Relevant bibliographies by topics / Units of cinematography

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Units of cinematography'

Author: Grafiati
Published: 2 June 2025
Last updated: 31 July 2025

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Journal articles on the topic "Units of cinematography"

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Hussein, Dr Safaa Abdul-Kadhim. "Cinematography in the Novel City of Images." Thi Qar Arts Journal 1, no. 44 (2023): 210–33. http://dx.doi.org/10.32792/tqartj.v1i44.485.

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The novel is a literary genre based on written language. It is founded on the element of narration primarily, which meets in most cases with the element of description, where they form together an extension governed by an event structure based on the sequence of causes and their effects, as Todorov suggests. In addition to the existence of a narrator, characters, spaces and times, it thus meets with a group of other literary genres in this aspect, such as the genre of the tale and the story.
 But what distinguishes it is that it is a literary genre capable of containing various other genr
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Ісаєнко, Оксана Володимирівна. "НАУКОВА РЕЦЕПЦІЯ ТЕРМІНОПОНЯТЬКІНОІНДУСТРІЇ В УКРАЇНСЬКІЙ КІНОЛЕКСИКОГРАФІЇ". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 40 (28 жовтня 2015): 145–49. https://doi.org/10.5281/zenodo.32838.

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<em>The article deals with the lexical units from the field of cinematography from the point of view of their terminological nature and the main approaches to their classification were defined on the basis of the material taken from professionally arranged dictionaries by V.N. Myslavskiy and S.I. Yutkevich as well as from the Internet-glossaries founded on the Ukrainian national cinema portals. The system of film terms is ramified and it continues to renew and develop its structure that is why the necessity of its detailed analysis arises. The central aim of the article is to identify the prim
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Pankratova, S. A. "Peculiarities of the Functioning of the Taboo Lexicon in the Modern Western Cinematography." Discourse 9, no. 1 (2023): 130–41. http://dx.doi.org/10.32603/2412-8562-2023-9-1-130-141.

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Introduction. The article reviews peculiarities of functioning of taboo lexis, which is a manysided and indispensable aspect of modern filmmaking. The study aims at the analysis of taboo functioning in the linguistic field in order to improve foreign content application in compliance with censorship requirements. The implementation presupposes analysis of taboo lexical units, revealing their functioning features as regards to acceptable implementation of the taboo and to depict the possible ways of optimization of its use in modern cinema.Methodology and sources. The article presents results o
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Danylenko, Volodymyr. "The Russian-Ukrainian War in Donbass in Ukrainian Cinematography." Ukrainian Information Space, no. 5 (June 4, 2020): 208–18. https://doi.org/10.31866/2616-7948.1(5).2020.206129.

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Russian authorities do not recognize their participation in the Donbass war. Participation concealment in military conflicts is a long-standing Russian political tradition. The Soviet Union, which was modernized by Russia, did not recognize that it had fought in Korea, Vietnam, Angola, and Ogaden. Modern Russia, which has deployed its forces to Donbass, is officially convincing the world community and Russians that this war is an internal civil conflict in Ukraine. Although all information is available on the Internet about which Russian units are fighting in Donbass, who controls them and whe
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Khmelnytska, Liudmyla. "REPRODUCTIVE POLICY OF THE SOVIET AUTHORITY AGAINST THE CREATORS OF THE UKRAINIAN CINEMATOGRAPH OF THE SECOND HALF OF THE 1960s - THE FIRST HALF OF THE 1980TH CENTURY." Journal of Ukrainian History, no. 39 (2019): 53–60. http://dx.doi.org/10.17721/2522-4611.2019.39.7.

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The purpose of the paper is to unblended analysis of sources and literature on the repressive policy of Soviet power against the representatives of Ukrainian cinema. In general, the main principles of party-state policy in the field of cinematography, including the mechanism of the influence of ideology on the cinematographic process in the Ukrainian SSR, are grounded, and the interaction between public administration and creative organizations is grounded; The main methods and forms of the repressive policy directed against the artists of Ukrainian cinema are described. The existing structure
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YEFANOV, ALEXANDER A. "Reversibility of the Socialist Realism Aesthetics (on the Example of the Modern Russian Cinematography)." Art and Science of Television 18, no. 2 (2022): 41–57. http://dx.doi.org/10.30628/1994-9529-2022-18.2-41-57.

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The article studies reversibility of socialist realism aesthetics—a trend in the modern Russian cinematography—from a socio-cultural perspective. An integrative cultural-philosophical approach serves as research optics. It combines the features of the traditional cultural method (focusing on the basic units of culture—material products and works of art—and behavior patterns formed on their basis) and aesthetic approach (an appeal to the reflective study of expressive forms of art products and their influence on mass consciousness, as a result of which mass culture is constructed). The potentia
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Ісаєнко, Оксана Володимирівна. "МІЖГАЛУЗЕВІ ТЕРМІНИ В ТЕРМІНОЛОГІЧНІЙ СИСТЕМІ УКРАЇНСЬКОЇ СФЕРИ КІНО". Збірник наукових праць ХНПУ імені Г.С. Сковороди "Лінгвістичні дослідження", № 14 (30 березня 2016): 168–72. https://doi.org/10.5281/zenodo.48616.

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<em>The article deals with the lexical units from the field of cinematography from the point of view of their intersectoral usage on the basis of Ukrainian film terms system. One of the peculiar features of terminology is the functioning of its units in different scientific, cultural and social fields. The appearance of terms which are used in different term systems is explained by the fact, that a term as a component of lexical semantic system changes and develops its peculiarities as well as the language is constantly in motions enriching its lexical structure under the influence of differen
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Ilin, Aleksandr Aleksandrovich. "History and modification of modern cinematic vocabulary." Litera, no. 8 (August 2023): 68–78. http://dx.doi.org/10.25136/2409-8698.2023.8.43454.

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This article is devoted to the diachronic modification of the cinematic vocabulary of the modern German language. The relevance of this study is determined by the insufficient study of the formation and development of German film lexicon in the XXI century, which contributes to new research on this issue in modern linguistics; as well as the need to study the process of formation and evolution of the German language film lexicon to identify linguistic and cultural features of this area of vocabulary.The purpose of the study is to determine the semantic features of the lexical units of the Germ
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Antsiferova, A. N. "Role of dysphemisms in the English-language film space." Vestnik of Samara University. History, pedagogics, philology 30, no. 3 (2024): 195–200. http://dx.doi.org/10.18287/2542-0445-2024-30-3-195-200.

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The topicality of undertaken research is determined by the constantly changing social norms in modern society, which are reflected in the cinematographic world. Cinematography provides a golden opportunity to consider and analyze a range of unique linguistic phenomena. The major purpose of the present paper is to study the phenomenon of dysphemisation in the English-speaking film space based on the set of the following films in English: Green Book by the American film director, Peter J. Farrelly, the screen adaptation of the autobiography 12 Years a Slave by Terrence S. McQueen, the well-known
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Stolyarova, Anastasiia O. "Key Components of Communicative Situation of Business Negotiations." NSU Vestnik. Series: Linguistics and Intercultural Communication 18, no. 1 (2020): 120–31. http://dx.doi.org/10.25205/1818-7935-2020-18-1-120-131.

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The following article considers the concepts of communicative situation, business discourse and business negotiations, as well as the specificity of their functioning. The research focuses on the cinematographic representation of communicative situation per se, which is of great interest within the field of business discourse. Taking into account sustained attention of present-day linguistics to institutional discourse in general and business discourse in particular, the need for a detailed study of the functioning of professional discourse seems quite urgent. As examples of the present study
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Dissertations / Theses on the topic "Units of cinematography"

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Viñolo, Locubiche José Samuel. "El modelo de producción industrial de animación 3D estadounidense." Doctoral thesis, Universitat de Barcelona, 2017. http://hdl.handle.net/10803/405853.

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La irrupción de la animación 3D a mediados de la década de 1990 supuso una de las transformaciones tecnológicas mas rápidas y profundas del audiovisual contemporáneo, con repercusiones que afectaron de manera muy especial los procesos industriales, económicos y artísticos de la animación en los Estados Unidos de América. La presente tesis doctoral se centra en la producción de largometrajes y series estadounidenses realizados con esta técnica de animación entre 1995 y 2015. La investigación intenta determinar hasta qué punto las características económicas, productivas y formales que definen la
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Eliopoulos, Mariamne. "Esthétique et intertextualité dans les films des frères Coen." Thesis, Paris 3, 2014. http://www.theses.fr/2014PA030136.

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L’intertextualité filmique de l’oeuvre des frères Coen permet un recyclage des formules génériques et stylistiques qui font partie des traditions du cinéma. Les frères Coen empruntent des techniques et des thèmes tant au cinéma de l’époque des studios qu’à des écrivains du XXe siècle comme Raymond Chandler ou James Joyce. Une étude narratologique des procédes des frères Coen apportera une appréciation de leursinnovations dans la mise en scène. Leurs réécritures des schémas du passé donnent à ces films des ancrages dans la contemporanéité. Cette esthétique de réécriture sera analysée dans le co
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Loiseau, Elise. "Théâtralité de la scène de folie dans l'oeuvre de John Cassavetes et Martin Scorsese." Thesis, Paris 3, 2019. http://www.theses.fr/2019PA030069.

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Dans l’œuvre de John Cassavetes et de Martin Scorsese, la folie s’incarne selon deux modalités opposées: affectivité débordante chez l’un, enfermement mental et pulsion destructrice chez l’autre. La représentation de la folie implante dans l’image cinématographique une théâtralité spécifique, dont cette thèse explore les dimensions. La théâtralité d’un film peut d’abord être engendrée par le travail sur l’espace. Il est alors reconfiguré aux dimensions de la scène de théâtre, et affranchi du réalisme traditionnellement rattaché au cinéma. La représentation se resserre s
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Minguez-Cunningham, Caroline. "Évolution des droits de l'homme aux États-Unis : étude des notions d'esclavagisme et de traumatisme culturel et du mouvement abolitionniste à travers trois représentations cinématographiques : the Birth of a Nation, de D. W. Griffith, (1915), Amistad, de Steven Spielberg, (1997) et The Help de Tate Taylor,(2011)." Thesis, Lyon 3, 2015. http://www.theses.fr/2015LYO30014/document.

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La thématique de l’esclavage aux États-Unis nous a toujours interpellés, interrogés et nous a toujours donné envie d’en savoir plus et de comprendre comment un tel système a pu perdurer pendant plus de deux cents ans, provoquer la division profonde d’une nation et une guerre civile pour finalement laisser des traces et des marques indélébiles sur les États-Unis. Cet intérêt nous a poussés à nous intéresser tout d’abord à la notion du traumatisme culturel de l’esclavage, puis, à sa représentation cinématographique dans le cinéma américain par trois cinéastes américains (D. W. Griffith, né en 18
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Books on the topic "Units of cinematography"

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Harrick, Keith. Media literacy: An introduction to film and film technology, grade 9, unit 1. Essex County Board of Education, 1994.

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Szczesnik, Maciej. Unity 5.x Animation Cookbook. Packt Publishing - ebooks Account, 2016.

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Chronicle of a Camera: The Arriflex 35 in North America, 1945-1972. University Press of Mississippi, 2018.

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Chronicle of a Camera: The Arriflex 35 in North America, 1945-1972. University Press of Mississippi, 2013.

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Bannah, Max. Wharfie Animator. Taylor & Francis Group, 2020.

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Bannah, Max. Wharfie Animator: The Sydney Waterfront, Harry Reade, and the Cuban Revolution. Taylor & Francis Group, 2020.

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Bannah, Max. Wharfie Animator. Taylor & Francis Group, 2020.

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Bannah, Max. Wharfie Animator: The Sydney Waterfront, Harry Reade, and the Cuban Revolution. Taylor & Francis Group, 2020.

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Wharfie Animator: The Sydney Waterfront, Harry Reade, and the Cuban Revolution. Taylor & Francis Group, 2020.

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Book chapters on the topic "Units of cinematography"

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Selaković, Irena. "USVAJANJE IDIOMATSKIH KONSTRUKCIJA NA ŠPANSKOM JEZIKU UZ POMOĆ ŽARGONIZAMA IZ HISPANSKE KINEMATOGRAFIJE." In JEZIK, KNJIŽEVNOST, ALTERNATIVE/LANGUAGE, LITERATURE, ALTERNATIVES - Jezička istraživanja. Filozofski fakultet u Nišu, 2022. http://dx.doi.org/10.46630/jkaj.2022.35.

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In this paper, we present an alternative way of acquiring idiomatic structures in Spanish through the use of jargon which abounds in the achievements of Hispanic cinematography. In many cases, idiomatic constructions are a problem when learning Spanish as a foreign language, and students often create an aversion to them in advance because not enough attention is devoted to them at the initial levels of language learning. Another problem for acquiring them may be the teacher’s strict focus on the grammar-translation or direct teaching methods. However, the nature of phraseological units require
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Seçmen, Emre Ahmet. "A Sequel About the Expansion of the Cinematic Universe." In Advances in Media, Entertainment, and the Arts. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-7864-6.ch007.

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The narrators and the designers of the art of cinema build a universe from scratch according to the scenario. In the construction of this universe, cinematographic elements must reach a harmonious unity. The universe should not only contain content within itself, but also new and original content according to the previous design. Avatar, which was released in 2009, presented the planet Pandora in which the story takes place and its own universe with many elements to the audience. Avatar: The Way of Water, which was released in December 2022, also shows that this created universe has many more
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Altuncu, Damla. "Cinematographic Analysis of Nuri Bilge Ceylan's Films in the Context of Rural Sociology." In Advances in Media, Entertainment, and the Arts. IGI Global, 2023. http://dx.doi.org/10.4018/978-1-6684-7864-6.ch005.

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This study discusses subject of unity in space through Nuri Bilge Ceylan films The Small Town, Clouds of May, and Distant. In the study, the village's socio-geographical structure was examined through sequels. The hypothesis of research is the effect of social organization changes in space can be understand through village houses, which are projection of social memory. The aim of research is to investigate social changes in countryside, through films in rural sociology point of view. The scope of research is limited to cinematographic features of Nuri Bilge Ceylan's provincial sequels. In the
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Ensarioğlu, Sebla Arın. "The Unity of Fictive World and Vision of Reality in the “Blade Runner” Universe." In Architecture in Cinema. BENTHAM SCIENCE PUBLISHERS, 2024. http://dx.doi.org/10.2174/9789815223316124010044.

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In this study, the relationship between the fictional world created in Ridley Scott's Blade Runner movie and the reality of 2019, in which the movie takes place, and how consistent the predictions for the future are, are evaluated. This narrative, in which cinematography, architecture, and world of thought are intertwined, is one of the pioneering and cult examples of cyber-punk, techno-noir, and future-noir genre cinema. In the text, in which the intellectual infrastructure and architectural and theoretical references of the dystopian universe created in the movie are examined, the city of Lo
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Marsh, Charles. "Christ as the Mediation of the Other." In Reclaiming Dietrich Bonhoeffer. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195087239.003.0005.

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Abstract Karl Barth once said that we must always think three times before contradicting Hegel’s system, “because we might find that everything we are tempted to say in contradiction to it has already been said within it.”1 Hegel wanted his thought to mirror the full movement of life, and to Barth (avid moviegoer no less than Mozart aficionado) this movement proceeds like the film of the cinematograph, though one so extraordinary that it depicts “the rhythm of life itself,” running exhaustively through the fullness of history, capturing the “exact recollection” of the observed plenitude of bei
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Nygaard, Taylor, and Jorie Lagerwey. "Alternative Families and White Fragility." In Horrible White People. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479885459.003.0003.

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This chapter zeroes in on Horrible White People shows’ generic structures, aesthetic innovations, and relationship to sitcom history, focusing particularly on how the sitcom has historically perpetuated an idealized form of aspirational white domesticity and contained, incorporated, or appropriated racial and ethnic diversity. This chapter traces the significant ways Horrible White People shows break from sitcom conventions and highlight how rather than celebrate or romanticize kinship and solidarity as the genre’s traditional focus on idealized nuclear families does, this cycle of bleakly com
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Conference papers on the topic "Units of cinematography"

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Stoyanova, Radostina. "Bulgarian, Russian and Ukrainian Terminology in Cinematography: Origin and Conceptual Structure of Terminological Units." In 4th International Conference on Art Studies: Science, Experience, Education (ICASSEE 2020). Atlantis Press, 2020. http://dx.doi.org/10.2991/assehr.k.200907.056.

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Caruntu-Caraman, Livia. "The Expanding of the Terms of English Origin Meaning in Different Domains." In Conferință științifică internațională "Filologia modernă: realizări şi perspective în context european". “Bogdan Petriceicu-Hasdeu” Institute of Romanian Philology, Republic of Moldova, 2022. http://dx.doi.org/10.52505/filomod.2022.16.46.

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The essence of the evolution of a language is characterized by the creation and permanent improvement of the means of expression. However, changes in the lexicon and, in general, language development are determined by the progress of objective reality. Thus, the language must use new lexical units to constantly enrich itself and to name realities that have recently appeared in various domains of public activity (politics, economy, sports, information technologies, fashion, music, cinematography, gastronomy, cosmetology and others). In the contemporary linguistic context, the innovative changes
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Ammer, Sawsan Mohammed Ezzat Ibrahim. "Minimal Units in the Cinematographic Language." In 8th International Conference on Modern Approach in Humanities. Acavent, 2020. http://dx.doi.org/10.33422/8th.mah.2020.02.13.

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Konovalova, А. V. "Patriotism in Russian Cinematography: Artistic Features of G. Chukhrai's Film "The Ballad of a Soldier"." In Book, History and Culture in the Context of Interdisciplinary Research. Scientific and Publishing Center "Science" of the Russian Academy of Sciences, 2024. https://doi.org/10.52929/9785605111047_25.

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The article examines the Russian military-patriotic feature film "The Ballad of a Soldier" (1959) from the period of the "Thaw" through a cultural and comparative analysis., directed by Grigory Chukhray). The author's artistic methods used in the film are considered, contributing to the development of civic engagement, national unity, and the formation of civic consciousness.
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MATVEEVA, E. V. "FILM ART AS A FORM OF CHRISTIAN DISCOURSE REPRESENTATION." In СЛОВО, ВЫСКАЗЫВАНИЕ, ТЕКСТ В КОГНИТИВНОМ, ПРАГМАТИЧЕСКОМ И КУЛЬТУРОЛОГИЧЕСКОМ АСПЕКТАХ. Chelyabinsk State University Publishing House, 2024. http://dx.doi.org/10.47475/9785727119631_67.

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The article is devoted to assessing the potential of film art as a form of Christian discourse elements representation and identifying ways to actualize Christian discourse in works of cinema based on the material of the American Christian drama “The Case for Christ”. The analysis of the film as an integral and complete product of film art is conducted at the level of three components: verbal, non-verbal and cinematographic. The results of the study show that at the level of verbal components, the most frequent structural type of biblicalisms are sentences. In most cases biblical lexical units
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