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Journal articles on the topic 'Untouchables (Motion picture : 1987)'

Author: Grafiati

Published: 28 July 2024

Last updated: 31 July 2025

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1

McCormick, Don, and Richard Chigley Lynch. "Movie Musicals on Record: A Directory of Recordings of Motion Picture Musicals, 1927-1987." Notes 49, no. 1 (1992): 172. http://dx.doi.org/10.2307/897249.

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2

Trifunac, M. D. "The Whittier Narrows, California Earthquake of October 1, 1987—Note on Peak Accelerations during the 1 and 4 October Earthquakes." Earthquake Spectra 4, no. 1 (1988): 101–13. http://dx.doi.org/10.1193/1.1585467.

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Attenuation patterns of the recorded peak accelerations during two moderate earthquakes (ML = 5.9 and 5.3) in Los Angeles, California are described. It is shown that the recording of earthquake motions by dense arrays of accelerographs can yield a detailed and deterministic picture of the physical processes which are involved in shaping the observed variations of strong ground motion. For the two earthquakes the observed changes of peak amplitudes with respect to the azimuth and distance are slowly and continuously changing functions showing strong dependence of amplitudes on the radiation pat

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3

Takei, Yoshiaki. "Techniques Used by Elite Male Gymnasts Performing a Handspring Vault at the 1987 Pan American Games." International Journal of Sport Biomechanics 5, no. 1 (1989): 1–25. http://dx.doi.org/10.1123/ijsb.5.1.1.

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The purpose of this study was to determine mechanical factors, through development of the deterministic model, that govern successful performance of the handspring vault. The subjects were 40 elite male gymnasts participating in the 1987 Pan American Games. A motion-picture camera placed with its optical axis at right angles to the runway was used to record the subjects’ performances. Significant correlations indicated that the following were important determinants for success: (a) large horizontal velocity and angular momentum at takeoff from board, (b) shorter time of preflight and smaller r

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4

Ciccone, Michael A., and Joann K. Wells. "Improper Shoulder Belt Use by Maryland Drivers." Human Factors: The Journal of the Human Factors and Ergonomics Society 30, no. 3 (1988): 359–66. http://dx.doi.org/10.1177/001872088803000309.

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This study was undertaken to determine the types and frequency of improper shoulder belt use–with particular emphasis on belt slack—in a state where belt use is mandatory. Motion picture films of drivers approaching stop signs in Maryland were analyzed by a trained panel to ascertain belt use and misuse. Over half the drivers of 1974–1987 model vehicles were observed to be belted. Slack in shoulder belts was the most common type of misuse and was much more prevalent among drivers of domestic cars than of imported cars. For belted drivers of domestic cars, 27% had 25–50 mm of slack in their bel

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Taslim, M. E., and U. Narusawa. "Thermal Stability of Horizontally Superposed Porous and Fluid Layers." Journal of Heat Transfer 111, no. 2 (1989): 357–62. http://dx.doi.org/10.1115/1.3250685.

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The results of stability analyses for the onset of convective motion are reported for the following three horizontally superposed systems of porous and fluid layers: (a) a porous layer sandwiched between two fluid layers with rigid top and bottom boundaries, (b) a fluid layer overlying a layer of porous medium, and (c) a fluid layer sandwiched between two porous layers. By changing the depth ratio dˆ from zero to infinity, a set of stability criteria (i.e., the critical Rayleigh number Rac and the critical wave number ac) is obtained, ranging from the case of a fluid layer between two rigid bo

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6

Bakhshi, Samar I. "Digitization and Digital Preservation of Cultural Heritage in India with Special Reference to IGNCA, New Delhi." Asian Journal of Information Science and Technology 6, no. 2 (2016): 1–7. http://dx.doi.org/10.51983/ajist-2016.6.2.134.

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Indira Gandhi National Centre for the Arts is an autonomous centre under Ministry of Culture, Govt. of India established in 1987 with a vision to preserve the rich arts and cultural heritage of the country. The centre has a variety of heritage resources available in different formats. Preservation of these resources in traditional as well as digital form is a major challenge. The purpose of this paper is to explore the collection of IGNCA and methods adopted for preservation especially digital preservation of cultural heritage resources by the centre. Case study is used as research method to e

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Thüna, Ulrich V. "Jay Robert Nash / Stanley Ralph Ross: The Motion Picture Guide, 1927–1984. — Chicago: Cinebooks Inc., 1984–1987, 12 Bände mit insg. 7968 Seiten (Bde. 1–10, S. 1–4181: Filmtitel; Bde. 11/12: Indexbände)." Publizistik 35, no. 3 (1990): 378–79. http://dx.doi.org/10.1007/bf03653508.

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8

Shevchuk, B. M. "«Pictures at an Exhibition» by Modest Mussorgsky: the correlation of melos and colourfulness." Aspects of Historical Musicology 18, no. 18 (2019): 243–64. http://dx.doi.org/10.34064/khnum2-18.14.

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Background. The “melos” and “colourfulness” terms are used in various meanings both, in music and fine arts. The ambiguity of these concepts in our time of unlimited possibilities for creative experiment and bold search for new semantic levels, interest in establishing versatile inter-scientific relations allows us to apply innovative analytic methods to the works of art. Among these methods, intermedial inter-disciplinary researches seem to be extremely promising, especially when applied to such traditional, well-established forms of art as academic painting and music. The article uses the in

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9

Ajay, Singh Chandel, and Punam Mishra Dr. "DECIPHERING THE ANTECEDENTS OF BRAND AVOIDANCE AMONGST MILLENNIALS IN INDIA." Manager - The British Journal of Administrative Management 57, no. 145 (2021): 109–25. https://doi.org/10.5281/zenodo.5976420.

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<strong>ABSTRACT</strong> This study aims to conceptualize brand avoidance by developing and validating a psychometric scale through a series of studies following the ground rules set by Churchill (1979) for developing better measures. A potential criticism of previous studies on brand avoidance lies in their reliance on only in-depth interview dialogue to portray a descriptive picture of what Brand avoidance means, from the customers’ perspective. Existing literature also lacks attempts to develop a scale. Current study tries to fulfil these gaps. Study screens and creates potential the

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10

"Movie musicals on record: a directory of recordings of motion picture musicals, 1927-1987." Choice Reviews Online 27, no. 04 (1989): 27–1882. http://dx.doi.org/10.5860/choice.27-1882.

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11

Balagopal A M, Richa Arora. "An Interplay of Narrative and Culture in the Biopic: Celluloid." Journal of Informatics Education and Research 5, no. 2 (2025). https://doi.org/10.52783/jier.v5i2.2868.

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Biopics have a distinguished history in Indian film. It's interesting to note that Dadasaheb Phalke, who also directed and produced the silent film Raja Harishchandra (1913), was responsible for India's first full-length motion picture. The Bollywood and regional cinema industries both celebrate biopics. However, the Malayalam film industry has not fully explored the potential of biopics. There are just nine movies created in Malayalam that may be classified as biopics. The movies classified as biopics in Malayalam include Swathithirunal (1987), Pazhassiraaja (2009), Yugapurushan (2010), Makar

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12

Antunes, Filipa. "Children and Horror after PG-13: The Case of The Gate." Networking Knowledge: Journal of the MeCCSA Postgraduate Network 6, no. 4 (2014). http://dx.doi.org/10.31165/nk.2014.64.313.

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The paper analyses the tensions in the text, production and reception of the children’s horror film The Gate (Tibor Takács, 1987) relating to the sustained ambiguity around the Motion Picture Association of America's PG-13 classification. I suggest that the late 1980s was a moment of transition toward new attitudes about the horror genre and children. To develop this argument, the paper explores the main issues raised in critical opinion about the film at the time of its release: notions on what the horror genre is or should be; the changing assumptions about its audiences (namely the shift aw

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13

"Seismic modelling of the Earth’s large-scale three-dimensional structure." Philosophical Transactions of the Royal Society of London. Series A, Mathematical and Physical Sciences 328, no. 1599 (1989): 291–308. http://dx.doi.org/10.1098/rsta.1989.0037.

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Several different kinds of seismological data, spanning more than three orders of magnitude in frequency, have been employed in the study of the Earth’s large-scale three-dimensional structure. These yield different but overlapping information, which is leading to a coherent picture of the Earth’s internal heterogeneity. In this article we describe several methods of seismic inversion and intercom pare the resulting models. Models of upper-mantle shear velocity based upon mantle waveforms (Woodhouse & Dziewonski ( J. geophys. Res . 89 , 5953-5986 (1984))) ( f ≲ 7 mHz) and long-period body

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14

Thomas, Peter. "Anywhere But the Home: The Promiscuous Afterlife of Super 8." M/C Journal 12, no. 3 (2009). http://dx.doi.org/10.5204/mcj.164.

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Consumer or home use (previously ‘amateur’) moving image formats are distinguished from professional (still known as ‘professional’) ones by relative affordability, ubiquity and simplicity of use. Since Pathé Frères released its Pathé Baby camera, projector and 9.5mm film gauge in 1922, a distinct line of viewing and making equipment has been successfully marketed at nonprofessional use, especially in the home. ‘Amateur film’ is a simple term for a complex, variegated and longstanding set of activities. Conceptually it is bounded only by the negative definition of nonprofessional (usually inte

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15

Maxwell, Richard, and Toby Miller. "The Real Future of the Media." M/C Journal 15, no. 3 (2012). http://dx.doi.org/10.5204/mcj.537.

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When George Orwell encountered ideas of a technological utopia sixty-five years ago, he acted the grumpy middle-aged man Reading recently a batch of rather shallowly optimistic “progressive” books, I was struck by the automatic way in which people go on repeating certain phrases which were fashionable before 1914. Two great favourites are “the abolition of distance” and “the disappearance of frontiers”. I do not know how often I have met with the statements that “the aeroplane and the radio have abolished distance” and “all parts of the world are now interdependent” (1944). It is worth revisit

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16

Macken, Marian. "And Then We Moved In." M/C Journal 10, no. 4 (2007). http://dx.doi.org/10.5204/mcj.2687.

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   Working drawings are produced, when a house is designed, to envisage an imagined building. They are a tangible representation of an object that has no tangible existence. These working drawings act as a manual for constructing the house; they represent that which is to be built. The house comes into being, therefore, via this set of drawings. This is known as documentation. However, these drawings record the house at an ideal moment in time; they capture the house in stasis. They do not represent the future life of the house, the changes and traces the inhabitants make upo

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17

Phillips, Dougal, and Oliver Watts. "Copyright, Print and Authorship in the Culture Industry." M/C Journal 8, no. 2 (2005). http://dx.doi.org/10.5204/mcj.2340.

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   Historically the impact of the printing press on Western culture is a truism. Print gave rise to the mass reproduction and circulation of information with wide reaching consequences in all fields: political, social, and economic. An aspect that this paper wishes to focus on is that this moment also saw the birth (and necessity) of copyright legislation, to administer and protect this new found ability to package and disseminate text. The term copyright itself, used freely in debates surrounding contemporary topics such as iTunes, DVD piracy, and file-sharing, is not only s

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18

Eubanks, Kevin P. "Becoming-Samurai." M/C Journal 10, no. 2 (2007). http://dx.doi.org/10.5204/mcj.2643.

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   Samurai and Chinese martial arts themes inspire and permeate the uniquely philosophical lyrics and beats of Wu-Tang Clan, a New York-based hip-hop collective made popular in the mid-nineties with their debut album Enter the Wu-Tang: Return of the 36 Chambers. Original founder RZA (“Rizza”) scored his first full-length motion-picture soundtrack and made his feature film debut with Ghost Dog: The Way of the Samurai (Jim Jarmusch, 2000). Through a critical exploration of the film’s musical filter, it will be argued that RZA’s aesthetic vision effectively deterritorialises the

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19

Vavasour, Kris. "Pop Songs and Solastalgia in a Broken City." M/C Journal 20, no. 5 (2017). http://dx.doi.org/10.5204/mcj.1292.

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IntroductionMusically-inclined people often speak about the soundtrack of their life, with certain songs indelibly linked to a specific moment. When hearing a particular song, it can “easily evoke a whole time and place, distant feelings and emotions, and memories of where we were, and with whom” (Lewis 135). Music has the ability to provide maps to real and imagined spaces, positioning people within a larger social environment where songs “are never just a song, but a connection, a ticket, a pass, an invitation, a node in a complex network” (Kun 3). When someone is lost in the music, they can

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