Academic literature on the topic 'Unfinished'

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Journal articles on the topic "Unfinished"

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Ducharme, Mark. "The Unfinished, and: The Unfinished." Colorado Review 36, no. 3 (2009): 78–79. http://dx.doi.org/10.1353/col.2009.0065.

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Rothbart, Myron, and Deborah Frisch. "Unfinished Mind or Unfinished Manuscript?" Psychological Inquiry 3, no. 2 (April 1992): 187–89. http://dx.doi.org/10.1207/s15327965pli0302_25.

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Havas, Nancy. "Unfinished." Journal of Palliative Medicine 2, no. 4 (December 1999): 417–19. http://dx.doi.org/10.1089/jpm.1999.2.417.

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Esposito, Roberto. "Unfinished Italy." Italian Studies 76, no. 2 (April 3, 2021): 128–34. http://dx.doi.org/10.1080/00751634.2021.1896216.

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Ichioka, Yuji, and Steven Okazaki. "Unfinished Business." Journal of American History 74, no. 3 (December 1987): 1115. http://dx.doi.org/10.2307/1902255.

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Rawson, JoAnna. "Unfinished Piece." Antioch Review 49, no. 4 (1991): 556. http://dx.doi.org/10.2307/4612454.

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Макаренко, Борис. "Unfinished chronicle." Полис. Политические исследования (Polis. Political Studies), no. 3 (May 26, 2014): 185. http://dx.doi.org/10.17976/jpps/2014.03.13.

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Litwack, Leon F., and Diane McWhorter. "Unfinished Business." Journal of Blacks in Higher Education, no. 47 (April 1, 2005): 96. http://dx.doi.org/10.2307/25073187.

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Joseph H. Handlon, Ph.D. and Isabel Fredericson, Ph.D. "Unfinished Pleasures." Gestalt Review 11, no. 2 (2007): 130. http://dx.doi.org/10.5325/gestaltreview.11.2.0130.

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Esposito, Roberto, and Federico Tarragoni. "Unfinished Italy." Tumultes 53, no. 2 (2019): 191. http://dx.doi.org/10.3917/tumu.053.0191.

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Dissertations / Theses on the topic "Unfinished"

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Livornese, Karen Elizabeth. "Unfinished myth." Thesis, Virginia Polytechnic Institute and State University, 1991. http://hdl.handle.net/10919/53292.

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I have always claimed that places are stronger than people, the fixed scene stronger than the transitory succession of events. This is the theoretical basis not of my Architecture, but of Architecture itself.
Master of Architecture
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Ashman, Adrian F. "Unfinished business." Thesis, Queensland University of Technology, 1999.

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Dammert, Juan Luis. "Supe: Arguedas’s unfinished novel." Pontificia Universidad Católica del Perú, 2012. http://repositorio.pucp.edu.pe/index/handle/123456789/79433.

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Tuvo varios nombres: «Harina Mundo», «Mar de Harina», «Jonás», «El pez grande», y fue un proyecto literario que emprendió José María Arguedas después de la publicación de Todas las Sangres (1964). Con él quiso novelar «la transformación del puerto de Supe», lugar donde había pasado los veranos entre 1943 y 1963 y que conocía muy bien. Como sabemos, Arguedas terminó convirtiendo ese proyecto inicial en El zorro de arriba y el zorro de abajo, una novela límite y relato ambientado en el puerto de Chimbote. Dos capítulos de esta novela sobre Supe fueron publicados en vida del escritor, «Mar de Harina» y «El Pelón». En este artículo recojo información que da luces sobre estos textos y sus personajes, ya que fueron tomados de la realidad. Me baso en fuentes orales, tanto de mi memoria personal y familiar como de las conversaciones tenidas con pobladores actuales del puerto en un conversatorio en 2004 sobre los personajes descritos en el inacabado proyecto novelístico.
It had several names, «Harina Mundo», «Mar de Harina», «Jonás», «El pez grande», and was a literary project that José María Arguedas started after the publication of Todas las  Sangres (1964). The novel was intended to tell the story of ‘the transformations of Puerto Supe’, a fishing town he knew well, for he spent there the summer of 1943 and 1963. As we know, Arguedas later transformed this project into his last novel called El zorro de Arriba y el zorro de Abajo, which took place in the port of Chimbote.Two chapters of the unfinished novel about Supe were published while Arguedas was still alive: «Mar de Harina» and «El Pelón». In this article I present information about those chapters and the characters they portray, given that they were taken from real life. For this purpose, I draw on oral sources, such as my personal memories and the conversations I held in 2004 with the current inhabitants of Supe, about the characters of this unfinished project.
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Gassner, Gunter. "Unfinished and unfinishable : London's skylines." Thesis, London School of Economics and Political Science (University of London), 2013. http://etheses.lse.ac.uk/804/.

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How is the city seen from a distance? With regard to ‘world cities’ and their battle for recognisable city-images, this is an aesthetic, political and historiographical question. How does a particular representation of the city’s past become useful for economic globalisation? This thesis analyses the relationships between history, power and profit as played out on a city’s skylines. It is conceived as a politicisation of the aesthetics of skylines, which speaks to the increasing power of aesthetic arguments in developer-driven urbanisation processes. My focus is on professional debates attending the development of the City of London’s ‘formal skyline’ prior to the economic recession; debates between architects, historians and townscape consultants, which revolved around the visibility of the emerging high-rise cluster that is located adjacent to listed buildings and conservation areas. I show how the conservatism that is encapsulated in concerns with the visual protection of historic landmarks is being transformed into ‘progressive’ arguments for constructing iconic towers. This transformation results from professionals’ pre-occupation with a single static viewpoint as providing a ‘definitive’ and easily marketable image of London, their fetishisation of St Paul’s as a building that needs to be visually enhanced, and their insistence to produce a unified skyline that is rooted in a linear historical narrative of continuity and change. In my critique of the intrinsic marriage of historical-aesthetic concerns with the prosaic pressing interests of finance capital I draw on two different traditions: the British Townscape movement and the idiosyncratic admixture of Marxism, Messianism and Modernism in the writings of Walter Benjamin. I challenge the prevalent understanding of ‘the new London skyline’ as a representative, aesthetically pleasing, compositional whole and argue for an understanding of skylines as unfinished and unfinishable, adversarial processes that is based on four conceptualisations: a cinematic skyline, which involves the notion of Surrealist montage, grounded in radical disjunction, unresolved tensions and contradictions; a non-auratic skyline, breaking with the conception of skylines as ‘enframed paintings’, foregrounding disruptive elements and providing for shock and distraction rather than contemplation; a multidirectional skyline, which attests manifold and marginalised histories that run counter the conventional historicist ideal conception of historical progress; an allegorical skyline in which meanings are multiplied and mortified and the unity and purity of the symbolic and the power of the iconic are fractured and fragmented, subject to political construction in the present.
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Herrmann, Andrew F. "Living a Father's Unfinished Narrative." Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/812.

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Spellmire, Adam. "Unfinished Quests from Chaucer to Spenser." Thesis, Tufts University, 2016. http://pqdtopen.proquest.com/#viewpdf?dispub=10118638.

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Late medieval English texts often represent unfinished quests for obscurely significant objects. These works create enchanted worlds where more always remains to be discovered and where questers search for an ur-text, an authoritative book that promises perfect knowledge. Rather than reaching this ur-text, however, questers confront rumor, monstrous babble, and the clamor of argument, which thwart their efforts to gather together sacred wholeness. Yet while threatening, noise also preserves the sacred by ensuring that it remains forever elsewhere, for recovering perfect knowledge would disenchant the world. Scholarship on medieval noise often focuses on class: medieval writers tend to describe threats to political authority as noisy. These unfinished quests, though, suggest that late medieval literature’s complex investment in noise extends further and involves the very search for the sacred, a search full of opaque language and unending desire. Noise, then, becomes the sound of narrative itself.

While romance foregrounds questing most clearly, these ideas appear in a variety of genres. Chapter 1 shows that in the House of Fame rumor both perpetuates and undermines knowledge, so sacred authority must remain beyond the poem’s frame. Chapter 2 juxtaposes the Parliament of Fowls and the Canon’s Yeoman’s Tale, in which lists replace missing quest-objects, the philosopher’s stone and certainty about love. Chapter 3 centers on Piers Plowman, which becomes encyclopedic as one attempt to “preve what is Dowel” leads to another, and Will never definitively learns how to save his soul, the knowledge he most wants. Chapter 4 turns to Julian of Norwich’s search for divine “mening” and her confrontation with an incoherent fiend, an anxious moment that aligns her with these less serene contemporaries. Chapter 5 argues that Thomas Malory’s elusive, noisy Questing Beast at once bolsters and undermines chivalry. The final chapter looks ahead to Book VI of The Faerie Queene, where the Blatant Beast, a sixteenth-century amalgam of the fame tradition and the Questing Beast, menaces Faery Land yet, as a figure for poetry, also contributes to its enchantment. In trying to locate and maintain the sacred, these unfinished quests evoke worlds intensely anxious about “auctoritee.”

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Chahine, Melissa. "On the Unfinished and Failure in Art." Thesis, The University of Sydney, 2018. http://hdl.handle.net/2123/18230.

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My work consists of wooden structures in the shape of rectangular prisms with varying heights. The structures are wrapped with wool but because of the heavy handedness of the pull, the structures have twisted through time and now result in distorted, warped structures. Some works in the series are more transparent as they are intentionally left unfinished, revealing the process through its imperfections. The structures continue to twist and warp through time, creating an infinite work that dance in the space, giving the work a human quality. Although the first work failed as the aim was only to create a straight edged rectangular prism, the outcome was more of a success as it created a more intriguing work that formed relationships. There is a fascination in the unfinished and failed works of artists, which is something I explore. I look at the types of unfinished works, those that are literally unfinished and those that appear unfinished. Both types of unfinished works reveal the process and create a picture of the artist in the studio working. There is a fascination in the unfinished as the viewer is able to add to the work through imagination, or in some works physically. Therefore, the process becomes of more importance than its progress. There is a questioning of whether an artwork is truly a failure. Some artists intentionally invite failure into their work as there is a chance success can emerge from it. I believe that a work is truly a failure when it does not meet the artist’s expectations. When a work is intentionally made to fail it gives an impression of failure. Deconstructivist architecture is warped and looks as if it may break at any moment, also giving an impression of failure. Whether intentional or not, it is the failed works that are more intriguing rather than the plain geometric abstract structures. Failure and the unfinished no longer carry negative connotations, but are now embraced.
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Abrahams, Brent Nicholas. "Unfinished lives: The biographies of Nokuthula Simelane." University of the Western Cape, 2018. http://hdl.handle.net/11394/6246.

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Magister Artium - MA (History)
Nokuthula Simelane, born near Bethal in Mpumalanga, joined the ANC's armed-wing uMKhonto we Sizwe (MK) as a courier while studying at the University of Swaziland in the early 1980s. In 1983 she set out on a mission to South Africa on the pretext of purchasing clothing for her up-coming graduation. Simelane was however abducted, and has since not been heard from nor has her body been found. Her disappearance was one of those examined by the Truth and Reconciliation Commission (TRC) of South Africa. These are some facts about Simelane. This thesis seeks to explore how Simelane's biographies manifest themselves across multiple genres and in so doing determine their similarities and differences, with a view to understanding the difficulties of producing the biography of a missing person. The genres of biography I examine relation to Simelane are: the TRC's Amnesty Committee (AC) hearings, the Human Rights Violations Committee (HRVC) hearing, their transcripts and the TRC reports; a documentary film called Betrayal directed by Mark Kaplan; and a statue of Simelane located in Bethal sculpted by Ruhan Janse van Vuuren.
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Periard, David Andrew. "Personality's Influence on Burnout: An Unfinished Puzzle." Wright State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=wright1387277737.

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Herrmann, Andrew F. "The Ghostwriter: Living a Father’s Unfinished Narrative." Digital Commons @ East Tennessee State University, 2014. https://dc.etsu.edu/etsu-works/478.

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Book Summary: Who are we with-and without-families? How do we relate as children to our parents, as parents to our children? How are parent-child relationships-and familial relationships in general-made and (not) maintained? Informed by narrative, performance studies, poststructuralism, critical theory, and queer theory, contributors to this collection use autoethnography-a method that uses the personal to examine the cultural-to interrogate these questions. The essays write about/around issues of interpersonal distance and closeness, gratitude and disdain, courage and fear, doubt and certainty, openness and secrecy, remembering and forgetting, accountability and forgiveness, life and death. Throughout, family relationships are framed as relationships that inspire and inform, bind and scar-relationships replete with presence and absence, love and loss. An essential text for anyone interested in autoethnography, personal narrative, identity, relationships, and family communication.
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Books on the topic "Unfinished"

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Unfinished Journey. London: Hale, 1989.

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Beard-Williams, Diana. Unfinished business. Coral Springs, FL: Llumina Press, 2005.

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Caimi, Gina. Unfinished rhapsody. New York: Silhouette Desire, 1986.

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Pearson, Sybille. Unfinished stories. New York: Dramatists Play Service, 1993.

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Laws, Jay B. The unfinished. Boston: Alyson Publications, 1993.

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Rānaḍe, Mohana. Struggle unfinished. Goa: Vimal Publications, 1988.

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Caimi, Gina. Unfinished rhapsody. New York: Silhouette Desire, 1986.

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Unfinished portrait. Sŏul-si: Han-Mi Munhwa Yesul Chaedan, 2010.

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Tucci, Niccolò. Unfinished funeral. Mount Kisco, N.Y: Moyer Bell Limited, 1992.

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Bodies unfinished. London: Oberon Books, 2011.

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Book chapters on the topic "Unfinished"

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Kuby, Candace R. "Unfinished." In Philosophical Mentoring in Qualitative Research, 108–22. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003022558-12.

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Hanson, Charles G. "Unfinished Business." In Taming the Trade Unions, 88–100. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21319-1_9.

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Ackerman, John. "Unfinished Poems." In A Dylan Thomas Companion, 155–62. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-05608-8_8.

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Ackerman, John. "Unfinished Poems." In A Dylan Thomas Companion, 155–62. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-13373-4_8.

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Raiser, Konrad. "Unfinished Religion." In Carl Friedrich von Weizsäcker, 126–34. Cham: Springer International Publishing, 2014. http://dx.doi.org/10.1007/978-3-319-03704-2_13.

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Gooch, Jan W. "Unfinished Worsted." In Encyclopedic Dictionary of Polymers, 781. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_12338.

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Abarbanel, Henry D. I. "Unfinished Business." In Understanding Complex Systems, 221–26. New York, NY: Springer New York, 2013. http://dx.doi.org/10.1007/978-1-4614-7218-6_7.

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Hollway, Wendy. "Unfinished Business." In Knowing Mothers, 185–92. London: Palgrave Macmillan UK, 2015. http://dx.doi.org/10.1057/9781137481238_9.

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Möller, Frank. "Unfinished Business." In Visual Peace, 178–93. London: Palgrave Macmillan UK, 2013. http://dx.doi.org/10.1057/9781137020406_9.

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Asa, Briggs. "Unfinished Business." In Michael Young, 310–28. London: Palgrave Macmillan UK, 2001. http://dx.doi.org/10.1057/9780230508521_10.

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Conference papers on the topic "Unfinished"

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Li, Jiabao, Lu Wang, Wenying Wu, Laobai Wu, and Min Zhu. "Unfinished Farewell." In SIGGRAPH '21: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3450623.3464646.

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Hahn, Walther V. "Unfinished language." In the 13th conference. Morristown, NJ, USA: Association for Computational Linguistics, 1990. http://dx.doi.org/10.3115/992507.992529.

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Li, Jiabao, Laobai Wu, Wenying Wu, Lu Wang, and Min Zhu. "Unfinished Farewell." In CHI '22: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2022. http://dx.doi.org/10.1145/3491101.3519897.

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Herrmann, Erik. "Unfinished Business." In 2017 ACSA Annual Conference. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.amp.105.29.

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Friederichs-Büttner, Gesa, Benjamin Walther-Franks, and Rainer Malaka. "An unfinished drama." In the Designing Interactive Systems Conference. New York, New York, USA: ACM Press, 2012. http://dx.doi.org/10.1145/2317956.2318072.

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BLACK, JOHN H. "ASTROCHEMISTRY: AN UNFINISHED SYMPHONY." In Contributions to Atomic, Molecular, and Optical Physics, Astrophysics, and Atmospheric Physics. PUBLISHED BY IMPERIAL COLLEGE PRESS AND DISTRIBUTED BY WORLD SCIENTIFIC PUBLISHING CO., 2009. http://dx.doi.org/10.1142/9781848164703_0010.

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Agustina, Hiqma Nur. "Latifa, Afghan Women and Unfinished Struggle." In Proceedings of the Second Conference on Language, Literature, Education, and Culture (ICOLLITE 2018). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icollite-18.2019.25.

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Berry, Michael. "Optical singularities: A long and unfinished symphony." In Frontiers in Optics. Washington, D.C.: OSA, 2003. http://dx.doi.org/10.1364/fio.2003.thl1.

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Bazanchuk, G. A., and S. V. Kurakov. "An unfinished play for the mechanical... faculty." In Психология творчества и одаренности. Москва: Ассоциация технических университетов, 2021. http://dx.doi.org/10.53677/9785919160458_76_86.

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Prizzon, Francesco. "COMPLETING UNFINISHED WORKS IN ITALY: PROCEDURES, FINDINGS, SYNERGIES." In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/13/s03.015.

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Reports on the topic "Unfinished"

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Lerardi, Heather J. Kosovo: Unfinished Business. Fort Belvoir, VA: Defense Technical Information Center, March 2005. http://dx.doi.org/10.21236/ada432530.

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Bordo, Michael, and Harold James. Partial Fiscalization: Some Lessons on Europe’s Unfinished Business. Cambridge, MA: National Bureau of Economic Research, March 2017. http://dx.doi.org/10.3386/w23220.

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JA Edmonds, CN MacCracken, RD Sands, and SH Kim. UNFINISHED BUSINESS: The Economics of The Kyoto Protocol. Office of Scientific and Technical Information (OSTI), July 2000. http://dx.doi.org/10.2172/757660.

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White, Howard. The unfinished evidence revolution: riding the five waves. Centre of Excellence for Development Impact and Learning (CEDIL), 2022. http://dx.doi.org/10.51744/mwp8.

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This paper by Howard White, titled ‘The unfinished evidence revolution: riding the five waves’ examines the current state of each of the waves of the evidence revolution, reflecting on how the evidence revolution has developed through different waves, examining the current state of each wave, before discussing the implications for evaluation in the field of international development. This paper examines the current state of each of the waves of the evidence revolution. I offer a critical perspective on each wave, and discuss the implications for evaluation in the field of international development. Whilst the use of evidence has grown, underuse and misuse remain. More importantly, there has been a failure to institutionalize the use of evidence beyond the intervention level. The last part offers some concluding comments.
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Kuehl, Dale C. Unfinished Business: The Sons of Iraq and Political Reconciliation. Fort Belvoir, VA: Defense Technical Information Center, March 2010. http://dx.doi.org/10.21236/ada521771.

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Mendes, Isa. Mending bridges: the Unfinished Business of the US and Cuba. E-papers Servicos Editoriais Ltda, April 2015. http://dx.doi.org/10.48207/23181818/pb0506.

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TOUIMI-BENJELLOUN, ZINEB, and Joanne Sandler. Collective Power for Gender Equality: An Unfinished Agenda for the UN. United Nations University International Institute for Global Health, July 2022. http://dx.doi.org/10.37941/qlst4565.

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Tucho, F., A. Fernández-Planells, M. Lozano, and M. Figueras-Maz. Media Literacy, unfinished business in the training of journalists, advertisers and audiovisual communicators. Revista Latina de Comunicación Social, November 2015. http://dx.doi.org/10.4185/rlcs-2015-1066en.

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Foley, Kevin L. Navy-Marine Corps Operational Command Relationships and the Joint Force Commander: Unfinished Business. Fort Belvoir, VA: Defense Technical Information Center, February 1998. http://dx.doi.org/10.21236/ada348803.

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Jha, Saumitra. "Unfinished Business": Ethnic Complementarities and the Political Contagion of Peace and Conflict in Gujarat. Cambridge, MA: National Bureau of Economic Research, July 2013. http://dx.doi.org/10.3386/w19203.

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