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Books on the topic 'Ukrainian Portraits'

Author: Grafiati

Published: 4 June 2021

Last updated: 31 July 2024

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1

I︠A︡rmolenko, Panas. Panas I︠A︡rmolenko: Portret moho krai︠u︡ ; [alʹbom]. Kyïv: Rodovid, 2006.

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2

(Chicago, Ill ). Ukrainian National Museum. Art exhibit--heirloom treasures of Roxolana Skobelska Pomeroy: Rodynna spadshchyna Roksoli︠a︡ny Skobelʹsʹkoï Pomeroĭ : Kornylo Ustyianowycz, Augusta Kochanowska, Volorymyr Kozakewycz, Mykhailo Moroz, Alonso Pérez, January 11-28, 2013. Chicago: Ukrainian National Museum, 2013.

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3

Bušak, Stanislav, and Valerij Sacharuk. Kozak Mamaj: Fenomen odnoho obrazu ta sproba pročytannja joho kulʹturnoho identyfikacijnoho kodu ; [alʹbom]. Kyïv: Rodovid, 2008.

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4

Pushchenko, Serhiĭ. Portrety dobrovolʹt︠s︡iv na viĭni: Z︠h︡yvopys, hrafika, svitlyny. Kharkiv: Vydovnyt︠s︡tvo "Maĭdan", 2018.

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5

Biletina, Kateryna. Kateryna Biletina. Kherson: PP Kourov O. S., vydavet︠s︡ʹ, 2009.

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6

Shustrova, L. Shevchenkiana v ekslibrise. Moskva: Muzeĭ ėkslibrisa i miniati︠u︡rnoĭ knigi, 2014.

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7

Sochenko, Maryna. Oblychchi︠a︡ Maĭdanu: Z︠h︡yvopys, hrafika. Kyïv: TOV Vydanvyche pidpryi︠e︡mstvo "Ukraïnsʹkyĭ priorytet", 2015.

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8

Z, Romanchenko M., ed. Zvyti͡a︡ha: Pysʹmennyky--40-richchi͡u︡ Peremohy. Lʹviv: Vyd-vo "Kameni͡a︡r", 1985.

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9

Poshyvaĭlo, Ihor. Ukraïna ĭ ukraïnt︠s︡i: Halychyna : nabir podarunkovo-poshtovykh lystivok zi zbirky svitlyn Nat︠s︡ionalʹnoho t︠s︡entru narodnoï kulʹtury "Muzeĭ Ivana Honchara" = Ukraine and Ukrainians : Halychyna : contains keepsake or mailable postcards from the collection of the National Centre of Folk Culture "Ivan Honchar Museum". Kyïv: Ukraïnsʹkyĭ t︠s︡entr narodnoï kulʹtury "Muzeĭ Ivana Honchara", 2011.

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10

Poshyvaĭlo, Ihor. Ukraïna ĭ ukraïnt︠s︡i: Typaz︠h︡i, krai︠e︡vydy, pobut : nabir z 30 podarunkovo-poshtovykh lystivok iz fondiv UT︠S︡NK "Muzeĭ Ivana Honchara"= Ukraine and Ukrainians : types, landscapes, lifestyles : contains 30 keepsake or mailable postcards from UCTC "Ivan Honchar Museum". Kyïv: Ukraïnsʹkyĭ t︠s︡entr narodnoï kulʹtury "Muzeĭ Ivana Honchara", 2009.

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11

Sli︠e︡pchenko, Volodymyr. Obrani chasom: Halerei︠a︡ portretiv slavetnykh ukraïnt︠s︡iv = Izbrannye vremenem : galerei︠a︡ portretov znamenitykh ukraint︠s︡ev = Chosen by time : portrait gallery of famous Ukrainians. Kyïv: [publisher not identified], 2014.

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12

del, Val Victoria, Franz Angelika, Hoffmann-Dartevell Maria, Fundación Mapfre, Arles, rencontres de la photographie (Association), CAMERA-Centro italiano per la fotografia, Berlin Foundation, and Huis Marseille (Amsterdam Netherlands), eds. Stephen Shore: Fundación Mapfre, Madrid, September-Dezember 2014, Les Rencontres d'Arles, Frankreich, Juli-September 2015, CAMERA, Centro Italiano per la Fotografia, Turin, September-Dezember 2015, C/O Berlin Foundation, Berlin, Januar-April 2016, Huis Marseille, Amsterdam, Juli-September 2016. Madrid: Fundación Mapfre, 2014.

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13

Ruban, V. V. Ukraïnsʹkyĭ portretnyĭ z︠h︡yvopys druhoï polovyny XIX - pochatku XX stolitti︠a︡. Kyïv: Nauk. dumka, 1986.

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14

Levyt︠s︡ʹka, Mar'i︠a︡na. Lʹvivsʹkyĭ portret kint︠s︡i︠a︡ XVIII--pershoï polovyny XIX stolitti︠a︡: (khudoz︠h︡niĭ i memorialʹnyĭ vymiry). Kyiv: Vydavnyt︠s︡tvo "Naukova Dumka", 2019.

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15

Gavdzinskii, Alʹbin Stanislavovich. Gavdzinskiĭ Alʹbin Stanislavovich: Alʹbom. Kiev]: Galerei︠a︡ sovremennogo iskusstva "SharM", 2015.

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16

Bi︠e︡likova, Halyna, Anatoliĭ Melʹnyk, and L. H. Chlenova. Ukraïnsʹkyĭ portret XVI-XVIII stolitʹ. 2nd ed. Khmelʹnyt︠s︡ʹkyĭ: "Halerei︠a︡", 2006.

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17

Pelikan, Jaroslav Jan. Confessor between East and West: A portrait of Ukrainian Cardinal Josyf Slipyj. Grand Rapids, Mich: W.B. Eerdmans Pub., 1989.

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18

Nemt︠s︡ova, Valentyna. Kharʹkovskai︠a︡ khudozhestvennai︠a︡ shkola: Monografii︠a︡. Kharʹkov: Izdatelʹstvo "FLP Shevchenko", 2011.

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19

Kosiv, Hanna. Vira Rich: Tvorchyĭ portret perekladacha = Vera Rich : a portrait of the translator. Lʹviv: PIRAMIDA, 2011.

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20

LWL-Freilichtmuseums Detmold, Westfälisches Landesmuseum für Volkskunde, ed. Geraubte Jahre: Porträts aus der Zwangsarbeit : Fotografien des Ateliers Joseph Kuper und Nachfolger in Rietberg aus der Sammlung des LWL-Freilichtmuseums Detmold. Essen: Klartext, 2015.

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21

Szwaluk, Lesia. Recalling Canada's first national internment operations: Annual report of the Canadian First World War Internment Recognition Fund (2010) = Commémoration de la première opération d'internement menée au Canada : rapport annuel de Fonds canadien de reconnaissance de l'internement durant la Première Gerre mondiale (2010). Winnipeg: Canadian First World War Internment Recognition Fund, 2009.

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22

Ukrainian Portraits: Diaries from the Border. Guernica Editions, Incorporated, 2023.

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23

Passport. Lewis Publishing, Dewi, 2017.

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24

Ukrainsʹkyĭ portret: XVI-XVIII stolitʹ. Kyïv: Artanii︠a︡ Nova, 2004.

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25

Ukrainian artists in Paris, 1900-1939. Kiev: RODOVID, 2010.

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26

Shevchenkiana v ekslibrysi: Alʹbom = Schewtschenkiana im Exlibris : album = Shevchenkiana in ex-libris : albom. Dnipropetrovsʹk: "Sich", 1993.

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27

Adamowska, Maria, Barbara Robertson, Elizabeth Jane Errington, and Mary Alice Downie. Ukrainian Prairies: Early Voices - Portraits of Canada by Women Writers, 1639-1914. Dundurn Press, 2015.

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28

Tai︠e︡mnyt︠s︡i kozat︠s︡ʹkykh portretiv. Kyïv: Klio, 2019.

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29

Shevchenkiana Mykhaĭla Havrylka. Kyïv: Istorychnyĭ klub "Kholodnyĭ I︠A︡r", 2014.

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30

Stephen Shore: Survivors in Ukraine. Phaidon Press, 2015.

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31

Roslytsky, Ye. Serhiy Vynohradsky, the World's Leading Microbiologist. PH “Akademperiodyka”, 2008. http://dx.doi.org/10.15407/akademperiodyka.092.067.

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This is the first book in Ukrainian popular science literature about the life and career of Serhiy Mykolayovych Vynohradsky, a world-famous Ukrainian scientist, the discoverer of chemosynthesis in a large group of soil microorganisms and the role of the latter in fixing atmospheric nitrogen and the circulation of substances in nature, one of the founders of general and soil microbiology and ecology. The book contains a bibliography of printed works by S.M. Vynohradsky and a list of major publications about the scientist. The publication is illustrated with photographs and portraits of the scientist and his closest students, D.K. Zabolotny and V.L. Omelyansky. The book is intended for a wide range of readers who are interested in the history of science and the contribution of Ukrainian scientists to the treasury of knowledge of world science.

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32

Zobraz︠h︡enni︠a︡ krizʹ viky: Ikonohrafii︠a︡ kozat︠s︡ʹkoï starshyny XVII - XVIII st. Kyïv: Instytut istoriï Ukraïny NAN Ukraïny, 2014.

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33

Pelikan, Jaroslav Jan. Confessor Between East and West: A Portrait of Ukrainian Cardinal Josyf Slipyj. Eerdmans Pub Co, 1990.

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34

"Zavoroz︠h︡y meni, volkhve... ": Taras Shevchenko i Mykhaĭlo Shchepkin. Kyïv: "Mystet︠s︡tvo", 2012.

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35

Face. Counterpoint Press, 2017.

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36

Schmelz, Peter J. Sonic Overload. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780197541258.001.0001.

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Sonic Overload presents a musically centered cultural history of the late Soviet Union. It focuses on polystylism in music as a response to the information overload swamping listeners in the Soviet Union during its final decades. The central themes are collage, popular music, kitsch, and eschatology. The book traces the ways in which leading composers Alfred Schnittke and Valentin Silvestrov initially embraced and assimilated popular sources before ultimately rejecting them. Polystylism first responded to the utopian impulses of Soviet doctrine with utopian impulses to encompass all musical styles, from “high” to “low.” But these initial all-embracing aspirations were soon followed by retreats to alternate utopias founded on carefully selecting satisfactory borrowings, as familiar hierarchies of culture, taste, and class reasserted themselves. Looking at polystylism in the late USSR tells us about past and present, near and far, as it probes the musical roots of the overloaded, distracted present. Sonic Overload is intended for musicologists and Soviet, Russian, and Ukrainian specialists in history, the arts, film, and literature, but it also targets a wider scholarly audience, including readers interested in twentieth- and twenty-first century music; modernism and postmodernism; quotation and collage; the intersections of “high” and “low” cultures; and politics and the arts. Based on archival research, oral historical interviews, and other overlooked primary materials, as well as close listening and thorough examination of scores and recordings, Sonic Overload presents a multilayered and comprehensive portrait of late-Soviet polystylism and cultural life, and of the music of Silvestrov and Schnittke.

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