Relevant bibliographies by topics / Umbrellas and parasols

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Academic literature on the topic 'Umbrellas and parasols'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Umbrellas and parasols"

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Rushforth, Richard, and Chester F. Phillips. "Gathering Under a Green Umbrella." International Journal of Social Ecology and Sustainable Development 1, no. 3 (2010): 23–33. http://dx.doi.org/10.4018/jsesd.2010070103.

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The Parasol Club is a student-run, collaborative group focusing on sustainable resource use at the University of Arizona (UA), especially rainwater harvesting. The group’s fundamental idea is that, as a land-grant university in an arid environment, UA should serve as a learning laboratory for the development and demonstration of techniques for sustainable use of water and energy. Parasol’s success is due largely to its collaborative model in which students work closely with facilities staff, faculty, and administrators to identify sites, gather materials and labor, and bring projects to fruiti
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Guthrie, James. "Dickinson's the Parasol is the Umbrella's Daughter." Explicator 54, no. 2 (1996): 84–87. http://dx.doi.org/10.1080/00144940.1996.9934072.

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3

Falsone, Maria Cristina. "PARASULI project. Upcycling of beach umbrellas for a sustainable and prosperous fashion." Fashion Highlight, SI1 (July 14, 2025): 288–95. https://doi.org/10.36253/fh-3171.

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The PARASULI project proposes an innovative redesign of beach umbrellas, transforming them into sustainable fashion products while integrating the concept of prosperity thinking. This holistic approach goes beyond traditional design thinking, embracing economic, social, and environmental dimensions to create an inclusive and sustainable future. Prosperity thinking redefines prosperity not merely as economic growth but as a balance between social well-being, environmental health, and respect for ecological limits. PARASULI applies these principles by transforming waste materials into unique gar
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Abdiansyah, Afri, Reh Malem Br Karo, Windi Wildani, and Wardah Fitriah Tanjung. "Antibacterial Activity of Ethyl Acetate Fraction of Methanol Extract Leaves of Orange Leaves (Filicium Decipiens) Against Staphylococcus epidermis." Stannum : Jurnal Sains dan Terapan Kimia 4, no. 1 (2022): 34–39. http://dx.doi.org/10.33019/jstk.v4i1.2884.

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The Filicium decipiens (umbrella sunshade) tree, known as ormo kiara ormo or ki soap, belongs to the Sapindaceae family, namely saponin-producing plants which are estimated to have high levels of saponins and toxicity. This study aims to determine the antibacterial activity of the ethyl acetate fraction of parasol leaves against Staphylococcus epidermidis. The extract was macerated using methanol as a solvent. The results of phytochemical screening showed that the parasol leaf contains phenolic compounds, flavonoids, alkaloids, saponins, tannins and steroids. Then proceed with the fractionatio
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Reputakowski, Piotr. "Trauma wojenna jako inspiracja powieści Aleksandra Kamińskiego [The war trauma as an inspiration for Aleksander Kamiński's novels]." Napis XIX (2013) (December 29, 2013): 181–200. https://doi.org/10.18318/napis.2013.1.12.

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The author of this article interprets the <em>Kamienie na szaniec</em> [<em>Stones for the Rampart</em>] by Aleksander Kamiński, using the methodology of new historicism and psychotraumatology. In particular, the attempt is put into answering the question whether the narrative of<em> Stones</em>... is the story of historiographical, ideological, and mythologising, or rather therapeutic and pedagogical aim. The analysis will also address other selected texts (like <em>Zośka and Parasol</em> [<em>Umbrella</em>]), containing reports of experiencing traumatic events and overcoming the trauma cause
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Karl, Hans-Volker, Amtyaz Safi, and Gottfried Tichy. "Identifying of a bird figure of the Nazca pampas of southern coast of Peru: a discussion post." International Journal of Biological Research 10, no. 1 (2023): 8–10. http://dx.doi.org/10.14419/fc9nys18.

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Nazca is a city and system of valleys on the southern coast of Peru. The name is derived from the Nazca culture, which flourished in the area between 100 BC and 800 AD. Nazca Lines contain over 800 straight lines, 300 geometric figures and 70 biomorphic designs. Some of the straight lines are 30 miles long, while the largest bio morphs stretch up to 1200 feet. Among the zoomorphic figures are the famous Nazca condor, hummingbird, pelican, shark, bird, fish, spider, lizard, parrot, flamingo, iguana, dog, llamas, jaguar, fox, whale and monkey. We have identified a studied figure of Nazca Pampas
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D’Angiulli, Amedeo, and Raymond Roy. "The frog-manikin holding the blue parasol umbrella: imaginative generativity in evolution, life, and consciousness." Current Opinion in Behavioral Sciences 58 (August 2024): 101397. http://dx.doi.org/10.1016/j.cobeha.2024.101397.

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8

Baring, Elizabeth. "Umbrellas and Parasols." Journal of Sandplay Therapy 14, no. 1 (2005). http://dx.doi.org/10.61711/jst.2005.14.1.629.

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The author relates the umbrella's symbolic meanings, from literature citings to art references and representations in sandplay therapy; and includes a parallel between Christo's umbrella project and the concept of the temenos, a sacred space a therapist creates for each sandplayer. This article presents the author's experience and hypothesis that the umbrella or parasol can be a powerful symbol of the safety provided by a sandplay therapist.
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Kumari, Aakansha, and M. S. Mawri. "SYMBOLS ENGRAVED ON BUDDHIST PARASOL: SPECIAL REFERENCE TO MATHURA MUSEUM." ShodhKosh: Journal of Visual and Performing Arts 4, no. 2 (2023). http://dx.doi.org/10.29121/shodhkosh.v4.i2.2023.727.

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After the creation of the universe, the practice of consecration of statues and symbolic representation of gods-goddesses and nature as divinity began in civilizations across the world; proving its continued existence and practice across human history. These symbols serve the multiple purposes; from being an emblem representing the concept of religious faith, notions and beliefs in the psyche of the devotees to representing the desire for glory, protection and good fortune. These symbols communicate complicated human emotions through symbolic language in the simplest ways. From the prehistoric
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10

Yi-Ju, Lee. "Creative Experience and Revisit Intention of Handmade Oriental Parasol Umbrella in Kaohsiung." October 3, 2015. https://doi.org/10.5281/zenodo.1109563.

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This study identified the hypothesised relationship between creative experience, and revisit intention of handmade oriental parasol umbrella in Kaohsiung, Taiwan. A face-to-face questionnaire survey was administered in Meinong town, Kaohsiung. The components of creative experience were found as "sense of achievement", "unique learning" and "interaction with instructors" in creative tourism. The result also revealed significant positive relationships between creative experience and revisit intention in handmade activities. This paper provides additional suggestions for enhancing revisit intenti
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Books on the topic "Umbrellas and parasols"

1

Farrell, Jeremy. Umbrellas and parasols (Costume Accessories Series). Batsford, 1985.

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2

Japan Society (New York, N.Y.) and Gifu-shi Rekishi Hakubutsukan, eds. Rain and snow: The umbrella in Japanese art. Japan Society, 1993.

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3

Meyers, Odette. The enchanted umbrella. Harcourt Brace Jovanovich, 1988.

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4

ill, Speidel Sandra, ed. The yellow umbrella. Simon & Schuster Books for Young Readers, 1993.

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5

Valerie, Smath, ed. Mr. Digby's bad day. Simon and Schuster Books for Young Readers, 1989.

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6

Sena, Keiko. Boku wa kasa. Popurasha, 2005.

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7

Bond, Ruskin. Binya's blue umbrella. Boyds Mills Press, Inc., 1995.

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8

Yashima, Tarō. Umbrella. Penguin Group, 1986.

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9

ill, Macnaughton Tina, ed. One rainy day. Good Books, 2009.

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10

Prelutsky, Jack. Beneath a blue umbrella. Greenwillow Books, 1990.

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Book chapters on the topic "Umbrellas and parasols"

1

Siècle, Fin de, and Mark M. Anderson. "The Traffic of Clothes: Meditation and Description of a Struggle." In Kafka’s Clothes. Oxford University PressOxford, 1992. http://dx.doi.org/10.1093/oso/9780198151623.003.0002.

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Abstract The story of Kafka’s clothes begins with Kafka’s father, whose shop in Prague specialized in fashion accessories or what in German are called Galanteriewaren, ‘fancy goods’. Like many Jews of the Bohemian provinces, Hermann Kafka had decided to leave his native village to seek his fortune in the city. After a brief stint in the Austro-Hungarian army as a drill sergeant, he set up a retail store in Prague dealing in ‘haberdashery, fashion articles, fancy goods, parasols, umbrellas, walking sticks, cotton’,1 and gradually expanded it through hard work and an advantageous marriage into o
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2

Moss, Anthony. "6. The Umbrella and the Parasol." In A Visual History of Walking Sticks and Canes. Rowman & Littlefield Publishers, 2021. http://dx.doi.org/10.5771/9781538144961-411.

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3

Hunt, Verity. "‘A present from the Crystal Palace’: Souvenirs of Sydenham, miniature views and material memory." In After 1851. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9780719096495.003.0002.

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Focusing on two souvenirs: a ‘peep egg’ (after 1851), a stone egg decorated with a floral pattern, inscribed ‘A present from the Crystal Palace’ (Bill Douglas Collection, Exeter University) and a needle case in carved bone (c. 1860-7) in the shape of a folded umbrella or parasol (V&amp;A), this chapter discusses the spy-glass keepsake’s role as both a visual record of the Sydenham Crystal Palace and as an emblem of popular visual memories of the site. Such keepsakes stand testimony to a prevalent affection or fondness for the Palace in the latter part of the nineteenth century, or at the very
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