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Relevant bibliographies by topics / Ukrainian dramatic theater

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Academic literature on the topic 'Ukrainian dramatic theater'

Author: Grafiati

Published: 28 May 2022

Last updated: 31 July 2025

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Journal articles on the topic "Ukrainian dramatic theater"

1

Bondareva, O. "MARIUPOL DRAMA: COMMEMORATIVE PRACTICES, TESTIMONY, IDENTITY, THEATRICAL CODE." Vìsnik Marìupolʹsʹkogo deržavnogo unìversitetu Serìâ Fìlologìâ 16, no. 28 (2023): 32–57. http://dx.doi.org/10.34079/2226-3055-2023-16-28-32-57.

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The article examines the dramatic work "Mariupol Drama", created by Transcarpathian playwright Oleksandr Gavrosh based on interviews with actors Igor Kitrysh, Olena Bila, Dmytro Murantsev, Vira Lebedynska, who survived the bombing of the theater building in Mariupol and are now reviving the Ukrainian Mariupol Theater in Uzhhorod. It was found that the play was not intended to be performed on the stages of other theaters by other professional actors, so it is not printed and is not included in open electronic anthologies of modern dramatic works about the war. This is one of the first attempts

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2

Gotsalyuk, Alla. "TRADITIONS AND INNOVATIONS AS DETERMINING FACTORS IN THE DEVELOPMENT OF UKRAINIAN THEATRICAL ART." Spatial development, no. 7 (February 23, 2024): 612–24. http://dx.doi.org/10.32347/2786-7269.2024.7.612-624.

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This article analyzes the trends in the use of the most important means of artistic expression in theatrical art and cinema, marked by the influence of evolutionary changes in modern cultural life and the emergence of new genre modalities in today's staging decisions, related to the ideological reorientation of social consciousness and the formation of innovative artistic features in the modern theater. The compositional portrait of modern theater highlights the possibilities of dramatic genre modeling, modern technologies and their transformational processes, which are interrelated with the d

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3

Olga, Volosatykh. "Folklore in Mykhailo Starytsky’s plays as a ground for the formation of Ukrainian music and drama theater." Aspects of Historical Musicology 26, no. 26 (2022): 7–21. http://dx.doi.org/10.34064/khnum2-26.01.

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Statement of the problem. The study and preservation of folk traditions played an important role for the Ukrainian society in the process of forming national consciousness in the second half of the XIX century. It was from that time that the theater movement, whose soul M. Starytsky was, became active, and ethnography significantly influenced both the artist’s theatrical activity and the development of the Ukrainian music and drama theater in general. The article examines ethnographic elements in M. Starytsky’s plays with the purpose to find out the role of folklore in his work as a factor tha

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4

Demidko, O. "THEATER’S OF THE NADAZOVYA REGION DURING THE SECOND WORLD WAR." Bulletin of Mariupol State University Series Philosophy culture studies sociology 13, no. 26 (2023): 12–20. http://dx.doi.org/10.34079/2226-2830-2023-13-26-12-20.

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The article highlights the peculiarities of the theaters of Nadazov during the Second World War. The path of actors who became direct participants in military operations is outlined. The influence of the Mariupol Society «Prosvita» on the development of theatrical art in the region is analyzed. The repertoire, creative searches of the director and the cast during the Nazi occupation are covered. In particular, the activity of the Mariupol Music and Drama Theater named after T. Shevchenko. The repertoire of theaters, which consisted mainly of Ukrainian plays, the activities of the children's pu

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5

Pohutsa, Natalia. "The Stage Image of the Ukrainian Woman as a Reflection of the Status of Women at the Turn of the 20th Century." Bulletin of KNUKiM. Series in Arts, no. 37 (December 10, 2017): 81–88. https://doi.org/10.31866/2410-1176.37.2017.155615.

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The purpose of the article is to study the sociocultural reasons that preconditioned the formation of a predominantly tragic image of the woman on the Ukrainian professional theater stage. Created by M.Zankovetska in a limited theater space, the images of common women revealed the strength of nature, the depth of feelings, and the spiritual beauty of the Ukrainian woman, doomed to suffering by force of circumstances, yet not miserable but majestic in hardship. The artistic truth of the stage image reflected the truth of life and that of the Ukrainian woman’s character, and through t

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6

Bondareva, Olena. "A symbolic farewell to the “russian world” in the virtual playwright's anthology “Without them”." Synopsis: Text Context Media 31, no. 1 (2025): 27–32. https://doi.org/10.28925/2311-259x.2025.1.4.

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The object of analysis in this article is the playwright’s anthology Without Them, published in the public domain on the UKRDRAMACHUB resource in late 2022 — early 2023: the authors of the playwrights’ texts contained in it are the co-founders of the Dramaturgs’ Theatre, which today actively positions itself as a pro-Ukrainian creative theatre and playwrights’ center. The purpose of the article is to explore how playwrights who, even after 2014, collaborated with Russian theater and drama projects, against the backdrop of full-scale Russian aggression, define their Ukrainian self-identificatio

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7

Boiko, Tetiana, and Maryna Tatarenko. "Folk Mask in the Historical and Cultural Realities of Ukrainian Theatre." Bulletin of KNUKiM. Series in Arts, no. 44 (June 25, 2021): 127–34. https://doi.org/10.31866/2410-1176.44.2021.235391.

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The purpose of the article is to analyse the archetypal roots of Ukrainian folk masks, determine their features, characteristics, and transformations in the historical and cultural realities of Ukrainian theatre. To achieve this goal, the authors of the article apply general scientific methods: historical and comparative (to understand the processes of the formation of representative images-masks of the national scene) and phenomenological (to determine the characteristic features of the Ukrainian folk mask). Serhii Krymskyi’s ideas as to the definition of the archetypes of national cult

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8

Visych, O. "Critiсal Discourse in Metadrama "Actress without Roles" by Varvara Cherednychenko". Вісник Житомирського державного університету імені Івана Франка. Філологічні науки, № 1(87) (13 травня 2018): 58–62. http://dx.doi.org/10.35433/philology.1(87).2018.58-62.

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The history of drama shows that in transitional periods dramatic texts often turn into a space for analyzing of the ways of art development and, above all, the theater. Experiments, denial of traditions, and the acute need to update aesthetic coordinates become an integral part of the communicative discourse of characters, as well as the basis of dramatic conflict. Legitimate at such stages is the demand for metadramatic forms. The theory of metadrama actively develops in modern literary criticism, based on the studies of Lionel Able, Richard Hornby, Karen Viweg-Marks, Slavomir Sviontka and ot

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9

Gerdova, T. S. "Theater Art in Oleksandrivsk (Zaporizhzhya): end of the 19th – beginning of the 20th сenturies". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 57, № 57 (2020): 228–45. http://dx.doi.org/10.34064/khnum1-57.14.

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Introduction. Theoretical background. The territorial formation and economic development of Оlexandrivsk and the district is associated with the activation of social, including artistic, life all aspects in the Russian Empire. The creative potential of small towns, including Olexandrivsk, has become a fertile ground for the development of the principles and means of theatrical and stage creativity. Theater, as the most democratic form of art, is directly connected with changes in public life. The theater significant social role and insufficient knowledge on it in the Olexandrivsk conditions an

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10

PАLIJ, Оxana. "THE STAGE EMBODIMENT OF THE IMAGES OF NATIONAL DRAMA IN THE ACTING PRACTICE OF OLEKSANDR KOROLCHUK ON THE STAGE OF MYKOLA SADOVSKY’S KYIV THEATER (1907–1919)." Bulletin of the Lviv University. Series of Arts Studies 109, no. 21 (2023): 53–71. http://dx.doi.org/10.30970/vas.21.2023.12129.

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The article examines the peculiarities of Oleksandr Korolchuk’s acting Style based on the works of national drama on the Stage of the Kyiv Theater named after Mykola Sadovsky. Therefore, based on the extensive material of the Kyiv press, memories of contemporaries, materials of the Museum of Theater, Music and Film Arts of Ukraine (Vasyl Vasylko Foundation), the actor’s range of roles was considered, the means of Stage expressiveness of Oleksandr Korolchuk were characterized based on the material of national drama. Also, for the firSt time, we introduce the term into scientific circulation and

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Dissertations / Theses on the topic "Ukrainian dramatic theater"

1

Нестеренко, Вадим Анатолійович, Вадим Анатольевич Нестеренко та Vadym Anatoliiovych Nesterenko. "Театри на Сумщині в роки німецької окупації". Thesis, Видавництво СумДУ, 2008. http://essuir.sumdu.edu.ua/handle/123456789/14398.

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Books on the topic "Ukrainian dramatic theater"

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Akademii︠a︡ mystet︠s︡tv Ukraïny. Instytut problem suchasnoho mystet︠s︡tva, ред. Teatralʹna kulʹtura rubez︠h︡u XIX-XX stolitʹ: Realizm, dyskurs. Feniks, 2013.

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Hotelʹ "Pid Provydinni︠a︡m": Repertuar ukraïnsʹkoho teatru v Peremyshli 1848-1849 rr. Peremysʹkyĭ viddil OUP, 2004.

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3

Mahii︠a︡ paralelʹnoho butti︠a︡: Zbirnyk stateĭ. Redakt︠s︡ii︠a︡ z︠h︡urnalu "Kino-Teatr", 2013.

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4

Shakespeare, William. The Royal Shakespeare Theatre Edition of the Sonnets of William Shakespeare. Overlook Pr, 1991.

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Book chapters on the topic "Ukrainian dramatic theater"

1

Borodina, Nataliia. "OPERA APERTA IN UKRAINE: LIBRETTO IN PERFORMANCES WITH AN OPEN SCRIPT." In Modern science: prospects, innovations and technologies. Publishing House “Baltija Publishing”, 2024. http://dx.doi.org/10.30525/978-9934-26-473-3-23.

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The purpose of the work is to investigate the possibility of preserving and reproducing the texts of modern Ukrainian experimental operas (opera aperta) with an open plot, the libretto of which changes from production to production, depending on the historical context, audience, stage and the use of interactive elements. Methodology: used textual methods and analysis of open sources (OSINT), historical-comparative method, method of analysis and synthesis. Scientific novelty. For the first time, criteria of sufficiency for the preservation of experimental operas with an open plot were developed

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