Academic literature on the topic 'Ukrainian Musical instruments'

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Journal articles on the topic "Ukrainian Musical instruments"

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Denkovych, Vasyl. "REPRESENTATION AND SYMBOLISM OF FOLK MUSICAL INSTRUMENTS IN CONTEMPORARY UKRAINIAN NATIONAL CULTURE." UKRAINIAN CULTURAL STUDIES, no. 1(12) (2023): 84–87. http://dx.doi.org/10.17721/ucs.2023.1(12).18.

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The article examines the issue of representation of Ukrainian folk instruments. The symbolic meaning of folk instruments is revealed, the connotations that demonstrate their deep implementation in the practice of creating national culture are highlighted. Such instruments as kobza, bandura, pipe, bugai, trembita are associated with the formation of the ethnic folk complex, which demonstrates the ability to be reincarnated in modern artistic practices. During their existence, they underwent changes in design, gained use in various musical stylistic directions. At the same time, they retained th
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Fabryka-Protska, Olha. "Functioning and Preservation of Ukrainian Folk Instruments on the Territory of Slovakia." Issues in Cultural Studies, no. 36 (December 28, 2020): 90–98. https://doi.org/10.31866/2410-1311.36.2020.221050.

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The purpose of the article is to summarize the functioning of Ukrainian folk musical instruments on the territory of the Slovak Republic and identify the areas of its today’s existence for further research. A comprehensive approach is the main principle of solving the task. The research methodology consists in using theoretical, historical, culturological, art studies approaches, which allowed revealing the interaction of trends represented by multicultural phenomena, as well as the relations between the ethnic groups, regions and countries. The article is based on the methodological pri
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Tsytsyriev, V. "Development of the Ukrainian Orchestra of Folk Instruments: Socio-Cultural and Historical Aspects." Culture of Ukraine, no. 80 (June 30, 2023): 118–25. http://dx.doi.org/10.31516/2410-5325.080.15.

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The relevance of the article. Ukraine is currently going through a difficult period of its existence, all strata of the Ukrainian population are now suffering from the consequences of the beginning of full-scale Russian aggression against our country, so today the preservation and development of folk and instrumental performance on folk instruments is relevant, covering all aspects of society and the national preservation of folk art and the unity of the Ukrainian people.
 The purpose of the study is to demonstrate key points at the stage of development of such phenomenon of national musi
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Iryna, Riabchun. "Ukrainian carillon arrangements as an instance of the cultural transmission and adaptation." Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, no. 60 (2021): 57–74. http://dx.doi.org/10.34064/khnum1-60.03.

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The development of carillon art in Ukraine is studied. The distribution of carillons in Ukraine is considered. The issue of creating a national carillon repertoire is investigated. The interactions between the Western European instrument and the Ukrainian national music are analysed. Possibilities in reflecting the peculiarities of Ukrainian folk song by means of carillon texture are shown. Analogies are made between the texture of the carillon and the ways of playing typical instruments of Ukrainian folklore. Methods of combining Ukrainian and Western musical vocabulary, laid down by M. V. Ly
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Чжоу, Чженьюй. "ОСОБЛИВОСТІ МУЗИЧНОГО ВИХОВАННЯ УЧНІВ У ШКОЛАХ КНР". Педагогіка та психологія, № 60 (15 січня 2019): 148–57. https://doi.org/10.5281/zenodo.2540197.

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On the basis of the analysis of scientific and methodological sources, the peculiarities of musical education in Chinese schools are determined; considered the aim (formation of the spiritual culture of the individuality), content (the assimilation of the foundations of musical literacy, familiarization with the classical world-famous musical works and the ability to classify them; mastering the knowledge that helps sing in the choir and play musical instruments; study biography of famous domestic and foreign musicians, etc.), forms (lessons and after-activity classes in music), methods (empat
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Dutchak, Violetta. "The Ukrainian Bandura as a Musical Instrument of the Chordophone Group." Journal of Vasyl Stefanyk Precarpathian National University 4, no. 2 (2017): 125–33. http://dx.doi.org/10.15330/jpnu.4.2.125-133.

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The article examines the characteristics of the bandura as a plucked chordophone. A comparative analysis of the researches undertaken by outstanding musicologists, performers, ethno-organologists S. Lyudkevych, E. Hornbostel, C. Sachs, H. Khotkevych, Z. Shtokalko, and others is carried out. The morphology of the instrument and the main stages in its evolution are discussed. The stable and mobile elements of the bandura’s structure and tuning are described. The technical characteristics of the instrument in different periods of its evolution and the achievements of the bandura makers and bandur
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Bulyk-Verkhola, S. Z. "NAMES OF UKRAINIAN FOLK PERCUSSIONAL MUSICAL INSTRUMENTS : LEXICO-SEMANTIC ANALYSIS." Тrаnscarpathian Philological Studies 1, no. 22 (2022): 13–17. http://dx.doi.org/10.32782/tps2663-4880/2022.22.1.2.

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Khai, Mykhailo. "Musical and instrumental culture of Ukrainians as a component of the formation of national outlook." Aspects of Historical Musicology 19, no. 19 (2020): 94–119. http://dx.doi.org/10.34064/khnum2-19.06.

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Background. One of the integrating, determining and identifying forces of the social progress of the entire human community is the custom and folklore tradition of the smallest sub-ethnic units / constituents individual nations and peoples, their verbal and ethno-cultural (including ethno-musical) sources, that, like rivers and brooks, fill the ocean of culture promoting for life and further development. The structure of the traditional Ukrainian musical culture, along with the well-known the old practices of group singing, itinerant kobzars and lira players, also consists of a powerful musica
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Petro, Krul. "GENESIS OF MUSICAL ORGANOLOGY IN UKRAINE." Knowledge, Education, Law, Management 2(26) (December 20, 2019): 144–48. https://doi.org/10.5281/zenodo.3588595.

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This article is devoted to wind musical instruments, which emphasizes the historical significance of the era, when in parallel with the first applications in the orchestra of folk art formed the foundations of the orchestral style with its attraction to the principles of folk colour, song, psychological and artistic imagery. The multifaceted evolution of wind instruments in the sphere of folk art could not but contribute to the formation of solo-performing style .On the basis of folk song creativity there was a certain system of artistic means and certain performing techniques, the gene pool o
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Berehova, Olena. "Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries." Culturology Ideas, no. 22 (2'2022) (2022): 92–101. http://dx.doi.org/10.37627/2311-9489-22-2022-2.92-101.

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For the first time in Ukrainian musicology, an attempt was made at a creative portrait of the composer Maryna Denysenko-Sapmaz, the main stages of formation of her creative personality were outlined, a panoramic review of significant works in her creative biography was offered. Analytical observations allowed generalizations about the orientations of her musical aesthetics, including the postmodern worldview, the tendency to combine neo-styles, openness to technological experiments and avant-garde research in various composition techniques, synthesizing the principles of European and Eastern m
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Books on the topic "Ukrainian Musical instruments"

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Cherkasʹkyĭ, L. M. Muzychni instrumenty ukraïnsʹkoho narodu: Musical instruments of the Ukrainian people. Baltii︠a︡-Druk, 2007.

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Bandera, Mark Jaroslav. The tsymbaly maker and his craft: The Ukrainian hammered dulcimer in Alberta. Canadian Institute of Ukrainian Studies Press, 1991.

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Lʹvovi, Stavropihiĭsʹkyĭ instytut u., ed. Muzyka Praukraïny ta ïï vidlunni︠a︡ u sanskryti. Mandrivet︠s︡ʹ, 2015.

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Khaĭ, Mykhaĭlo. Muzychno-instrumentalʹna kulʹtura ukraïnt︠s︡iv: Folklʹorna tradyt︠s︡ii︠a︡. KOLO, 2007.

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Savchuk, O. O. (Oleksandr Olehovych), editor, ред. Vybrani prat︠s︡i: V trʹokh tomakh. Vydavet︠s︡ʹ Savchuk O.O., 2013.

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Rudnyt︠s︡ʹkyĭ, Antin. Four concert studies on Ukrainian folk songs: For piano : op. 44. H. Elkan, 1985.

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Muzychni instrumenty ukraïnsʹkoho narodu: Musical instruments of the Ukrainian people. Balti︠a︡-Druk, 2007.

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Matviichuk, Oleksandra, and Emily Korbren. Musical Instruments from Around the World (Ukrainian-English). Language Lizard, LLC, 2022.

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Book chapters on the topic "Ukrainian Musical instruments"

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Fedorniak, Nataliia. "UKRAINIAN MUSICAL FOLKLORE DISCOGRAPHY AS A PRESERVING FACTOR IN UKRAINIAN DIASPORA NATIONAL SPIRITUAL EXPERIENCE." In Art Spiritual Dimensions of Ukrainian Diaspora. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-9.

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The presented material studies one of the important forms of transmission of the musical folklore tradition of Ukrainians in the United States and Canada during the XX – the beginning of the XXI centuries – sound recording, which is a component of the national spiritual experience of emigrants. Founded in the 1920s, the recording industry has been actively developed and has become a form of preservation and promotion of the traditional musical culture of Ukrainians in North America. Sound recordings created an opportunity to determine the features of its main genres, the evolution of forms, th
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Voloshchuk, Yurii, and Petro Krul. "GENESIS AND DEVELOPMENT OF AEROPHONES AND CHORDOPHONES GROUPS IN THE MUSICAL CULTURE OF UKRAINE." In Traditions and new scientific strategies in the context of global transformation of society. Publishing House “Baltija Publishing”, 2024. http://dx.doi.org/10.30525/978-9934-26-406-1-16.

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Wind and string instruments belong to the oldest types of musical instruments. They emerged as a result of a complex development process of aerophones and chordophones. This became possible due to the general development of musical culture, changes in social conditions, and the increasing complexity of tasks faced by composers and musicians. The subject of our research is the genesis and development of groups of aerophones and chordophones in Ukrainian musical culture. The aim of the scientific inquiry is to study the evolutionary processes in the formation of wind and string instruments in th
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Kotsiurba, N. Ye. "MODERN TECHNOLOGIES AND INSTRUMENTS IN MUSICAL ART THROUGH THE PRISM OF TIME." In CULTURAL AND ARTISTIC PRACTICES: WORLD AND UKRAINIAN CONTEXT. Izdevnieciba “Baltija Publishing”, 2023. http://dx.doi.org/10.30525/978-9934-26-322-4-13.

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Duda, Larysa. "THEORETICAL AND PRACTICAL FUNDAMENTALS OF MUSICAL FOLKLORE PROCESSING IN THE WORKS OF DIASPORA ARTISTS." In Art Spiritual Dimensions of Ukrainian Diaspora. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-8.

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The article analyzes the theoretical and practical principles of processing samples of folk music. Musical folklore is transformed in composition and performance, including for bandura, by arrangement and its varieties (harmonization, transposition, arrangement, improvisation, etc.). Musical folklore is an integral part of the bandura’s repertoire, presented in the form of vocal-instrumental and instrumental arrangements, as well as instrumental works for solo and ensemble performance. Authentic, classical and modern methods of music processing, as well as creative (author ‘s) and complex appr
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Inozemtsev, Artem, and Larisa Semenovska. "PECULIARITIES OF FORMS AND METHODS JF EDUCATIONAL WORK OF THE PETROVSK POLTAVA CADET CORPS (1840–1919)." In Integration of traditional and innovative scientific researches: global trends and regional as. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-1-4.

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The article is devoted to one of the areas of military pedagogy – cadet education. It describes the features of forms and methods of educational work in the Petrovsky Poltava Cadet Corps (1840-1919) – the first military educational institution in the Ukrainian provinces of the Russian Empire. The main activities of the Petrovsky Poltava Cadet Corps were: general and special military. General education provided the study of a wide range of subjects (the law of God, Russian language and literature, foreign languages, mathematical sciences, natural history, physics, chemistry, cosmography, geogra
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Tyshchyk, Vadym, Ruslan Zhoga, and Oleksandr Spivak. "COMPONENTS OF BUTTON ACCORDION ART IN THE SYSTEM OF PROFESSIONAL MUSICAL AND PEDAGOGICAL EDUCATION (BASED ON THE WORKS OF UKRAINIAN COMPOSERS)." In Enrichment of the pedagogical cluster of educational services. OKTAN PRINT, 2023. http://dx.doi.org/10.46489/eotpcoes-17-22.

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The article analyzes the new possibilities of the button accordion as a musical instrument with a new sound, able to meet the today’s «challenges» in higher educational institutions. The authors emphasized the importance and role in general of such a concept as «components of accordion art in the system of professional music-pedagogical education». Button accordion art for young button accordionists as a component of Ukrainian folk-instrumental performance at the turn of the XX–XXI centuries found new forms, preserving the traditional ones in concert practice. Without the education of button a
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Sinenko, Oksana. "THE TOPIC OF WAR IN WESTERN EUROPEAN MUSIC ART OF THE XX–XXI CENTURIES." In Modernization of research area: national prospects and European practices. Publishing House “Baltija Publishing”, 2022. http://dx.doi.org/10.30525/978-9934-26-221-0-28.

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Wars are destructive events that, despite their destructive nature, occur with a certain frequency in the history of human existence. The course of wars, their nature and causes are different, but the impact of military events on human consciousness is inevitable. The problem of the destructive nature of war, its ability to integrate and differentiate human communities often received not only scientific coverage, but also became the subject of works of art. Art is a sphere of human life that flexibly responds to all events that occur in the socio-cultural space. There are many literary, pictor
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Parfiriev, Dmitry. "“Musical” obstruction of Ukrainian politicians in the Galician Sejm as an instrument of the struggle for political equality." In Moscow and Eastern Europe. National and territorial problems and the status of minorities in the countries of the region. Developments, Facts, Estimates. Institute of Slavic Studies, Russian Academy of Sciences; Nestor-Istoriia, 2019. http://dx.doi.org/10.31168/4469-1553-8.3.

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Storonska, N. Z., А. I. Dushniy, and V. S. Salii. "ART STUDIES VIEWS AND POPULARIZATION OF UKRAINIAN INSTRUMENTAL ART AT THE DROHOBYCH IVAN FRANKO STATE PEDAGOGICAL UNIVERSITY." In MUSIC ART OF THE 21ST CENTURY. Baltija Publishing, 2025. https://doi.org/10.30525/978-9934-26-547-1-14.

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Shchitova, Svitlana. "POLYPHONY IN ORIGINAL WORKS FOR BANDURA." In Integration of traditional and innovative scientific researches: global trends and regional aspect. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-3-3.

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The article is aimed at analyzing a number of original polyphonic works for bandura in various genres, belonging to a leading composer of the Dnieper region, Honored Artist of Ukraine Valentina Martyniuk. Published in the form of a textbook composer «Ukrainian song in polyphonic works for bandura», these works are in great demand among performers, pupils, students and teachers of all levels of education. They are often heard in concert programs, competitions and festivals. This fact is due to the appeal to polyphonic bandura works as self-sufficient original compositions, which organically com
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Conference papers on the topic "Ukrainian Musical instruments"

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Zavalin, Vyacheslav. "Ukrainian Archival Metadata in WorldCat: Exploratory Analysis." In International Workshop on Digital Language Archives: LangArc-2023. University of North Texas, 2023. http://dx.doi.org/10.12794/langarc2114298.

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The purpose of metadata is to enable information users to find, identify, select, obtain, and explore information resources. The largest global database of machine-readable bibliographic metadata, WorldCat includes over 500 million records that represent information resources in 483 languages. While most of these records describe individual officially published or released materials (print and electronic books and journals, VHS, CD, and DVD releases of documentary and feature films, officially distributed audio albums of songs and instrumental music), over 2.3 million of metadata records inclu
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Isaienko, H. P. "Peculiarities of ensemble-instrumental training of the future music teacher in institutions of higher education." In INTERACTION OF THE EXPERIENCE OF POST-YUGOSLAV AND UKRAINIAN AREAS: CULTURAL, LINGUISTIC, LITERARY, ARTISTIC, HISTORICAL, AND JOURNALISTIC ASPECTS. Baltija Publishing, 2024. http://dx.doi.org/10.30525/978-9934-26-393-4-24.

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