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Relevant bibliographies by topics / Uncle Toms Cabin

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Academic literature on the topic 'Uncle Toms Cabin'

Author: Grafiati

Published: 4 June 2021

Last updated: 12 February 2022

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Journal articles on the topic "Uncle Toms Cabin"

1

DiMaggio, Kenneth. "Uncle Tom's Cabin." Global Studies Journal 6, no. 1 (2014): 15–23. http://dx.doi.org/10.18848/1835-4432/cgp/v07i01/58085.

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O'Loughlin, Jim. "Articulating Uncle Tom's Cabin." New Literary History 31, no. 3 (2000): 573–97. http://dx.doi.org/10.1353/nlh.2000.0036.

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Smith, Cynthia Alicia. "Uncle Tom's (Ship) Cabin." ESQ: A Journal of Nineteenth-Century American Literature and Culture 66, no. 1 (2020): 47–88. http://dx.doi.org/10.1353/esq.2020.0003.

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Piacentino, Ed. "Stowe's UNCLE TOM'S CABIN." Explicator 58, no. 3 (January 2000): 135–38. http://dx.doi.org/10.1080/00144940009595962.

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Shackelford, Lynne P. "Stowe's Uncle Tom's Cabin." Explicator 63, no. 3 (January 2005): 144–46. http://dx.doi.org/10.1080/00144940509596921.

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Wolff, Cynthia Griffin. ""Masculinity" in Uncle Tom's Cabin." American Quarterly 47, no. 4 (December 1995): 595. http://dx.doi.org/10.2307/2713368.

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Spingarn, Adena. "WHEN UNCLE TOM DIDN'T DIE: THE ANTISLAVERY POLITICS OF H. J. CONWAY'S UNCLE TOM'S CABIN." Theatre Survey 53, no. 2 (August 28, 2012): 203–18. http://dx.doi.org/10.1017/s0040557412000051.

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Although Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin is widely credited with helping turn the nation against slavery and hastening the Civil War, the theatrical productions based on her novel have precisely the opposite reputation. Many scholars believe that despite the initial antislavery influence of George L. Aiken's 1852 dramatization, the Uncle Tom plays rapidly degraded, becoming more harmful than helpful to African Americans. The plays are also frequently blamed for turning Uncle Tom, the heroic Christian martyr of Stowe's novel, into the submissive race traitor his name connotes today. The “process of vulgarization” that afflicted the Uncle Tom's Cabin dramas is said to have begun almost immediately, with the 1852 premiere of H. J. Conway's adaptation. Today, Conway's version is widely designated a pro-Southern or compromise dramatization of Uncle Tom's Cabin, especially compared to Aiken's influential adaptation, which is considered to have the strongest antislavery message of the many adaptations and to be the most faithful to Stowe's novel.

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Wallace, James D., and Thomas F. Gossett. ""Uncle Tom's Cabin" and American Culture." New England Quarterly 59, no. 2 (June 1986): 305. http://dx.doi.org/10.2307/365695.

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Burns, Gerald T., and Thomas F. Gossett. "Uncle Tom's Cabin and American Culture." American Literature 58, no. 2 (May 1986): 299. http://dx.doi.org/10.2307/2925836.

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Erickson, Jon, Bill T. Jones, and Arnie Zane and Company. "Last Supper at Uncle Tom's Cabin." Theatre Journal 43, no. 3 (October 1991): 379. http://dx.doi.org/10.2307/3207592.

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Dissertations / Theses on the topic "Uncle Toms Cabin"

1

Ryrberg, David. "Rhetorical Strategies and Biblical Hypertextuality in Uncle Tom’s Cabin." Thesis, Karlstads universitet, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:kau:diva-67223.

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Spingarn, Adena Tamar. "Uncle Tom in the American Imagination: A Cultural Biography." Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10455.

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This dissertation charts the dramatic cultural transformation of Uncle Tom, the heroic Christian martyr of Harriet Beecher Stowe's antislavery novel Uncle Tom's Cabin (1852), into a commonly known slur for a submissive race traitor. As many scholars have noted, the hero of Stowe's novel is not what we would today call an "Uncle Tom." Some have put the blame for the figure's drastic transformation on the many popular stage adaptations of Stowe's novel that blanketed the nation during the nineteenth and early twentieth centuries. However, relying on extensive archival work in both traditional archives and digitized historical periodicals, which have been unexamined on this topic until now, this dissertation reveals that Uncle Tom's transformation did not occur in the theater. Not only did the Uncle Tom character often retain his dignity in these postbellum shows, but the Uncle Tom's Cabin dramas remained politically relevant to many African Americans--and for that reason deeply threatening to many white Southerners--into the twentieth century. Significant objections to Uncle Tom as a racial representation in popular culture did not emerge until the late 1930s, but Uncle Tom became a detested political model two decades before that. The Christ-like qualities that made him a hero in Stowe's novel and to many nineteenth-century Americans, black and white, became increasingly undesirable to a new generation that embraced a more assertive understanding of masculinity and were less interested in heaven's salvation than in earthly progress. This turn-of-the-century transformation in cultural values set the stage for a more pointed critique of Uncle Tom as a political model in the 1910s, a decade of turmoil not only because of growing racial injustice, but also because of major political, educational, and geographical shifts within the race. While Uncle Tom's Cabin retained progressive meanings to many African Americans, Uncle Tom became a slur in the black political rhetoric of the 1910s, when a younger generation of leaders responded to the deteriorating racial climate by attacking the values and strategies of the older generation for seriously jeopardizing racial progress.

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Proehl, Kristen Beth. "Re-Evaluating Sentimental Violence in "Uncle Tom's Cabin" and "Dred"." W&M ScholarWorks, 2004. https://scholarworks.wm.edu/etd/1539626429.

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Jackson, Vanessa L. "TOMMI'S PLACE: AN ADAPTATION AND COMMENTARY ON UNCLE TOM'S CABIN." VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5667.

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Harriet Beecher Stowe penned Uncle Tom’s Cabin which was published in 1852. This book exposed and condemned the atrocities of slavery. Her book became a bestseller and is said to be one of the primary reasons why slavery was eventually abolished. Though slavery has been dismantled the system of oppression which allowed the marginalization of others to thrive has never been eliminated. This system established a dominant culture; one which oppresses those of African descent and has endured for centuries. Tommi’s Place retells Uncle Tom’s Cabin in contemporary corporate America. Tommi’s Place reflects that this system of oppression is still alive and well today. It exists in the form of discriminatory practices that thwart, prevent, preclude, and stop the advancement of the marginalized especially those of African descent.

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Ipema, Tim M. "The voices of protest in Uncle Tom's Cabin and Native Son /." View online, 1990. http://repository.eiu.edu/theses/docs/32211998880394.pdf.

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Yang, Kaibin, and 阳开斌. "Imperialist civilizing mission of Uncle Tom's Cabin and history of itsChinese rewriting." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2011. http://hub.hku.hk/bib/B47250975.

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This thesis is a revisionist study of Uncle Tom’s Cabin, a renowned American classic by Mrs. Stowe, and its Chinese translations. Thematically refreshing the novel as imperialist, I intend to therefore shed new lights in appreciating its century-long journey across China by studying two definitive rewritings of the original, heinu yutian lu （《黑奴吁天?》）from late Qing and heinu hen（《黑奴恨》）from the 1960s. The thesis structurally contains four parts. Chapter 1 introduces the project generally. Chapter 2 studies the original text and chapter 3 and 4 the two Chinese translated texts respectively. Re-reading of the original is crucial. Inspired by Edward Said’s efforts in connecting western culture and Imperialism, I established civilizing mission as core of the black narrative in Uncle Tom’s Cabin, a novel widely celebrated as masterpiece of abolitionist literature. My argument is based on textual analysis. I will argue that evangelization of Africa, rather than abolition of slavery, had been Stowe’s fundamental concern in building Uncle Tom’s Cabin, and it is exactly driven by this civilizing mission that she dictated the roles of the novel’s two leading black characters, Uncle Tom and George Harris. Tom, the Christian martyr, is to prove Africans’ capability of getting civilized; Harris, Stowe’s Christian patriot, is the pioneer of colonizing Africa into a new world of Christian and American civilization. Reestablishing the original as such, I interpret the novel’s travel to 20th century China a historical event: an Imperialist novel goes by an Imperialism-fighting country in an Imperialist age. Therefore forces a long-ignored question: how had Chinese translators responded? How the response developed? This question can be best answered by looking into heinu yutian lu and heinu hen, two texts that represent respectively the beginning and the ending of Chinese critical treatment of the original in translating. And I will form my answer by analyzing the Chinese rewriting of the images of Uncle Tom and Harris, for they in the original are responsible for execution of the civilizing mission. Translating under a crucial circumstance of imperial crisis, Lin Shu and Wei Yi, the producers of heinu yutian lu, aimed to promote the ideology of “ loving the country and preserving the race”（??保种）.While presenting the black sufferings as faithful even exaggerated as possible, they consistently infiltrated the novel’s Christianity. And it is this strategy of de-Christianization that undermined the original’s imperialist design. After the translation, both Tom and Harris adopted a new face. The former was still a noble Negro only based on Chinese virtues, and the latter kept well his patriotic passion, but not for Christian civilization, rather purely for Africa. Intervention of the original’s civilizing mission climbed to a higher level as in the case of heinu hen, a drama adaptation by Ouyang yuqian in the radical 1960s. With Marxist class struggle being the guiding principle, Christian humanitarianism of the original was heavily criticized, and the black image reshaped dramatically. With Tom being portrayed as a slave that gradually woke up to his class consciousness, Harris was transformed into a revolutionary hero.
published_or_final_version
Chinese
Master
Master of Philosophy

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7

Raabe, Wesley Neil. "Harriet Beecher Stowe's 'Uncle Tom's Cabin' an edition of the 'National Era' version /." Electronic edition (requires Firefox 1.5 and Flash Player 8.0) Electronic edition's information page, 2006. http://www.iath.virginia.edu/~wnr4c/index.htm.

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Abbatelli, Valentina. "Producing and marketing translations in fascist Italy : 'Uncle Tom's Cabin' and 'Little Women'." Thesis, University of Warwick, 2017. http://wrap.warwick.ac.uk/97254/.

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The thesis investigates the sociological, cultural and ideological factors that affect the production and marketing of two major translations published in Fascist Italy and targeting both adult and young readers. The dissertation focuses upon a selected corpus of translations of the American novels, Uncle Tom’s Cabin (1852) and Little Women (1868), which were repeatedly translated between the 1920s and 1940s. By adopting an interdisciplinary approach, which encompasses fields such as the history of publishing, the sociology of translation, children’s literature, studies on the role and functions of the Paratext and scholarship on Fascism and its cultural policy, this study aims to offer a detailed examination of the Italian publishing market during the Ventennio. It probes the contexts informing the publishing history of these translations, their readerships, and interrelations with the growing importance of cinema, as well as questions related to the various retranslations produced. Furthermore, given the central role of publishing in the shaping of political consent and the contradictory attitude of the regime towards translations, this thesis explores ideological influences affecting selected translations of these novels that centre on issues of particular resonance for the regime, namely, race and gender. The dissertation is divided in two parallel sections, each one divided into three chapters. The opening chapters in each part examine the publishing history of Uncle Tom’s Cabin and Little Women respectively, with attention to the USA, the UK, and France and a primary focus upon Italy, above all Fascist Italy. The following chapters in each section investigate the role that the visual representations of these two books played in conveying racial and gender aspects and in contributing to the construction of their meaning by the readers. Finally, the closing chapters of each section are devoted to a translation analysis of selected passages in order to survey translational behaviours used to depict feminine and racial features, given that these were known to be especially problematic during the Ventennio. This survey aims to pinpoint norms informing translations targeting both young people and adults.

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9

Sims, Jessica Laurens. "What would mother do? boys as mothers in Harriet Beecher Stowe's Uncle Tom's cabin /." Auburn, Ala., 2007. http://repo.lib.auburn.edu/2007%20Spring%20Theses/SIMS_JESSICA_39.pdf.

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Weller, Saranne Esther Elizabeth. "'Written with a Mrs Stowe's feeling' : Uncle Tom's Cabin and the paradigms of Southern authorship in the anti-Tom tradition, 1852-1902." Thesis, University of Warwick, 2001. http://wrap.warwick.ac.uk/73507/.

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The purpose of this thesis is to analyse the representation of authorship, readership and intertextuality in Harriet Beecher Stowe's Uncle Tom's Cabin and the southern anti-Tom tradition from 1852 to 1902. The principal claim of the thesis is that Stowe's novel provides nineteenth-century southern readers with a series of aesthetic paradigms that enable these readers to construct and reconstruct the role of artist in the South as this intersects with the construction of gender identity in nineteenth-century America. In Chapter 1, Uncle Tom's Cabin is interpreted through Julia Kristeva's theory of intertextuality, whereby 'the one who writes is the same as the one who reads', to argue that Stowe's text promotes acts of active rather than passive readership. The reading of Caroline Lee Hentz's The Planter's Northern Bride in Chapter 2 interrogates the ways in which the female writer locates herself within a female literary tradition by subverting the Bloomian model of literary paternity to create the gothic mother author. Chapter 3 demonstrates how William Gilmore Simms appropriates Stowe's aesthetics of sympathy in the 'sensible man'. Barthes's recapitulation of the writer and reader as 'producer' and 'consumer' is mapped onto Simms's aesthetic terminology of 'utility' and 'extravagance' to reconcile Stowe's antithesis of marketplace and sentiment within the southern home. In Chapter 4, James Lane Allen's paired stories 'Mrs Stowe's "Uncle Tom" at Home in Kentucky' and 'Two Gentlemen of Kentucky' are read in the context of the literary debates between realism and romance in the late nineteenth-century. In doing so, Allen attempts to reconfigure these gendered aesthetic paradigms and so legitimise southern cultural elegy as a southern form but effectively begins the process of dismantling Stowe's aesthetics of sympathy. Chapter 5 discusses the ways in which Thomas Dixon's The Leopard's Spots dramatises the failure of Stowe's aesthetics of sympathy in the context of the southern rape complex.

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Books on the topic "Uncle Toms Cabin"

1

Beecher, Stowe Harriet. Uncle Tom's cabin. New York: Macmillan Pub. Co., 1994.

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Beecher, Stowe Harriet. Uncle Tom's cabin. Belmont, CA: Thomson Wadsworth, 2005.

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Beecher, Stowe Harriet. Uncle Tom's cabin. Edited by Reichardt Mary R and Pearce Joseph 1961-. San Francisco: Ignatius Press, 2009.

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Beecher, Stowe Harriet. Uncle Tom's Cabin. New York: Penguin Group USA, Inc., 2008.

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Beecher, Stowe Harriet. Uncle Tom's Cabin. Fairfield: 1st World Library, 2006.

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1811-1896, Stowe Harriet Beecher, ed. Uncle Tom's cabin. S.l.]: Dodo Press, 2009.

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Beecher, Stowe Harriet. Uncle Tom's cabin. Oxford: Oxford University Press, 1998.

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Pinckney, Darryl. Uncle Tom's cabin. New York: Signet Books, 1998.

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Beecher, Stowe Harriet. Uncle Tom's cabin. New York: Pockt Books, 2004.

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Beecher, Stowe Harriet. Uncle Tom's cabin. London: Bloomsbury, 1994.

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Book chapters on the topic "Uncle Toms Cabin"

1

"From Uncle Toms Cabin." In Writing New England, 159–64. Harvard University Press, 2001. http://dx.doi.org/10.4159/harvard.9780674335486.c36.

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Hogan, Patrick Colm. "Uncle Tom’s Cabin." In American Literature and American Identity, 83–97. Routledge, 2020. http://dx.doi.org/10.4324/9781003035213-5.

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Jaszi, Peter. "Uncle Tom's Cabin." In A History of Intellectual Property in 50 Objects, 80–87. Cambridge University Press, 2019. http://dx.doi.org/10.1017/9781108325806.010.

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"UNCLE TOM’S CABIN." In The Myth of Aunt Jemima, 27–52. Routledge, 2003. http://dx.doi.org/10.4324/9780203359198-7.

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Stowe, Harriet Beecher. "Tom’s Mistress and Her Opinions." In Uncle Tom's Cabin. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538034.003.0018.

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“And now, Marie,” said St. Clare, “your golden days are dawning. Here is our practical, business-like New England cousin, who will take the whole budget of cares off your shoulders, and give you time to refresh yourself, and grow young and handsome. The ceremony of...

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"XVI. Tom’s Mistress and Her Opinions." In Uncle Tom's Cabin, 220–43. Harvard University Press, 2009. http://dx.doi.org/10.4159/9780674054677-018.

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Stowe, Harriet Beecher. "An Evening in Uncle Tom’s Cabin." In Uncle Tom's Cabin. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538034.003.0006.

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The cabin of Uncle Tom was a small log building, close adjoining to “the house,” as the negro par excellence designates his master’s dwelling. In front it had a neat garden-patch, where, every summer, strawberries, raspberries, and a variety of fruits and vegetables,...

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Stowe, Harriet Beecher. "Miss Ophelia’s Experiences and Opinions, Continued." In Uncle Tom's Cabin. Oxford University Press, 2008. http://dx.doi.org/10.1093/owc/9780199538034.003.0022.

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“Tom, you needn’t get me the horses. I don’t want to go,” she said. “Why not, Miss Eva?” “These things sink into my heart, Tom,” said Eva,—“they sink into my heart,” she repeated, earnestly. “I don’t want to go;” and she turned from Tom, and...

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"Note on the Text." In Uncle Tom's Cabin, xxvii—xxviii. Harvard University Press, 2009. http://dx.doi.org/10.4159/9780674054677-001.

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"Chronology of Harriet Beecher Stowe’s Life." In Uncle Tom's Cabin, xxix—xxxiv. Harvard University Press, 2009. http://dx.doi.org/10.4159/9780674054677-002.

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Conference papers on the topic "Uncle Toms Cabin"

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"An Analysis of Female Consciousness in Uncle Tom’s Cabin." In 2017 International Conference on Financial Management, Education and Social Science. Francis Academic Press, 2017. http://dx.doi.org/10.25236/fmess.2017.44.

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