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Journal articles on the topic 'UNESCO «World Memory»'

Author: Grafiati

Published: 30 May 2022

Last updated: 31 July 2025

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1

Heaney, Michael. "The UNESCO Memory of the World Programme." Alexandria: The Journal of National and International Library and Information Issues 26, no. 1 (2016): 46–55. http://dx.doi.org/10.1177/0955749016629035.

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Hall, Sarah. "The Australian Register: UNESCO Memory of the World Program." Archives and Manuscripts 44, no. 1 (2016): 44–45. http://dx.doi.org/10.1080/01576895.2016.1135718.

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Schmidt, Alfred. "Ludwig Wittgenstein’s Nachlass in the UNESCO Memory of the World register." Nordic Wittgenstein Review 7, no. 2 (2018): 209. http://dx.doi.org/10.15845/nwr.v7i2.3517.

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Shyllon, Folarin. "Expert Meeting on the 20th Anniversary of UNESCO's Memory of the World Programme." International Journal of Cultural Property 19, no. 4 (2012): 573–77. http://dx.doi.org/10.1017/s0940739112000343.

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The meeting of experts in Warsaw is one of the activities marking the 20th anniversary of the Memory of the World (MoW) program. The events started on 1 April and were held throughout 2012, including a MoW Exhibition at the UNESCO headquarters that focused on items that are listed on MoW Register (national, regional, and international) and an international conference held 26–28 September 2012 in Vancouver, Canada, on Memory of the World in the Digital Age: Digitization and Preservation. The challenges and solutions relating to the impact of the technological advances for the preservation and a

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HWANG, Sunik. "Authorized Narrative, Excluded Memory : UNESCO Memory of the World, Return to Maizuru Port." Korean Journal of Japanese Dtudies 32 (February 15, 2025): 70–98. https://doi.org/10.29154/ilbi.2025.32.70.

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Setiyono, Junaedi, and Ismawati Ike Nugraheni. "Cerita Panji, Memory of The World, dan Pembelajaran Vocabulary di Perguruan Tinggi." Jurnal Pendidikan Surya Edukasi (JPSE) 6, no. 1 (2020): 71–88. http://dx.doi.org/10.37729/jpse.v6i1.6497.

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Cerita Panji adalah satu-satunya karya sastra asli Indonesia yang telah tersebar dan terkenal di seluruh Asia Tenggara sejak abad ke-15. Pada 30 Oktober 2017 cerita ini ditetapkan sebagai Memory of the World oleh UNESCO. Penelitian ini bertujuan mendeskripsikan teks-teks berbahasa Inggris apa saja yang muncul diseputar diusulkan dan ditetapkannya Cerita Panji sebagai Memory of the World dan bagaimana memanfaatkanya sebagai pembelajaran vocabulary di Perguruan Tinggi. Dari penelitian ini diketahui bahwa teks-teks berbahasa Inggris yang muncul berasal dari laman UNESCO, dari surat kabar Jakarta

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Kwak, Nak-hyun. "Plan for UNESCO Memory of the World Registration of 『Myedobotongji』." STUDY OF THE EASTERN CLASSIC 64 (September 30, 2016): 251–79. http://dx.doi.org/10.16880/sec.2016.64.251.

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Sidorenko, Anna P. "The UNESCO Thematic Initiative on Astronomy and World Heritage." Proceedings of the International Astronomical Union 5, S260 (2009): 494–96. http://dx.doi.org/10.1017/s1743921311002730.

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AbstractProperties with a relationship to science are amongst the least represented on the UNESCO World Heritage List and the values of these properties, located in all the regions of the world, are not sufficiently recognised. The UNESCO and IAU encourage the States Parties to the World Heritage Convention to actively participate in the development and implementation of the Thematic Initiative “Astronomy and World Heritage” aiming to provide an opportunity to identify the properties connected with astronomy and for keeping their memory alive and preserving them from progressive deterioration,

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Che Amat, Rohayah, and Nor Arbina Zainal Abidin. "Place and Memory in Commemorating Remembrance of George Town UNESCO World Heritage Site." TATALOKA 26, no. 3 (2024): 218–29. http://dx.doi.org/10.14710/tataloka.26.3.218-229.

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This paper seeks to delve into the dynamic interplay between place and memory at the George Town UNESCO World Heritage Site, with a focus on how its physical monuments serve as vessels for collective memory and narrators of the city's history. This study engages with theoretical perspectives of memory and place to analyze commemorative processes and evaluates their role in maintaining cultural continuity and identity. The study conducted semi-structured interviews and distribute surveys among a carefully selected cross-section of George Town's populace, thus ensuring a representative narrative

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de Senna, Marta, Maria da Glória Bordini, and Marcos Antonio de Moraes. "O Arquivo de Rui Barbosa tem o selo “Memória Do Mundo” da UNESCO." Revista Brasileira de Literatura Comparada 24, no. 46 (2022): 245–49. http://dx.doi.org/10.1590/2596-304x20222446msmbmm.

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Cunningham, Adrian. "Documenting Australian Society: Progress Report on an Initiative of the UNESCO Australian Memory of the World Committee." Archives & Manuscripts 51, no. 1 (2023): 7–14. http://dx.doi.org/10.37683/asa.v51.10949.

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The topic of Documenting Australian Society has been something of an occasional perennial on ASA Conference programs since the 1990s. Archives and manuscripts published a theme issue on it in 2001. In December 2018, the UNESCO Australian Memory of the World Program organised a national summit on the topic in Canberra. That summit meeting endorsed ‘The Canberra Declaration’ as an action agenda for the documentary heritage sectors and agreed that the UNESCO Memory of the World Program should continue to take carriage of the initiative. Since then, a steering committee has been established, and t

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Nakano, Ryoko. "The UNESCO memory of the world programme: key aspects and recent developments." International Journal of Heritage Studies 26, no. 7 (2020): 717–18. http://dx.doi.org/10.1080/13527258.2020.1746922.

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Cunningham, Adrian. "Documenting Australian Society: An initiative of the UNESCO Australian Memory of the World Committee." International Journal of Documentary Heritage 1, no. 1 (2024): 1. https://doi.org/10.71278/ijodh.2024.1.1.1.

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The topic of documenting Australian Society has been discussed regularly by Australian documentary heritage professionals since the 1990s. The journal Archives and Manuscripts has published theme issues on the topic in 2001 and in 2023. In 2018 the UNESCO Australian Memory of the World Program organised a national summit on the topic in Canberra. That summit meeting endorsed ‘The Canberra Declaration’ as an action agenda for the documentary heritage sectors and agreed that the UNESCO Australian Memory of the World Program should take carriage of the initiative. Since then, a steering committee

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Tonta, Yaşar. "Dijital Çağda Dünya Belleği: Dijitalleştirme ve Koruma Konferansı 26-28 Eylül 2012, Vancouver, Kanada (UNESCO Türkiye Millî Komisyonu İçin Rapor)." Türk Kütüphaneciliği 26, no. 3 (2012): 780–93. https://doi.org/10.5281/zenodo.298363.

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UNESCO Türkiye Millî Komisyonu adına 26-28 Eylül 2012 tarihlerinde Kanada’nın Vancouver kentinde yapılan “Dijital Çağda Dünya Belleği: Dijitalleştirme ve Koruma” (The Memory of the World in the Digital Age: Digitization and Preservation) konferansına katıldım. UNESCO ile British Columbia Üniversitesinin UNESCO’nun Dünya Belleği (Memory of the World) programının 20. yılını kutlamak ve dijital mirasın korunması konusundaki farkındalığı artırmak amacıyla düzenledikleri bu konferansa 110 ülkeden 500’ü aşkın kütüphaneci, arşivci, müzeci, bilgibilimci, bilgi ve iletişim teknolojisi uzmanı, hukukçu v

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Seo, Junsu, and Sojung Lee. "Documentary Heritage to Inspire Content Development: Game Jam Cases of “Wat Pho” and “Amundsen”." International Journal of Documentary Heritage 1, no. 1 (2024): 6. https://doi.org/10.71278/ijodh.2024.1.1.6.

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The mission of raising awareness of world heritages inscribed in UNESCO lists has been underway in many different forms. Heritage sites, museums and libraries are the main locations that traditionally attract people to visit to enjoy cultural assets. The virtual world has been pursued as another opportunity to further expand the efforts of promotion of cultural heritages around the world. Game-based learning and experience in world heritage and intangible cultural heritage for decades have gained visibility. This article looks into a beginning stage of video game development with the use of do

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Volk, Lucia. "WHEN MEMORY REPEATS ITSELF: THE POLITICS OF HERITAGE IN POST CIVIL WAR LEBANON." International Journal of Middle East Studies 40, no. 2 (2008): 291–314. http://dx.doi.org/10.1017/s0020743808080550.

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On 4 August 2005 the Lebanese English-language paper the Daily Star reported that Lebanon's ancient inscriptions at Nahr al-Kalb had been accepted into the United Nations Educational, Scientific and Cultural Organization's (UNESCO’s) collection of “worldwide rare documents” through its Memory of the World Programme. UNESCO established the Memory of the World Programme in 1992, after realizing that its World Heritage Programme, which seeks to protect historic landscapes and architectural landmarks, did not safeguard a category of less visible, yet equally important, documents of the past: texts

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Djumala, Darmansjah, and Yusa Djuyandi. "BUNG KARNO'S SPEECH, UNESCO AND INDONESIAN DIPLOMACY." JWP (Jurnal Wacana Politik) 8, no. 2 (2023): 206. http://dx.doi.org/10.24198/jwp.v8i2.49985.

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The contextuality of world civilization today presents a portrait of relations between countries that are less harmonious. The Covid-19 pandemic, which should have been a momentum for the unity of countries in the world, has actually sparked sharp conflict between the United States and China. On the other hand, the Russian and Ukrainian war opened our understanding that there was a wrong global construction that fueled Russia's "coercive and unilateral" behavior towards its own neighboring countries. Globalization has made problems in a country or region develop into global issues. It is at th

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Pambudi, Adhie Gesit. "Dari Samudra untuk Dunia: Penominasian Arsip Tsunami Samudera Hindia sebagai Memory of The World (Mow) UNESCO." Khazanah: Jurnal Pengembangan Kearsipan 9, no. 3 (2017): 3–25. http://dx.doi.org/10.22146/khazanah.22714.

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Pada 2016, Indonesia menominasikan Arsip Tsunami Samudera Hindia sebagai Memory of the World UNESCO. Peristiwa Tsunami Samudera Hindia pada 2004 merupakan salah satu bencana yang terdahsyat dan mematikan di sepanjang sejarah umat manusia. Peristiwa ini terekam dalam Arsip Tsunami Samudera Hindia yang merupakan warisan dokumenter yang memiliki nilai pembelajaran bagi masyarakat dunia tentang bencana, kemanusiaan, dan pengembangan teknologi penanggulangan bencana.

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Kowalski, Wojciech. "MIEJSCA PAMIĘCI NA TLE UNESCO 1972 WORLD HERITAGE CONVENTION ORAZ KRYTERIUM VI WYTYCZNYCH OPERACYJNYCH JEJ STOSOWANIA." Protection of Cultural Heritage, no. 4 (November 29, 2017): 149–62. http://dx.doi.org/10.24358/odk_2017_04_14.

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Author argues that places of memory can be protected under 1972 UNESCO World Heritage Convention as definition of heritage (art. 1) encompasses „historical value” criterion in relation to all elements of this heritage, namely to monuments, groups of buildings and sites. Such thesis is strongly supported by practical application of criterion VI of Operational Guidelines by World Heritage Committee. Almost all monuments and sites inscribed on the World Heritage List under this criterion are to maintain memory of important events, beliefs, ideas etc. Intangible component was therefore a basis of

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Reade, Wendy J. "The Kuthodaw Pagoda, Myanmar: collaborative conservation of a UNESCO Memory of the World site." AICCM Bulletin 39, no. 1 (2018): 55–64. http://dx.doi.org/10.1080/10344233.2018.1522779.

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Rim, Hyungjin. "Documents of the Donghak Peasant Revolution registered as UNESCO Memory of the World Register." Korea Journal of Donghak Studies 67 (September 30, 2023): 283–305. http://dx.doi.org/10.46639/kjds.2023.67.8.

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Gaižutytė-Filipavičienė, Žilvinė. "JEWISH HERITAGE IN THE CREATIVE CITIES OF CENTRAL AND EASTERN EUROPE: TOURISM, TECHNOLOGIES AND PROSTHETIC MEMORY." Creativity Studies 13, no. 1 (2020): 41–52. http://dx.doi.org/10.3846/cs.2020.6079.

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This paper deals with Jewish mobile multimedia cultural-heritage, root-diaspora tours and apps. The author presents and compares UNESCO Creative Cities Network of Central and Eastern Europe in which Jewish communities were numerous before the World War II – Budapest (Hungary), Kraków (Poland), Prague (Czech Republic), Kaunas (Lithuania). Also, article deals with other cities of Jewish cultural heritage that are not listed in UNESCO Creative Cities Network as Warsaw, Poland and Vilnius, Lithuania, but propose multimedia tours. I will analyse, how aspects of creative city are included and highli

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Setiawan, Sania Aqila, and Fitra Deni. "Peran, Fungsi, dan Pengakuan UNESCO dalam MOW Kepada Indonesia Tentang Naskah Negarakertagama sebagai Memori Kolektif." Khazanah: Jurnal Pengembangan Kearsipan 17, no. 1 (2024): 1. http://dx.doi.org/10.22146/khazanah.87019.

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The Negarakertagama manuscript is a historic manuscript that must be preserved since it contains information from the Majapahit Kingdom's era. The problem arose are the threat of the manuscript not to be claimed by other nations, the threat losing documentary heritage due to war and the threat of geographical factors in Indonesia. The aim of the research is analysing the role, function, and recognition of UNESCO to protect the manuscript belongs to Indonesia in the memory of the world program. The research methodologies applied are qualitative (data collection techniques includes observations,

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Xu, Xiao Li, Guo Xin Wu, Hong Jun Wang, and Tao Chen. "Construction of an International IT-Driven Sharing Platform for Inheriting and Communication of Dongba Manuscripts." Applied Mechanics and Materials 610 (August 2014): 760–63. http://dx.doi.org/10.4028/www.scientific.net/amm.610.760.

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Dongba hieroglyph among Naxi ethnic minority is the only globally recognized hieroglyph still in use. Dongba ancient manuscripts are registered on the list of Memory of the World by UNESCO. In order to secure the inheritance and communication of Dongba Manuscripts, we analyze the obstacles encountered in the process of inheritance and communication. We apply IT to construct a digital and network-oriented international Dongba Manuscripts information sharing platform to collect, sort out, extract and disseminate digitalized information of Dongba Manuscripts hieroglyph. Environment and technology

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Alekseeva, Galina V. "The ICOM International Committee for Literary and Composers’ Museums as the preservation tool of World Documentary Heritage." Issues of Museology 15, no. 2 (2024): 316–21. https://doi.org/10.21638/spbu27.2024.213.

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The article introduces the readers to the activities of one of the oldest ICOM international committees (International Council of Museums), dealing with the heritage of literary and composers’ museums — International Committee for Literary and Composers’ Museums (ICLCM). Founded in 1977, at the ICOM General Conference held in Moscow and Leningrad, the committee has been involved in all the spheres of the museum life typical for literary and composers’ museums. The committee numbers over 300 members from 45 countries. Every year the committee holds its annual conferences in various countries, f

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Hochberg, Gil. "From Heritage to Refugee Heritage." Comparative Studies of South Asia, Africa and the Middle East 40, no. 1 (2020): 43–50. http://dx.doi.org/10.1215/1089201x-8186027.

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Abstract As a contemporary concept, heritage bridges legal discourse and ethical discourse, national affiliations and a global imaginary, colonial pasts and neocolonial presents. The term often circulates beliefs in cultural authenticity, collective memory, and historical merit under the logic of neoliberal markets and legitimate capital gain, hence the tight connections between cultural heritage, industry, and tourism. While the concept developed as early as the nineteenth century in postrevolutionary France, its expansive political, juridical, and symbolic use has matured only after the Seco

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Kim, Ji Young, and Yun Jeong Oh. "Fashion-Cultural Products Design Using Cultural Heritage - Focused on Jikji, Memory of the World of UNESCO -." Korean Society of Costume 62, no. 7 (2012): 133–49. http://dx.doi.org/10.7233/jksc.2012.62.7.133.

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Wang, Yujue, and Ya Zhu. "Analysing the “World Significance” of Documentary Heritage: Quantitative Research on the Memory of the World Register." International Journal of Documentary Heritage 1, no. 1 (2024): 3. https://doi.org/10.71278/ijodh.2024.1.1.3.

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Background: UNESCO established the Memory of the World (MoW) Programme in 1992 to preserve the collective memory of humanity and the globally at-risk documentary heritage. ‘World Significance’ is one of the most crucial criteria in reviewing nomination forms for the MoW Register. However, research on the MoW Register is limited, and focused studies on the ‘World Significance’ criterion are scarce, making project submission complicated. Purpose: This paper’s purpose is to analyse the “World Significance” criterion of the MoW from the perspective of nomination forms. Thereby raising the world’s

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YALCIN, Haydar, Mutlu Tahsin USTUNDAG, Togay Seckin BIRBUDAK, and Mustafa SAFRAN. "THE PRESERVATION OF CULTURAL HERITAGE AND THE ROLE OF THE UNESCO WORLD MEMORY PROGRAM IN THE PRESERVATION OF DOCUMENTARY HERITAGE." TÜRKİYE BİLİMLER AKADEMİSİ KÜLTÜR ENVANTERİ DERGİSİ, no. 15 (July 14, 2017): 223–30. http://dx.doi.org/10.22520/tubaked.2017.15.014.

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Chutkyi, Pavlo. "The involvement of UNESCO and international non-profit organizations in preserving historical memory and cultural heritage in Pakistan." European Historical Studies, no. 17 (2020): 155–65. http://dx.doi.org/10.17721/2524-048x.2020.17.9.

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The article deals with the review of historical memory of Pakistan. The historiography of different aspects of historical heritage and history of Pakistan are analyzed. The author examines the cooperation between the government of Pakistan and UNESCO. The author describes the features of functioning of oral history of Pakistan and most popular non-governmental organizations, which study historical heritage of this country. In order to build a successful modern state, it is necessary to pay particular attention to the specifics of the formation of historical memory, as it is designed to perform

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Laužikas, Rimvydas. "From Documentary Heritage to a Contemporary Restaurant Menu." International Journal of Documentary Heritage 1, no. 1 (2024): 7. https://doi.org/10.71278/ijodh.2024.1.1.7.

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Documentary heritage can inspire many contemporary activities. The article analyses how the documented elements of past gastronomic culture can be reconstructed and applied to the contemporary tourism and restaurant industry. The research applies a case study methodological approach to documents from Radziwill’s Archives and Niasvizh (Nesvizh) Library Collection (inscribed on the UNESCO Memory of the World International Register in 2009). The case study demonstrates the contemporary relevance of documentary heritage and the potential for synergies between UNESCO’s documentary heritage and UNES

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Fabbri, Kristian, and Marco Pretelli. "Heritage buildings and historic microclimate without HVAC technology: Malatestiana Library in Cesena, Italy, UNESCO Memory of the World." Energy and Buildings 76 (June 2014): 15–31. http://dx.doi.org/10.1016/j.enbuild.2014.02.051.

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Kim, Jongmyung. "The Chikchi and Its Positions in Fourteenth-Century Korea." Religions 11, no. 3 (2020): 126. http://dx.doi.org/10.3390/rel11030126.

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The purpose of this paper is to examine the historical and ideological positions of the Chikchi, a Korean Zen text. Originally composed of two fascicles, the book was published with metal type in 1377 and in woodblock print in 1378. The metal type print only remains. in its second fascicle, which is currently preserved in the La Bibliotheque nationale de France, registered in the Memory of the World by the United Nations, Educational, Scientific and Cultural Organization (UNESCO) Memory of the World list. However, the woodblock print remains in two fascicles, including the teachings of Buddhas

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Vetter, Jordan. "Through the eyes of the Potala Palace: Difficult heritage and memory in Tibet." IJournal: Graduate Student Journal of the Faculty of Information 6, no. 1 (2020): 1–17. http://dx.doi.org/10.33137/ijournal.v6i1.35270.

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The Potala Palace in Lhasa, Tibet serves as an important religious symbol and an embodiment of Tibetan culture. Ever since Chinese troops invaded Tibet in the 1950s, the Chinese government has attempted to control Tibet, including converting the Potala Palace and its rich material culture into a secular institution on display for tourists. Now void of the Dalai Lama and most of its contents, the Potala has become a façade for public consumption of Chinese state-led narratives and a symbol of cultural oppression. Through their approaches to heritage management and tourism, and with the aid of t

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LIMA, MONICA. "[ARTIGO TRADUZIDO] HISTORY, PATRIMONY AND SENSITIVE MEMORY: the Valongo Wharf in Rio de Janeiro." Outros Tempos: Pesquisa em Foco - História 15, no. 26 (2018): 98–111. http://dx.doi.org/10.18817/ot.v15i26.667.

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Abstract: The article deals with aspects that define the importance of the historical and archaelogical site of Valongo Wharf, located in the city of Rio de Janeiro, for the history of enslavement of Africans and their descendants in the Americas and especially in Brazil. In addition to highlighting the relevance of this property, recognized in 2017 as a World Heritage Site by UNESCO, it also addresses its significance as a historical site of sensitive memory and a place of memory for the Atlantic traffic of enslaved Africans. Throughout the text, key ideas such as sensitive past, violence, pa

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Suiama, Sergio Gardenghi. "Valongo Wharf." Radical History Review 2025, no. 152 (2025): 53–69. https://doi.org/10.1215/01636545-11609947.

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Abstract This article analyzes the dynamics shaping the public memory of Valongo Wharf, a UNESCO World Heritage site linked to the transatlantic slave trade. The article explores how intersections between local, national, and international actors—including Black movements, intellectuals, and public officials—construct the site’s narrative. The memorialization process of Valongo Wharf is a contested space, reflecting both the recognition of historically silenced Black Brazilian memories and the potential pitfalls of domesticating Black culture within dominant ideologies. While the site celebrat

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Cho, Jung-Yun. "A Case Study on the Restoration of Historical and Cultural Content Utilizing UNESCO Memory of the World, Joseon Tongsinsa." HANGDO BUSAN 42 (August 31, 2021): 271–302. http://dx.doi.org/10.19169/hd.2021.8.42.271.

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Han, Tai-Moon. "A Study on the Registration process and status of ‘Documents on Joseon Tongsinsa’, a UNESCO Memory of the World." HANGDO BUSAN 36 (August 30, 2018): 53–97. http://dx.doi.org/10.19169/hd.2018.8.36.53.

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Zehra, Ozbay, and Baykara Serenay. "TÜRKİYE'DE DİJİTAL ÇAĞDA BELGESEL MİRASA ERİŞİM: UNESCO DÜNYA BELLEĞİ PROGRAMI ÖRNEĞİ." Arşiv Dünyası 8, no. 2 (2021): 207–15. https://doi.org/10.5281/zenodo.6409450.

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Kültürel miraslar toplumun tarih bilincini ve kalkınmasını etkileyebilecek önemli etkenlerden biridir. Dolayısıyla kültürel miras kapsamında ele alınan belgesel mirasa erişim de oldukça önemli hale gelmiştir. Bu çalışma çerçevesinde belgesel mirasın kapsamı, seçim kriterleri, UNESCO’nun Memory of World (Dünya Belleği Programı) ve Türkiye’nin bu programa kayıtlı belgesel mirasları ele alınmıştır. Bu kapsamda Türkiye’de UNESCO Dünya Belleği Programına kayıtlı belgesel mirasların erişim durumuna

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Chamarczuk, Mariusz. "Memory of States and Nations. World Register of UNESCO Programme Memory of the Wordl, red. B. Berska, W. Stępniak, tłum. A. Sobczak‑Kövesi, Naczelna Dyrekcja Archiwów Państwowych, Warszawa 2011." Seminare. Poszukiwania naukowe 33 (January 4, 2023): 425–26. http://dx.doi.org/10.21852/sem.2013.33.34.

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Guo, Q., and X. Li. "Integrated Conservation of the Cantonese Opera Art Museum and Intangible Cultural Heritage." ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XL-5/W7 (August 12, 2015): 187–93. http://dx.doi.org/10.5194/isprsarchives-xl-5-w7-187-2015.

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Cantonese Opera, as the sole cultural heritage of Guangdong Province of China so far, which was included in the World Intangible Cultural Heritage List by the UNESCO, bears the cultural memory of the Lingnan region and as well as the overseas Chinese worldwide. Located in the core historic urban area – Enning Road of Guangzhou, the Cantonese Opera Art Museum is designed in Lingnan traditional garden manner, through going deep into the Cantonese opera culture, Lingnan traditional garden culture and Lingnan cultural spirit. The design highlights the integrated conservation of tangible and intang

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Boston, George. "The Second Meeting of the Interna tional Advisory Committee for the UNESCO "Memory of the World" Programme — Rapporteur's Com ments." IFLA Journal 21, no. 3 (1995): 175–77. http://dx.doi.org/10.1177/034003529502100303.

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Rodríguez Aguilar, Jorge Luis. "La Habana. Una aproximación desde la visualidad de sus calles." ÍSTMICA. Revista de la Facultad de Filosofía y Letras 1, no. 34 (2024): 90–106. http://dx.doi.org/10.15359/istmica.34.06.

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Havana is an old city that was once modern. For many scholars, cities,like their inhabitants, are born, develop and die. They die when there are no actions that rescue them, preserve them architecturally andmake them live. Visually, our city is dying today. Beyond the purposesof a group of works in the Historic Center, guarded by the memory of the city historian, Havana is much more than that perimeter declared by Unesco, in 1982, a World Heritage Site and a Wonder City, in 2016. Since then, little by little, its lights have gone out in a great sea of darkness, which urgently needs to be resto

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Zwegers, Bart. "Het huis van Europa? : Akens Karolingisch erfgoed en de Duitse herinneringscultuur." Tijdschrift voor geschiedenis 132, no. 3 (2019): 423–43. http://dx.doi.org/10.5117/tvgesch2019.3.005.zweg.

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Abstract The House of Europe? Aachen’s Carolingian heritage and the German collective memoryDue to its history as the centre of the Carolingian Empire and the coronation city of the Holy Roman Empire, Aachen’s heritage was appropriated by nineteenth and twentieth century German nationalists. It was used by the Wilhelminian and the National-Socialist regime as a symbol of German pride. After the Second World War, this image became untenable. In this period Aachen’s Carolingian heritage was stripped of its nationalist connotations and became a symbol of European integration and a UNESCO world he

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Igumnova, Nataliya. "The CIS libraries’ preserving cultural heritage: Regulations and documents." Scientific and Technical Libraries, no. 8 (August 1, 2018): 84–91. http://dx.doi.org/10.33186/1027-3689-2018-8-84-91.

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The author speculates on the international cooperation in preservation of the world and national cultural heritage and book monuments. She argues that the CIS libraries make the global and national cultural heritage as they perform the memorial, information and educational activities. International, regional and national regulation documents along with the information technologies and multimedia make the basis for preservation and accessibility of cultural monuments. The UNESCO and CIS conventions determine the general principles, approaches and rules of international cooperation in the cultur

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Rozas-Krause, Valentina. ""Our Auschwitz is the ESMA": Preservation and the Holocaust at the former Higher School of Mechanics of the Navy in Argentina." Future Anterior: Journal of Historic Preservation History, Theory, and Criticism 19, no. 2 (2022): 33–53. http://dx.doi.org/10.1353/fta.2022.a940803.

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Abstract: The article examines the transformation of the Higher School of Mechanics of the Navy in Buenos Aires, ESMA for its Spanish initials, from one of the largest clandestine detention centers of the Argentine military dictatorship (1976–83), into a historical monument, museum, and a campus for human rights organizations. Starting in 2004, ESMA was symbolically and materially recovered. Following the debates that framed this transformation, it explores how the efforts to preserve the memories of the victims of the civic-military dictatorship were transmuted into the preservation of buildi

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Koltun-Fromm, Ariel. "These I recall: traces of a repeated past in the Worms Synagogue reconstruction." Architectural Research Quarterly 27, no. 4 (2023): 301–14. https://doi.org/10.1017/s1359135524000046.

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In the summer of 2021, UNESCO approved Germany’s first Jewish World Heritage Site, Schum. It contains the synagogues and Jewish cemeteries of the medieval rabbinic strongholds of Speyer, Worms, and Mainz, or, rather, that which is left of them. All Jewish heritage in Schum was damaged during the Holocaust and the synagogues of all three cities were reduced to rubble in the 1938 Kristallnacht Pogrom. And yet, in the present-day Nibelungen-city of Worms, there it is, the old synagogue, fully reconstructed in historic guise, though without a congregation to call it home. How can this be? And how

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Paige-Lovingood, Mandy. "In the Shadow of the Queen: On UNESCO’S Universal History, the Women of the Petit Trianon, and Tourist Meaning-Making." International Public History 4, no. 2 (2021): 127–37. http://dx.doi.org/10.1515/iph-2021-2025.

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Abstract Upon the designation of Versailles as a World Heritage Site, UNESCO renamed the Petit Trianon the Domaine de Marie-Antoinette (Estate of Marie-Antoinette). Subsequent tourist materials, such as travel guides and website directories, reiterated this redesignation and retell the site’s historical past through the life of Marie-Antoinette, thereby casting Madame de Pompadour and the Comtesse du Barry to the periphery. This essay analyzes visitor Instagram photos and Tripadvisor reviews to understand how UNESCO’s uniting of the queen’s memory with the Petit Trianon affects tourist interpr

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DOBSON, JULIA SOPHIE. "The Meaning of the Cellular Jail in Post-Independence India." Modern Asian Studies 53, no. 06 (2019): 1892–923. http://dx.doi.org/10.1017/s0026749x17000828.

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AbstractIn April 2014, the Cellular Jail, Andaman Islands, was submitted to the UNESCO World Heritage Site Tentative List for India. The image of the colonial jail, depicted on coins, stamps, and first day covers, symbolizes both the suffering and heroic struggle of India's freedom fighters. Considering how international, national, and local state forces have attempted to ‘freeze’ the meaning of the Cellular Jail, this article questions what has been excluded or obscured from collective memory. Furthermore, it explores the relationship between contending political wills and the symbol of the C

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Serra, Juan Carlos Martínez, and Enrique Fernández-Vivancos González. "Management Strategies in the Comprehensive Rehabilitation of the Historic Centers of Quito and Havana." Urban Science 7, no. 1 (2022): 4. http://dx.doi.org/10.3390/urbansci7010004.

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Historical centers are structural elements in contemporary cities which preserve identity and collective memory. Despite being lubricants of social cohesion, intense processes of urban growth, fragmentation, and degradation put these city centers at great risk. Thus, they have been considered priority spaces in public renewal policies affected by inaccurate interventions which must contend with changing and complex realities in the Latin American and Caribbean contexts. This article approaches the main management strategies used in the comprehensive urban rehabilitation of historical centers t

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