Relevant bibliographies by topics / University of Cambridge. Museum of Archaeology and Anthropology

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  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters

Academic literature on the topic 'University of Cambridge. Museum of Archaeology and Anthropology'

Author: Grafiati
Published: 4 June 2021
Last updated: 7 February 2022

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Journal articles on the topic "University of Cambridge. Museum of Archaeology and Anthropology"

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Müller, Katja. "Another India: Explorations and Expressions of Indigenous South Asia." Museum Anthropology Review 12, no. 2 (August 11, 2018): 153–55. http://dx.doi.org/10.14434/mar.v12i2.23512.

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Herle, Anita. "Displaying Colonial Relations: from Government House in Fiji to the University of Cambridge Museum of Archaeology and Anthropology." Museum and Society 16, no. 2 (July 30, 2018): 279–97. http://dx.doi.org/10.29311/mas.v16i2.2808.

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AbstractThis paper focuses on the assemblage and display of Fijian collections at Government House during the first few years of British colonial rule and reflexively considers its re-presentation in the exhibition Chiefs & Governors: Art and Power in Fiji (6 June 2013 – 19 April 21014) at the University of Cambridge Museum of Archaeology and Anthropology (MAA). It moves beyond reductionist accounts of colonial collecting and investigates the specificity and nuances of complex relationships between Fijian and British agents, between subjects and objects, both in the field and in the museum. A focus on the processes of collecting and display highlights multiple agencies within colonial networks and the fluid transactional nature of object histories. The Fijian objects that bedecked the walls of Government House from the mid 1870s were re-assembled in 1883 as the founding ethnographic collections of the University of Cambridge Museum of General and Local Archaeology (now MAA). Ethnographic museums have tended to efface the links between the material on display and their colonial pasts (Edwards and Mead 2013). In contrast, the creation of Chiefs & Governors was used as an opportunity to explore the multiple agencies within colonial relations and the processes of collecting, displaying and governing (Bennett et al.2014; Cameron and McCarthy 2015). The second half of this paper analyses the techniques and challenges involved in displaying colonial relations in a museum exhibition and considers the ongoing value of the collections for Fijian communities, cultural descendants, museum staff, researchers and broad public audiences today.
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Moutu, Andrew. "PASIFIKA STYLES A polyphonic collage at the University of Cambridge Museum of Archaeology and Anthropology." Anthropology Today 23, no. 2 (April 2007): 24–25. http://dx.doi.org/10.1111/j.1467-8322.2007.00503.x.

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Lethbridge, T. C. "The Mildenhall Treasure: a first-hand account." Antiquity 71, no. 273 (September 1997): 721–28. http://dx.doi.org/10.1017/s0003598x0008546x.

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Introducing our articles by Richard Hobbs and Paul Ashbee (ANTIQUITY 71: 63–76) on the Mildenhall Treasure, the mass of Roman silverware which came to light in east England in 1946, I remarked that the principals are deceased. One principal did leave a first-hand account which has not been known before — Tom Lethbridge, Hon. Keeper of Anglo-Saxon antiquities in the Museum of Archaeology and Anthropology, University of Cambridge. This extract from his unpublished autobiography is printed with the kind permission of Mrs Tom Lethbridge.
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Hogsden, Carl, and Emma K. Poulter. "The real other? Museum objects in digital contact networks." Journal of Material Culture 17, no. 3 (September 2012): 265–86. http://dx.doi.org/10.1177/1359183512453809.

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What can museum objects do when they are placed within a digital contact network – a system made up of reciprocally linked but otherwise separate nodes in which control and ownership of content lies with each location? What new connections are enabled through the placement of objects within this contact network and what are the new understandings that result? Dynamics of access, ownership and meaning change when museum collections are transformed into digital forms, in ways that require the reconceptualization of digital objects and their relational capacities. In theory and in practice, the ‘real’ and the digital object are often framed as disconnected and oppositional entities, a separation that hinders approaches to, and uses of, digital forms. Using examples of recent projects at the University of Cambridge Museum of Archaeology and Anthropology, and at the British Museum, it is argued that digital contact networks enable the unique qualities of digital objects to come to the fore, providing platforms for effective engagement and digital reciprocation.
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Dodson, Aidan. "Stelae of the Middle and New Kingdoms in the Museum of Archaeology and Anthropology, University of Cambridge." Journal of Egyptian Archaeology 78 (1992): 274. http://dx.doi.org/10.2307/3822079.

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Dodson, Aidan. "Stelae of the Middle and New Kingdoms in the Museum of Archaeology and Anthropology, University of Cambridge." Journal of Egyptian Archaeology 78, no. 1 (October 1992): 274–79. http://dx.doi.org/10.1177/030751339207800118.

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Geismar, Haidy. "Notes from the Archive: Epistolary Collecting in the University of Cambridge Museum of Archaeology and Anthropology." Collections 6, no. 3 (September 2010): 189–203. http://dx.doi.org/10.1177/155019061000600306.

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Herle, Anita. "Exhibitions as Research." Museum Worlds 1, no. 1 (July 1, 2013): 113–35. http://dx.doi.org/10.3167/armw.2013.010108.

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Drawing on a recent exhibition, Assembling Bodies: Art, Science and Imagination, at the University of Cambridge Museum of Archaeology and Anthropology (MAA), this article argues that curatorial techniques, involving a sustained engagement with objects, can play a vital role in anthropological research. Processes involved in the creation and reception of the exhibition facilitated the investigation of how bodies are composed, known, and acted upon in different times, places, and disciplinary contexts. Assembling Bodies attempted to transcend the dualism of subject and object, people and things, by demonstrating how different technologies for making bodies visible bring new and oft en unexpected forms into focus. Processes of exploration and experimentation continued after the exhibition opened in the discussions and activities that the displays stimulated, and in the reflections and ideas that visitors took away.
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Gill, David W. J. "Etruscan Mirrors - R. V. Nicholls: Corpus Speculorum Etruscorum, Great Britain 2. Cambridge. Corpus Christi College, The Fitzwilliam Museum, Museum of Archaeology and Anthropology, The Museum of Classical Archaeology. Pp. 141, 105 ills, (plates and line drawings). Cambridge: Cambridge University Press/Fitzwilliam Museum, 1993. Cased, £60/$95." Classical Review 45, no. 2 (October 1995): 388–90. http://dx.doi.org/10.1017/s0009840x00294390.

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Dissertations / Theses on the topic "University of Cambridge. Museum of Archaeology and Anthropology"

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Mitchell, P. D., and Jo Buckberry. "Proceedings of the Twelfth Annual Conference of the British Association for Biological Anthropology and Osteoarchaeology, Department of Archaeology and Anthropology, University of Cambridge 2012." 2012. http://hdl.handle.net/10454/7182.

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Books on the topic "University of Cambridge. Museum of Archaeology and Anthropology"

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Crowther, Gillian. Catalogue of the Northwest coast collection, Cambridge University Museum of Archaeology and Anthropology. Cambridge: Cambridge University Museum of Archaeology and Anthropology, 1996.

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2

Tanner, Julia. From Pacific shores: Eighteenth century ethnographic collections at Cambridge ; the voyages of Cook, Vancouver and the First Fleet. Cambridge: University of Cambridge Museum of Archaeology and Anthropology, 1999.

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Clark, Grahame. Prehistory at Cambridge and beyond. Cambridge [England]: Cambridge University Press, 1989.

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University of Pennsylvania. Magnificent objects from the University of Pennsylvania Museum of Archaeology and Anthropology. Philadelphia, PA: University of Pennsylvania Museum of Archaeology and Anthropology, 2004.

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Anthropology, University of Pennsylvania Museum of Archaeology and. Magnificent objects from the University of Pennsylvania Museum of Archaeology and Anthropology. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2004.

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Mee, Christopher. The Cypriote collections in the University of Liverpool and the Williamson Art Gallery and Museum. Jonsered: P. Åströms, 1998.

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University of Pennsylvania. Museum of Archaeology and Anthropology., ed. Adventures in photography: Expeditions of the University of Pennsylvania Museum of Archaeology and Anthropology. Philadelphia: University of Pennsylvania Museum of Archaeology and Anthropology, 2002.

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8

University of Pennsylvania. University Museum of Archaeology and Anthropology., ed. Through time, across continents: A hundred years of archaeology and anthropology at the University Museum. Philadelphia: University Museum, University of Pennsylvania, 1993.

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9

C, Danien Elin, ed. Guide to the Mesoamerican Gallery at the University of Pennsylvania Museum of Archaeology and Anthropology. Philadelphia: The Museum, 2002.

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10

University of Pennsylvania. Museum of Archaeology and Anthropology. Beauty from the earth: Pueblo Indian pottery from the University Museum of Archaeology and Anthropology. Philadelphia: The Museum, 1990.

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Book chapters on the topic "University of Cambridge. Museum of Archaeology and Anthropology"

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"A Greek-Demotic Mummy Label in the University of Cambridge Museum of Archaeology and Anthropology*." In Hieratic, Demotic and Greek Studies and Text Editions, 309–13. BRILL, 2018. http://dx.doi.org/10.1163/9789004377530_030.

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See, Sarita Echavez. "Progress through the Museum." In Filipino Primitive. NYU Press, 2017. http://dx.doi.org/10.18574/nyu/9781479842667.003.0002.

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The Philippine exhibit and archive at the University of Michigan Museum of Natural History forward the colonial project by taking the colonized as objects of accumulation that then can be studied in disciplines like anthropology and archaeology and exhibited as a means of educating and improving the general public.
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"PART IA. The Archaeology of Early Central Italy." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, 1–60. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.1.

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"Preface. Etruscan Culture as Represented in the Collection of the University of Pennsylvania Museum." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, xiii—xiv. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.xiii.

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"References." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, 289–308. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.295.

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"Concordances." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, 309–20. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.315.

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"Index." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, 321–30. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.327.

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"PART IB. Tomb Groups Represented in the Gallery." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, 61–68. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.61.

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"Notes to Parts IA, IB." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, 69–76. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.69.

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10

"Color Plates." In Catalogue of the Etruscan Gallery of the University of Pennsylvania Museum of Archaeology and Anthropology, 77–80. University of Pennsylvania Press, 2003. http://dx.doi.org/10.9783/9781934536254.77.

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