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Dissertations / Theses on the topic 'Uneven productions of space'

Author: Grafiati

Published: 30 June 2021

Last updated: 13 February 2022

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1

Andersen, Amalie. "Pushing the Agenda : Struggles Towards Feminist Approaches to Urban Planning in Denmark." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-42408.

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2

Holdar, Magdalena. "Scenography in Action : Space, Time and Movement in Theatre Productions by Ingmar Bergman." Doctoral thesis, Stockholm : Konstvetenskapliga institutionen, Stockholms universitet, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-427.

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3

Lawrence, Kate. "Up, down and amongst : perceptions and productions of space in vertical dance practices." Thesis, University of Surrey, 2017. http://epubs.surrey.ac.uk/845092/.

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Vertical dance is a new and collaborative form of dance that typically utilises rock climbing equipment to suspend dancers against a range of vertical surfaces in public spaces. Its effects are to alter familiar systems we use to orientate ourselves in space and to produce or change social spaces. My pedagogical practice (2002 – the present day) and a portfolio of choreographic outputs (created and performed between 2009 and 2015) are of primary importance in my investigation into how I perceive space when dancing on a tilted floor and how this vertical stage and its location in social space i

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4

Nielsen, Hanne Elliot Fønss. "The Wide White Stage: Representations of Antarctica in Theatrical Productions (1930-2011)." Thesis, University of Canterbury. Gateway Antarctica, 2013. http://hdl.handle.net/10092/8812.

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This project examines representations of Antarctica in the theatre and analyses these in terms of space and place in order to chart the development of awareness of the continent. As examples of cultural production, plays and their treatment of imagined Antarctic space can provide insights into how attitudes towards the continent have developed and been expressed by revealing the dominant narratives at various points in time. A close reading of nine plays from 1930 – 2011 focuses on the use of mimetic and diegetic space within the theatre, examining the language used, stories told and attitudes

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5

Banasick, Shawn Michael. "Beyond the workplace the uneven development of the Japanese space-economy and the role of labor, 1965-1994 /." Morgantown, W. Va. : [West Virginia University Libraries], 2001. http://etd.wvu.edu/templates/showETD.cfm?recnum=2089.

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6

Negi, Rohit. "Copper Capitalism Today: Space, State and Development in North Western Zambia." The Ohio State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=osu1248715316.

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7

Stein, Erica Hillary. "An island off the coast of America: New York City symphonies as productions of space and narrative." Diss., University of Iowa, 2011. https://ir.uiowa.edu/etd/1181.

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This dissertation analyzes the group of postwar (1948-1964) independent films known as the New York city symphonies and argues that the films, rather than merely depicting space, produce it. City symphonies combine documentary, experimental, and sometimes fictional techniques to chronicle a paradigmatic day in the life of a given urban environment and its citizenry by concatenating spatially diverse, thematically related phenomena. Produced, distributed, and exhibited outside the commercial system, the New York city symphonies are nevertheless paradigmatic of the nonsynchronous spaces and laye

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8

Yildiz, Alican. "Reclaiming Equity in a Contested and Uneven Space: Evidence-based Reformulations for Planning Practice in the Context of Urban Food Access in Cincinnati, OH." University of Cincinnati / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1491227621142843.

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9

Vouri-Richard, Derek S. "A Spatial Plane of Immanence: American Cinema in Late Capitalism." Ohio University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1443712775.

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10

Fiamor, Anne-Emmanuelle. "Changement dans la construction sociale de la production alimentaire localisée : analyse à partir du cas drômois." Thesis, Toulouse 2, 2014. http://www.theses.fr/2014TOU20078/document.

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Les productions alimentaires régionales, dites « de terroir » ou « localisées » se sont remarquablement développées à partir du tournant des années 80, selon des modes de valorisation variés allant du petit producteur à l’industriel labélisé. A l’aune d’une enquête de terrain portant sur la diversité des modalités de valorisation des nombreuses productions du département de la Drôme, nous nous sommes rendus compte que la diversité des modes de valorisation sur ce territoire n’était pas seulement de nature organisationnelle et stratégique. En effet, le terrain nous a conduit à supposer l’existe

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11

Shalabi, Samir. "City Margins and Exclusionary Space in Contemporary Egypt : An Urban Ethnography of a Syrian Refugee Community in a Remote Low-Income Cairo Neighborhood." Thesis, Stockholms universitet, Institutionen för Asien-, Mellanöstern- och Turkietstudier, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-159720.

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Drawing mainly on Lefebvre’s, Soja’s and Smith’s theorizations of space in order to understand the spatial dynamics of social inequality, this study investigates how a low-income Syrian refugee community negotiates its precarious location in a neighborhood on the periphery of one of Cairo’s desert ‘New Towns’. It also examines the way in which urban spatiality shapes the everyday lived reality of this particular community of Syrians. Through an ethnographic focus, I explore how Syrian people living in Cairo are marginalized through broader processes of neoliberal capitalist development which i

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12

Oliveira, Thiago de Paula. "Modelos mistos para a análise da tonalidade da cor da casca de mamão (Carica papaya L.) cv. \"Sunrise Solo\", avaliada ao longo do tempo por meio de um scanner e de um colorímetro." Universidade de São Paulo, 2014. http://www.teses.usp.br/teses/disponiveis/11/11134/tde-04042014-085453/.

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O mamão (Carica papaya L.) cv. \"Sunrise Solo\" é um fruto que apresenta mudança gradual e desuniforme da cor da casca, que vai de verde para amarela. Isso faz com que a metodologia instrumental para avaliação da cor, por meio de um colorímetro, seja subjetiva, devido ao número de pontos observados, bem como às localizações deles no fruto. Como alternativa, foi proposta a utilização de imagens digitalizadas de toda região da casca do fruto, obtidas por meio de um scanner de mesa. Para avaliar a precisão desses métodos, foi conduzido um experimento com 20 repetições. Cada repetição era constitu

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13

Laufer, Gil, and Alexander Åblad. "Spirit in the Screen : The effect of CuePilot on the viewer's experience in live broadcasted music competitions." Thesis, KTH, Skolan för elektroteknik och datavetenskap (EECS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-279486.

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The use of media technology to pre-program the camera work of performances (with tools such as CuePilot) became a state-of-theart solution in live broadcasted music competitions and events, allowing to create technologically advanced and more appealing live performances. In this paper we study how the use of such solutions affect the viewer’s experience, assuming that preprogrammed camera work results in a more unified experience compared to manual camera work. The paper also investigates whether pre-programmed camera work is noticeable by the viewers. To study these effects an experiment was

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14

Bailey, Maggie M. "The music of space how production style affects the movement of light in theatrical productions /." 2002. http://catalog.hathitrust.org/api/volumes/oclc/50848993.html.

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Thesis (M.F.A.)--University of Wisconsin--Madison, 2002.<br>Typescript. eContent provider-neutral record in process. Description based on print version record. Includes bibliographical references (leaves 53-57).

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15

Potgieter, Amanda Salomina. "Exploring the life orientation potential of secondary school musical productions : the case of The Green Crystal / Amanda Salomina Potgieter." Thesis, 2012. http://hdl.handle.net/10394/10593.

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The problem I investigated in this research is the extent to which participation in a secondary school musical production contributes curricularly and pedagogically towards equipping learners for meaningful and successful living in a rapidly changing and transforming society within a life skills education programme. The importance of creating a dialogic space where secondary school learners may practise life skills within the Life Orientation curriculum has been my main focus. My aim was to investigate and discuss the Life Orientation potential of the secondary school musical production as dia

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16

Kuo, Po-Sheng, and 郭博勝. "From the ‘Homeland Turned into a Strange-land’to a ‘New Homeland’: The Productions of Tourism Space of Northern-east Coastal Village Wai’ao,Local Responses and the Negotiated Meanings." Thesis, 2011. http://ndltd.ncl.edu.tw/handle/77087061291322780977.

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碩士<br>國立臺灣大學<br>建築與城鄉研究所<br>99<br>Through the readings of the production of tourism space and the socio-cultural theories of tourism, the researcher treats it as forces for producing space and culture. That is the creative role of tourism and leisure to change and transform places. It implicates the capacity of tourism to produce social reality: it involves the ways of organization of different things, such as ‘the tourist gaze’, the world view, and the imagination and understanding of other place. However, such a role involves the operation of power relationship. We have to notice whose knowl

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17

Montmagny, Grenier Catherine. "Sexe, drogue et quête de sens : leçon d'économie politique d'une liminalité en contexte touristique costaricain." Thesis, 2020. http://hdl.handle.net/1866/25235.

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La perspective écologique qui s’est développée en criminologie adopte une notion implicite de la spatialité qui réduit l’environnement à un simple site géographique et exclut les rapports de pouvoir, les dynamiques sociales et culturelles ainsi que les valeurs qui y sont véhiculées. La présente étude interroge donc l’importance de l’espace géographique en criminologie. Elle se penche particulièrement sur le rôle de l’espace dans la (re)production et la régulation d’illégalismes et de déviance ludique ainsi que sur la production du savoir par le biais du concept de liminalité compris comme un e

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