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1

Zerebecky, Bohdan. Folk dances of Bukovyna. Saskatoon, Sask., Canada: Ukrainian Canadian Committee, Saskatchewan Provincial Council, 1989.

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2

Zerebecky, Bohdan. Folk dances of Hutsulshchyna. Saskatoon, Sask., Canada: Ukrainian Canadian Committee, Saskatchewan Provincial Council, 1989.

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3

Zerebecky, Bohdan. A record of the basic movements of Ukrainian dance. Saskatoon: Ukrainian Canadian Committee, Saskatchewan Provincial Council, 1985.

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4

Zerebecky, Bohdan. A record of three Ukrainian dances. Saskatoon: Ukrainian Canadian Committee, Saskatchewan Provincial Council, 1985.

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5

Bihus, Olʹha. Narodno-st︠s︡enichna khoreohrafii︠a︡ Prykarpatsʹkoho rehionu: Monohrafii︠a︡. Kyïv: Vydavnyt︠s︡tvo Lira-K, 2015.

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6

Pomori͡ansʹkyĭ, M. A. Bukovynsʹkyĭ tanet͡sʹ. Chernivt͡si: Vydavnychyĭ dim "Bukrek", 2007.

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7

Zerebecky, Bohdan. A survey of the history of Ukrainian dance. Saskatoon: Ukrainian Canadian Committee, Saskatchewan Provincial Council, 1985.

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8

Zerebecky, Bohdan. The origins and development of the basic movements and patterns of Ukrainian dance. Saskatoon: Ukrainian Canadian Committee, Saskatchewan Provincial Council, 1985.

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9

Balan, Irka. Vasile Avramenko: A legacy of Ukrainian dance : exhibition catalogue = Vasile Avramenko : un grand maître de la danse ukrainienne = Vasylʹ Avramenko : spadshchyna ukraïnsʹkoho tant︠s︡i︠u︡. Winnipeg: Ukrainian Foundation of Taras Shevchenko, 2006.

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10

Kukhta, Stepan. Maestro hut︠s︡ulʹsʹkoho tant︠s︡i︠u︡: I︠A︡roslav Chuperchuk. Lʹviv: Vydavnyt︠s︡tvo "Kraĭ", 2011.

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11

Vasilenko, K. Leksyka ukraïnsʹkoho narodno-st︠s︡enichnoho tantsi︠u︡. 3rd ed. Kyïv: "Mystet︠s︡tvo", 1996.

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12

Vernyhor, I︠U︡ V., and I︠E︡ I. Dosenko. Pavlo Virsʹkyĭ. Vinnyt︠s︡i︠a︡: Nova Knyha, 2012.

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13

Gordon, Gordey, ed. Ukrainian Shumka Dancers: Tradition in motion = [Shumka : tradyt͡s︡ii͡a︡ v Rusi]. Edmonton: Reidmore Books, 1991.

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14

Kyrchiv, R. F. (Roman Fedorovych), Pavli︠u︡k, S. P. (Stepan Petrovych), I͡Ablonsʹka Vira, Harasymczuk Roman Włodzimierz, and Instytut narodoznavstva (Nat︠s︡ionalʹna akademii︠a︡ nauk Ukraïny), eds. Narodni tant︠s︡i ukraïntsiv Karpat. Lʹviv: In-t narodoznavstva NAN Ukraïny, 2008.

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15

Boĭko, Olʹha Stepanivna. Khudoz︠h︡niĭ obraz v ukraïnsʹkomu narodno-st︠s︡enichnomu tant︠s︡i: Monohrafii︠a︡. Kyiv: Vydavnyt︠s︡tvo Lira-K, 2015.

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16

Pokhylenko, V. F. Kirovohradshchyna u dzerkali chasu: Khoreohrafichne mystet︠s︡tvo = Kirovogradshchina v zerkale vremeni : khoreograficheskoe iskusstvo = Kirovohrad in the mirror of time : choreographic art. Kirovohrad: Imeks LTD, 2013.

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17

Folk dances of Zakarpattia. Saskatoon, Sask., Canada: Ukrainian Canadian Committee, Saskatchewan Provincial Council, 1989.

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18

Pobutovi tant︠s︡i kanadsʹkykh ukraïnt︠s︡iv. Kyïv: Rodovid, 2001.

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19

Showman and the Ukrainian Cause: Folk Dance, Film, and the Life of Vasile Avramenko. University of Manitoba Press, 2015.

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20

Nahachewsky, Andriy. A Folklorist’s View of “Folk” and “Ethnic” Dance. Edited by Anthony Shay and Barbara Sellers-Young. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780199754281.013.018.

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Abstract:
For many people, “folk dance” and “ethnic dance” are roughly synonymous, used vaguely to identify colorful but marginal dance traditions. Old stereotypes and biases persist, hindering our understanding of these important spheres of dance activity. This chapter explores this conceptual terrain and proposes definitions that differentiate between the two terms and can be cross-culturally useful. The chapter reviews a number of traditions for conceptualizing “folk dance” and argues that it is sometimes desirable to associate the term specifically with dances of the peasantry (people in rural agricultural societies around the world), as well as those inspired by peasant dancing. It proposes that “ethnic dance” be used to denote any dance in which cultural boundaries are actively engaged. Three Ukrainian dance examples—hutsulka, Hopak, and The Match—illustrate the implications of these suggestions.
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