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Journal articles on the topic 'Uncle Toms Cabin'

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Published: 4 June 2021
Last updated: 12 February 2022

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1

DiMaggio, Kenneth. "Uncle Tom's Cabin." Global Studies Journal 6, no. 1 (2014): 15–23. http://dx.doi.org/10.18848/1835-4432/cgp/v07i01/58085.

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2

O'Loughlin, Jim. "Articulating Uncle Tom's Cabin." New Literary History 31, no. 3 (2000): 573–97. http://dx.doi.org/10.1353/nlh.2000.0036.

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3

Smith, Cynthia Alicia. "Uncle Tom's (Ship) Cabin." ESQ: A Journal of Nineteenth-Century American Literature and Culture 66, no. 1 (2020): 47–88. http://dx.doi.org/10.1353/esq.2020.0003.

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4

Piacentino, Ed. "Stowe's UNCLE TOM'S CABIN." Explicator 58, no. 3 (January 2000): 135–38. http://dx.doi.org/10.1080/00144940009595962.

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5

Shackelford, Lynne P. "Stowe's Uncle Tom's Cabin." Explicator 63, no. 3 (January 2005): 144–46. http://dx.doi.org/10.1080/00144940509596921.

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6

Wolff, Cynthia Griffin. ""Masculinity" in Uncle Tom's Cabin." American Quarterly 47, no. 4 (December 1995): 595. http://dx.doi.org/10.2307/2713368.

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7

Spingarn, Adena. "WHEN UNCLE TOM DIDN'T DIE: THE ANTISLAVERY POLITICS OF H. J. CONWAY'S UNCLE TOM'S CABIN." Theatre Survey 53, no. 2 (August 28, 2012): 203–18. http://dx.doi.org/10.1017/s0040557412000051.

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Although Harriet Beecher Stowe's 1852 novel Uncle Tom's Cabin is widely credited with helping turn the nation against slavery and hastening the Civil War, the theatrical productions based on her novel have precisely the opposite reputation. Many scholars believe that despite the initial antislavery influence of George L. Aiken's 1852 dramatization, the Uncle Tom plays rapidly degraded, becoming more harmful than helpful to African Americans. The plays are also frequently blamed for turning Uncle Tom, the heroic Christian martyr of Stowe's novel, into the submissive race traitor his name connotes today. The “process of vulgarization” that afflicted the Uncle Tom's Cabin dramas is said to have begun almost immediately, with the 1852 premiere of H. J. Conway's adaptation. Today, Conway's version is widely designated a pro-Southern or compromise dramatization of Uncle Tom's Cabin, especially compared to Aiken's influential adaptation, which is considered to have the strongest antislavery message of the many adaptations and to be the most faithful to Stowe's novel.
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8

Wallace, James D., and Thomas F. Gossett. ""Uncle Tom's Cabin" and American Culture." New England Quarterly 59, no. 2 (June 1986): 305. http://dx.doi.org/10.2307/365695.

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9

Burns, Gerald T., and Thomas F. Gossett. "Uncle Tom's Cabin and American Culture." American Literature 58, no. 2 (May 1986): 299. http://dx.doi.org/10.2307/2925836.

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10

Erickson, Jon, Bill T. Jones, and Arnie Zane and Company. "Last Supper at Uncle Tom's Cabin." Theatre Journal 43, no. 3 (October 1991): 379. http://dx.doi.org/10.2307/3207592.

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11

Pease, Jane H., and Thomas F. Gossett. "Uncle Tom's Cabin and American Culture." American Historical Review 91, no. 3 (June 1986): 741. http://dx.doi.org/10.2307/1869296.

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12

Baym, Nina, and Thomas F. Gossett. "Uncle Tom's Cabin and American Culture." Journal of American History 72, no. 3 (December 1985): 691. http://dx.doi.org/10.2307/1904340.

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13

Urgo, Joseph R., and Eric J. Sundquist. "New Essays on "Uncle Tom's Cabin"." South Atlantic Review 53, no. 3 (September 1988): 144. http://dx.doi.org/10.2307/3200656.

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14

Deburg, William L. Van, and Thomas F. Gossett. "Uncle Tom's Cabin and American Culture." Journal of Southern History 52, no. 2 (May 1986): 308. http://dx.doi.org/10.2307/2209688.

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15

Mazi-Leskovar, Darja. "Uncle Tom's cabin in the Slovene language." Acta Neophilologica 31 (December 1, 1998): 115–21. http://dx.doi.org/10.4312/an.31.0.115-121.

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Harriet Beecher-Stowe's Uncle Tom's Cabin or Negro Life in the Slave States of America (1852) is one of the American books that have been most often translated, issued and reprinted in Slovene. The article will present a few facts about the numerous translations, from the first ones to those sold in today's bookshops.
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16

Mazi-Leskovar, Darja. "Uncle Tom's cabin in the Slovene language." Acta Neophilologica 31 (December 1, 1998): 115–21. http://dx.doi.org/10.4312/an.31.1.115-121.

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Harriet Beecher-Stowe's Uncle Tom's Cabin or Negro Life in the Slave States of America (1852) is one of the American books that have been most often translated, issued and reprinted in Slovene. The article will present a few facts about the numerous translations, from the first ones to those sold in today's bookshops.
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17

Zwarg, Christina. "Fathering and Blackface in "Uncle Tom's Cabin"." NOVEL: A Forum on Fiction 22, no. 3 (1989): 274. http://dx.doi.org/10.2307/1345523.

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18

Hahn, Lauren, Elizabeth Ammons, and Susan Belasco. "Approaches to Teaching Stowe's "Uncle Tom's Cabin"." Journal of the Midwest Modern Language Association 34, no. 2 (2001): 129. http://dx.doi.org/10.2307/1315147.

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19

Wallace, Michele. "Uncle Tom's Cabin: Before and After the Jim Crow Era." TDR/The Drama Review 44, no. 1 (March 2000): 136–56. http://dx.doi.org/10.1162/10542040051058951.

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Despite Uncle Tom's Cabin's “extraordinary and global importance as novel, performance, and film”, it is rarely read or taken seriously, except as a negative. But studying Uncle Tom's Cabin can provide a key to “the issues and images of black performance at the turn of the century”—and beyond.
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20

Stoneley, Peter. "Sentimental Emasculations: Uncle Tom's Cabin and Black Beauty." Nineteenth-Century Literature 54, no. 1 (June 1, 1999): 53–72. http://dx.doi.org/10.2307/2902997.

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This essay reassesses the notion of passionlessness in relation to debates on race and women's fiction. In nineteenth-century writing by white men and women, the primitive other-animal, black, or Indian-becomes the touchstone of intact maleness in a smothering and emasculatory culture. To write about blackness is to write about desire, but it is also to avoid desire altogether: the black figure represents both sexuality and childish innocence. There is the same contradiction as that between "dumb beasts" and "the Beast," between the helpless and the wicked. But in the implicitly emasculatory scenarios of women's writing, this essay detects a rejection of female as much as of male desire. Women's novels both facilitate and impede a consuming gaze. In repeated episodes, the black male body is exposed and punished, celebrated and lamented, in the same moment. Blackness threatens to call forth or desublimate white desire, and white writers move between the sexual allure of blackness and the need to reaffirm the superiority of white discipline. The emasculatory scenario serves as another opportunity to assert a Christian, maternal love, even if, to the other readers, this can seem an unconvincing "cover story" for the texts' secret "black" desire.
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21

Susan Belasco. "Uncle Tom's Cabin in Our Time." Legacy 29, no. 2 (2012): 318. http://dx.doi.org/10.5250/legacy.29.2.0318.

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22

Halpern, Faye. "Beyond Contempt: Ways to Read Uncle Tom's Cabin." PMLA/Publications of the Modern Language Association of America 133, no. 3 (May 2018): 633–39. http://dx.doi.org/10.1632/pmla.2018.133.3.633.

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I wrote my dissertation in the late 1990s. it compared harriet beecher stowe and other antebellum sentimental women writers with professional male orators and rhetoricians. I argued that these women authors hadn't been writing in a rhetorical room of their own. Instead, they were solving problems that the professionals could not. While writing the dissertation, I asked a friend who was in my program to read my chapter on the most popular book in the nineteenth-century United States, Stowe's Uncle Tom's Cabin.
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23

Coleman, D. "The Unsentimental Woman Preacher of Uncle Tom's Cabin." American Literature 80, no. 2 (January 1, 2008): 265–92. http://dx.doi.org/10.1215/00029831-2008-003.

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24

Farrell, M. "Dying Instruction: Puritan Pedagogy in Uncle Tom's Cabin." American Literature 82, no. 2 (January 1, 2010): 243–69. http://dx.doi.org/10.1215/00029831-2010-001.

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25

Hochman, Barbara. "Uncle Tom's Cabin at the World's Columbian Exposition." Libraries & the Cultural Record 41, no. 1 (2006): 82–108. http://dx.doi.org/10.1353/lac.2006.0005.

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26

Rosenthal, Debra J. "Approaches to Teaching Stowe's Uncle Tom's Cabin (review)." Legacy 18, no. 1 (2001): 111–12. http://dx.doi.org/10.1353/leg.2001.0014.

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27

Stoneley, Peter. "Sentimental Emasculations: Uncle Tom's Cabin and Black Beauty." Nineteenth-Century Literature 54, no. 1 (June 1999): 53–72. http://dx.doi.org/10.1525/ncl.1999.54.1.01p0005x.

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28

Doriani, Beth Maclay, Mason I. Lowance Jr., Ellen E. Westbrook, and R. C. De Prospo. "The Stowe Debate: Rhetorical Strategies in "Uncle Tom's Cabin."." American Literature 68, no. 2 (June 1996): 464. http://dx.doi.org/10.2307/2928308.

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29

Yarbrough, Stephen R. "Misdirected Sentiment: Conflicting Rhetorical Strategies in Uncle Tom's Cabin." Rhetorica 12, no. 2 (1994): 191–210. http://dx.doi.org/10.1525/rh.1994.12.2.191.

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Abstract: Harriet Beecher Stowe, in Uncle Tom's Cabin, used two different and conflicting rhetorical stiategies in her novel's appeals to end slavery. To elicit sympathy for the slaves, she used persuasion, a process relying upon the perception of a sameness of substance among persons. To induce fear of damnation in Northerners who condoned or passively accepted Southern slavery, she used conversion rhetoric, a process relying upon the conviction that personal identity and value are derived entirely from the moral and social “system” that produces the individual. Because the novel projects Northern and Southern whites as belonging to the same system, and since its persuasive processes, by eliciting sympathy for slaves, bring them into the system, their suffering proves the system's corruption, whlie the Southerners' lack of sympathy proves their difference of substance—their lack of humanity. Since the logic of conversion requires condemning the corrupt self, the novel ultimately prepared Northern readers to condemn Southern whites, even though such condemnation went against Stowe's intentions.
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30

Noonan, Ellen, and Stephen Railton. "Uncle Tom's Cabin and American Culture: A Multimedia Archive." Journal of American History 88, no. 3 (December 2001): 1222. http://dx.doi.org/10.2307/2700587.

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31

Grant, David. "Uncle Tom's Cabin and the Triumph of Republican Rhetoric." New England Quarterly 71, no. 3 (September 1998): 429. http://dx.doi.org/10.2307/366852.

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32

Riss, Arthur. "Racial Essentialism and Family Values in "Uncle Tom's Cabin"." American Quarterly 46, no. 4 (December 1994): 513. http://dx.doi.org/10.2307/2713382.

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33

Diller, Christopher. "Sentimental Types and Social Reform in Uncle Tom's Cabin." Studies in American Fiction 32, no. 1 (2004): 21–48. http://dx.doi.org/10.1353/saf.2004.0003.

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34

Burkette, Allison. "The use of literary dialect in Uncle Tom's Cabin." Language and Literature: International Journal of Stylistics 10, no. 2 (May 1, 2001): 158–70. http://dx.doi.org/10.1177/0963-9470-20011002-03.

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This article explores Stowe's use of dialect in her controversial novel. Though some critics have mentioned the 'colorful language' of Stowe's characters, most debates about Uncle Tom's Cabin have not centered on the dialect representation in the speech of her characters. This article provides an objective analysis of Stowe's use of literary dialect in the speech of three characters (Aunt Chloe, George and Mr Haley) using the methods of quantitative linguistics. The frequency of occurrence of linguistic features and the distribution of non-standard features among Stowe's characters demonstrates that Stowe was, in several respects, remarkably accurate, both linguistically and historically. Stowe's characters' dialects illustrate an interesting period in the history of American dialect formation. Recent studies in African-American Vernacular English (AAVE) and the investigation of its origins have suggested a close relationship between AAVE and Southern White Vernacular English (SWVE) as a result of the sociohistorical context in which AAVE began. This relationship is reflected in the similarities between the speech of Aunt Chloe and Mr Haley and shows Stowe's portrayal of these dialects to be historically accurate. Stowe's linguistic accuracy is evidenced by the fact that each character's use of linguistic features mirrors that of actual speakers, in terms of specific dialect features and their frequency of use, and her distribution of features across social variables matches that found in sociolinguistic research.
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35

Noble, Marianne. "The Ecstasies of Sentimental Wounding in Uncle Tom's Cabin." Yale Journal of Criticism 10, no. 2 (1997): 295–320. http://dx.doi.org/10.1353/yale.1997.0024.

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36

Ted Hovet Jr. "The Publishing History of Uncle Tom's Cabin, 1852-2002, and: Uncle Tom's Cabin as Visual Culture (review)." American Studies 48, no. 4 (2007): 150–52. http://dx.doi.org/10.1353/ams.0.0161.

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37

Parfait, Claire. "Uncle Tom's Cabin et l'histoire américaine : le prisme du paratexte." Cahiers Charles V 32, no. 1 (2002): 147–75. http://dx.doi.org/10.3406/cchav.2002.1335.

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38

Borgstrom, Michael. "Passing Over: Setting the Record Straight in Uncle Tom's Cabin." PMLA/Publications of the Modern Language Association of America 118, no. 5 (October 2003): 1290–304. http://dx.doi.org/10.1632/003081203x67983.

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This essay considers one of the most underexamined characters in Harriet Beecher Stowe's Uncle Tom's Cabin: Augustine St. Clare's effeminate manservant, Adolph. I evaluate Adolph's critical elision to illustrate how the success of critiques centered on race and gender unintentionally permits other minority identities (and stereotypes) in the book to continue unremarked. While revisionist readings of Stowe's novel complicate racial and gender stereotypes, they nevertheless accept stable (even conventional) categories to describe minority identity. Such formulations foreclose the possibility of seeing other minority identities in the book that intertwine race and gender in ways different from normative standards. In examining Adolph's character, this essay considers how intersectional analysis reveals important representations of social difference—including differences not always acknowledged in present-day culture.
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39

Askeland, Lori. "Remodeling the Model Home in Uncle Tom's Cabin and Beloved." American Literature 64, no. 4 (December 1992): 785. http://dx.doi.org/10.2307/2927639.

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40

Romero, Lora. "Bio-Political Resistance in Domestic Ideology and Uncle Tom's Cabin." American Literary History 1, no. 4 (1989): 715–34. http://dx.doi.org/10.1093/alh/1.4.715.

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41

Jie, Tao. "Uncle Tom's Cabin: The First American Novel Translated into Chinese." Prospects 18 (October 1993): 517–34. http://dx.doi.org/10.1017/s0361233300005007.

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When president Lincoln met Mrs. Harriet Beecher Stowe in 1862 and remarked, “So this is the little lady that started the great big war,” he never imagined that, forty years later, this fictional attack on slavery would cause quite a stir culturally and politically on the other side of the globe, in China.
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42

Sheardy, Robert. "Uncle Tom's Cabin as Visual Culture by Jo-Ann Morgan." Journal of American Culture 30, no. 4 (December 2007): 474–75. http://dx.doi.org/10.1111/j.1542-734x.2007.00658.x.

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43

Peabody, R. "Strategies of Visual Intervention: Langston Hughes and Uncle Tom's Cabin." Comparative Literature 64, no. 2 (March 1, 2012): 169–91. http://dx.doi.org/10.1215/00104124-1590128.

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44

Testut, Charles, and Heidi Kathleen Kim. "Excerpts from Old Solomon; or, A Slave Family in the Nineteenth Century." PMLA/Publications of the Modern Language Association of America 125, no. 3 (May 2010): 798–815. http://dx.doi.org/10.1632/pmla.2010.125.3.798.

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Introduction: The Francophone Uncle Tom's CabinThe Overlooked American Francophone Novel Le Vieux Salomon, Ou Une Famille D'Esclaves Au XIXE Siècle (OLD SOLOMON; OR, A Slave Family in the Nineteenth Century), by Charles Testut (1819-92), offers a contemporaneous description of slavery as a global commerce with international causes and effects. The novel's geographic scope, as well as Testut's interest in contrasting the life in the French Caribbean with slavery in the United States, makes Old Solomon an ideal text through which to examine the representation of economic and cultural circulation in the Americas. Old Solomon is a clear response to Harriet Beecher Stowe's Uncle Tom's Cabin (1852), with some similar characters and situations, but is more trangressive and violent.
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45

Chakkalakal, Tess. "“Whimsical Contrasts”: Love and Marriage in The Minister's Wooing and Our Nig." New England Quarterly 84, no. 1 (March 2011): 159–71. http://dx.doi.org/10.1162/tneq_a_00069.

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Harriet Wilson's Our Nig (1859), which has been taken to be a response to Harriet Beecher Stowe's Uncle Tom's Cabin (1852), has more in common with Stowe's The Minister's Wooing (1859). A reimagining of the lines of influence demonstrates the strengths and weaknesses of Stowe's appreciation of the free black experience in New England.
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46

Levine, Robert S. "Uncle Tom's Cabin in Frederick Douglass' Paper: An Analysis of Reception." American Literature 64, no. 1 (March 1992): 71. http://dx.doi.org/10.2307/2927489.

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47

Foreman, P. Gabrielle. ""This Promiscuous Housekeeping": Death, Transgression, and Homoeroticism in Uncle Tom's Cabin." Representations 43 (1993): 51–72. http://dx.doi.org/10.2307/2928732.

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48

Arac, Jonathan. "Uncle Tom's Cabin vs. Huckleberry Finn: The Historians and the Critics." boundary 2 24, no. 2 (1997): 79. http://dx.doi.org/10.2307/303764.

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49

DiMaggio, Kenneth. "Uncle Tom's Cabin: Global Best Seller, Anti-slave Narrative, Imperialist Agenda." Global Studies Journal 7, no. 1 (2014): 15–23. http://dx.doi.org/10.18848/1835-4432/cgp/46892.

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50

Foreman, P. Gabrielle. ""This Promiscuous Housekeeping": Death, Transgression, and Homoeroticism in Uncle Tom's Cabin." Representations 43, no. 1 (July 1993): 51–72. http://dx.doi.org/10.1525/rep.1993.43.1.99p0181q.

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