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1

Hamelin, Louis-Edmond. "Petite histoire de la géographie dans le Québec et à l’université Laval." Cahiers de géographie du Québec 7, no. 13 (April 12, 2005): 137–52. http://dx.doi.org/10.7202/020424ar.

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The development of geography in the province of Québec and its establishment as a course of study at Université Laval are described. For the province of Québec the writer defines five major periods of development of geography ; pre 1830 ; 1830-1880 ; 1880-1910 ; 1910-1945 ; and 1945 to the present. The last period represents the organisational phase of geography in the province and is by far the most important. Among other things, the reasons for the late appearance of geography are analysed and the present state of teaching and research in the province are outlined. Outside influences upon Québec geography are also discussed. The establishment of modem geography at Université Laval is outlined under three beadings : a) 1942-Sept. 1948 — the precursors. b) 1948-1954 — the establishment of geography in the program of the Faculté des lettres (teaching begins in September, 1948, the Cahiers in May, 1952, and summer courses in July, 1954). c) 1955 to the present —• the period of autonomy and expansion (organisational changes, periodicity of the Cahiers, the Mélanges Blanchard, symposia at the provincial level, and the establishment of the Centre d'études nordiques). In enterprise and achievement Laval bas played a leading role in the French-Canadian school of geography. The writer concludes by proposing a short term program for geography in Québec and at Université Laval.
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2

Houle, Vincent, Solène Maillet, Guillemette Martin, and Pierre-Yves Saunier. "Le « national » et l’« international » dans les sciences sociales." Emulations - Revue de sciences sociales, no. 26 (September 25, 2018): 117–27. http://dx.doi.org/10.14428/emulations.026.09.

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M. Pierre-Yves Saunier est professeur agrégé au département des sciences historiques de l'Université Laval à Québec. Cet entretien a été réalisé par Vincent Houle, doctorant en histoire en cotutelle entre l'Université Paris 1 Panthéon-Sorbonne (SIRICE) et l'Université de Montréal, Solène Maillet, doctorante en histoire à l’Université de Montréal et à l’Institut national des langues et civilisations orientales (Inalco, Paris), et Guillemette Martin, titulaire d'un Doctorat en Histoire contemporaine obtenu en 2013 à l’IHEAL (Institut des Hautes Études de l’Amérique Latine- Université Paris III Sorbonne Nouvelle) et enseignante et chercheuse dans le Département d’Histoire de la Universidad Iberoamericana à Mexico.
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3

Charron, Catherine. "Tailleurs de pierre : entre l’art et la matière." Terrains 16 (September 14, 2018): 119–33. http://dx.doi.org/10.7202/1051328ar.

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Les métiers traditionnels liés à l’architecture gagnent à être mis en valeur et à être reconnus pour leurs apports inégalés dans la protection et la conservation du patrimoine bâti. Parmi ces métiers, celui de tailleur de pierre fait écho à des techniques, des savoir-faire, une histoire ancestrale et une longue évolution dans le temps, qui méritent d’être mis à l’avant-scène. Dans cet article, on propose un retour critique sur un projet de collaboration entre une équipe d’étudiants en études patrimoniales (Université Laval) et le tailleur de pierre Adrien Bobin qui a mené aux développements de plusieurs stratégies de promotion du métier traditionnel et de transmission des connaissances à son sujet. En passant par la cocréation, la médiation culturelle, les technologies numériques et la mise en exposition muséale, on verra qu’une collaboration entre de jeunes chercheurs en patrimoine et des artisans du patrimoine bâti constitue une voie remplie de potentiel pour faire connaître ces métiers sans les dénaturer.
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Bazin, Jean. "Introduction." History in Africa 15 (1988): 391–94. http://dx.doi.org/10.1017/s0361541300009347.

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This collection brings together six papers of the some seventy that were presented at the international symposium held at Université Laval in October, 1987 entitled “Mémoires, Histoires, Identités”. Organized jointly by the History Department of Université Laval, the Ecole des Hautes études en sciences sociales de Paris and the Laboratoire 363 “Tiers-Monde-Afrique” CNRS/Université Paris VII, the symposium aimed to stimulate reflection and research on the links between the construction of identities and the production of history as a discourse on the past, and thus on the links maintained by two modes of production of History-the academic and the popular. Achieving this objective required a broadening of the empirical field to avoid unduly singularizing African experiences.The papers here concentrate on the process of the production of history by historical actors or by cultural intermediaries who, educated or not, are not of the university milieu which imposes the western conception of historical discourse. The relationships between academic and popular discourse and between the norms of the dominant culture and the practices of dominated cultures are at the center of the analyses.Isaiah Berlin recently summarized the past century as follows:The other, without doubt, consists in the great ideological storms that have altered the lives of virtually all mankind: the Russian Revolution and its aftermath – totalitarian tyrannies of both right and left and the explosions of nationalism, racism, and, in places, of religious bigotry, which, interestingly enough, not one among the most perceptive social thinkers of the nineteenth century had ever predicted.
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Grandvaux, Nathalie, and Craig McCormick. "CSV2018: The 2nd Symposium of the Canadian Society for Virology." Viruses 11, no. 1 (January 18, 2019): 79. http://dx.doi.org/10.3390/v11010079.

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The 2nd Symposium of the Canadian Society for Virology (CSV2018) was held in June 2018 in Halifax, Nova Scotia, Canada, as a featured event marking the 200th anniversary of Dalhousie University. CSV2018 attracted 175 attendees from across Canada and around the world, more than double the number that attended the first CSV symposium two years earlier. CSV2018 provided a forum to discuss a wide range of topics in virology including human, veterinary, plant, and microbial pathogens. Invited keynote speakers included David Kelvin (Dalhousie University and Shantou University Medical College) who provided a historical perspective on influenza on the 100th anniversary of the 1918 pandemic; Sylvain Moineau (Université Laval) who described CRISPR-Cas systems and anti-CRISPR proteins in warfare between bacteriophages and their host microbes; and Kate O’Brien (then from Johns Hopkins University, now relocated to the World Health Organization where she is Director of Immunization, Vaccines and Biologicals), who discussed the underlying viral etiology for pneumonia in the developing world, and the evidence for respiratory syncytial virus (RSV) as a primary cause. Reflecting a strong commitment of Canadian virologists to science communication, CSV2018 featured the launch of Halifax’s first annual Soapbox Science event to enable public engagement with female scientists, and the live-taping of the 499th episode of the This Week in Virology (TWIV) podcast, hosted by Vincent Racaniello (Columbia University) and science writer Alan Dove. TWIV featured interviews of CSV co-founders Nathalie Grandvaux (Université de Montréal) and Craig McCormick (Dalhousie University), who discussed the origins and objectives of the new society; Ryan Noyce (University of Alberta), who discussed technical and ethical considerations of synthetic virology; and Kate O’Brien, who discussed vaccines and global health. Finally, because CSV seeks to provide a better future for the next generation of Canadian virologists, the symposium featured a large number of oral and poster presentations from trainees and closed with the awarding of presentation prizes to trainees, followed by a tour of the Halifax Citadel National Historic Site and an evening of entertainment at the historic Alexander Keith’s Brewery.
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6

Hayne, David M. "Lorne Pierce et la littérature québécoise." Dossier 17, no. 2 (August 30, 2006): 232–47. http://dx.doi.org/10.7202/200959ar.

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Résumé Lome Pierce (1890-1961), directeur de la Ryerson Press, écrivain, bibliophile et docteur honoris causa des Universités Laval et de Montréal, s'efforça pendant quarante ans de faire connaître la littérature canadienne-française dans les milieux anglo-canadiens. Directeur d'une collection d'études en langue française, Pierce rédigea la première histoire intégrée des deux littératures canadiennes, échangea des centaines de lettres avec les principaux auteurs québécois de son époque, et fonda la médaille Lorne-Pierce, qui sera décernée par la suite à plusieurs écrivains et critiques du Québec.
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Grenier, Simon, Jean-Marie Konrad, and Denis LeBœuf. "Dynamic simulation of falling weight deflectometer tests on flexible pavements using the spectral element method: forward calculations." Canadian Journal of Civil Engineering 36, no. 6 (June 2009): 944–56. http://dx.doi.org/10.1139/l08-118.

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A dynamic analysis based on the spectral element method is described for the interpretation of falling weight deflectometer (FWD) tests on flexible pavements. This dynamic approach was implemented in the computer code Dynamic Analysis of Pavement - Université Laval (DYNAPAV-UL) that includes both frequency-independent hysteretic damping and frequency-dependent viscous damping material models. A parametric study was conducted on a four-layer flexible pavement to evaluate the influence of different layer moduli on deflection basins and deflection histories. The viscous behaviour of the asphalt concrete layer was also investigated. While the deflection basin currently used in static methods gives some details of the pavement response under transient loading, the simulations of FWD tests using the dynamic model suggest that the time histories should be included as well for the interpretation of FWD deflection measurements. In fact, important dynamic phenomena due to inertial effects and viscous effects are only revealed by deflection histories.
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St.Clair, RM. "Life histories of six species of Leptoceridae (Insecta: Trichoptera) in Victoria." Marine and Freshwater Research 44, no. 2 (1993): 363. http://dx.doi.org/10.1071/mf9930363.

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Life history studies were carried out for populations of six species of Leptoceridae. Study sites were a permanent river (Acheron), a temporary river (Lerderderg) and a permanent lake (Monash University). Life histories varied in degree of synchrony of larval development, in length of adult emergence period, and from bi- to semivoltine. Oviposition requirements of adults were found to be the major factor influencing synchrony of the life history of one species. Life history features did not ameliorate the effects of the severe drought of 1982-83, nor did drought result in large changes in life histories.
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Millard, Donna. "Our Roots: Canada's Local Histories Online/Nos Racines: Les Histoires Locales du Canada en Ligné2004172Our Roots: Canada's Local Histories Online/Nos Racines: Les Histoires Locales du Canada en Ligné. Calgary: University of Calgary and L'Université Laval 2003 to date. Last visited December 2003. Gratis URL: www.ourroots.ca." Reference Reviews 18, no. 3 (April 2004): 60–61. http://dx.doi.org/10.1108/09504120410528487.

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10

Gagnon, Nicole. "L'idéologie humaniste dans la revue L'Enseignement secondaire." Articles 4, no. 2 (April 12, 2005): 167–200. http://dx.doi.org/10.7202/055181ar.

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On peut étudier une idéologie scolaire sous deux aspects : le contenu de l'éducation où se trouve de façon concrète cette vision idéale de la culture ; et le système d'éducation, ou mécanisme de transmission de la culture, à travers lequel on devrait rejoindre le cœur même de la vision du monde d'une société. J'ai choisi ici d'étudier l'idéologie scolaire de la société canadienne-française seulement sous le premier aspect qui est logiquement antérieur au second. J'aborde cette idéologie par le niveau secondaire (enseignement classique) dont le clergé enseignant a eu, jusqu'à tout récemment, le monopole. On a ainsi un groupe de support bien défini : les « prêtres-éducateurs », professeurs de séminaires et de collèges classiques. Leurs conceptions sont formulées dans L'Enseignement secondaire, « revue des comités permanents des maisons d'enseignement secondaire affiliées à l'Université Laval et (après la séparation des deux universités) à l'Université de Montréal, sous la direction des Supérieurs des collèges affiliés ». Je prendrai comme point de départ l'idéologie telle qu'on la trouve au début de la revue, abstraction faite de son histoire antérieure, et je l'appellerai idéologie primitive, par rapport à l'évolution subséquente que je veux ici retracer.
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11

Jenkins, William, and Simon Reid-Henry. "The Eleventh International Conference of Historical Geographers, Université Laval, Quebec, 12–18 August 2001." Journal of Historical Geography 29, no. 2 (April 2003): 270–72. http://dx.doi.org/10.1006/jhge.2002.0525.

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12

Lachiver, Marcel. "Gérard Bouchard, Raymond Roy, Bernard Casgrain, Reconstitution automatique des familles : le système SOREP, Centre universitaire de recherches sur les populations, Université du Québec à Chicoutimi, Université Laval, Université McGill, dossier numéro 2, 1985, 2 vols, 521 p. et 224 p." Annales. Histoire, Sciences Sociales 44, no. 2 (April 1989): 417–18. http://dx.doi.org/10.1017/s0395264900067494.

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13

Reden, Sitta von. "Myles Lavan / Richard E. Payne / John Weisweiler (Eds.), Cosmopolitanism and Empire. Universal Rulers, Local Elites, and Cultural Integration in the Ancient Near East and Mediterranean. (Oxford Studies in Early Empires.) Oxford, Oxford University Press 2016." Historische Zeitschrift 307, no. 1 (August 5, 2018): 156–57. http://dx.doi.org/10.1515/hzhz-2018-1302.

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14

Serre, Simon Hansen, Kristian Ege Nielsen, Peter Fink-Jensen, Tonny Bernt Thomsen, and Karin Hüssy. "Analysis of cod otolith microchemistry by continuous line transects using LA-ICP-MS." GEUS Bulletin 41 (August 15, 2018): 91–94. http://dx.doi.org/10.34194/geusb.v41.4351.

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Fish otoliths, also called ear stones or statoliths, are calcified structures functioning as movement and equilibrium indicators in the inner ear of fish (Fig. 1). From hatching to death these structures grow incrementally, with new material accreted daily (Pannella 1971) in successive layers of protein (1–8%, Degens et al. 1969) and calcium carbonate. The accretion rate of otoliths varies with fish growth, and in temperate species it is usually lowest during the winter season (Hüssy et al. 2010). This results in concentric growth resembling the ringed structure in trees (Fig. 1D), enabling the use of dendrochronological techniques to approximate the age and growth history of fish. During growth, certain elements are incorporated into the otolith structure, some associated with proteins and some with the calcium carbonate component (Thomas et al. 2017), supplying a valuable record of different aspects in fish life history and serving as a potential environmental record. Previous studies show that trace element and isotopic compositions of otoliths can be used as a proxy for reconstructing water chemistry, temperature and salinity (Patterson et al. 1993; Thorrold & Shuttleworth 2000). Other studies demonstrate that elemental histories can be used to investigate fish spawning and migration patterns (e.g. Sturrock et al. 2012), and more recent studies use elements such as Zn, Cu and Mg as indicators of seasonality (Hüssy et al. 2016; Limburg et al. 2018). Combining this knowledge of elemental variation with the micro-beam capabilities of laser ablation inductively coupled plasma mass spectrometry (LAICPMS) turns otolith microchemistry into a powerful tool for studying important parameters fundamental for establishing modern, sustainable fisheries management policies (e.g. stock identification, migration, pollution indicators, spawning habitats, duration of larval and juvenile stages, and magnitude and timing of spawning). We present an analytical method developed by the Geological Survey of Denmark and Greenland (GEUS) in collaboration with the National Institute of Aquatic Resources, Technical University of Denmark (DTU Aqua), for element abundance analysis in otoliths. Analyses of otoliths from Baltic Cod (Gadus morhua; Fig. 1) are used as an example for its application.
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Gilfix, Brian M. "Report and Abstracts of the Joint Annual Congress of the AMBQ-CAMB 2009." Clinical & Investigative Medicine 32, no. 6S (December 1, 2009): 1. http://dx.doi.org/10.25011/cim.v32i6s.11135.

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The second joint congress of l’Association des Médicins Biochimistes du Québec (AMBQ) and the Canadian Association of Medical Biochemists (CAMB) was held this year from October 7 to 9 in Montreal. The setting was the picturesque Hôtel Place d’Armes, which is situated in the historic Old Montreal district. There were over 60 attendees comprising both Specialists and Medical residents-in-training and representing the breadth of Canada from the Atlantic to the Pacific. The scientific committee composed of Dr. Jean. Dubé (Centre Hospitalier U. de Sherbrooke), Dr. Bernard Fruteau-de-Laclos (Centre Hospitalier AUQ), Dr. Élaine Letendre (Centre Hospitalier U. de Montreal), Dr. Bassam A. Nassar (Capital Health) and Dr. Claude Petitclerc (CHUM) arranged a series of informative and interesting scientific sessions. Day 1 saw a training session for the medical residents conducted by Dr. Yves Giguère (Centre Hospitalier de l’U. Laval) on Prenatal Screening. A meeting of the specialty committee of the Royal College for Medical Biochemistry followed this. A major topic of this meeting was the re-alignment of the training requirements. Day 2 began with the business meeting of the AMBQ. The scientific sessions began later that day with a session on “Pharmacotoxicology and the Role of the Laboratory” chaired by Drs. Andre Mattman (B.C. Children & Women’s Health Centre) and Bassam A. Nassar. The first speaker, Dr. Margaret Thompson (Hospital for Sick Children), in her talk “Clinical Toxicology – for the Laboratory” reviewed the role of the Ontario Poison Centre, which may serve as a model for the rest of the country. This was followed by Dr. Zulfikarali Verjee (HSC), who is clearly a master of the subject, with his talk, “Challenges in Urine Drug Screens: Ongoing Issues”. The morning session ended with Dr. Andre Mattman’s presentation “Heavy Metal Toxins – How and Why to Test in the Clinical Laboratory”. Day 3 moderated by Dr. Élaine Letendre (CHUM) focused on risk factors for cardiovascular disease. The first speaker in the morning was Dr. Jacques Genest Jr. (McGill University Health Centre) who reviewed the new Canadian guidelines for the diagnosis and treatment of dyslipidemias. He described in detail the thinking behind the new guidelines. This was followed by a presentation by Dr. Allan Jaffe (Mayo Clinic) who gave the audience a most authoritative description of the soon to be introduced fourth generation high sensitivity assays for troponins. These assays will have a marked impact on the assessment of cardiac damage perhaps even more so than the original introduction of the troponins. The afternoon featured three speakers discussing the pro and cons of high-sensitivity C-reactive protein for the assessment of cardiovascular disease. Dr. Jean Grégoire (Institut de cardiologie de Montréal) presented the pro side of the debate reviewing in particular the recent Jupiter trial. Dr. James Brophy (MUHC) presented the con side of the debate in a most entertaining manner. He even had the audience performing stretching exercises! It was left to Dr. Jean Bergeron (CHUL) to provide a balanced view of the two preceding speakers. The last day, Day 4, was primarily dedicated to oral and poster presentations by the residents. A jury consisting of Drs. Jean Dubé (CHUS), Yves Guigère (CHUL), and Joël Girouard (CHUL) had the “difficult” task of awarding prizes to the best oral and to the best poster presentations. The winners this year were Dr. Alexis Blaass (U. de Montréal) for the oral presentation entitled “Characterization of a new LCAT mutation causing familial LCAT deficiency (FLD) and the role of APOE as a modifier gene of the FLD phenotype” and Dr. Adell Elsharif (McMaster U.) for the poster presentation entitled “Method Validation Study to Evaluate the Analytical Performance of the STAT–SITE Meter for the Measurement of Serum Beta-Hydroxybutyrate”. The scientific portion of the conference ended with a most comprehensive presentation on smoking cessation, both clinical approaches and therapeutics by Dr. Joanne Provencher (Hôpital Laval). Dr. Provencher reminded us that smoking cessation by an individual could be achieved with the correct support. The day and the congress ended with a business meeting of the CAMB chaired by the out going president, Dr. Bassam A. Nassar. A new executive was elected: Dr. Elizabeth MacNamara (SMBD-Jewish General Hospital, president), Dr. Yves Guigère (CHUL, vice-president), Dr. Andrew Don-Wauchope (McMaster U. Health Sciences Centre, secretary-treasurer), Dr. Andre Mattman (BCCWHC, councilor), Dr. Brian M. Gilfix (MUHC, councilor), Dr. John Heathcote (Vancouver, councilor), and Dr. Datlily Ooi (Children’s Hospital of Eastern Ontario, councilor), We all look forward to next year’s combined meeting which is again slated to take place in Montreal in October.
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Kauffman, George B. "Book Review: Fathi Habashi: From Alchemy to Atomic Bombs: History of Chemistry, Metallurgy, and Civilization. Métallurgie Extractive Québec: 800 rue Alain #504, Sainte Foy, Québec, Canada G1X 4E7, 2002; distributed by Laval University Bookstore “Zone”: Cité Universitaire, Sainte Foy, Québec, Canada G1K 7P4, viii + 357 pp, Can.$70.00; U.S.$50.00; plus postage (hardbound); ISBN 2-922-686-00-0." Foundations of Chemistry 7, no. 2 (January 2005): 183–86. http://dx.doi.org/10.1007/s10698-004-5960-3.

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Boomgaard, Peter. "Southeast Asia - L'Asie du Sud-Est Face la Mondialisation: Les Nouveaux Champs d'Analyse. Southeast Asia and Globalization: News [sic] Domains of Analysis. Edited by Rodolphe de Koninck and Christine Veilleux. Québec: Université Laval, Groupe d'Études et de Recherches sur l'Asie Contemporaine, 1997. Pp. 206. [Partly in French, partly in English]." Journal of Southeast Asian Studies 29, no. 2 (September 1998): 396–98. http://dx.doi.org/10.1017/s0022463400007542.

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Marshall, David. "Out of the Cloister But Still on the Margins? Recent Publications in Canadian Religious HistoryA Concise History of Christianity in Canada. Eds. Terrence Murphy and Roberto Perrin. Toronto: Oxford University Press, 1996.Henry John Cody: An Outstanding Life. D.C. Masters. Toronto: Dundurn Press, 1995.Changing Roles of Women Within the Christian Church in Canada. Eds. Elizabeth Gillian Muir and Marilyn Whiteley. Toronto: University of Toronto Press, 1995.Femmes et religions. Dir., Denise Veillette. Quebec: Corporation canadienne des sciences religieuses, Les Presses de l'Universite Laval, 1995."Through Sunshine and Shadow": The Wo1nen's Christian Temperance Union, Evangelicalism, and Reform in Ontario, 1874-1930. Sharon Ann Cook. Montrealand Kingston: McGill-Queen's University Press, 1995.The Work of Their Hands: Mennonite Women's Societies in Canada. Gloria Neufeld Redekop. Waterloo:Wilfrid Laurier University Press for the Canadian Corporation for Studies in Religion, 1996.Christian Ethics and Political Economy in North America. P.Travis Kroeker. Montreal and Kingston: McGill-Queen's University Press, 1995." Journal of Canadian Studies 35, no. 3 (August 2000): 292–305. http://dx.doi.org/10.3138/jcs.35.3.292.

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Villard, Philippe. "Enseigner la politique canadienne. Une comparaison critique des plus récents manuels utilisés dans les départements de science politique des universités québécoisesDyck, Perry Rand. 2009. Canadian Politics (Concise Ed.). 4e édition. Toronto, Nelson Education.Jackson, Robert J., et Doreen Jackson. 2009. Politics in Canada: Culture, Institutions, Behaviour and Public Policy. 7e édition. Toronto, Pearson Prentice Hall.MacIvor, Heather. 2010. Parameters of Power: Canada’s Political Institutions. 5e édition. Toronto,Nelson Education.Pelletier, Réjean, et Manon Tremblay, dir. 2009 Le parlementarisme canadien. 4e édition. Québec, Presses de l’Université Laval." Journal of Canadian Studies 45, no. 3 (August 2011): 206–14. http://dx.doi.org/10.3138/jcs.45.3.206.

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Peláez, Manuel J. "Normand, Sylvio, Le droit comme discipline universitaire. Une histoire de la Faculté de droit de la Université Laval (Les Presses de l’Université Laval, Québec, 2005), xviii + 265 págs." Revista de estudios histórico-jurídicos, no. 28 (2006). http://dx.doi.org/10.4067/s0716-54552006000100046.

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Heffernan, Peter-J. "Jean Hamelin. Historie de l`Université Laval: les péripéties d`une idée. Québec: Les Presses de l`Université Laval, 1995. Pp. 341." Historical Studies in Education / Revue d'histoire de l'éducation, October 1, 1996, 239–42. http://dx.doi.org/10.32316/hse/rhe.v8i2.1667.

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RHÉ, HSE /. "Contributors." Historical Studies in Education / Revue d'histoire de l'éducation, November 17, 2019, 123. http://dx.doi.org/10.32316/hse/rhe.v31i2.4751.

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Bruce Curtis, PhD, FRHistS, FRSC, is Professor Emeritus of Sociology at Carleton University in Ottawa, Canada. Among his recent contributions to the field of educational historiography are “Priority, politics and pedagogical science. Part I: the mental steam-engine” and “Priority, politics and pedagogical science. Part II: the priority dispute and a standard model of pedagogy,” both in Paedagogica Historica 52, no. 6 (2016), and Ruling by Schooling Quebec: Conquest to Liberal Governmentality. A Historical Sociology (Toronto: University of Toronto Press, 2012). Détentrice d’un doctorat en histoire, Andrée Dufour a enseigné au cégep et à l’université pendant plus de vingt ans. Outre de nombreux articles sur l’histoire de l’éducation au Québec, on lui doit les ouvrages, Tous à l’école, Histoire de l’éducation au Québec et avec M. Dumont, Brève histoire des institutrices au Québec de la Nouvelle-France à nos jours. Maintenant retraitée, elle assume la codirection de l’Atlas historique, l’École au Québec qui paraîtra prochainement aux Presses de l’Université Laval. James Miles is a PhD Candidate at the Ontario Institute for Studies in Education at the University of Toronto. His doctoral research examines the relationship between history education and campaigns to redress historical injustices in Canada, and is funded by the Social Sciences and Humanities Research Council of Canada. Gerald Thomson, PhD, now retired, has worked as a special education teacher (Surrey School District #36), sessional lecturer in history of education in British Columbia (UBC Educational Studies), and professor of history of British Columbia (Kwantlen Polytechnic University History Faculty). He worked several summers at Woodlands School for special needs children and several years in Crease Clinic at Riverview Mental Hospital (formerly Essondale) on the nursing staff. Dr. Thomson has published numerous articles on the history of special education, the testing movement and mental hygiene in British Columbia in HSE-RHÉ, BC Studies, and BC History Magazine. He welcomes feedback and can be contacted at: gerald.t@telus.net.
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Hierrezuelo Conde, Guillermo. "Herrera, Carlos Miguel, La philosophie du Droit de Hans Kelsen. Une introduction (Les Presses de l’Université de Laval, Québec, 2004), 101 págs." Revista de estudios histórico-jurídicos, no. 28 (2006). http://dx.doi.org/10.4067/s0716-54552006000100039.

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Hierrezuelo Conde, Guillermo. "Pallard, Henri - Tzitzis, Stamatios (dir.), La mondialisation et la question des droits fondamentaux (Québec, Les Presses de l’Université de Laval, 2003), 191 págs." Revista de estudios histórico-jurídicos, no. 28 (2006). http://dx.doi.org/10.4067/s0716-54552006000100047.

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"Language learning." Language Teaching 36, no. 3 (July 2003): 202–15. http://dx.doi.org/10.1017/s0261444803221959.

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26

Levine, Michael, and William Taylor. "The Upside of Down: Disaster and the Imagination 50 Years On." M/C Journal 16, no. 1 (March 18, 2013). http://dx.doi.org/10.5204/mcj.586.

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IntroductionIt has been nearly half a century since the appearance of Susan Sontag’s landmark essay “The Imagination of Disaster.” The critic wrote of the public fascination with science fiction disaster films, claiming that, on the one hand “from a psychological point of view, the imagination of disaster does not greatly differ from one period in history to another [but, on the other hand] from a political and moral point of view, it does” (224). Even if Sontag is right about aspects of the imagination of disaster not changing, the types, frequency, and magnitude of disasters and their representation in media and popular culture suggest that dynamic conditions prevail on both counts. Disaster has become a significantly urban phenomenon, and highly publicised “worst case” scenarios such as Hurricane Katrina and the Haiti earthquake highlight multiple demographic, cultural, and environmental contexts for visualising cataclysm. The 1950s and 60s science fiction films that Sontag wrote about were filled with marauding aliens and freaks of disabused science. Since then, their visual and dramatic effects have been much enlarged by all kinds of disaster scenarios. Partly imagined, these scenarios have real-life counterparts with threats from terrorism and the war on terror, pan-epidemics, and global climate change. Sontag’s essay—like most, if not all of the films she mentions—overlooked the aftermath; that is, the rebuilding, following extra-terrestrial invasion. It ignored what was likely to happen when the monsters were gone. In contrast, the psychological as well as the practical, social, and economic aspects of reconstruction are integral to disaster discourse today. Writing about how architecture might creatively contribute to post-conflict (including war) and disaster recovery, for instance, Boano elaborates the psychological background for rebuilding, where the material destruction of dwellings and cities “carries a powerful symbolic erosion of security, social wellbeing and place attachment” (38); these are depicted as attributes of selfhood and identity that must be restored. Similarly, Hutchison and Bleiker (385) adopt a view evident in disaster studies, that disaster-struck communities experience “trauma” and require inspired responses that facilitate “healing and reconciliation” as well as material aid such as food, housing, and renewed infrastructure. This paper revisits Sontag’s “The Imagination of Disaster,” fifty years on in view of the changing face of disasters and their representation in film media, including more recent films. The paper then considers disaster recovery and outlines the difficult path that “creative industries” like architecture and urban planning must tread when promising a vision of rebuilding that provides for such intangible outcomes as “healing and reconciliation.” We find that hopes for the seemingly positive psychologically- and socially-recuperative outcomes accompanying the prospect of rebuilding risk a variety of generalisation akin to wish-fulfilment that Sontag finds in disaster films. The Psychology of Science Fiction and Disaster FilmsIn “The Imagination of Disaster,” written at or close to the height of the Cold War, Sontag ruminates on what America’s interest in, if not preoccupation with, science fiction films tell us about ourselves. Their popularity cannot be explained in terms of their entertainment value alone; or if it can, then why audiences found (and still find) such films entertaining is something that itself needs explanation.Depicted in media like photography and film, utopian and dystopian thought have at least one thing in common. Their visions of either perfected or socially alienated worlds are commonly prompted by criticism of the social/political status quo and point to its reform. For Sontag, science fiction films portrayed both people’s worst nightmares concerning disaster and catastrophe (e.g. the end of the world; chaos; enslavement; mutation), as well as their facile victories over the kinds of moral, political, and social dissolution the films imaginatively depicted. Sontag does not explicitly attribute such “happy endings” to wish-fulfilling phantasy and ego-protection. (“Phantasy” is to be distinguished from fantasy. It is a psychoanalytic term for states of mind, often symbolic in form, resulting from infantile wish-fulfilment, desires and instincts.) She does, however, describe the kinds of fears, existential concerns (like annihilation), and crises of meaning they are designed (purpose built) to allay. The fears are a product of the time—the down and dark side of technology (e.g. depersonalisation; ambivalence towards science, scientists, and technology) and changes wrought in our working and personal lives by urbanisation. In short, then as now, science fictions films were both expressions of deep and genuine worries and of the pressing need to inventively set them to rest.When Sontag claims that “the imagination of disaster does not greatly differ” (224) from one period to another, this is because, psychologically speaking, neither the precipitating concerns and fears (death, loss of love, meaninglessness, etc.), nor the ways in which people’s minds endeavour to assuage them, substantively differ. What is different is the way they are depicted. This is unsurprisingly a function of the political, social, and moral situations and milieus that provide the context in which the imagination of disaster unfolds. In contemporary society, the extent to which the media informs and constructs the context in which the imagination operates is unprecedented.Sontag claims that there is little if any criticism of the real social and political conditions that bring about the fears the films depict (223). Instead, fantasy operates so as to displace and project the actual causes away from their all too human origins into outer space and onto aliens. In a sense, this is the core and raison d’etre for such films. By their very nature, science fiction films of the kind Sontag is discussing cannot concern themselves with genuine social or political criticism (even though the films are necessarily expressive of such criticism). Any serious questioning of the moral and political status quo—conditions that are responsible for the disasters befalling people—would hamper the operation of fantasy and its production of temporarily satisfying “solutions” to whatever catastrophe is being depicted.Sontag goes on to discuss various strategies science fiction employs to deal with such fears. For example, through positing a bifurcation between good and evil, and grossly oversimplifying the moral complexity of situations, it allows one to “give outlet to cruel or at least amoral feelings” (215) and to exercise feelings of superiority—moral and otherwise. Ambiguous feelings towards science and technology are repressed. Quick and psychologically satisfying fixes are sought for these by means of phantasy and the imaginative construction of invulnerable heroes. Much of what Sontag says can straightforwardly be applied to catastrophe in general. “Alongside the hopeful fantasy of moral simplification and international unity embodied in the science fiction films lurk the deepest anxieties about contemporary existence” (220). Sontag writes:In the films it is by means of images and sounds […] that one can participate in the fantasy of living through one’s own death and more, the death of cities, the destruction of humanity itself. Science fiction films are not about science. They are about disaster, which is one of the oldest subjects in art. In science fiction films disaster is rarely viewed intensively; it is always extensive. It is a matter of quality and ingenuity […] the science fiction film […] is concerned with the aesthetics of disaster […] and it is in the imagery of destruction that the core of a good science fiction film lies. (212–13)In science fiction films, disaster, though widespread, is viewed intensively as well as extensively. The disturbances constitutive of the disaster are moral and emotional as well as material. People are left without the mental or physical abilities they need to cope. Government is absent or useless. We find ourselves in what amounts to what Naomi Zack (“Philosophy and Disaster”; Ethics for Disaster) describes as a Hobbesian second state of nature—where government is inoperative and chaos (moral, social, political, personal) reigns. Science fiction’s way out is to imaginatively construct scenarios emotionally satisfying enough to temporarily assuage the distress (anomie or chaos) experienced in the film.There is, however, a tremendous difference in the way in which people who face catastrophic occurrences in their lives, as opposed to science fiction, address the problems. For one thing, they must be far closer to complex and quickly changing realities and uncertain truths than are the phantastic, temporarily gratifying, and morally unproblematic resolutions to the catastrophic scenarios that science fiction envisions. Genuine catastrophe, for example war, undermines and dismantles the structures—material structures to be sure but also those of justice, human kindness, and affectivity—that give us the wherewithal to function and that are shown to be inimical to catastrophe as such. Disaster dispenses with civilization while catastrophe displaces it.Special Effects and Changing StorylinesScience fiction and disaster film genres have been shaped by developments in visual simulation technologies providing opportunities for imaginatively mixing fact and fiction. Developments in filmmaking include computer or digital techniques for reproducing on the screen what can otherwise only be imagined as causal sequences of events and spectacles accompanying the wholesale destruction of buildings and cities—even entire planets. Indeed films are routinely promoted on the basis of how cinematographers and technicians have advanced the state of the art. The revival of 3-D movies with films such as Avatar (2009) and Prometheus (2012) is one of a number of developments augmenting the panoramas of 1950s classics featuring “melting tanks, flying bodies, crashing walls, awesome craters and fissures in the earth, plummeting spacecraft [and] colourful deadly rays” (Sontag 213). An emphasis on the scale of destruction and the wholesale obliteration of recognisable sites emblematic of “the city” (mega-structures like the industrial plant in Aliens (1986) and vast space ships like the “Death Star” in two Star Wars sequels) connect older films with new ones and impress the viewer with ever more extraordinary spectacle.Films that have been remade make for useful comparison. On the whole, these reinforce the continuation and predictability of some storylines (for instance, threats of extra-terrestrial invasion), but also the attenuation or disappearance of other narrative elements such as the monsters and anxieties released by mid-twentieth century atomic tests (Broderick). Remakes also highlight emerging themes requiring novel or updated critical frameworks. For example, environmental anxieties, largely absent in 1950s science fiction films (except for narratives involving colliding worlds or alien contacts) have appeared en masse in recent years, providing an updated view on the ethical issues posed by the fall of cities and communities (Taylor, “Urban”).In The Invasion of the Bodysnatchers and its remakes (1956, 1978, 1993), for example, the organic and vegetal nature of the aliens draws the viewer’s attention to an environment formed by combative species, allowing for threats of infestation, growth and decay of the self and individuality—a longstanding theme. In the most recent version, The Invasion (2007), special effects and directorial spirit render the orifice-seeking tendrils of the pod creatures threateningly vigorous and disturbing (Lim). More sanctimonious than physically invasive, the aliens in the 1951 version of The Day the Earth Stood Still are fed up with humankind’s fixation with atomic self-destruction, and threaten global obliteration on the earth (Cox). In the 2008 remake, the suave alien ambassador, Keanu Reeves, targets the environmental negligence of humanity.Science, including science as fiction, enters into disaster narratives in a variety of ways. Some are less obvious but provocative nonetheless; for example, movies dramatising the arrival of aliens such as War of the Worlds (1953 and 2005) or Alien (1979). These more subtle approaches can be personally confronting even without the mutation of victims into vegetables or zombies. Special effects technologies have made it possible to illustrate the course of catastrophic floods and earthquakes in considerable scientific and visual detail and to represent the interaction of natural disasters, the built environment, and people, from the scale of buildings, homes, and domestic lives to entire cities and urban populations.For instance, the blockbuster film The Day After Tomorrow (2004) runs 118 minutes, but has an uncertain fictional time frame of either a few weeks or 72 hours (if the film’s title is to taken literally). The movie shows the world as we know it being mostly destroyed. Tokyo is shattered by hailstones and Los Angeles is twisted by cyclones the likes of which Dorothy would never have seen. New York disappears beneath a mountainous tsunami. All of these events result from global climate change, though whether this is due to human (in) action or other causes is uncertain. Like their predecessors, the new wave of disaster movies like The Day After Tomorrow makes for questionable “art” (Annan). Nevertheless, their reception opens a window onto broader political and moral contexts for present anxieties. Some critics have condemned The Day After Tomorrow for its scientific inaccuracies—questioning the scale or pace of climate change. Others acknowledge errors while commending efforts to raise environmental awareness (Monbiot). Coincident with the film and criticisms in both the scientific and political arena is a new class of environmental heretic—the climate change denier. This is a shadowy character commonly associated with the presidency of George W. Bush and the oil lobby that uses minor inconsistencies of science to claim that climate change does not exist. One thing underlying both twisting facts for the purposes of making science fiction films and ignoring evidence of climate change is an infantile orientation towards the unknown. In this regard, recent films do what science fiction disaster films have always done. While freely mixing truths and half-truths for the purpose of heightened dramatic effect, they fulfil psychological tasks such as orchestrating nightmare scenarios and all too easy victories on the screen. Uncertainty regarding the precise cause, scale, or duration of cataclysmic natural phenomena is mirrored by suspension of disbelief in the viability of some human responses to portrayals of urban disaster. Science fiction, in other words, invites us to accept as possible the flight of Americans and their values to Mexico (The Day After Tomorrow), the voyage into earth’s molten core (The Core 2003), or the disposal of lava in LA’s drainage system (Volcano 1997). Reinforcing Sontag’s point, here too there is a lack of criticism of the real social and political conditions that bring about the fears depicted in the films (223). Moreover, much like news coverage, images in recent natural disaster films (like their predecessors) typically finish at the point where survivors are obliged to pick up the pieces and start all over again—the latter is not regarded as newsworthy. Allowing for developments in science fiction films and the disaster genre, Sontag’s observation remains accurate. The films are primarily concerned “with the aesthetics of destruction, with the peculiar beauties to be found in wreaking havoc, in making a mess” (213) rather than rebuilding. The Imagination of Disaster RecoverySontag’s essay contributes to an important critical perspective on science fiction film. Variations on her “psychological point of view” have been explored. (The two discourses—psychology and cinema—have parallel and in some cases intertwined histories). Moreover, in the intervening years, psychological or psychoanalytical terms and narratives have themselves become even more a part of popular culture. They feature in recent disaster films and disaster recovery discourse in the “real” world.Today, with greater frequency than in the 1950s and 60s films arguably, representations of alien invasion or catastrophic global warming serve to background conflict resolutions of a more quotidian and personal nature. Hence, viewers are led to suspect that Tom Cruise will be more likely to survive the rapacious monsters in the latest The War of the Worlds if he can become less narcissistic and a better father. Similarly, Dennis Quaid’s character will be much better prepared to serve a newly glaciated America for having rescued his son (and marriage) from the watery deep-freezer that New York City becomes in The Day After Tomorrow. In these films the domestic and familial comprise a domain of inter-personal and communal relations from which victims and heroes appear. Currents of thought from the broad literature of disaster studies and Western media also call upon this domain. The imagination of disaster recovery has come to partly resemble a set of problems organised around the needs of traumatised communities. These serve as an object of urban governance, planning, and design conceived in different ways, but largely envisioned as an organic unity that connects urban populations, their pasts, and settings in a meaningful, psychologically significant manner (Furedi; Hutchison and Bleiker; Boano). Terms like “place” or concepts like Boano’s “place-attachment" (38) feature in this discourse to describe this unity and its subjective dimensions. Consider one example. In August 2006, one year after Katrina, the highly respected Journal of Architectural Education dedicated a special issue to New Orleans and its reconstruction. Opening comments by editorialist Barbara Allen include claims presupposing enduring links between the New Orleans community conceived as an organic whole, its architectural heritage imagined as a mnemonic vehicle, and the city’s unique setting. Though largely unsupported (and arguably unsupportable) the following proposition would find agreement across a number of disaster studies and resonates in commonplace reasoning:The culture of New Orleans is unique. It is a mix of ancient heritage with layers and adaptations added by successive generations, resulting in a singularly beautiful cultural mosaic of elements. Hurricane Katrina destroyed buildings—though not in the city’s historic core—and displaced hundreds of thousands of people, but it cannot wipe out the memories and spirit of the citizens. (4) What is intriguing about the claim is an underlying intellectual project that subsumes psychological and sociological domains of reasoning within a distinctive experience of community, place, and memory. In other words, the common belief that memory is an intrinsic part of the human condition of shock and loss gives form to a theory of how urban communities experience disaster and how they might re-build—and justify rebuilding—themselves. This is problematic and invites anachronistic thinking. While communities are believed to be formed partly by memories of a place, “memory” is neither a collective faculty nor is it geographically bounded. Whose memories are included and which ones are not? Are these truly memories of one place or do they also draw on other real or imagined places? Moreover—and this is where additional circumspection is inspired by our reading of Sontag’s essay—does Allen’s editorial contribute to an aestheticised image of place, rather than criticism of the social and political conditions required for reconstruction to proceed with justice, compassionately and affectively? Allowing for civil liberties to enter the picture, Allen adds “it is necessary to enable every citizen to come back to this exceptional city if they so desire” (4). However, given that memories of places and desires for their recovery are not univocal, and often contain competing visions of what was and should be, it is not surprising they should result in competing expectations for reconstruction efforts. This has clearly proven the case for New Orleans (Vederber; Taylor, “Typologies”)ConclusionThe comparison of films invites an extension of Sontag’s analysis of the imagination of disaster to include the psychology, politics, and morality of rebuilding. Can a “psychological point of view” help us to understand not only the motives behind capturing so many scenes of destruction on screen and television, but also something of the creative impulses driving reconstruction? This invites a second question. How do some impulses, particularly those caricatured as the essence of an “enterprise culture” (Heap and Ross) associated with America’s “can-do” or others valorised as positive outcomes of catastrophe in The Upside of Down (Homer-Dixon), highlight or possibly obscure criticism of the conditions which made cities like New Orleans vulnerable in the first place? The broad outline of an answer to the second question begins to appear only when consideration of the ethics of disaster and rebuilding are taken on board. If “the upside” of “the down” wrought by Hurricane Katrina, for example, is rebuilding of any kind, at any price, and for any person, then the equation works (i.e., there is a silver lining for every cloud). If, however, the range of positives is broadened to include issues of social justice, then the figures require more complex arithmetic.ReferencesAllen, Barbara. “New Orleans and Katrina: One Year Later.” Journal of Architectural Education 60.1 (2006): 4.Annan, David. Catastrophe: The End of the Cinema? London: Lorrimer, 1975.Boano, Camillo. “‘Violent Space’: Production and Reproduction of Security and Vulnerabilities.” The Journal of Architecture 16 (2011): 37–55.Broderick, Mick, ed. Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film. London: Kegan Paul, 1996.Cox, David. “Get This, Aliens: We Just Don’t Care!” The Guardian 15 Dec. 2008 ‹http://www.guardian.co.uk/film/filmblog/2008/dec/15/the-day-the-earth-stood-still›. Furedi, Frank. “The Changing Meaning of Disaster.” Area 39.4 (2007): 482–89.Heap, Shaun H., and Angus Ross, eds. Understanding the Enterprise Culture: Themes in the Work of Mary Douglas. Edinburgh: Edinburgh University Press, 1992. Homer-Dixon, Thomas. The Upside of Down: Catastrophe, Creativity and the Renewal of Civilization. Washington, DC: Island Press, 2006.Hutchison, Emma, and Roland Bleiker. “Emotional Reconciliation: Reconstituting Identity and Community after Trauma.” European Journal of Social Theory 11 (2008): 385–403.Lim, Dennis. “Same Old Aliens, But New Neuroses.” New York Times 12 Aug. 2007: A17.Monbiot, George. “A Hard Rain's A-gonna Fall.” The Guardian 14 May 2004.Sontag, Susan. “The Imagination of Disaster” (1965). Against Interpretation and Other Essays. New York: Dell, 1979. 209–25.Taylor, William M. “Typologies of Katrina: Mnemotechnics in Post-Disaster New Orleans.” Interstices 13 (2012): 71–84.———. “Urban Disasters: Visualising the Fall of Cities and the Forming of Human Values.” Journal of Architecture 11.5 (2006): 603–12.Verderber, Stephen. “Five Years After – Three New Orleans Neighborhoods.” Journal of Architectural Education 64.1 (2010): 107–20.Zack, Naomi. Ethics for Disaster. New York: Rowman and Littlefield, 2009.———. “Philosophy and Disaster.” Homeland Security Affairs 2, article 5 (April 2006): ‹http://www.hsaj.org/?article=2.1.5›.FilmographyAlien. Dir. Ridley Scott. Brandywine Productions, 1979.Aliens. Dir. James Cameron. Brandywine Productions, 1986.Avatar. Dir. James Cameron. Lightstorm Entertainment et al., 2009.The Core. Dir. Jon Amiel. Paramount Pictures, 2003.The Day after Tomorrow. Dir. Roland Emmerich. 20th Century Fox, 2004.The Invasion of the Body Snatchers. Dir. Don Siegel. Allied Artists, 1956; also 1978 and 1993.The Invasion. Dirs. Oliver Hirschbiegel and Jame McTeigue. Village Roadshow et al, 2007.Prometheus. Dir. Ridley Scott. Scott Free and Brandywine Productions, 2012Star Wars Episode IV: A New Hope. Dir. George Lucas. Lucasfilm, 1977.Star Wars Episode VI: Return of the Jedi. Dir. George Lucas. Lucasfilm, 1983.Volcano. Dir. Mick Jackson. 20th Century Fox, 1997.War of the Worlds. Dir. George Pal. Paramount, 1953; also Steven Spielberg. Paramount, 2005.Acknowledgments The authors are grateful to Oenone Rooksby and Joely-Kym Sobott for their assistance and advice when preparing this article. It was also made possible in part by a grant from the Australian Research Council.
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