and to follow the internal connections between the director

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14

Klekovkin, Olexander. "Theatre Directing System: The Scope of the Concept." ARTISTIC CULTURE. TOPICAL ISSUES, no. 19(1) (June 13, 2023): 10–17. http://dx.doi.org/10.31500/1992-5514.19(1).2023.283112.

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.In Ukrainian, the online search for “theatre directing system” provides over seventy thousand results, while the search for “theatre system” over four thousand, which is proof ofthese concepts to be quite widespread. However, comparing the content ofthe search query is disappointing, asit reveals the oversaturation of art history with various terms that serve asshallow labels: different scholars use these terms differently under different circumstances and in different periods. This can be illustrated with many examples, yet, the most elementary would be the most telling: anyone can count the

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15

Bezruchko, Oleksandr. "The Primary Stage of Screenwriting and Directing Tandem Work of Y. Solntseva and М. Viniarskyi on the Film «The Visun Republic»". Culture and Arts in the Modern World, № 18 (15 червня 2017): 9–24. https://doi.org/10.31866/2410-1915.18.2017.155683.

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The purpose of the article is to reconstruct the primary stage of screenwriting and directing collaboration between Y. Solntseva and М. Viniarskyi during their work on the film «The Visun Republic» at Kyiv Film Studios (motion picture studios). The research methodology suggests the application of scientific reconstruction methods, objectivity, and historicism. The specified methodological approaches allow for recreating the picture of the cultural process based on contemporary records and defining historical and art preconditions of the emergence and problematic

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16

Golubtsova, Liubov, Serhii Plutalov, and Maryna Musienko. "The Theater Art of Mariupol: Pages of History and Modern Realities." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 1 (2020): 66–77. https://doi.org/10.31866/2616-759x.3.1.2020.204359.

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The purpose of the research is to review the history of Mariupol's performing arts and to characterize the acting arts technologies (traditional and innovative), which the staff of the Mariupol Drama Theater relies on in its activity. Research methodology. The following methods have been used to achieve the goal of the research: historical is (to study the stages of the theatrical art formation of Donetsk region); analytical is (to identify the basic principles of the acting school as a result of its historical evolution); cultural studies is (to consider the acting school tradit

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17

Nechaenko, Tetiana, Serhii Plutalov, and Alyona Dorofeeva. "Specificity of Director's Creativity of Volodymir Moskovchenko in the Dynamics of the Theater Culture Development in Luhansk Region." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 3, no. 2 (2020): 180–92. https://doi.org/10.31866/2616-759x.3.2.2020.219281.

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The purpose of the article is to analyze the historical-analytical and art-scientific analysis of the contemporary directing practices formation of the Lugansk Regional Academic Music and Drama Theater on the example of creativity of one of its leading representatives, Vladimir Yurievich Moskovchenko. The methodology of the research is based on a comprehensive scientific approach and synthesis of the following methods: historical and analytical in the study of the directing art of V.Yu. Moskovchenko in the context of the theater culture in Ukraine as a whole; “Biographical

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18

Boiko, Tetiana, and Maryna Tatarenko. "Folk Mask in the Historical and Cultural Realities of Ukrainian Theatre." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 127–34. https://doi.org/10.31866/2410-1176.44.2021.235391.

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The purpose of the article is to analyse the archetypal roots of Ukrainian folk masks, determine their features, characteristics, and transformations in the historical and cultural realities of Ukrainian theatre. To achieve this goal, the authors of the article apply general scientific methods: historical and comparative (to understand the processes of the formation of representative images-masks of the national scene) and phenomenological (to determine the characteristic features of the Ukrainian folk mask). Serhii Krymskyi’s ideas as to the definition of the archetypes of national cult

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19

Bezruchko, Oleksandr. "Roman Natanovych Shyrman "Director's Solution of a Screen Work": monograph." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 3, no. 1 (2020): 153–54. https://doi.org/10.31866/2617-2674.3.1.2020.202690.

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The monograph “Director’s Solution of a Screen Work” was prepared at the Department of Cinema and Television of the Kyiv National University of Culture and Arts by a prominent Ukrainian film director, Honored Art Worker of Ukraine, Professor, Head of the Cinema and Television department, and Director of the Film Directing Section. An undoubted advantage of Roman Shyrman’s new book is a thorough exploration of the crucial elements of directing. After all, according to the testimonials of outstanding filmmakers, it is this stage of the director’s work on the screenp

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20

Plakhotnyuk, Oleksandr. "Pages of the Creative Biography of Eduard Butynets." Dance Studies 1, no. 2 (2018): 27–34. https://doi.org/10.31866/2616-7646.2.2018.154367.

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The purpose of the research is to analyze and systematize information about the life and work of Eduard Butynets. Methodology. The complex of methods was used for the research: historical-chronological and biographical to reveal the authenticity of the artist's life facts; system analysis allowed to analyze the studied problem in a comprehensive and objective way. The scientific novelty consists in the fact that for the first time the information about the creative way of Eduard Butynets – the honored worker of Ukrainian variety art, the representative of Ukr

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21

Bezruchko, Oleksandr. "Creative Activity of Ukrainian Film and Television Director V. Horpenko." Issues in Cultural Studies, no. 32 (November 16, 2016): 9–24. https://doi.org/10.31866/2410-1311.32.2016.155717.

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The purpose of the article is to analyse the creative activity in audiovisual art and production of Ukrainian film and TV director, actor, teacher of screen arts, Doctor of Arts, Professor, Academician of the Higher School Academy Volodymyr Hryhorovych Horpenko. Research methodology is based on applying the personological method, the method of the theory of individuality and the historical-biographical one. These approaches allow the researcher to collect and analyze the unknown or little-known facts about Volodymyr Hryhorovych Horpenko’s creative activity in screen arts. 

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22

Klepar, Maria. "НАЦІОНАЛЬНІ НАРОДНОПІСЕННІ ТРАДИЦІЇ У РОЗВИТКУ ДУХОВНОСТІ МАЙБУТНІХ УЧИТЕЛІВ". Mountain School of Ukrainian Carpaty, № 24 (1 червня 2021): 64–67. http://dx.doi.org/10.15330/msuc.2021.24.64-67.

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It was concluded that knowledge concerning spiritual achievements gained by young people during their studies should make stimulant active treatment of young Ukrainian to study specific in nature, truly accurate historical spiritual heritage of his people, rooted in folklore (folk art) and saved in any manifestation at the local level.The article analyzes the role of national traditions in the spiritual development of future teachers. The specific focus is placed on the problems of primary school. According to scientists, it is in the early school years that the worldview of the individual is

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23

Hordieiev, Serhiy. "Viacheslav Khim’iak’s acting and pedagogical creativity in the context of the developing the Ukrainian theater music and drama school." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 69, no. 69 (2023): 123–58. http://dx.doi.org/10.34064/khnum1-69.06.

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Statement of the problem. Viacheslav Antonovych Khim’iak (born in 1949) is among the renowned artists of Ternopil region. His name associates with an exceptionally fruitful period in the activity of leading theaters and theatrical universities, including the Н. Petrovsky Khmelnitsky Music and Drama Theater (now – M. Starytsky Khmelnitsky Academic Regional Music and Drama Theater), T. Shevchenko Ternopil Academic Drama Theater, S. Krushelnytska Ternopil Music School (now – S. Krushelnytska Ternopil Art Vocational College), and the Department of Theatrical Art of V. Hnatiuk Ternopil National Ped

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Petrova, Inna, and Olga Khromova. "Monumental art as a means of constructing historical memory in Soviet Ukraine." Skhid 3, no. 1 (2022): 47–52. http://dx.doi.org/10.21847/1728-9343.2022.3(1).271713.

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The article is devoted to the study of the construction of historical memory in the Ukrainian SSR by means of monumental art. The relevance of this problem in the context of Russia's hybrid war against Ukraine is emphasized, in which the existence of the Soviet model of historical memory in society has long been the subject of manipulation and serves the purpose of justifying aggression against our state. Since the narratives of historical memory require external manifestation in works of art and the creation of appropriate places of memory, the latter often become important components of stat

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Popova, Oksana. "Stage design of the modern Ukrainian director theater." Almanac "Culture and Contemporaneity", no. 1 (August 31, 2021): 127–31. http://dx.doi.org/10.32461/2226-0285.1.2021.238604.

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The purpose of the article is to identify and analyze the leading directions in the development of stage design in modern domestic director's theater, as well as to explore the problem of director's search in stage design. Methodology. A systematic method was applied, aimed at theoretical and artistic, and practical comprehension of the main aspects of the process of solving a stage work in the complex of organizing stage action and stage space; the method of artistic-critical analysis in the process of studying the modern theatrical repertoire, made it possible to study the stage design of th

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Soroka, Maryna, Mykola Yudov, and Kateryna Chepura. "Volodymyr Vynnychenko's Play "The Law": Collisions of Stage Performance." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 7, no. 1 (2024): 16–28. https://doi.org/10.31866/2616-759X.7.1.2024.301826.

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<strong>The purpose of the study </strong>is to fill the historical and art studies gap of narrowly focused art studies aimed at studying the history of the stage performance of V. Vynnychenko's play "The Law" by collecting, systematising and analysing the history of its stage performance. <strong>Research methodology. </strong>The article presents an analysis of productions of Volodymyr Vynnychenko's play "The Law", highlights the diversity of their interpretations and attempts to reveal their significance in the contemporary context of theatrical art. In the historical and art

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Chmil, Hanna, and Anna Dudchenko. "Formation of Yurii Illienko Creative Personality." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 2, no. 1 (2019): 77–83. https://doi.org/10.31866/2617-2674.2.1.2019.170875.

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The purpose of the study.The transitional period, marked by globalization, value searches and changes, also affects the rethinking of the views of mankind on cultural archetypes, which are the embodiment of primordial representations in the cultural evolution process. It should be noted that the cultures dialogue is constantly in the being of a modern person and it appears by the means of mutual understanding between cultures. The culture of any people is a living organism with its generic features, which preserves the memory and traditions of ancestors. Each culture is characterized by its ow

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Bezruchko, Oleksandr. "The Final Stage of Screenwriting and Directing Tandem Work of Y. Solntseva and M. Viniarskyi on the Film «The Visun Republic»." Bulletin of KNUKiM. Series in Arts, no. 35 (December 1, 2016): 9–18. https://doi.org/10.31866/2410-1176.35.2016.158240.

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The purpose of the article is to reconstruct the final stage of screenwriting and directing collaboration between Y. Solntseva and M. Viniarskyi during their work on the film «The Visun Republic» at Kyiv Film Studios (motion picture studios). The research methodology suggests the application of scientific reconstruction methods, objectivity, and historicism. The specified methodological approaches allow for recreating the picture of the cultural process based on contemporary records and defining historical and art preconditions of the emergence and problematics of screenwriting and

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Kachurynets, Liliia. "Directions of the activities of Ukrainian conductors in the 20th century through the prism of art projects." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 71, no. 71 (2024): 179–97. http://dx.doi.org/10.34064/khnum1-71.10.

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Statement of the problem. The art of conducting is one of the most important aspects of musical culture, which largely affects the development and popularization of musical art as a whole. The 20th century was a period of experimentation and innovation in musical art, when conductors were looking for new forms of expression and new ways of interacting with the audience. Many conductors dedicated their activities to the performance of works of Ukrainian composers, which contributed to their popularization both in Ukraine and abroad. They created programs that included both classical works and m

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Spivakovskyi, Oleksandr. "Ukrainian performances of small form operas in the era of the 2000s." Ukrainian musicology 46 (October 27, 2020): 75–85. http://dx.doi.org/10.31318/0130-5298.2020.46.234597.

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The purpose of the work. The article defines the role of the small form operas in the development of Ukrainian music and drama theatre of the 2000s. The research methodology is based on key provisions, concepts of music directing, developed during the twentieth century and their diversification in today's realities. Such general scientific methods as art history, history, analysis and synthesis, and comparative methods were chosen to compare Ukrainian productions of small form operas of the 2000s. The scientific novelty of the work lies in rethinking functioning of small opera forms according

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Bondarchuk, Viktor. "Mykola Lysenka’s Opera "Taras Bulba" in the Director’s Interpretation by Dmitro Hnatiuk." Ukrainian musicology 47 (October 21, 2021): 7–16. http://dx.doi.org/10.31318/0130-5298.2021.47.256707.

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The author explored the peculiarities of the director's interpretation of Mykola Lysenko's opera "Taras Bulba" produced by Dmytro Hnatiuk. The purpose of the article is to reveal little-known pages of D. Hnatiuk's creative biography, in particular his directing practice. Analyzing the production of the opera "Taras Bulba", we have the opportunity to fill significant gaps in the history of Ukrainian opera, to analyze the trends generated by the realities of challenging times. The research methodology is based on the application of historical, comparative, art history and culturological methods,

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Fisher, Volodymyr. "Volodymyr Fisher Directing Method in Stage and Production Work by Borys Sharvarko." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 5, no. 1 (2022): 43–52. https://doi.org/10.31866/2616-759X.5.1.2022.255232.

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The article is devoted to a comprehensive study of the creative work of the director of festivals, theatrical performances, and concert programmes, Borys Sharvarko. The purpose of the article is to determine the multifaceted artistic achievements and ways of integrating the directing method by B. Sharvarko into the stage and production activities. In addition, the work reveals life events that had a direct or indirect impact on the development of directing talent. The article describes the master’s creative work and his main achievements. The period when he realized his labour

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STRYGUN, Fedir, Petro LUNO, and Evelina DATSKO. "FORMATION OF CHOREOGRAPHIC EDUCATION AT THE IVAN FRANKO NATIONAL UNIVERSITY OF LVIV." Bulletin of the Lviv University. Series of Arts Studies 243, no. 25 (2024): 182–97. https://doi.org/10.30970/vas.25.2024.182-197.

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The history of the introduction of the choreography specialty in the educational process of the Department of Directing and Choreography of the Ivan Franko National University of Lviv has been covered. The subject of the study is the formation of the school of higher education of choreographic art at the Ivan Franko National University of Lviv. The goal is analytical coverage of the process of creation and development of the choreographic education system at Ivan Franko National University of Lviv. The task: to characterize the department's teams, to analyze the artistic and pedagogical views

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Soldatenko, Oleksandr. "Innovative Forms of Folk Songs Arrangement." Folk art and ethnology, no. 4 (December 30, 2024): 49–56. https://doi.org/10.15407/nte2024.04.049.

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The purpose of the article is to research, analyze and systematize innovative forms of processing folk songs in the context of modern Ukrainian culture. The works of Ukrainian scientists researching the issues of song folklore processing are analyzed in the article. These are, for example, Andrii Kovbasiuk, Andrii Soloviov, Nataliia Fedorniak, Ruben Tolmachov, Hennadii Savenko, Andrii Mosieiev, Andrii Furdychko, Olena Batovska, Olha Buha, Oleksandr Yakovchuk. The reasons for the relevance of the use of innovative forms of processing folk songs by musicians, composers and producers are consider

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Rudenko-Kraievska, N. "Scenographic Charac-ters of Tetiana Medvid. Figural, Architectural and Textural Attributes." Culture of Ukraine, no. 71 (April 2, 2021): 111–17. http://dx.doi.org/10.31516/2410-5325.071.14.

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The article for the first time examines the scenographic projects of Tetiana Medvid, which were created during the 70–90s of the XX century, in the theaters of Ukraine, with different directors, but united by one artistic technique — the creation of scenographic characters in the form of figural, architectural and textural elements of the stage scenery, which act as separate material characters and reveal the idea of the play. The purpose of the article is to find out the function of scenographic characters — created by figural, architectural and textural elements of stage scenery in the

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Belymenko, Liliana. "Children's Musicals on the Stage of Modern Musical and Music and Drama Theatres in Ukraine." Bulletin of KNUKiM. Series in Arts, no. 47 (December 26, 2022): 110–16. https://doi.org/10.31866/2410-1176.47.2022.269609.

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The purpose of the article is to reveal the peculiarities of children’s musical productions on the stages of Ukrainian musical and music and drama theaters in dramaturgical, artistic-aesthetic, stylistic, and directing-production aspects. Research methodology. The systematic method (for researching the children’s musicals as an independent genre), the comparative method, the method of art history, and genre-style analysis (to identify the features of the domestic children’s musical development and the specific features of its productions on the stages of musical and

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Mykolaienko, Alla. "Genre forms of modern Ukrainian media criticism." Synopsis: Text Context Media 27, no. 1 (2021): 32–38. http://dx.doi.org/10.28925/2311-259x.2021.1.5.

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The research of the media criticism segment of Ukraine is relevant in the framework of the modern information space and the need to regulate the media. Important for the research are its genre forms, that allow to systematize and diversify critical materials. The subject of the research are media-critical editions “Telecritica”, “Detector Media”, “Media Sapiens”, “Media Lab” and “Mediacritica”. The purpose of the article is to analyze informational, analytical and artistic-journalistic genres of media-critical publications of Ukraine. The system method, methods of comparison, analysis and synt

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Pohrebnіak, Halyna. "Representation of War Events in the Creative Work of Theatre and Film Directors." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 7, no. 1 (2024): 64–76. https://doi.org/10.31866/2617-2674.7.1.2024.302765.

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<strong>The purpose of the article </strong>is to carry out a comprehensive analysis and identify the peculiarities of directorial creativity in Ukrainian theatre and cinema institutions in terms of reflecting the events of the Soviet- German war. <strong>Research methodology. </strong>The methods of scientific analysis, comparison, and generalisation are comprehensively applied in the development of the topic. The article uses an interdisciplinary approach based on the involvement of such general scientific methods as a system of theoretical methods (induction, deduction, ident

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Verhovenko, Olha. "The Importance of Robert Vizyrenko-Kliavin and Dmitro Kliavin's Work for the Development of the Ballet Art of Ukraine in the Second Half of the Twentieth and the Beginning of the Twenty-First Century." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 4, no. 2 (2021): 123–31. https://doi.org/10.31866/2616-759X.4.2.2021.243239.

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The purpose of the article is to study the stage achievements of Robert Vizyrenko-Kliavin and Dmytro Kliavin in the context of their artistic, teaching and choreography work. The research methodology includes the use of the following research methods: general historical (to study the historical processes that took place in the ballet environment in Ukraine in the second half of the 20th and early 21st century), historical and cultural (to study choreography culture for the performing and choreography of that period), analytical (to study the scientific and cultural, art and thea

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Shevelova, Oleksandra. "Children's and youth repertory of the modern musical theater in Ukraine: research problems of the director's concept." Ukrainian musicology 46 (October 27, 2020): 30–44. http://dx.doi.org/10.31318/0130-5298.2020.46.234590.

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The aim of the study is to determine the degree of research of the repertoire policy of the Ukrainian musical theatres in the context of works for children and youth; to emphasize the role of the director in selecting the appropriate techniques and artistic expressions aimed at young auditory. The object: children's and youth repertoire of modern Ukrainian musical theatre and its directorial incarnations, the nature of interpretations and their compliance with the young viewers' perception. The methodology implies the use of a system and analytical method, which allows carrying out theoretical

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Dovhan, Liudmyla. "SYMBOLISM OF IMAGES IN THE OPERAS OF MYKOLA LYSENKO “TARAS BULBA” AND “NOKTURN”." Scientific Issues of Ternopil National Pedagogical Volodymyr Hnatiuk University. Specialization: Art Studies, no. 2 (May 23, 2023): 72–79. http://dx.doi.org/10.25128/2411-3271.19.2.10.

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Artists of the early 21st century, unlike previous time intervals, are attracted to those stylistic trends that were characteristic of a century ago. Despite the non-symbolist manifestations in Postmodernism, which have almost completely exhausted their resources in the first decade of the 21st century, they are once again attracting the attention of not so many representatives of the art circles as art analytics, in particular, musicologists. After all, in the previous Soviet period, there was no talk of European style trends. The creativity of the founder of Ukrainian classical music Mykola

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Lymarenko, L. "THE EFFECTIVENESS OF IMPLEMENTING THE CERTIFICATE PROGRAM «ORGANISATION AND DIRECTION OF CULTURAL AND ART PROJECTS»DURING THE WAR." Bulletin of Mariupol State University Series Philosophy culture studies sociology 14, no. 27 (2024): 7–14. https://doi.org/10.34079/2226-2830-2024-14-27-7-14.

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The article raises the urgent issue of improving the quality of higher education through the introduction of such additional components as certificate programs into the educational process of universities, taking into account the experience of foreign universities. This is due to the fact that Ukraine has chosen the path of integration into the world community through the European vector of development, therefore it is natural for scientists to study progressive foreign ideas, assets and not only their effective implementation in the educational environment of Ukrainian universities, but also

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Melikhova, Yulia. "Lyubov Mandzyuk: a creative portrait of a bandur player in ontophenomenological contours." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 1(62) (March 28, 2024): 32–47. https://doi.org/10.31318/2414-052x.1(62).2024.304966.

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Lyubov Mandzyuk is an iconic figure in academic bandura performance and modern Ukrainian art history. The author examines the peculiarities of the ontological and phenomenological essence of the artist's creative personality. It was determined that the creation of a life-creating portrait makes it possible to form a holistic image of a person by reflecting the intentional nature of his consciousness, the uniqueness of being in creativity, the strategy of selfrealization, worldview guidelines, the culture of thinking, feelings and behavior. An attempt was made (on the basis of reflexive explora

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Novykov, A. O. "“THE UKRAINIAN THEATRE IS ME”: MARKO KROPYVNYTSKYI IN THE CONTEXT OF NATIONAL CULTURE." Literary Studies, no. 60 (2021): 161–74. http://dx.doi.org/10.17721/2520-6346.60.161-174.

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The article is concerned with overview of the work of actor, director, dramaturge and founder of corypheus theatre. It should be emphasized that M. Kropyvnytskyi fulfilled not only the duties of director, but also a teacher of a number of young actors, including the following future stars as Mariia Zankovetska, Mykola Sadovskyi, Panas Saksahanskyi, Hanna Zatyrkevych-Karpynska and others. M. Kropyvnytskyi was an actor of a wide range, and therefore he could skillfully perform any part – both comical and tragical. Sometimes he played two roles in a performance. For instance, he in turn acted two

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Titova, Halyna. "The Opera "The Barber of Seville" by Giocchino Rossini in Domestic Paradigms." Часопис Національної музичної академії України ім.П.І.Чайковського, no. 3-4(52-53) (December 14, 2021): 217–32. http://dx.doi.org/10.31318/2414-052x.3-4(52-53).2021.251823.

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The article reveals the stage interpretations of G. Rossini's "The Barber of Seville" on the Kyiv opera stage in the second half of the 20th — early 21st centuries by the directors Mykola Smolych (1944) and Dmytro Smolych (1955), Dmytro Hnatyuk (1979), (1990), A. Solovyanenko (2019). The author clarifies the relevance of the appeal to opera in the socio-cultural realities of today, substantiates the request of the audience of the information technology era on the chosen topic and the need to rethink the work at the beginning of the Romantic era in accordance with modern theater scene possibili

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Annichev, Oleksandr. "Method, techniques and stylistic features of S. Pasichnyk’s stage direction (based on the performances of 2010–2020)." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, no. 66 (2023): 176–90. http://dx.doi.org/10.34064/khnum1-66.11.

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Statement of the problem. The article examines the performances of the chief director of the Kharkiv Taras Shevchenko State Academic Ukrainian Drama Theater, Honored Artist of Ukraine Stepan Volodymyrovych Pasichnyk (born in 1965). Stepan Pasichnyk is an actor, a director with a philosophical mindset, a theater teacher, a poet, a playwright, who has an unparalleled multifaceted talent, a unique worldview, tireless creative energy, and his performances arouse the interest not only of theater critics and theater historians, but also of a large audience, including youth. At the same time, there i

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Shlemko, Olga. ""Battle-seasoned Soldier" by Hnat Khotkevich is Les Kurbas's Unrealized Staging." Bulletin of Kyiv National University of Culture and Arts. Series in Stage Art 1, no. 1 (2018): 72–89. https://doi.org/10.31866/2616-759x.1.2018.144951.

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The purpose of the article is to determine the issues and genre-stylistic particularities of G. Khotkevych’s play “Battle-seasoned Soldier” and to find out the circumstances of Les Kurbas’s participation in its passing through the department of the state censorship and in the preparation of its staging at the Hutsul theatre. Methodology of investigation consists of systemic and sociocultural approaches and includes such methods as historical-biographical, cultural-historical, hermeneutical and sociological. Scientific novelty of work&n

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Radkevych, Y. "The singer as the co-author: the features of the representation of Ukrainian folk songs in the concert and art space of the present." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 52, no. 52 (2019): 101–18. http://dx.doi.org/10.34064/khnum1-52.07.

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Background. Turning to the original sources of Ukrainian musical culture, we should point out the greatest achievements that appear to be the folk-song tradition. The problem of authorship of musical folklore was not considered for well-known reasons: its decisive features are oral, anonymous, collective way of creation. If the phenomenon of authorship is present in various manifestations of musical creativity (composing, performing, directing, etc.) and works in various forms of musical art of the past and present, today the study of the role of the singer as a co-author in the contemporary r

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Pohrebnіak, Halyna. "Representation of War Events in the Creative Work of Theatre and Film Directors." Bulletin of Kyiv National University of Culture and Arts. Series in Audiovisual Art and Production 7, no. 1 (2024): 64–76. http://dx.doi.org/10.31866/2617-2674.7.1.2024.302765.

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The purpose of the article is to carry out a comprehensive analysis and identify the peculiarities of directorial creativity in Ukrainian theatre and cinema institutions in terms of reflecting the events of the Soviet- German war. Research methodology. The methods of scientific analysis, comparison, and generalisation are comprehensively applied in the development of the topic. The article uses an interdisciplinary approach based on the involvement of such general scientific methods as a system of theoretical methods (induction, deduction, identification, complex artistic analysis, synthesis),

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50

Щукіна, Ю. П. "ІНТЕРПРЕТАЦІЇ ТВОРІВ У ЖАНРАХ «ВІДЕНСЬКОЇ» ТА УКРАЇНСЬКОЇ ОПЕРЕТИ РЕЖИСЕРОМ ЮРІЄМ СТАРЧЕНКОМ". Традиції та новації у вищий архітектурно-художній освіті, № 5 (5 січня 2019): 120–23. https://doi.org/10.5281/zenodo.2532063.

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The article analyzes the approach of Yuriy Starchenko (in the period from 1985 to 1996 – the main director of the Kharkiv Academic Theater of Musical Comedy) to the implementation of classical operettas and their domestic genre analogues. Yu. Starchenko’s work was multifaceted: these were the first productions of rock operas in Ukraine, the resuscitation of intelligent viewer’s curiosity to the classical operetta, and the embodiment of dramatic quality works in the genre of musical. Background. Unlike the productions in the genre of rock opera by this director, the topic for

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