Relevant bibliographies by topics / Urdu Couplets

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  1. Journal articles
  2. Dissertations / Theses
  3. Books

Academic literature on the topic 'Urdu Couplets'

Author: Grafiati
Published: 4 June 2021
Last updated: 28 February 2023

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Journal articles on the topic "Urdu Couplets"

1

Dr Ghulam Rasool Khawar. "AN REVIEW OF THEATRE'S SERVICES IN THE PROMOTION OF URDU COUPLETS." Tasdiqتصدیق۔ 4, no. 2 (2023): 116–26. http://dx.doi.org/10.56276/tasdiq.v4i2.111.

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Doha is something like “Matla” –an opening couplet 0f a ghazal- characterized by spontaneity set in a particularly simplistic and pastoral life. Both of its lines rhyme with each other and they balance in weight. Doha enjoys a peculiar field of relevance. A definite form, specific inference, and dedicated language make integral parts of a Doha. This beautiful genre of literature flourished in the hands of religious enthusiasts like Sofis, Sunnats, and Sadhus. However, this progress of Doha is heavily indebted to an all-times-active institution of our society called theatre proper. Starting rig
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2

Badar, Rukhsana, and Sadaf Naqvi. "Urdu-12 Persian Elements in Iftikhar Arif’s Religious Poetry: An Analysis." Al-Aijaz Research Journal of Islamic Studies & Humanities 5, no. 2 (2021): 157–64. http://dx.doi.org/10.53575/urdu12.v5.02(21).157-164.

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"Iftikhar Arif has beautifully presented the problems of the modern age in Nazm and Ghazal. He has coined nice Persian structures to depict contemporary sensibility, consciousness and internal emotions. These structures have the name of their creator stamped on them. He has extensively used Persian words and structures in his Nazms and Ghazlas. Many beautiful Persian structures are found in the verses of his Nazms, Ghazals and Couplets on the topics of Dua and Hamd. Iftikhar Arif’s attachment with Urdu Classic poetry and Persian language is also evident from the names of his books on poetry. E
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3

Naqvi, Azhar Hussain, and Abdul Ghafoor Baloch. "Shade of Tauheed and different genres of Urdu poetry." Al Khadim Research journal of Islamic culture and Civilization 2, no. 2 (2021): 114–36. http://dx.doi.org/10.53575/arjicc.u8-v2.2(21)114-136.

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In its essence Tauheed (the Islamic doctrine of monotheism, the only one creator), is the foundation of all Islamic beliefs. The essence of sending the Prophets and the day of judgement and the life after death all these beliefs are based on Oneness of “God”. Hence when we take a glance on the literature of the period, between 1759 A.D. (1174 A.H.) and 1806 A.D. (1221 A.H.), which is that of the Moghul era, i.e., the literature of Aali Gohar Shah Alam era, we see that during this period alongside the development of Urdu prose, the effects of doctrine of Tauheed had begun to show in its poetry
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4

Dr. Tahira Inaam and Fatima Jalal. "SCIENTIFIC THOUGHTS IN MODERN NAAT." Tasdiqتصدیق۔ 4, no. 01 (2022): 36–53. http://dx.doi.org/10.56276/tasdiq.v4i01.87.

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Naat is a genre of poetry, traditionally enriched with the feelings of love and affection for Holy Prophet Muhammad (P.B.U.H), which has long been a way from a modern sensibility that has been invested in it by Allama Muhammad Iqbal. Iqbal, having sound knowledge of modern theories and scientific discoveries, introduced a new flavour of Naat. His Naatia Verses are a beautiful combination of traditional and nontraditional contents. He was the first poet who described the scientific implications of Mairaaj in many of his poems, verses and couplets. 
 Under the influence of Muhammad Iqbal, a
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5

Khan, Rooh ul Amin, Yasar Arafat, and Muhammad Atif Shahzad. "Islamic Family Values Depicted in Urdu Drama before and during Cable Era." Global Political Review V, no. I (2020): 119–26. http://dx.doi.org/10.31703/gpr.2020(v-i).14.

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This study aims to describe the content analysis of televised Urdu dramas before and after the advent of the cable. This research focuses that how relationships between the married couple are depicted in televised Urdu drama serials. The Islamic objective of marriage is examined in this study. This study divided the Urdu drama serials into two broad eras, pre cable and post cable eras, it is observed that in pre cable dramas serials, relationship between the married couple was more positive and loving and more in accord with Islamic objective of marriage. On the other hand, in post cable era,
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6

Shujja, Sultan, Adnan Adil, Ashley K. Randall, Guy Bodenmann, and Farah Malik. "Psychometric properties and validity of dyadic coping inventory-urdu version for use in Pakistan." Interpersona: An International Journal on Personal Relationships 14, no. 2 (2020): 183–99. http://dx.doi.org/10.5964/ijpr.v14i2.4069.

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For married individuals living in Pakistan, stress within their relationship has emerged as a major source of marital conflicts and even relationship dissolution. However, research based on the systemic transactional model of dyadic coping (DC) suggests partners’ use of coping strategies may help in buffering these devastating effects of stress. The original German version of the Dyadic Coping Inventory (DCI) is a widely used self-report measure that has been translated in various languages, however, has not been validated for use with individuals living in Pakistan who speak Urdu. The purpose
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7

Arafat, Yasar, Nauman Sial, and Abid Zafar. "A Study of Extra Marital Relations in Urdu Dramas: A Qualitative Analysis." Pakistan Journal of Gender Studies 20, no. 1 (2020): 251–71. http://dx.doi.org/10.46568/pjgs.v20i1.63.

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It is highly perceived that most of the stories of Urdu televise dramas in Pakistan are revolving around the problems of wedded couple. It is point of discussion that plots of the contemporary Pakistani Urdu televise dramas is depicting more extramarital relations. Through narrative structure analysis, the current study revealed that drama serials start with a family and then a quarrel arises between married couple. At that point, a protagonist enters in the scene which also becomes as catalyst in making separation between the married spouses. The bad and harsh attitude of the husband appears
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8

Abbasi, Abdul Malik, Mansoor Ahmed Channa, Innayatullah Kakepoto, Rida Ali, and Misbeh Mehmood. "A Perceptual Study of Phonological Variations in Pakistani English." International Journal of English Linguistics 8, no. 2 (2017): 92. http://dx.doi.org/10.5539/ijel.v8n2p92.

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The present study examines the perceptual judgments of English lexical items and English lexical stress by Urdu ESL (Note 1) (English as Second Language) learners. The analysis discusses the different sound systems of both languages and their syllabification system coupled with the stress patterns. The stimuli of 50 high frequency English words were designed as data collection tool for counting the number of syllables and for marking lexical stress as follows: 9 monosyllabic, 11 disyllabic, 10 tri-syllabic, 10 four-syllabic and 10 five-syllabic words. All participating subjects were 40 under g
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9

Rao, M. Adil, and Tafseer Ahmed. "Poet Attribution for Urdu: Finding Optimal Configuration for Short Text." KIET Journal of Computing and Information Sciences 4, no. 2 (2021): 12. http://dx.doi.org/10.51153/kjcis.v4i2.58.

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 This study presents a machine learning system to identify the poet of a given poetic piece consisting of 2 lines (i.e. a couplet) or more. The task is more difficult than the general task of author attribution, as the number of words in verses and poems are usually less than the number of articles present in author attribution datasets. We applied classification algorithms with different sets of feature configurations to run several experiments and found that the system performs best when support vector machine using a combination of unigram and bigram are used . Th
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10

Amna Ajmal and Dr. Syeda Shahida Batool. "Psychometric Properties of the Urdu Translation of Mindfulness Attention Awareness Scale (MAAS) in Pakistan." sjesr 3, no. 2 (2020): 190–97. http://dx.doi.org/10.36902/sjesr-vol3-iss2-2020(190-197).

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In recent times, several types of research focused on assessing mindfulness by using a variety of existing scales. Mindfulness Attention Awareness Scale (MAAS) comes forth as a precise and comprehensive scale for measuring awareness and attention in daily life. Previously, MAAS has been translated into Spanish, French, and Chinese. Whereas, the present study examined the accuracy and effectiveness of Urdu Translation of the Mindfulness Attention Awareness scale. The triple-step translation process of Brislin was adopted by which cross-language validation and confirmatory factor analysis was do
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Dissertations / Theses on the topic "Urdu Couplets"

1

Liboiron, Paul Adrien. "The transformation of plot in the couplet of the Urdu Ghazal : an examination of narrative." Thesis, University of British Columbia, 1989. http://hdl.handle.net/2429/30140.

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This thesis examines a selection of verses taken from the Urdu divan of Mirza Asadullah Khan Ghalib. Ghalib is considered by many to be the preeminent writer of the classical Urdu ghazal (circa 1750-1850). Although the examination is restricted to Ghalib's verse, the problem it investigates is broader in nature and involves questions which some aspects of the ghazal raise with respect to the reader's involvement. An essential feature of the ghazal form is the fact that, although the ghazal poem consists of a set of couplets, each couplet of a ghazal is itself a complete text with respect to it
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Books on the topic "Urdu Couplets"

1

Dihlavī, K̲h̲alish. "Khalish": An anthology of Urdu couplets. AuthorHouse, 2006.

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2

Dihlavī, K̲h̲alish. "Khalish": An anthology of Urdu couplets. AuthorHouse, 2006.

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3

Zaheer, Ahmed, ed. "Khalish": An anthology of Urdu couplets. AuthorHouse, 2006.

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4

Dihlavī, K̲h̲alish. "Khalish": An anthology of Urdu couplets. AuthorHouse, 2006.

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5

ʻĀlī, Jamīluddīn. Destination beyond destination, ghazal and doha couplets. Pakistan Writer's Co-operative Society, 1997.

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6

Urdū qat̤ʻāt nigārī: Āg̲h̲āz va irtiqā = Urdu qat'aat nigari : aaghaz-o-irteqa. Anīs Kitāb Ghar, 2010.

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7

Nabī, Abbāsī Khuraśīda, ed. Gulahā-e-parīśām̐: Tīna sau se adhika vishayoṃ para Urdū ke cune hue cāra hazāra śeroṃ kā saṅkalana. Śabdakāra, 1986.

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8

Anjum, Tajammul Ḥusain. Shiʻr jo maqbūl huʼe. Naẕīr Sanz Pablisharz, 2010.

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9

Sharīf, ʻĀrif G̲h̲aus̲, та Rājasthān Urdū Ikaiḍaimī, ред. Intik̲h̲āb-i qat̤ʻāt va rubāʻiyāt: Maujūdah shuʻarā-yi Rājasthān. Rājasthān Urdū Akādmī, 1993.

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10

Ghalib, Mirza Asadullah Khan. Ghalib, the man and his couplets. Distributing, Variety Book Depot, 1998.

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