Relevant bibliographies by topics / Urdu poetry – 20th century

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers

Academic literature on the topic 'Urdu poetry – 20th century'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2025

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Journal articles on the topic "Urdu poetry – 20th century"

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Sumera Perveen and Dr. Sadia Tahir. "Social Awareness In The Poem Of Majid Siddique." Dareecha-e-Tahqeeq 3, no. 4 (2023): 16–21. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.78.

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Nazm is a popular form of poetry in Urdu literature, especially in 20th century, this form got progress rapidly. Allama Iqbal geared up in such a way that this placed parallel to Ghazal. As modernism spread across the world, sub-continent also adopted it because this literary form had the capacity to narrate all matters of life. Progressive Writer Movement contributed a lot in this regard. After partition, in Pakistan “Nazm” as literary form took all problems of society as its subjects.
 From Josh MalihAbadi to Faiz Ahmad Faiz and from Noon Meem Rashid to Meera Jee many poets portray the
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Ahmad, Waqas, Ayaz Ahmad Aryan, and Sana Riaz. "Escapism in the Poetry of John Keats and Akhtar Sherani: A Comparative Study." Global Social Sciences Review VII, no. II (2022): 494–501. http://dx.doi.org/10.31703/gssr.2022(vii-ii).47.

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This paper depicts escapism as a romantic element in the poetry of a British English poet John Keats and a Pakistani Urdu poet Akhtar Sherani. Although they belong to different ages, the early 19th century and 20th century respectively, still have many commonalities. This work discusses their selected poems and compares them to find out their similar romantic traits. The selected poetry of Akhtar Sherani is translated into English by the author of this work to prove that both poets have a lively style of expressing their feelings and emotions. This study qualifies the readers to think outside
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Madiha Waris and Dr. Shazia Razzaq. "Echo Of Fareed Jawed." Dareecha-e-Tahqeeq 4, no. 2 (2023): 32–41. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i2.106.

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Farid Javed is a poet of the 20th century, but apart from just one poetic collection, “ Silsila Takallum Ka” there is no other poetic work is available. This article is an attempt to highlight the importance of this poet because there is not enough research and critical material on Farid Javed, while after the establishment of Pakistan, this poet has shown his intellectual abilities regarding important topics of Urdu poetry. These abilities were not acknowledged when he was alived, but there is an effect of individuality in his words, which is enough to call him an important poet. Farid Javed
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Sara Amber and Dr Shahid Rasool. "WESTERN POETIC INFLUENCES ON MAJEED AMJAD'S POETRY." Tasdiqتصدیق۔ 4, no. 2 (2023): 245–65. http://dx.doi.org/10.56276/tasdiq.v4i2.129.

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Majeed Amjad is a great poet of the 20th century who primarily loved his fellow humans, and who expressed this love through his account of deep affection for nature. His poetic grandeur has long been denied, and his artistic status has not been acknowledged the way he deserved it, yet he continued working his own way. Despite facing serious financial hardships, he utilized his artistic abilities aptly and stamped an unerasable shadow of his artistic self on Urdu Literature that will remain with it till the point time this literature will exist. Majeed Amjad, who had been ignored through the ef
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Dr. Kamran Abbas Kazmi and Syed Abdul Basit. "A Study Of Naqsh Faryadi In The Context Of "Spiral Of Silence Theory"." Dareecha-e-Tahqeeq 3, no. 4 (2023): 43–54. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.82.

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The spiral of silence theory is a political science theory proposed by the German political scientist Elisabeth Noelle-Neumann. According to the spiral of silence theory, individuals will be more confident and outward with their opinion when they notice that their personal opinion is shared throughout a group. But if the individual notices that their opinion is unpopular with the group they will be more inclined to be reserved and remain silent. During the mid-20th century, there was a series of social oppressions everywhere in the subcontinent which resulted in a terrible culture of silence,
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Tahir, Ali Raza, and Zainab Ali. "A NEXUS BETWEEN RELIGION, PHILOSOPHY AND SCIENCE With special reference to “The Reconstruction of Religious Thought in Islam”." Pakistan Journal of Social Research 04, no. 04 (2022): 786–91. http://dx.doi.org/10.52567/pjsr.v4i04.892.

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Dr. Allama Muhammad Iqbal (1877-1938) (Iqbal, D. J. 1979) is a well-known Muslim theologian, philosopher, mystic, political theorist, politician, and wisdom poet of the 20th century. He is also known as the architect of Pakistan. He contributed in both the mediums of prose and poetry. His poetry is in both the languages Urdu and Persian. Similarly, he wrote and delivered lectures in both Urdu and English. His major philosophical work is in English. The magnum opus of his philosophical work is ‘The Reconstruction of Religious Thought in Islam’. This book consists of seven lectures. In the begin
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عبد القادر, بدرية محمد أحمد. "رثاء الزوجة في الشعر الأردي في القرن العشرين "دراسة تحليلة وصفية لنماذج مختارة" Wife’s Elegy in the 20th Century Urdu Poetry: Analytical Descriptive Study of Selected Models". مجلة قطاع الدراسات الإنسانية 32, № 1 (2023): 1403–70. http://dx.doi.org/10.21608/jsh.2023.330938.

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Эралиева, Ы. "ИНДИЙСКАЯ ЛИТЕРАТУРА В РУССКИХ И КЫРГЫЗСКИХ ТРАНСФОРМАЦИЯХ". Vestnik Bishkek Humanities University, № 50 (15 січня 2020): 88–91. http://dx.doi.org/10.35254/bhu.2019.50.52.

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Аннотация: В данной статье прослеживается эволюция переводов индийской литературы на русский язык, осуществленные в ХХ веке с санскрита, с урду, с хинди, с гуджарати, с ория, с маратхи, с бенгальского, а также с английских переводов. На кыргызский язык произведения индийской литературы были переведены с русских трансформаций во второй половине ХХ века. В статье анализируется эквивалентность оригиналов и переложений на русский и кыргызский языки, дана оценка значимости и художественной ценности переложений. Также оценивается интеллектуальный труд русских и кыргызских переводчиков, открывших для
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Mirza Hamid Baig. "A Progressive Poetic Tradition and the Ghazal." DARYAFT 15, no. 01 (2023): 10–29. http://dx.doi.org/10.52015/daryaft.v15i01.332.

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This article explores the intersection between the Progressive poetic tradition and the ghazal. The Progressive movement, known as "Taraqi Passand" in Urdu, emerged as a literary movement in the 20th century, aiming to challenge conventional poetic norms and embrace new ideas and social realities. While the ghazal traditionally revolved around themes of love, longing, and beauty, the Progressive poets sought to expand its boundaries and infuse it with socio-political relevance. This article delves into the historical context of the Progressive poetic tradition, highlighting its goals of addres
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Kamran, Dr Nasir, and Dr Majid Mushtaq. "Nasir Shehzad as a Preface Writer." Noor e Tahqeeq 8, no. 03 (2024): 95–110. http://dx.doi.org/10.54692/nooretahqeeq.2024.08032246.

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Nasir Shehzad is a notable literary figure of the 20th century. He wrote down many books: “Kon Dais Gyo,” “Pukarti Rahee Bansi, andd "Ban Bas." He not only wrote the prefaces of his own books but also the books of his contemporaries. Nasir Shehzad creates a unique pleasure with his style of narration in the prefaces. The book and the author are introduced by him in a good manner. In these prefaces, a glimpse of his literature, ideas, and personality is also seen. He has written prefaces only on poetry genres. Along with songs, ghazals, and poems in these poetry genres, he has shed light on the
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Dissertations / Theses on the topic "Urdu poetry – 20th century"

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Piantanida, Cecilia. "Classical lyricism in Italian and North American 20th-century poetry." Thesis, University of Oxford, 2013. http://ora.ox.ac.uk/objects/uuid:4422c01a-ba88-4fe0-a21f-4804e4c610ce.

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This thesis defines ‘classical lyricism’ as any mode of appropriation of Greek and Latin monodic lyric whereby a poet may develop a wider discourse on poetry. Assuming classical lyricism as an internal category of enquiry, my thesis investigates the presence of Sappho and Catullus as lyric archetypes in Italian and North American poetry of the 20th century. The analysis concentrates on translations and appropriations of Sappho and Catullus in four case studies: Giovanni Pascoli (1855-1912) and Salvatore Quasimodo (1901-1968) in Italy; Ezra Pound (1885-1972) and Anne Carson (b. 1950) in North A
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Delshad, Ja'far. "Religion, politics and poetry in Najaf in the early 20th century." Thesis, SOAS, University of London, 1993. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.503512.

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Bennett, Sarah. "The American contexts of Irish poetry, 1950-present." Thesis, University of Oxford, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669957.

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Lindesay, Tamar. "The sound of the city collapsing : the changing perception and thematic role of the ruin in twentieth-century British and American poetry." Thesis, University of South Wales, 2003. https://pure.southwales.ac.uk/en/studentthesis/the-sound-of-the-city-collapsing(a371d1ec-c3ea-407a-a1f3-227d87559b3f).html.

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Ellis, Toshiko 1956. "The modernist dilemma in Japanese poetry." Monash University, School of Asian Languages and Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/8720.

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Travis, Isabelle. "The poetry of pain : trauma, madness and suffering in post-World War II American poetry." Thesis, University of Reading, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.553108.

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Quintanilla, Octavio. "Love Poem with Exiles." Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc28465/.

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Love Poem with Exiles is a collection of poems with a critical preface. The poems are varied in terms of subject matter and form. In the critical preface, I discuss my relationship with poetry as well as the idea that we inherit poems, and that if we are inspired by them, we can transform them into something new.
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Wan, Yu-pui, and 溫羽貝. "Time and space in Zheng Chouyu's Poetry." Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2008. http://hub.hku.hk/bib/B3963405X.

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Batchelor, Paul. "'I am pearl' : guise and excess in the poetry of Barry MacSweeney." Thesis, University of Newcastle Upon Tyne, 2009. http://hdl.handle.net/10443/901.

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Barry MacSweeney was a prolific poet who embraced many poetic styles and forms. The defining characteristics of his work are its excess (for example, its depiction of extreme emotional states, its use of challenging forms, and the flagrancy with which it appropriates other writers and poems) and its quality of swerving (for example, the way it frustrates the reader's expectations, and its oppositional identification with literary antecedents and schools). I argue that MacSweeney's poetic development constitutes a series of reactions to a moment of trauma that occurred in 1968, when a crisis in
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Emig, Rainer. "The end of modernism in English poetry." Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:c02149d4-6f3b-4368-b20e-d8e669514ccf.

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'End' as 'goal' and 'limit' is explored in signs, symbols, metaphors, metonymies, and myths in the works of G.M. Hopkins, Yeats, Eliot, and Pound, before the study examines the aesthetics of modernist poetry which - through psychoanalysis, economy, and language philosophy - presents itself as one facet of the 'modernist project'. Modernist poetry struggles with its material, the lacking motivation of signs, the unstable connection of signifier and signified. Already in Hopkins this creates tensions between mimetic endeavour and construction. Appropriation and distancing as compensation strateg
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Books on the topic "Urdu poetry – 20th century"

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1932-, Aḥmad Shahzād, ed. Rang-i g̲h̲azal: Pāk o Hind kī Urdū g̲h̲azal, 1947-88. Paikejiz, 1989.

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1927-, Zaphara Bodharāja, and Niraṅkārī Miśana, eds. Cāra cināra: Cāra prasiddha śāyaroṃ ki cunīndā g̲h̲azaleṃ. Santa Niraṅkārī Maṇḍala, 1992.

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Razā, Jāfara. Urdū-śāyarī āzādī ke bāda. Lokabhāratī Prakāśana, 1991.

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Razā, Jāfara. Urdū-śāyarī āzādī ke bāda. Lokabhāratī Prakāśana, 1991.

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Lari, Ahmar. Ḥasrat Hānī [i.e. Muhānī]: Ḥayāt aur kārnāme. Mag̲h̲ribī Pākistān Urdū Ikaiḍamī, 1999.

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Lari, Ahmar. Ḥasrat Hānī [i.e. Muhānī]: Ḥayāt aur kārnāme. Mag̲h̲ribī Pākistān Urdū Ikaiḍamī, 1999.

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1940-, Geddes Gary, ed. 20th-century poetry & poetics. 3rd ed. Oxford University Press, 1985.

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Geddes, Gary. 20th-century poetry & poetics. 3rd ed. Oxford University Press, 1985.

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Reinhold, Grimm, and Hunt Irmgard Elsner 1944-, eds. German 20th century poetry. Continuum, 2001.

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Gary, Geddes, ed. 20th-century poetry and poetics. 3rd ed. Oxford University Press, 1985.

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Book chapters on the topic "Urdu poetry – 20th century"

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Hertel, Ralf, and Peter Hühn. "Early 20th Century: Modernism." In English Poetry in Context: From the 16th to the 21st Century. Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-20511-0.05.

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Garrett, John. "The Early 20th Century: T. S. Eliot." In British Poetry Since the Sixteenth Century. Palgrave Macmillan UK, 1986. http://dx.doi.org/10.1007/978-1-349-27937-1_12.

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Webster, Peter. "Music, Art and Poetry: 1944–1955." In Church and Patronage in 20th Century Britain. Palgrave Macmillan UK, 2017. http://dx.doi.org/10.1057/978-1-137-36910-9_4.

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Klein, Denise. "Poetry of Exile: An Eighteenth-Century Tatar Prince in the Ottoman Balkans." In Transottoman Biographies, 16th–20th c. V&R unipress, 2023. http://dx.doi.org/10.14220/9783737011662.177.

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Hertel, Ralf, and Peter Hühn. "From the Second Half of the 20th Century to the 21st Century." In English Poetry in Context: From the 16th to the 21st Century. Erich Schmidt Verlag GmbH & Co. KG, 2022. http://dx.doi.org/10.37307/b.978-3-503-20511-0.06.

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Achilli, Alessandro. "Neomodernist trends in Russian and Ukrainian poetry of the second half of the 20th century: theoretical problems and the European context." In Biblioteca di Studi Slavistici. Firenze University Press, 2019. http://dx.doi.org/10.36253/978-88-6453-910-2.12.

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This article considers the presence of modernist elements in poetry from the second half of the 20th century, focusing in particular on Russian and Ukrainian examples. We argue for the necessity of properly recognizing and analyzing modernist phenomena in a period (1960s-1980s) when these have often been eclipsed by a tendency in literary criticism to overstate the role of Postmodernism. We also examine differences in the Western and Soviet cultural contexts and in the roles that Neomodernist poetics played in the poetry of various authors, groups and texts.
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Belasky, Paul. "“Pochveniks”—“The Poets of The Soil”: The Geological School of 20th Century Poetry in Leningrad, USSR (St. Petersburg, Russia)." In Soil and Culture. Springer Netherlands, 2009. http://dx.doi.org/10.1007/978-90-481-2960-7_12.

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Li, Zhiqiang, and Zengli Hu. "Рецепция русской литературы Серебряного века в Китае." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.07.

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Reception of Russian Literature of the Silver Age in China. In the late 20th century, there emerged a significant cultural fervor for the Russian literature of the Silver Age within Chinese academic circles, primarily focused on literary studies. This article examines the history of translating Russian literature of the Silver Age in China and its level of research development. It is revealed that, on one hand, the initial attempts at translating literary works of the Silver Age into Chinese began in the first half of the 20th century, with notable activity during the May Fourth Movement and t
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Tateoka, Kumi. "Vladivostok as a Meeting Point between West and East at the Beginning of the 20th Century (Around Years of Siberian Investigation)." In Biblioteca di Studi Slavistici. Firenze University Press, 2023. http://dx.doi.org/10.36253/979-12-215-0238-1.16.

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Vladivostok is likened to the Bosphorus. The remoteness of the Far East made it difficult for the European part of the Russian Empire to recognise Vladivostok geographically. Therefore, through analogy to the Mediterranean, it was consciously integrated into the state. On the other hand, by using kanji combinations, which evoke images of traditional Japanese poetry, the Japanese created a sense of familiarity with Vladivostok. In most cases, regarding the social situation during the Revolutionary and Intervention War periods, researchers’ interest was restricted to the scheme of the conflict b
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Weidner, Daniel. "Sprachdenken – Überblicksartikel." In Handbuch Deutschsprachig-jüdische Literatur seit der Aufklärung. Neue Forschungszugänge in Paradigmen. Springer Berlin Heidelberg, 2024. https://doi.org/10.1007/978-3-662-67563-2_12.

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ZusammenfassungDas Denken mit und über Sprache hat für das deutschsprachige Judentum der Moderne eine zentrale Rolle gespielt. Um 1800 wird das Hebräische als essentiell poetische Sprache aufgefasst; ein Gedanke, der im 19. Jahrhundert in verstreuten Spekulationen am Rande der Philologie fortlebt. Im 20. Jahrhundert entwickeln Martin Buber, Franz Rosenzweig und Gershom Scholem je eigene Formen des Sprachdenkens, das jeweils auch das Verhältnis von Deutschen und Juden verhandelt: als Dialog, als Übersetzung und als Unterscheidung. Spuren dieses Denkens lassen sich nach 1945 in den Poetiken mode
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Conference papers on the topic "Urdu poetry – 20th century"

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Steklyannikova, Svetlana. "Russian Poetry In German Anthologies From Second Half Of The 20Th Century." In International Scientific Conference «Social and Cultural Transformations in the Context of Modern Globalism» dedicated to the 80th anniversary of Turkayev Hassan Vakhitovich. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.10.05.450.

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Gik, Anna V. "Corporeal Man: A Dictionary of the Body in Russian Poetry of the Early 20th Century (Based on Materials from the Dictionary of the Language of Russian Poetry of the 20th Century)." In Lexicography of the digital age. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-19-1-2021-129.

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Zhou, Ya. "COLOR NAMING IN RUSSIAN AND CHINESE POETRY (BASED ON 20TH CENTURY POETIC TEXTS)." In ACTUAL PROBLEMS OF LINGUISTICS AND LITERARY STUDIES. Publishing House of Tomsk State University, 2020. http://dx.doi.org/10.17223/978-5-94621-901-3-2020-38.

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Khaninova, R. "FOLKLORE TRADITION OF GOOD WISHES (YORYAL) IN THE POETRY OF MIKHAIL KHONINOV." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3732.rus_lit_20-21/223-227.

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In the poetry of the classic Kalmyk literature of the twentieth century. Mikhail Khoninov (1919-1981) folklore tradition of the genre of good wishes (yoryal) was embodied in a number of poems and poems. The poet's good wishes are created both in the aspect of ritual poetry (yoryal for a newborn, yoryal for the house, yoryal for food, etc.) and in the aspect of modern reality (yoryal for the party, yoryal for the new year, yoryal for study, etc.). The folklore tradition of well-wishing, characteristic of Kalmyk poetry of the last century, on the one hand, demonstrated a synthesis of genres, on
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Kuleva, Anna S. "On plant names in the Silver Age poetry language." In Lexicography of the digital age. TSU Press, 2021. http://dx.doi.org/10.17223/978-5-907442-19-1-2021-94.

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The paper explores the problem of studying plant names, or phytonyms (based on the "Dictionary of 20th Century Russian Poetry Language" material). The dictionary material is compared with corpus data.
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Bykova, A. M. "Between painting and literature: 3 types of ekphrasis in Polish poetry of the 20th century (analysis of selected examples)." In CULTURAL STUDIES AND ART CRITICISM: THINGS IN COMMON AND DEVELOPMENT PROSPECTS. Baltija Publishing, 2020. http://dx.doi.org/10.30525/978-9934-26-004-9-78.

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Xiang, Yu. "Analysis on the Creative and Artistic Features of Ancient Poetry Art Songs in the First Half of 20th Century." In 2016 International Conference on Contemporary Education, Social Sciences and Humanities. Atlantis Press, 2016. http://dx.doi.org/10.2991/iccessh-16.2016.69.

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Brūzgienė, Rūta. "The Musicality of Lithuanian Poetry: Codes of a Different Speaking." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8934.

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Research on the interactions between literature and other art forms, observed since the appearance of syncretic art, took off in the 18th century. These multifaceted and multidisciplinary connections between time-based arts are systematized in W. Wolf’s general concept of intermediality at the end of 20th century. Based on this concept, the paper will provide some aspects of the musicality of Lithuanian poetry. The study is based on works by V. Daujotytė, V. Česnulevičiūtė, O. Juozapaitienė, J. Girdzijauskas, V. Kubilius, Ž. Ramoškaitė, D. Razauskas, W. Wolf, and others; comparative methodolog
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Lomidze, Tamar. "Philosophy and Poetry (Fichte and Baratashvili)." In XII Congress of the ICLA. Georgian Comparative Literature Association, 2025. https://doi.org/10.62119/icla.3.8953.

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As a result of the semantic research carried out in the 20th century, it was found that `me' is an undefined word. Namely, the author of the original semantic theory, A. Wierzbicka aimed to identify those semantic units (`primitives') which are in themselves unexplained (intuitively clear meaning) and through which any word or expression can be defined. One such `primitive' is `me'. Thus, the semantics of `I' cannot be explained through other words (of course, here we mean psychological, philosophical, etc. explanations), i.e. It has a clear meaning in itself – ``I am me'' or ``I am me''. But
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Sipkina, N. "POETRY STYLE R.I. ROZHDESTVENSKY IN THE CONTEXT OF THE SIXTIES." In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3713.rus_lit_20-21/152-155.

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The article examines the stylistic features of the poetry of R.I. Rozhdestvensky, one of the founders and leaders of the literary movement of the sixties, who played a significant role in the Russian literary process of the second half of the twentieth century. And made a certain contribution with his creativity to the formation of the worldview of the sixties. It is noted that the work of R.I. Rozhdestvensky, as well as the work of all his associates (E.A. Evtushenko,A.A. Voznesensky, B.A. Akhmadulina, etc.) is an insufficiently studied page in the history of Russian literature, which has abs
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