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Relevant bibliographies by topics / United States. Consulate (Cienfuegos, Cuba)

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Academic literature on the topic 'United States. Consulate (Cienfuegos, Cuba)'

Author: Grafiati

Published: 26 July 2024

Last updated: 31 July 2025

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Journal articles on the topic "United States. Consulate (Cienfuegos, Cuba)"

1

Brehony, Margaret, and Giselle González García. "Irish Immigrants in Colonial Port Cities of Cuba: Havana, Santiago, and Cienfuegos." Journal of American Ethnic History 44, no. 1 (2024): 111–34. http://dx.doi.org/10.5406/19364695.44.1.06.

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Abstract The port city of Havana, central to the Spanish colonial fleet system since the late sixteenth century, remained an important nexus for nineteenth-century Atlantic trade networks of sugar, coffee, tobacco, and the slave trade. Positioning Irish immigrants in this global hub allows us to examine their presence in Cuba and their participation in global circuits of commodities, trade, and labor. Drawing on local colonial sources, we evaluate the opportunities and experiences of Irish immigrants as social actors in the multi-ethnic urban spaces of Havana and other strategically located po

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2

Marimon, Marlene, Michael P. Oatham, Francisco Jiménez-Rodríguez, Eugenio Santiago-Valentín, and Javier Francisco-Ortega. "The 1932 expedition of David Fairchild to the Caribbean on board Utowana: Botanizing in Beata, Saona, Trinidad, Tobago, and Tortola islands." Journal of the Botanical Research Institute of Texas 16, no. 2 (2022): 505–32. http://dx.doi.org/10.17348/jbrit.v16.i2.1263.

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Research conducted in the Archive and Library of Fairchild Tropical Botanic Garden, the U.S. National Archives, and the U.S. National Herbarium allowed us to reconstruct field work performed by David Fairchild (1869–1954) in the islands of Beata, Saona, Tobago, Tortola, and Trinidad in 1932. This was part of a larger expedition to the Caribbean Islands, Suriname and Guyana by the United States Department of Agriculture between December 1931 and April 1932. During the collection endeavor to these five islands, 261 photographs were taken, 82 herbarium collections (75 species) were made, and 185

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3

Martorell Linares, Miguel. "“Procuraré morir matando o acabará mi vida”: el duelista y la muerte." Vínculos de Historia Revista del Departamento de Historia de la Universidad de Castilla-La Mancha, no. 12 (June 28, 2023): 105–24. http://dx.doi.org/10.18239/vdh_2023.12.05.

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RESUMENEl riesgo de morir en duelo fue consustancial a la cultura del honor. Incluso en países, como Francia o España, donde la muerte en duelo no era habitual. El nexo entre honor y vida, o entre sus contrarios, deshonor y muerte, permeaba el imaginario cultural de las élites liberales. La épica de los duelos giraba en torno a la probabilidad de que un combatiente pereciera, y aun cuando la muerte no fuese el objetivo buscado en el lance, siempre pesaba la incertidumbre: la amenaza de recibir una estocada dolorosa o la eventualidad de una lesión grave. La muerte planeaba sobre los desafíos y

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4

"Investigations Continue into Mysterious Illness Affecting U.S. Officials in Havana and Elsewhere." American Journal of International Law 115, no. 3 (2021): 527–35. http://dx.doi.org/10.1017/ajil.2021.27.

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In late 2016, officials at U.S. and Canadian diplomatic posts in Havana, Cuba, began reporting a cluster of symptoms, including nausea, severe headaches, and dizziness, that came to be known as “Havana Syndrome.” The illnesses prompted the departure of U.S. personnel from Havana in 2017, and subsequent cases have been reported among personnel assigned to the U.S. consulate in Guangzhou, China and elsewhere. In recent months, three reports related to the illnesses and the government's response have become public. A Center for Disease Control (CDC) report examined medical records and produced a

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Books on the topic "United States. Consulate (Cienfuegos, Cuba)"

1

Our Consul in Havana Confidential and Classified Documents and Information Gathered by the American Consulate in Havana During the Days of the Cuban Wars of Independence (1868-1898). Ediciones Universal, 2018.

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