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Journal articles on the topic 'Ukrainian poetry of the XX–XXI centuries'

Author: Grafiati

Published: 2 June 2025

Last updated: 31 July 2025

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1

YERMOLENKO, Svitlana. "«LINGUISTIC AND AESTHETIC SIGN WORD IN UKRAINIAN POETRY OF THE XIX – XX CENTURIES»." Culture of the Word, no. 92 (2020): 7–21. http://dx.doi.org/10.37919/0201-419x-2020.92.1.

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The ambiguity of the token word is evidenced by the explanatory dictionaries of the Ukrainian language, as well as the linguistic and artistic discourse of the XIX – XXI centuries. In the explanatory dictionary of the Ukrainian language there is an unmotivated separation of lexical and semantic variants, which are actually shades of one of the meanings of the word. Instead, the dictionary does not capture the lexical-semantic variant “instrument of linguistic creativity” actualized in artistic discourse. Compared with the dictionary interpretation, poetic language more widely represents lexica

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2

Berestova, A. "Text application as a marker of intertext links in modern Ukrainian poetry." Science and Education a New Dimension IX(257), no. 75 (2021): 12–16. http://dx.doi.org/10.31174/send-ph2021-257ix75-02.

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In the article proposed, the researcher tries to characterize the main manifestations of text applications on the basis of Ukrainian poetry of the late XX - early XXI centuries. The author of the research concludes that the text application is actively used in modern Ukrainian poetry as a marker of intertextual interaction and an actualizer of precedent texts of religious content, various genres of Ukrainian folk art, as well as Ukrainian and world literature. The text applications found in the processed poetic works play an important role in the creation of poetic text and perform the functio

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3

Радько, Оксана Григорівна. "ЕТНОКУЛЬТУРНІ КОНЦЕПТИ В СЕМАНТИЧНІЙ СТРУКТУРІ ІНДИВІДУАЛЬНО-АВТОРСЬКИХ ПРИКМЕТНИКІВ (на матеріалі української поезії ХХ–ХХI сторіч)". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 40 (28 жовтня 2015): 123–30. https://doi.org/10.5281/zenodo.32835.

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<em>Lexically-semantic analysis of a significant amount of authorial adjective neologisms (5124 units) in Ukrainian poetry of XX–XXI centuries indicates, that semantic formations, specified by ethno-cultural specific – socalled cultural concepts, are widespread in structure of described units. However, a holistic study of concepts as quantum of the national cultural consciousness of Ukrainians on the example of neologism lexis is not carried out still, that determines the urgency of the subject of the proposed research. Therefore, the main purpose of the article is to analyze speci

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4

SHCHERBANSKA, M., and Yu KUPCHYSHYNA. "COGNITIVE METAPHORIZATION OF THE CONCEPTS OF LIFE AND DEATH IN ENGLISH POETRY OF THE XIX – XX CENTURIES." Current issues of linguistics and translations studies, no. 24 (June 30, 2022): 59–62. http://dx.doi.org/10.31891/2415-7929-2022-24-12.

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In the article the content and specifics of students’ work with Ukrainian historical dictionaries in the context of the educational paradigm of future lecturers of the Ukrainian language are clarified. This topic is covered in the context of the analysis of educational and professional programs developed and implemented in the educational process by the lecturers of the Department of Ukrainian Philology of Khmelnytsky National University. The presentation of theoretical positions in diachronic linguistics should be based on illustrative material of historical dictionaries of the Ukrainian lang

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5

Мартакова, Анна Валеріївна. "КАЛІГРАМА ЯК ГРАФІЧНИЙ ВИЯВ МОВНОЇ ГРИ В ПОЕЗІЇ УКРАЇНСЬКОГО ПОСТМОДЕРНУ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 43 (6 квітня 2016): 202–7. https://doi.org/10.5281/zenodo.49229.

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The renewal process on the formalistic and notional levels of the artistic paradigm in the Ukrainian Postmodern consept of the end of the XX – beginning of the XXI centuries is commented in the article, also it is noticed the transformations, which consist in the language poetry text creation level, where the language games are in the dominant condition. The attention of this article is concentrated on the visual postmodern poetry, particularly – on the caligrama. The object of the article is in the analyzing the graphical method of the language game realization as the dominant fac

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KOBETS, Natalia. "The image of Slovakia and Slovakians in the Ukrainian poetry of the XIX–XX centuries." Problems of Slavonic studies 66 (2017): 152–64. http://dx.doi.org/10.30970/sls.2017.66.2077.

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7

Shumeyko, Оlena, and Tetiana Berest. "THEORETICAL BACKGROUND OF THE LINGUISTIC STUDIES OF COMIC IN UKRAINIAN POETRY AT THE END OF XX AND THE BEGINNING OF XXI CENTURIES." Naukovì zapiski Nacìonalʹnogo unìversitetu «Ostrozʹka akademìâ». Serìâ «Fìlologìâ» 1, no. 17(85) (2023): 155–58. http://dx.doi.org/10.25264/2519-2558-2023-17(85)-155-158.

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The article reveals and investigates the peculiarities of modern poetic language and its differential features. Attention is primarily focused on those features of the poetic language that reflect its historical dynamics and allow us to classify the poetic language as one that, while preserving its universal typological features (expressive richness, aesthetic significance, etc.), at the same time appears as a specific historical phenomenon. The article is devoted to the analysis of poetic language as a linguistic and aesthetic object that needs to be studied in all its inherent complexity, he

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8

Vaskiv, Mykola. "Pavlo Movchan as an art researcher: word, image, sign." Synopsis: Text Context Media 28, no. 2 (2022): 62–70. http://dx.doi.org/10.28925/2311-259x.2022.2.3.

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The subject of the research in the article is the peculiarities of theoretical-literary and art-scientific publications of the outstanding Ukrainian poet Pavlo Movchan, as well as his historical-literary and historical-artistic works. The main problem of the article was the need to reduce these features into a single concept, to determine the scientific basis of this concept. To do this, a large array of (more than fifty) articles, reviews, and essays of the research poet for the period from the mid-1970s to the second decade of the XXI century was collected from various sources and processed.

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9

Vaskiv, Mykola. "Spontaneous materialism, information (memory) and man in the poetry of Pavlo Movchan Part two." Synopsis: Text Context Media 29, no. 4 (2023): 256–63. http://dx.doi.org/10.28925/2311-259x.2023.4.3.

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The relevance of the article is due to the need to determine the philosophical basis of the worldview and poetic world of the Ukrainian literature classic of the XX–XXI centuries Pavlo Movchan (born in 1939) — ancient Greek spontaneous materialism — as the basis of universal and national memory, the continuity of history. The peculiarities of Movchan’s spontaneous materialism are the subject of research. The main problem of the article is the connection of each specific existence with the million-year history of the material world, humanity and a specific — Ukrainian — nation, reproduced in P.

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10

Vaskiv, Mykola. "Spontaneous materialism, information (memory) and man in the poetry of Pavlo Movchan Part one." Synopsis: Text Context Media 29, no. 3 (2023): 191–99. http://dx.doi.org/10.28925/2311-259x.2023.3.5.

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The relevance of the article is due to the need to determine the philosophical basis of the worldview and poetic world of the Ukrainian literature classic of the XX–XXI centuries Pavlo Movchan (born in 1939) — ancient Greek spontaneous materialism — as the basis of universal and national memory, the continuity of history. The peculiarities of Movchan’s spontaneous materialism are the subject of research. The main problem of the article is the connection of each specific existence with the million-year history of the material world, humanity and a specific — Ukrainian — nation, reproduced in P.

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11

Чуй, Андрій. "Поезія «Молодої Польщі» в об’єктиві українськоголітературознавства ХХІ століття". Волинь філологічна: текст і контекст, № 36 (14 лютого 2024): 36–49. http://dx.doi.org/10.29038/2304-9383.2023-36.chu.

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The article summarizes the achievements of modern Ukrainian literary studies in the field of the “Young Poland”era: modern literary studies of the outlined period are analyzed; the relevant and perspective research directions of study of early Polish modernism are traced. The maintheoretical positions of the selected scientific works are briefly formulated. V. Morenets reveals that Ukrainian Modernism, unlike European (Polish), was unable to depart from folklore culture, although it implemented the themes of love, sorrow and suicidal moods in a new way. T. Tkachuk proves that the significantly

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12

Diadchenko, Hanna. "Emotional nomination tears in the Ukrainian poetic texts of the end of XX th – the beginning of XXI st centuries." Ukrainska mova, no. 2 (2019): 116–24. http://dx.doi.org/10.15407/ukrmova2019.02.116.

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13

Kovalova, Daryna. "FEMINIST DISCOURSE OF WOMEN’S POETRY OF YOUNG POLAND." Polish Studies of Kyiv, no. 37 (2021): 186–95. http://dx.doi.org/10.17721/psk.2021.37.186-195.

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In the XIX-XX centuries. the emancipation of women had a strong influence on the established order of society. It was most evident in the works of contemporary writers. The article explores a little-known topic of women’s poetry of the literary period of Young Poland. The article analyzes the thematic range, issues and corporeality of poetry of Bronislava Ostrovska, Maryla Volska, Marcelina Kulikovska, Maria Komornitska and others. The essay examines the work of these women writers in the projection of the active development of feminist discourse through the prism of socio-political, cultural

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14

Мартакова, А.В. "Мовна гра в контексті постмодерної поетики й стилістики". Лінгвістичні дослідження : Збірник наукових праць Харківського національного педагогічного університету імені Г.С. Сковороди, № 39 (24 червня 2015): 153–58. https://doi.org/10.5281/zenodo.18947.

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Modern understanding of language games in scientific discourse is characterized by its polyas-pectual and multi-faceted study: from general world view and aesthetic principles to the author’s lingual means of its expression. Language games acquired special functionality in Ukrainian poetry texts of the late XX – early XXI centuries (the format of postmodernism), due to the change in artistic and aesthetic dominants and thus the stylistic resources of text creation. The article comments on the ideological and aesthetic principles of language game as a discursive phenomenon and speci

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15

Vaniuha, Liudmyla, Yaroslava Toporivska, Oksana Hysa, Iryna Zharkova, and Mykola Bazhanov. "I. H. Verkhratskyi (1846–1919): at the origins of Ukrainian natural science." History of science and technology 11, no. 1 (2021): 84–102. http://dx.doi.org/10.32703/2415-7422-2021-11-1-84-102.

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Among the scientists of European greatness, who at the turn of the XIX and XX centuries showed interest to the folklore of Galicia (Halychyna) and Galician Ukrainians, contributed to their national and cultural revival, one of the leading places is occupied by the outstanding Ukrainian scientist Ivan Verkhratskyi (in some other sources – Verkhratsky). He was both naturalist and philologist, as well as folklorist and ethnographer, organizer of scientific work, publisher and popularizer of Ukrainian literature, translator, publicist and famous public figure. I. H. Verkhratskyi was also an outsta

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16

Onikiienko, Inna. "The mythologism of fire in the study of pre-Christian beliefs of I. Ohiienko and its figurative embodiment in the poetry of I. Kalynets." IVAN OHIIENKO AND CONTEMPORARY SCIENCE AND EDUCATION SCHOLARLY PAPERS PHILOLOGY, no. 17 (December 1, 2020): 184–93. http://dx.doi.org/10.32626/2309-7086.2020-17-2.184-193.

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The article reveals the signifi cance of the mythology of fi re in the study of pre-Christian beliefs of I. Ohiienko and its fi gurative embodiment in the poetry of I. Kalyncia. Attention is paid to the history of the prohibitions of pagan holidays told by the Metropolitan of the reactionary Moscow Orthodox Church. Ohiienko I. connects mythology of fi re with the pagan holiday Kupayla and reveals some of its sacred mean-ing, healing, cleansing, creativity and knowledge courtship. The sacred Kupala customs described by Ukrainian scholars became the key to the interpretation of I. Kalyncia’s po-

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17

Pogrebennik, V. F. "CREATIVE WORK OF LESYA UKRAЇNKA IN PERCEPTION OF ROMAN RACHMANNY". Literary Studies, № 61 (2021): 112–23. http://dx.doi.org/10.17721/2520-6346.2(61).112-123.

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The article investigates the Roman Olynyk-Rachmanny’s essays and his journalist articles, dedicated to the life and creativity of Lesya Ukraїnka and Ukrainian famous writers from her generation. It is covered in logical order, how the understanding of the poetics of the writers poetry developed in accordance with their vision and perception by R. Olynyk (pen-name Roman Rachmanny, 1918–2012). The content of his articles, essays etc. reveales Lesya Ukraїnka’s individual contribution to the dynamics 123 of the system of genres, the improvement of lyrics personosphere and technical means of the li

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18

О. В. МАЛАШ. "STUDYING THE BULGARIAN LANGUAGE ISLAND IN UKRAINIAN PERIODICAL PUBLICATIONS OF THE XX – XXI CENTURIES." MESSENGER of Kyiv National Linguistic University. Series Philology 22, no. 2 (2019): 20–30. http://dx.doi.org/10.32589/2311-0821.2.2019.192055.

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Introduction. The paper focuses on the study of the language and culture of Bulgarian expatriate community in Ukraine based on the achievements of the Ukrainian linguistsin collecting the Bulgarian idioms in Odesa, Zaporizhya, Mykolaiv and Kropyvnytsky regions.The author pays attention to the linguistic publications from the end of the XX to the first decade of the XXI century related closely or proximately to the Bulgarian language island in Ukraine.Purpose. The paper aims at revealing and describing the lingual situation with Bulgarian language island based on the Ukrainian periodical public

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19

Kotendzhy, E. "UKRAINIAN REVOLUTION OF XX–XXI CENTURIES: HISTORICAL AND LEGAL COMPARATIVE STUDY." Bulletin of Taras Shevchenko National University of Kyiv. Legal Studies, no. 112 (2020): 32–35. http://dx.doi.org/10.17721/1728-2195/2020/1.112-6.

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The paper analyses the revolutionary events of XX–XXI centuries in Ukraine, in particular, the prerequisites, causes, and consequences of social, political and economic nature, the historical, political and legal experience of the Ukrainian Revolution of 1917–1921, the Orange Revolution of 2004 and the Dignity Revolution of 2014. By carrying out a comparative legal analysis the author comes to the conclusion that the above mentioned processes are characterized not only by the same goal, the basis of which is the idea of social and national liberation, but also by such concepts as human centris

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20

Baran, Uliana. "The development of children’s literature in Ukraine in the XX-XXI centuries." Studia Polsko-Ukraińskie 8 (April 16, 2021): 179–93. http://dx.doi.org/10.31338/2451-2958spu.8.13.

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After Ukraine’s independence in 1991 Ukrainian children got wider access to the translations of the works of prominent world writers for children. The classic literature of the world, aiming to mediate the children’s feelings for beauty and literary aesthetic, became an integral part of the Ukrainian educational system. Thanks to the increase of famous children’s books written in modern Ukraine, Ukraine is now experiencing the growth of a new generation of more intelligent and capable citizens free from communism ideology, able to integrate and positively contribute to the modern multicultural

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21

Ignatusha, Оlexandr М. "Archives and Politics in Ukraine of the XX-XXI Centuries." SUMY HISTORICAL AND ARCHIVAL JOURNAL, no. 34 (2020): 5–20. http://dx.doi.org/10.21272/shaj.2020.i34.p.5.

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Relations between state policy and the state of archival affairs in Ukraine during the XX – the beginning of the XXI centuries are analyzed. The content and forms of activity of the archives are characterized. Based on the legislative acts, the stages of the evolution of archival institutions of Ukraine are given. The negative effects of the Soviet political system on the structure and network of archival bodies, qualitative composition of employees, and the biased nature of the formation of a documentary base are highlighted. The example of the fate of Ukrainian archivists illustrates the def

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22

Babenko-Zhyrnova, M. V., and L. H. Nechaiuk. "TYPES OF PHILOSOPHICAL METAPHORS IN MODERN UKRAINIAN POETRY (XX–XXI CENTURY)." Тrаnscarpathian Philological Studies 2, no. 19 (2021): 164–67. http://dx.doi.org/10.32782/tps2663-4880/2021.19.2.32.

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23

Mouratova, Helena Yu. "Image of the War in Russian poetry of XX—XXI centuries." Philological Sciences. Scientific Essays of Higher Education, no. 3 (May 2015): 3–10. http://dx.doi.org/10.20339/phs.3-15.003.

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24

Holubets, Orest. "Ukrainian sculpture of the late XX – early XXI centuries: diffusion effect." Bulletin of Lviv National Academy of Arts, no. 41 (December 26, 2019): 4–10. http://dx.doi.org/10.37131/2524-0943-2019-41-01.

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The article presents the consistent historical development of Ukrainian sculpture of the late XX - early XXI centuries. The reasons for the slow progress in the implementation of innovative ideas and technologies in three-dimensional plastics are emphasized by the continued use of the post-Soviet terminological concept of "Easel sculpture" and the monopoly of generations of experienced masters. The final selection and vision of creative works of young sculptors, was determined by older generation sculptors. The creative work of the artists who determined the progressive characteristics of Ukra

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25

Kerimova, Rowset A. "Features of bilingualism in modern Karachay-Balkar poetry." RUDN Journal of Studies in Literature and Journalism 24, no. 3 (2019): 414–23. http://dx.doi.org/10.22363/2312-9220-2019-24-3-414-423.

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The article presents the phenomenon of bilingualism in modern Karachai-Balkarian poetry. The study is conducted based on Russian-language works of poets, whose creative maturity came to the post-perestroika era, and artists of the newest generations, entered the literary process at the junction of the XX-XXI centuries. The aim of the study is to identify the main trends and features of this phenomenon in the poetic discourse of the Karachay-Balkar masters of the word of indicated period. In the course of the analysis, the author revealed heterogeneous models of artistic expression, manifested

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Pasternak, Ihor, Oleksandr Salamatin, and Liubov Yakymynska. "GENESIS OF THE CONCEPT OF "PRISONER OF WAR" IN THE XX‒XXI CENTURIES." Scientific journal of the National Academy of National Guard "Honor and Law" 1, no. 88 (2024): 111–15. http://dx.doi.org/10.33405/2078-7480/2024/1/88/302275.

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The article is devoted to the evolution of the meaning of the concept of "prisoner of war" from the First World War to the present day. International military law is subject to significant efforts toward codification. The author studies the legal regulation of the international status of "prisoner of war" in Ukrainian and foreign historiography. The author establishes that since the open Russian invasion of Ukraine, Ukrainian legal science has been facing the issue of mass captures of Russian combatants, as well as fighters of the private military company "Wagner" and other private companies.

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Dovhalyuk, Iryna, and Lina Dobrianska. "Ethnomusicology of Ukraine at the Turn of XX–XXI Centuries (1991–2022): Science, Publications, Conferences." Problems of music ethnology 17 (November 17, 2022): 5–15. http://dx.doi.org/10.31318/2522-4212.2022.17.270892.

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The long-awaited times of Independence opened wide opportunities for Ukrainian ethnomusicologists. In the last issue of Problems of Ethnomusicology”, we began to review the achievements of the latest Ukrainian musical folklore studies during the years of Independence: we identified the main ethnomusicological centers and characterized their activities, considered ethnomusicological pedagogy, achievements in the field of documenting folk music – its collection and archiving. In this issue, we want to focus on such important areas as scientific, publishing and conference activities. The re

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Dovhalyuk, Iryna, and Lina Dobryanska. "Ethnomusicology of Ukraine at The Turn of XX–XXI Centuries (1991–2021):Centers, Pedagogy, Documentation." Problems of music ethnology 16 (December 29, 2021): 5–23. http://dx.doi.org/10.31318/2522-4212.2021.16.249638.

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The restoration of Ukraine’s independence in 1991 created favorable conditions for the powerful development of domestic ethnomusicology. Ukrainian musical folklore research has a long tradition, but for a hundred years the research has been conducted in difficult historical and political realities. This did not contribute to the proper development of folk music research, especially in the Soviet period. The period 1991–2021 is quite interesting, although difficult and ambiguous. The revival of Ukrainian ethnomusicology began in the early 1990s. Unfortunately, not all initiatives have been cont

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Naumov, Aleksandr Olegovich. "Activity of youth movements in Ukraine at the turn of the XX-XXI centuries." RUDN Journal of World History 16, no. 1 (2024): 18–27. http://dx.doi.org/10.22363/2312-8127-2024-16-1-18-27.

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The purpose of the study is to analyze the evolution of the youth protest movement in Ukraine in the late 1990s - early 2000s. A comparative historical method and an interdisciplinary approach are applied. The author’s scientific contribution consists in the fact that for the first time in Russian historiography, such problems as the role of Ukrainian youth and students in the Revolution on granite and the “Ukraine without Kuchma” campaign are seriously studied, as well as the history of the creation of the youth organization “Pora”, which was destined to play one of the key roles in the Orang

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Romanova, Lidiya Nikolaevna. "Poetry book and ensemble unity in Yakut women’s poetry at the turn of the XX – XXI centuries." Litera, no. 12 (December 2020): 61–73. http://dx.doi.org/10.25136/2409-8698.2020.12.34525.

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The object of this research is the women's poetry of Yakutia of the turn of the XX &ndash; XXI centuries. The subject of this research is the evolution of the lyrical poetry book in modern Yakut women's poetry. Works of the two leading lyricists of modernity Natalia Kharlampieva and Olga Koryakina-Umsuura served as the material for this research. Comparative-typological analysis of their works is aimed at determination of genre characteristics of the lyric poetry book and the ensemble unity of the poetry book of various years. The author examines the specificity of the lyric poetry book as

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Chyrkova, Nadiia. "STAGES OF RESTORATION DEVELOPMENT IN UKRAINE OF THE XX – EARLY XXI CENTURIES." Bulletin of Lviv National Academy of Arts, no. 45 (April 10, 2021): 158–64. https://doi.org/10.37131/2524-0943-2021-45-19.

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The article highlights the stages in which the formation of restoration work in the museum centers of Ukraine in the twentieth century, touches on the creation of museum institutions, which were created mainly through personal initiatives of certain individuals and numerous scientific, cultural, educational and church societies. The museum, as a cultural, educational, and research institution, divides its activities into several sectors, so many culturally interested people began to come to such institutions. The museum encouraged artists and scientists to form a thorough scientific base for t

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Musaeva, Ailin Magomedovna. "The nature of the symbol, its role in a literary text (using the example of yellow color symbolism in poetry of the XX – XXI centuries)." Litera, no. 8 (August 2024): 168–76. http://dx.doi.org/10.25136/2409-8698.2024.8.71615.

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The purpose of this article is to analyze the nature of the symbol in a work of art. To achieve this goal, it is necessary to solve the following tasks: to study the theoretical foundations of the symbol, to consider this concept from different points of view, to determine the nature, signs of the symbol, to analyze the color symbolism in the lyrical texts of the authors of the XX – XXI centuries, using the example of yellow color. The object of research is the nature of the symbol, its role, and analysis in poetic texts of the XX – XXI centuries. He examines in detail such topics as: consider

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33

Bracka, Mariya. "REPORT ON THE WORK OF THE INTERNATIONAL SCIENTIFIC CONFERENCE "POLISH AND UKRAINIAN LITERATURE. RHYTHMS OF MODERNIZATION (XIX – XX – XXI CENTURIES)”." Polish Studies of Kyiv, no. 39 (2023): 541–43. http://dx.doi.org/10.17721/psk.2023.39.541-543.

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On November 22-24, 2023, the International Scientific Conference "Polish and Ukrainian Literature. Rhythms of Modernization (XIX – XX – XXI Centuries)” was held, organized by the staff of the Institute of Polish Literature, in particular the Laboratory of Modernism in Central and Eastern Europe, the Laboratory of Contextual Studies and Literary Translational Studies and the Laboratory of Occasional and Applied Literature, Faculty of Polish Studies of the University of Warsaw.

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Lutsyshyn, Halyna, and Nataliia Lukach. "Energy Aspect of Ukrainian-Russian Conflict of the End of XX and the XXI Centuries." Humanitarian vision 7, no. 1 (2021): 25–32. http://dx.doi.org/10.23939/shv2021.01.025.

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The article deals with bilateral Russia and Ukraine power relations, urgent questions of their cooperation and form of realization of large Russia foreign economic projects. The separation of bilateral Ukrainian-Russian relations in the energy sector is quite conditional, the authors have studied. Because they are objectively inscribed in the relations of both countries with a third party – first of all, European countries as consumers of energy resources transported through the territory of Ukraine. Thus, both from the point of view of the technological chain (producer-transit-consumer) and f

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Myroniuk, V., and I. Sarkisova. "GENRE MODELS OF ROLE POETIC TEXT IN FOREIGN AND UKRAINIAN LITERATURES OF THE XIX AND XX CENTURIES." International Humanitarian University Herald. Philology, no. 61 (2023): 165–68. http://dx.doi.org/10.32782/2409-1154.2023.61.37.

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Bezzub, Yurii. "PUBLIC AND PERSONAL RELATIONS BETWEEN LESYA UKRAINKA AND BORYS HRINCHENKO: PRELIMINARY NOTES OF THE POET'S LETTERS." Almanac of Ukrainian Studies, no. 26 (2020): 24–33. http://dx.doi.org/10.17721/2520-2626/2020.26.3.

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The article examines the public and personal relations of prominent figures of the Ukrainian national revival of the late XIX - early XX centuries Lesya Ukrainka and Borys Hrinchenko based on documents of personal origin (ego-documents), first of all Lesya Ukrainka's epistolary heritage. It is established that the preserved and published array of the poet's letters is an important source for covering their relations. It is proved that the use of epistolary contributes not only to the reproduction of facts, but also to a better understanding of the atmosphere of events and the conceptual unders

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R., Frankiv, and Khadzhynov V. "NEW ROME, AS AN IDEAL HIERATOPY, IN THE GALICIAN SACRED ARCHITECTURE OF THE INDEPENDENCE AGE." Vìsnik Nacìonalʹnogo unìversitetu "Lʹvìvsʹka polìtehnìka". Serìâ Arhìtektura 2, no. 2 (2020): 204–11. http://dx.doi.org/10.23939/sa2020.02.204.

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The aim of the article is to reveal the tendency to use images of the Constantinople capital's architecture in the projects of sacred buildings in Galicia at the beginning of the XXI century. Under the hieratopy of New Rome means the special status of Constantinople - the sacred center of the World Christian (Roman) State. After the fall of Constantinople, the image of New Rome became available for reproduction in previously remote corners of the Byzantine world, including in the construction of the identities of certain modern nations formed in the nineteenth century. It is underlined that th

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Pivovar, Efim Iosifovich, Alexander Stanislavovich Levchenkov, and Alexander Vladimirovich Gushchin. "HUNGARIANS OF TRANSCARPATHIA IN RELATIONS BETWEEN UKRAINE AND HUNGARY AT THE TURN OF THE XX-XXI CENTURIES." Yearbook of Finno-Ugric Studies 15, no. 2 (2021): 316–27. http://dx.doi.org/10.35634/2224-9443-2021-15-2-316-327.

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The article is devoted to the influence of the problem of the status and situation of the Hungarian population of the Transcarpathian region of modern Ukraine on the Ukrainian-Hungarian relations. Based on a wide range of sources - legislative acts, interstate agreements and other diplomatic documents, statements of politicians and public figures, published in the Hungarian and Ukrainian press, as well as in the media of other countries, the dynamics of changes in the approaches of the two countries to the Hungarian issue in Transcarpathia throughout the post-Soviet period is studied. The prer

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Sazonova, Yuliia. "Conceptualization of sport as a business in the Ukrainian sports press of the XX—XXI centuries." Вісник Книжкової палати, no. 8 (August 26, 2021): 24–29. http://dx.doi.org/10.36273/2076-9555.2021.8(301).24-29.

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The article considers the paradigm of sport as a socio-cultural phenomenon through the mode of business in the Ukrainian sports media during the XX—XXI centuries, outlines and substantiates the transformation of the image of sport as a business in Ukrainian journalism in the Soviet period and the independence era, describes the causes of sports and business. The Ukrainian sports media of the period of independence are determined, where the concept of sport as a business is most often presented, the most representative materials of conceptualization of sport as a business are analyzed and token

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Ponomareva, T. A. "The conversation between the dead and the living in Russian patriotic lyrics of the XX–XXI centuries." Science and School, no. 5 (October 29, 2023): 11–18. http://dx.doi.org/10.31862/1819-463x-2023-5-11-18.

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The article discusses the formation and development in Russian poetry of the “talk between the dead and the living” genre, the origins of which date back to antiquity and which correlates with the folklore and mythological motif of communication with the other world. In Russian literature, the genre of “conversations in the realm of the dead” appears in the middle of the 18th century in the works of A. P. Sumarokov and M. M. Kheraskov. In the poetry of the 20th century, a typologically related genre of “talking between the dead and the living” is actively developing, which is primarily associa

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О., О. Тєлєжкіна. "ГОМЕОТЕЛЕВТ В УКРАЇНСЬКОМУ ПОЕТИЧНОМУ МОВЛЕННІ ІІ половини ХХ – початку ХХІ століття". Лінгвістичні дослідження, № 48 (7 травня 2018): 42–54. https://doi.org/10.5281/zenodo.1242803.

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Despite the prevalence of homeotheleuton as a stylistic means of expression in Ukrainian poetic speech, researchers of our country have not paid enough attention to it yet. It is not even mentioned in stylistics textbooks, dictionaries of linguistic and literary terms, though occasionally appear researches on the expressive means of French language space. On the grounds of the Ukrainian language, such studies were not conducted, so that determines the relevance of the problem. The purpose of the proposed study is to clarify the peculiarities of the implementation of homeotheleuton as a stylist

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Protsyk, Iryna. "DYNAMICS OF NAME TRENDS OF FOOTBALL CLUBS IN DIFFERENT REGIONS OF WESTERN UKRAINE IN THE XX–XXI CENTURIES." Odessa National University Herald. Series: Philology 28, no. 1(27) (2023): 59–71. http://dx.doi.org/10.18524/2307-8332.2023.1(27).297881.

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The article analyzes the names of Ukrainian football teams in various regions of Western Ukraine – in Opilla, Nadsianna, Bukovyna, Volyn׳, Zakarpattia – throughout the more than a hundred-year history of the development of football in Ukraine: in the period between the two world wars, when western Ukrainian lands belonged to different foreign states, and nominal trends in the naming of football clubs had a national character, but differed in different regions; in the Soviet period, when the majority of Ukrainian ethnic lands became part of one state, and the football nomenclature underwent uni

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Haludzina-Horobets, Victoriia. "Printed and Network Media about Ukrainian Fashion Designers Creativity." Ukrainian Information Space, no. 5 (June 4, 2020): 108–17. https://doi.org/10.31866/2616-7948.1(5).2020.206105.

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The article is devoted to the analysis of coverage features of Ukrainian designers’ creativity in modern mass media ("Day", "Mirror of week", online editions). The main trends, aspects and problems of presenting information about the activities of Kyiv and Lviv clothing designs schools representatives (Olena Dats, Maria and Ruslan Kostelnykh, Oleksandr Hapchuk, Diana Dorozhkina, Tetiana Ostroverkhova and Viktor Zavadskyi, Aina Рasse and others) are studied. The article considers the specifics of information reception about fashion designers and their products in

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Berehova, Olena. "Maryna Denysenko-Sapmaz’s aesthetics in the cultural creation processes of Ukraine at the turn of the XX–XXI centuries." Culturology Ideas, no. 22 (2'2022) (2022): 92–101. http://dx.doi.org/10.37627/2311-9489-22-2022-2.92-101.

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For the first time in Ukrainian musicology, an attempt was made at a creative portrait of the composer Maryna Denysenko-Sapmaz, the main stages of formation of her creative personality were outlined, a panoramic review of significant works in her creative biography was offered. Analytical observations allowed generalizations about the orientations of her musical aesthetics, including the postmodern worldview, the tendency to combine neo-styles, openness to technological experiments and avant-garde research in various composition techniques, synthesizing the principles of European and Eastern m

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Sushynskyi, Oleksandr. "Feicology: functions and types of counterfactual artistic practices." Contemporary Art, no. 17 (November 30, 2021): 229–42. http://dx.doi.org/10.31500/2309-8813.17.2021.248466.

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The article explores the topic of counterfactual artistic practices of the XX — beginning of XXI centuries. One of its main goals is to elaborate the first counterfactual classification by functions and types based on Ukrainian and international art projects. There are full characteristics of each of the functions and description of the most relevant and actual projects concerning the topic. The author introduces the very new term «fakelogy» which describes a fictitious science that researches counterfactual practices, its methods and strategies in the contemporary art domain.

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Tormakhova, A. M., and A. A. Solovei. "THE PHENOMENON OF HISTORICAL REENACTMENT IN THE XX–XXI CENTURIES CULTURE." UKRAINIAN CULTURAL STUDIES, no. 2 (7) (2020): 78–81. http://dx.doi.org/10.17721/ucs.2020.2(7).14.

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The article deals with the phenomenon of historical reenactment. It is noted that its actualization in the context of the culture of the XX–XXI centuries is due to a change in trends in the development of society. The formation of a visual turn contributes to the emphasis on forms of perception that are focused on interactivity. The "dry" story of past events is extremely difficult to perceive in the context of the spread of digital culture. Mankind is accustomed to the appearance of events that shock, impress, inspire and most of the impact is due to visual stimuli. There are several types of

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Loktіonova-Oitsius, Oleksandra. "POPULAR MUSICAL TELEVISION PROJECTS OF THE LATE XX – EARLY XXI CENTURIES." EUREKA: Social and Humanities, no. 5 (September 30, 2020): 3–8. http://dx.doi.org/10.21303/2504-5571.2020.001425.

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The article is devoted to the study of the general state of television in the field of music performance. The most popular musical television programs and vocal shows are considered. The purpose of the work is to identify the features of music TV projects, comparing with world models and highlighting the typical features of the musical television space. The research methodology consists in applying the general principles of scientific knowledge that correspond to modern cultural discourse. The formation of musical and television projects in the context of changes in the social mentality of the

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Protsyk, I. R. "«DOVBUSH», «MAZEPA», «PETLURA», «BUKOVYNA», «DNISTER», «KOLOS»: THE NAMES OF BUKOVYN’S FOOTBALL TEAMS IN THE XX–XXI CENTURIES." Opera in linguistica ukrainiana, no. 30 (October 23, 2023): 88–103. http://dx.doi.org/10.18524/2414-0627.2023.30.283850.

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The article presents the names of Ukrainian football teams over the century-long history of the development of football in Bukovyna. The object of analysis in the study was the nominations of Bukovyna teams, starting from the 20s of the 20th century and until now. The subject of analysis is the motivational base and methods of creating the names of Bukovyna football teams in the 20–21th centuries. The sources of factual material in the investigation were Ukrainian periodicals, primarily sports, and the works of sports historians on the development of football in Bukovyna. The motivation of the

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Oleksandra, Loktіonova-Oitsius. "POPULAR MUSICAL TELEVISION PROJECTS OF THE LATE XX – EARLY XXI CENTURIES." EUREKA: Social and Humanities, no. 5 (September 30, 2020): 3–8. https://doi.org/10.21303/2504-5571.2020.001425.

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The article is devoted to the study of the general state of television in the field of music performance. The most popular musical television programs and vocal shows are considered. The purpose of the work is to identify the features of music TV projects, comparing with world models and highlighting the typical features of the musical television space. The research methodology consists in applying the general principles of scientific knowledge that correspond to modern cultural discourse. The formation of musical and television projects in the context of changes in the social mentality of the

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DATSKIV, Ihor. "ESTABLISHMENT AND DEVELOPMENT OF UKRAINIAN-AUSTRIAN RELATIONSHIPS AT THE TURN OF THE XX–XXI CENTURIES." Humanitarian studies: history and pedagogy 1, no. 1 (2024): 8–19. http://dx.doi.org/10.35774/gsip2024.01.008.

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