Log in

Relevant bibliographies by topics / Underground dance music Rhythm / Dissertations / Theses

To see the other types of publications on this topic, follow the link: Underground dance music Rhythm.

Dissertations / Theses on the topic 'Underground dance music Rhythm'

Author: Grafiati

Published: 4 June 2021

Last updated: 9 February 2022

Create a spot-on reference in APA, MLA, Chicago, Harvard, and other styles

Select a source type:

Consult the top 16 dissertations / theses for your research on the topic 'Underground dance music Rhythm.'

Next to every source in the list of references, there is an 'Add to bibliography' button. Press on it, and we will generate automatically the bibliographic reference to the chosen work in the citation style you need: APA, MLA, Harvard, Chicago, Vancouver, etc.

You can also download the full text of the academic publication as pdf and read online its abstract whenever available in the metadata.

Browse dissertations / theses on a wide variety of disciplines and organise your bibliography correctly.

1

Thannoo, Babita. "Mauritian sega music and dance rhythm and creolisation in the Indian Ocean." Thesis, University of Leeds, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.595796.

Full text

Abstract:

This thesis examines the Mauritian music and dance form known as sega and its performance of embodied creolisation through rhythm. It argues that sega's Afro-diasporic form encodes a performative history of sacred African presence in Mauritius and the Indian Ocean. This history can be traced to an Indo-oceanic maritime history of contact, trade and settlement that incorporated Mauritius within a regional network comprising East Africa and the wider Indian Ocean. I explore sega's origins in sacred rituals performed by slaves and argue that sega's contemporary secular performance perpetuate sacr

APA, Harvard, Vancouver, ISO, and other styles

2

Lawrence, Timothy. "After dark : a history of American DJs, discotheques and dance music, 1965-1975." Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.298735.

Full text

APA, Harvard, Vancouver, ISO, and other styles

3

Kavanaugh, Philip R. "Solidarity and drug use in the electronic dance music scene." Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 0.39 Mb., 70 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:1435827.

Full text

APA, Harvard, Vancouver, ISO, and other styles

4

Lopez, Ramirez-Gaston Jose Ignacio. "Constructing musical spaces beyond technological Eden a participative initiative for musical interface development based in the Peruvian context /." Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2008. http://wwwlib.umi.com/cr/ucsd/fullcit?p1460011.

Full text

Abstract:

Thesis (Ph. D.)--University of California, San Diego, 2008.<br>Title from first page of PDF file (viewed Jan. 12, 2009). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references: P. 111-117.

APA, Harvard, Vancouver, ISO, and other styles

5

Farrugia, Rebekah L. "Spin-sters women, new media technologies and electronic/dance music /." Diss., University of Iowa, 2004. http://ir.uiowa.edu/etd/112.

Full text

APA, Harvard, Vancouver, ISO, and other styles

6

DeQuattro, Anthony Frank. "A comparison of the beat competency and rhythm pattern imitation of high school instrumental music students and high school dance students." Thesis, Boston University, 2013. https://hdl.handle.net/2144/10979.

Full text

Abstract:

Thesis (D.M.A.)--Boston University<br>Leading music educators, such as Dalcroze, Orff, Kodály, and Gordon, enthusiastically support the use of movement in the teaching of rhythm. This endorsement, coupled with the number and variety of studies that have examined movement and its impact on music learning, reflects the importance music educators and researchers have placed on movement's pedagogical possibilities. If movement is important in achieving rhythmic competency then it follows that students who participate in dance should possess rhythmic skills that equal or exceed those of music stude

APA, Harvard, Vancouver, ISO, and other styles

7

Bonus, Alexander Evan. "The Metronomic Performance Practice: A History of Rhythm, Metronomes, and the Mechanization of Musicality." Case Western Reserve University School of Graduate Studies / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1270221548.

Full text

APA, Harvard, Vancouver, ISO, and other styles

8

Ó, Nuanáin Cárthach. "Connecting time and timbre: computational methods for generative rhythmic loops in symbolic and signal domains." Doctoral thesis, Universitat Pompeu Fabra, 2018. http://hdl.handle.net/10803/482191.

Full text

Abstract:

The practice of music composition often stems from a small idea or motif that blossoms into a complete work through careful application of repetition, variation and a dash of inspiration. In the highly rhythmic and repetitive strain of music that is electronic dance, this motif is the fundamental building block known as the loop, and is accorded greater importance than any other style. While other genres can depend upon long-established rules governing things like harmonic structure and form, many dance tracks do not stray far from its fundamental central theme in the traditional sense. Rather

APA, Harvard, Vancouver, ISO, and other styles

9

Madureira, José Rafael 1972. "Emile Jaques-Dalcroze = sobre a experiencia poetica da ritmica : uma exposição em 9 quadors inacabados." [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/251774.

Full text

Abstract:

Orientador: Eliana Ayoub<br>Acompanha anexo em DVD: Emile-Dalcroze: Memorias em musica<br>Tese (doutorado) - Universidade Estadual de Campinas, Faculdade de Educação<br>Made available in DSpace on 2018-08-12T11:58:14Z (GMT). No. of bitstreams: 1 Madureira_JoseRafael_D.pdf: 2098968 bytes, checksum: 68591f45cb20280e08dd75fd10cec532 (MD5) Previous issue date: 2008<br>Resumo: Émile Jaques-Dalcroze (1865-1950), compositor austro-suíço, é o protagonista deste estudo. Suas andanças foram muitas assim como os temas de suas investigações. Este é um trabalho inédito de tradução e discussão de parte su

APA, Harvard, Vancouver, ISO, and other styles

10

Keller, Robert Clendinning Jane Piper. "Mapping the soundscape Rhythm and formal structure in electronic dance music /." Diss., 2003. http://etd.lib.fsu.edu/theses/available/etd-12112003-214228/.

Full text

Abstract:

Thesis (M.M.) -- Florida State University, 2003.<br>Advisor: Jane Piper Clendinning, Florida State University, School of Music. Title and description from thesis home page (viewed 9-29-04). Document formatted into pages; contains 76 pages. Includes biographical sketch. Includes bibliographical references.

APA, Harvard, Vancouver, ISO, and other styles

11

Butler, Mark J. "Unlocking the groove rhythm, meter, and musical design in electronic dance music /." 2003. http://www.oregonpdf.org.

Full text

APA, Harvard, Vancouver, ISO, and other styles

12

Tsai, Shang-Ying, and 蔡尚穎. "On Correlating Dance Video with Music Based on Rhythm Information." Thesis, 2010. http://ndltd.ncl.edu.tw/handle/86588582429742927105.

Full text

Abstract:

碩士<br>國立中正大學<br>資訊工程所<br>98<br>We present how to extract and exploit rhythm information in video and music, and improve browsing experience of dance videos by the application of background music replacement. Furthermore, we extend this technique to music video generation according to rhythm information. From dancer’s movement, we construct motion trajectories, detect turnings and joints of trajectories, and then estimate rhythm of motion. From the selected music clip, music beats are extracted based on integration of audio dynamics in different frequency bands. After these processes, we are ab

APA, Harvard, Vancouver, ISO, and other styles

13

Shao, Hui-Chun, and 邵惠君. "The Relationship of Music Rhythm and Dance Creation ：Using Neo- Classic Dance Company’s Carmina Burana as an example." Thesis, 2013. http://ndltd.ncl.edu.tw/handle/un6h3v.

Full text

Abstract:

碩士<br>國立臺灣藝術大學<br>戲劇學系表演藝術碩士班<br>101<br>Music is important in dance creation; it is not only an inspiring source for the choreographer, but also a base for the arrangement of the movement. In the cooperative relationship between music and dance, rhythm is regarded as the most crucial element. From the point of rhythm, this study takes Liu Feng-Shueh’s Carmina Burana – a work for her Neo-Classic Dance Company – as an example to explore the importance of music in dance creating. To enrich the presently limited academic literature on the topic of the relations between music and dance, and to cons

APA, Harvard, Vancouver, ISO, and other styles

14

Wagoner, Russell Andrew. "Rhythm in shoes: student perceptions of the integration of tap dance into choral music." Thesis, 2017. https://hdl.handle.net/2144/26424.

Full text

Abstract:

The purpose of this qualitative study was to collect descriptive data pertaining to students’ perceptions regarding the use of tap dance movement and its effect on the understanding of rhythms found in choral literature. This enquiry investigated the following questions: (a) What are the perceptions of high school students regarding the difficulty of tap dance movement? (b) What are the perceptions of high school students regarding the effectiveness of tap dance movement as a method toward promoting their rhythm accuracy when performing rhythms featured in choral music? (c) What are the percep

APA, Harvard, Vancouver, ISO, and other styles

15

Pálková, Tereza. "Význam rytmu v elektronické taneční hudbě." Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-339495.

Full text

Abstract:

This Masters thesis is an attempt to analyse the significance of rhythm in electronic dance music. The purpose of this thesis is to investigate whether rhythm can create meaning within electronic dance music, and to analyse its effect on the structure of the genre. The thesis is divided into two parts. In the theoretical part we will define the theories of music semiotics with regard to the structuralist approach and the traditional approach of CH. S. Peirce. We will describe the ways rhythm can operate and define what the term electronic dance music means. In the second part we will analyze r

APA, Harvard, Vancouver, ISO, and other styles

16

Murray-Hall, Méralie. "Verbaliser l’indicible : une étude de l’expérience de la «vibe» dans la scène underground-house de Montréal." Thèse, 2014. http://hdl.handle.net/1866/11132.

Full text

Abstract:

Ce mémoire propose une analyse du discours et de l’expérience corporelle des adeptes de la scène musicale électronique underground-house de Montréal. Il cherche à contribuer au champ des études sur les formations culturelles expressives contemporaines sur deux axes. Sur le plan méthodologique, cette recherche illustre la portée de l’entretien d’explicitation lorsqu’il s’agit d’accompagner la mise en mots d’impressions sensorielles, d’émotions, de pensées ou d’actions. Combinée à une démarche immersive de longue haleine sur le terrain, cette méthode innovante développée par le

APA, Harvard, Vancouver, ISO, and other styles

We offer discounts on all premium plans for authors whose works are included in thematic literature selections. Contact us to get a unique promo code!