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Books on the topic 'Unknown Women Artists'

Author: Grafiati

Published: 19 February 2023

Last updated: 20 February 2023

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1

Portrait of an unknown woman. London: Harper, 2007.

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2

Portrait of an unknown woman. New York: Harper, 2008.

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Portrait of an unknown woman. [Bath]: Windsor/Paragon, 2007.

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Bennett, Vanora. Portrait of an unknown woman. New York: William Morrow, 2007.

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Bennett, Vanora. Portrait of an Unknown Woman. New York: HarperCollins, 2007.

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Portrait of an unknown woman: A novel. New York: William Morrow, 2007.

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7

Seaman, Donna. Identity Unknown: Rediscovering Seven American Women Artists. Bloomsbury Publishing USA, 2017.

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8

Identity Unknown: Rediscovering Seven American Women Artists. Bloomsbury Publishing USA, 2017.

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9

Bennett, Vanora. Portrait of an Unknown Woman. HarperCollins Publishers, 2007.

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Bennett, Vanora. Portrait of an Unknown Woman. HarperCollins Publishers, 2007.

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Bennett, Vanora. Portrait of an Unknown Woman. HarperCollins Publishers Limited, 2007.

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Bennett, Vanora. Portrait of an Unknown Woman. HarperCollins Publishers Limited, 2008.

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Bennett, Vanora. Portrait of an Unknown Woman. HarperCollins Publishers, 2007.

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14

PORTRAIT OF AN UNKNOWN WOMAN. HARPERCOLLINS PUBLISHERS LTD, 2006.

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15

Kaplan, Ilee. Ruth Bernhard: Known and Unknown. University of California Press, 1996.

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16

Bennett, Vanora. Portrait of an Unknown Woman LP: A Novel. HarperLuxe, 2007.

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17

Faxneld, Per. Becoming the Demon Woman. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190664473.003.0009.

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Chapter9 analyses individuals who, both on and off the stage, actively assumed the role of the demon woman. Three persons are considered in detail: Sarah Bernhardt, the Italian marchioness Luisa Casati, and silent film actress Theda Bara. They chose—or, in Bara’s case, were chosen—to embody the (more or less supernatural or occult) femme fatale, as constructed mostly by male authors and artists. Seemingly, they felt this was empowering or useful for commercial, subversive, or other purposes. The analysis attempts to tease out some of the implications this enactment of a disquieting stereotype had on an individual level as well as in a broader cultural context. This also applies to the unknown women who wore jewellery depicting devils, demons, or Eve—a rebellious token clearly drawing on motifs familiar from Satanic feminism.

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18

Balzac, Honoré de, and Patrick Coleman. The Girl with the Golden Eyes and Other Stories. Translated by Peter Collier. Oxford University Press, 2012. http://dx.doi.org/10.1093/owc/9780199571284.001.0001.

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‘What holds sway over this country without morals, beliefs, or feelings? Gold and pleasure.’ Sexual attraction, artistic insight, and the often ironic relationship between them is the dominant theme in the three short works collected in this volume. In Sarrasine an impetuous young sculptor falls in love with a diva of the Roman stage, but rapture turns to rage when he discovers the reality behind the seductiveness of the singer's voice. The ageing artist in The Unknown Masterpiece, obsessed with his creation of the perfect image of an ideal woman, tries to hide it from the jealous young student who is desperate for a glimpse of it. And in The Girl with the Golden Eyes, the hero is a dandy whose attractiveness for the mysterious Paquita has an unexpected origin. These enigmatic and disturbing forays into the margins of madness, sexuality, and creativity show Balzac spinning fantastic tales as profound as any of his longer fictions. His mastery of the seductions of storytelling places these novellas among the nineteenth-century's richest explorations of art and desire. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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19

Publishers, Museum. Notebook: Woman Seated at a Table, N. D. , Unknown Artist, Possibly American, 19th or 20th Century, United States, Pastels, with Charcoal, on Brownish-Gray Wove Paper. Independently Published, 2020.

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20

Publishers, Museum. Notebook: Sleeping Woman with Head on Arms, N. D. , Unknown Artist, Possibly German, 18th Century, Germany, Charcoal, with Red and Green and Blue Chalk, on Tan Wove Paper. Independently Published, 2020.

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