Relevant bibliographies by topics / Urdu Poets

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  4. Book chapters
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Academic literature on the topic 'Urdu Poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Urdu Poets"

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Nasir, Zayana. "Female Voice in Urdu Poetry." Orientalistica 4, no. 3 (October 12, 2021): 758–67. http://dx.doi.org/10.31696/2618-7043-2021-4-3-758-767.

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This essay aims at understanding the development and struggles of a ‘female voice’ within Urdu poetic tradition through the writings of women poets of the Nineteenth century in contrast to the women poets of the twentieth-century feminist movement. The women in traditional Urdu poetry have remained a silent cruel beloved, the image offered is that of a ‘feckless beloved, endowed with heavenly beauty, reigned: fair to face, doe-eyed, dark hair, tall and willowy, a woman who vacillated from indifference, shyness and modesty to wanton cruelty. The essay is an attempt to understand the level of autonomy of the female voice in the poems of women poets through the years. To portray the development of a feminine expression in Urdu poetry the paper will be ranging from the poems of tawaifs (courtesan) of the eighteenth century like Mah Laqa Chanda, their attempts to acquire a place within the patrilineal Urdu literary tradition; the rekhti tradition where men wrote poems in a female voice, to the twentieth century feminist poets like Kishwar Naheed and Fehmida Riaz. The paper is based on Hakim Fasihuddin Ranj’s anthology ‘Baharistan-i-Naz’ which provides a brief yet important introduction on the status of various tawaif poets within the Urdu literary circle; Rahat Azmi’s Halat-i-Mah Laqa, a biographical work on the life and works of Mah Laqa Bai Chanda; and Rukhsana Ahmad’s ‘We Sinful Women’, a compilation of the original and translated works of feminist women poets of twentieth-century Pakistan. Various secondary sources have been used to understand the dynamics behind the writing style of these poets and how similar terms came to be used for portraying completely distinct themes.
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Dr. Arshad Mohmood Malk and Hafiz Muhammad Saqib Niaz. "Role Of Meera Ji And Majeed Amjad In The Foundation Of Modern Urdu Poetry." Dareecha-e-Tahqeeq 3, no. 4 (February 22, 2023): 22–29. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i4.79.

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Majeed Amjid and Meera Ji are pioneers of the modern school of poetry. Both are prominent and influential persons in the modern era of poems in Urdu literature. They have introduced new tech techniques and styles in the field of poems, which diverted ate the nation of new poets towards new thoughts and ideas in this field. Being modern iconic poets, they portrayed human nature and introduce new tones and unique styles of ambiguity to express outer and inner feelings. They are creative multiband i- directional and know all the ways to convey their feelings through modern urdu poems. We will explore how they have changed style and their impact on modern poems in the 21st century.
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Dr. Iram Saba and Dr. Fahmida Tabassum. "The Feminist Urdu Poem And Feminism After The Creation Of Pakistan." Dareecha-e-Tahqeeq 3, no. 3 (January 16, 2023): 283–95. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i3.73.

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Urdu women poets are categorized as per the different strands of feminism and forms of women’ consciousness, the notion of sisterhood and the feminist methodology of consciousness raising in the poetry of women.Urdu poets have been explored. In Urdu Poetry here is countless prominent name (i.e Ada Jafri, Zahra Nigah, Sara Saghufta, Parveen Shakir, Fehmeda Riaz and Kishwar Naheed) among the female writers who are flag bearer of feminism and their poems offer a new metaphors and symbols borrowing from feminist thought and a hybrid Islamicate culture.
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Amjad Shabbir. "Literature And Sociolinguistics: A Stylistic Study Of Modern Urdu Poetry In The Context Of English Diction." Dareecha-e-Tahqeeq 4, no. 1 (March 22, 2023): 1–8. http://dx.doi.org/10.58760/dareechaetahqeeq.v4i1.97.

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This study delves into the use of English Diction in modern Urdu poetry and its impact on the stylistic context. The research focuses on selected poets and their incorporation of English words and phrases into their Urdu poetry. The study aims to understand how this inclusion affects the literary style and meaning of the poetry. It also explores the sociolinguistic implications of this phenomenon on the Urdu language and the relationship between the poets and their audience. This article aims to explore the stylistic implications of this trend through a stylistic analysis of the selected Urdu poets: Asad Muhammad Khan, Iftikhar Jalib, Salim-ul-Rehman, Akhtar Usman, Azra Abbas, Afzal Ahmed Syed, Zahra Nagah, Parveen Shakir, Zee Shan Sahil, Naseer Ahmad Nasir, Ali Muhammad Farshi, Waheed Ahmad, Rawish Nadeem and Arshad Meraj. The influence of English on Urdu can be seen as a reflection of the increasing globalization and Westernization of Pakistani society. The poets included in this study represent different generations and come from different parts of Pakistan, but they all share a common experience of growing up in a society that is increasingly exposed to English. The stylistic implications of the use of English Diction in Urdu poetry are varied and complex. On one hand, it can be seen as a way of enriching the poetic language, bringing new nuances and connotations to the Urdu lexicon.
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Dr Irum Saba and Dr Sanam Shakir. "CONTEMPORARY URDU POEM & CHAOS." Tasdiqتصدیق۔ 4, no. 2 (December 30, 2022): 98–107. http://dx.doi.org/10.56276/tasdiq.v4i2.113.

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Problems and challenges of the modern era are the main sources to affect the human mind and soul. A poet is a sensitive person in society, he realizes, analyzes, and judges the issues of their era and these topics became a pivotal part of their poetry. Literature has a deep relation with society. The major expression found in Urdu poems is anger, grief, and distress over the devastation and destruction in Pakistan and all over the world, especially in the Islamic world. There is always a fear of 3rd world war which fills the mind with terror and a sense of insecurity that prevails around the globe. Realities have been vigorously launched in Urdu poetry. The contribution of modern-era’s poets is tremendous in this regard that how they portrayed the present state of mind of modern man in their poems.
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Supriyadi, Moh, and Rizal Murtaqi. "Al-Jinas fi Diwan li al-Imam al-Syafi’i." Dzil Majaz: Journal of Arabic Literature 2, no. 1 (March 4, 2024): 51–66. http://dx.doi.org/10.58223/dzilmajaz.v2i1.183.

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The well-known beginning of Urdu poetry in this country was in the year 1450 AD, and hundreds of poets emerged and became famous during those long periods. He received several titles from the state, and he had published collections, and others. There are famous poets such as Anis, Dabir, Hali, Akbar Allahabadi, Amjad al-Khidarabadi, and these Poets whose poetry in Urdu literature is considered an argument, and what is cited in it. There are those poets mentioned, such as: Dagh, Anis, and Dabeer. They said visuals containing five hundred pistols, or six hundred pistols, and each pistol contains three verses, and the Urdu language after this is a language that has absorbed all meanings and descriptions. the beautiful. Therefore, the researcher seeks to research this collection, and the researcher chose this research to be the topic of research in his research, and the researcher must focus his research on the science of Badi’, which had not been researched before, meaning the sensitive one in the collection of Al-Shafi’i.
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Muhammad Saeed Ahmad and Dr Saeed Ahmad. "Modern Urdu Poetry and Contemporary Requirements." Tasdiqتصدیق۔ 2, no. 1 (December 30, 2020): 42–49. http://dx.doi.org/10.56276/tasdiq.v2i1.17.

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The contemporary needs, demands, and challenges and their impact on our modern poetry are very pertinent to mention here that contemporary consciousness is very necessary for modern poets and poetry. Challenges of the modern era and contemporary consciousness are the main sources to impress the mind and soul of the Creator and such literature plays a significant role in society. The poets realize, analyze and judge the surrounding issues of their era and discuss them in their poetry. Succinctly we can say that the contemporary demands and challenges have a deep impact on modern poetry.
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Vasilyeva, L. A. "“Mir Taqi Mir”. A fragment from the History of Urdu Poetry “Water of Life” of Muhammad Husayn Azad." Orientalistica 3, no. 5 (December 29, 2020): 1437–49. http://dx.doi.org/10.31696/2618-7043-2020-3-5-1437-1449.

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The article is a translation into Russian of the chapter from the “Water of Life” by Muhammad Husain Azad (1830–1910). This is the chapter about the greatest Urdu poet Mir Taki Mir (1713/1723(?)–1810 AD). The critical work by Azad, the “Water of Life” is considered as the first history of Urdu poetry written in Urdu. Azad was the first to see in this phenomenon a continuous process. The periods in the development of literature are interlinked. Azad identifies five major periods of Urdu poetry and briefly describes each of them. His work comprises biographical facts, characteristics, vivid word-portraits of outstanding Urdu poets and colourful historical anecdotes associated with them. The “Water of Life” had a very significant impact on contemporaries of Azad, as well as on the further development of literary-critical thought in Urdu. It set the standard for literary criticism for many decades. “Water of Life” had a significant impact on contemporaries, as well as on the further development of literary-critical thought in Urdu. It set the standard for literary criticism for many decades to come. Regardless that some historical dates and literary facts, as well as some important generalizations of the author, seem today at least controversial, still many Urdu literati and critics even nowadays fully rely upon the evaluation and criticism of famous poets as given by Azad.
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Muhammad Jahanzaib, Samina Ashraf, and Ghulam Fatima. "Awareness Level of Visually Impaired College Students about Urdu Poets and Poetry in Punjab: A Qualitative Inquiry." Journal of Business and Social Review in Emerging Economies 6, no. 3 (September 30, 2020): 1151–55. http://dx.doi.org/10.26710/jbsee.v6i3.1380.

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Language has been the most popular source of communication in human society since the start of civilization. The tradition of Folk Tales appeared as the foundation of literature in ancient times. Poetry is a significant way of expression in human literature. Urdu language possesses uncountable master pieces of prose and poetry. Visually impaired persons have proved themselves as literature lovers, good readers and visionary poets in past and present. This study is an effort to depict the awareness level of visually impaired college students about Urdu poets and their creations. The population of the study consisted of all visually impaired students enrolled in public and private sector colleges located in the district Lahore and Okara. A self developed and validated structured interview schedule containing 10 open ended questions was used to collect data from conveniently selected sample of 30 visually impaired students (males= 18, females=12). Descriptive statistics (percentages of responses) were calculated, collected information was coded; major themes were derived and interpreted by qualitative data analysis technique. The Study reflected that the visually impaired college students were having a lot of information about Urdu poets and their creations although there seemed a lack of in depth knowledge. They reported the lack of talking books and material in Braille on Urdu poetry of great and famous poets. They suggested the establishment of talking libraries throughout the country. Major findings were reported, conclusions were drawn and recommendations were made to Punjab Higher Education Department.
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Dr Zafar Hussain Haral and Zaib-un-Nisa. "AN ANALYSIS OF TAZKARA HAZAR DASTAAN KNOWN AS KHUMKNANAE JAVEED BY LALA SRI RAM." Tasdiqتصدیق۔ 4, no. 2 (January 10, 2023): 111–21. http://dx.doi.org/10.56276/tasdiq.v4i2.124.

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Tazkara is a type of biography in Urdu literature. In Tazkara the researcher compiles the data and events of the lives of poets and other literary personalities. Tazkara Hazar Dastaan known as Khumkhanae Javeed was gathered by Lala Sri Ram. This biography consists of Six volumes. There are 689 pages in Volume 1 and a list of 634 poets according to the Urdu alphabet ا تا بby poetic names included in it. Volume 2 consists of 751 pages with a list of 485 poets by poetic names according to پ تا ح. Volume 3 consists of 737 pages with a list of 534 poets by poetic names according to خ تا ز. Volume 4 consists of 628 pages with a list of 421 poets by poetic names according to س تا ش. Volume 5 consists of 616 pages with a list of 647 poets by poetic names according to ش تا ع. Volume 6 consists of 556 pages with a list of 458 poets by poetic names according to ع تا ے. There are 3977 pages and 3179 poets in all volumes. It is a remarkable work. In this article, this biography is critically analyzed.
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Dissertations / Theses on the topic "Urdu Poets"

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Lee, Christopher R. "Banaras, Urdu, poetry, poets (India)." Related electronic resource: Current Research at SU : database of SU dissertations, recent titles available full text, 2002. http://wwwlib.umi.com/cr/syr/main.

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Books on the topic "Urdu Poets"

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Yūnus, Aḥmar. Modern Urdu poets. Karachi: Royal Book Co., 1995.

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Quraishi, Abdul Malik. Sketches of selected Urdu poets. 2nd ed. Hamilton, Ont: Pathway Publications, 1999.

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Kamal, Daud. Four contemporary poets: English translation of Urdu poems. Islamabad: National Book Foundation, 1992.

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1935-1987, Kamal Daud, ed. Four contemporary poets: English translation of Urdu poems. Islamabad: National Book Foundation, 1992.

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Farrūk̲h̲ī, Aslam. Angan main sitarey. Karachi: Shahrza, 2001.

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Badāyūnī, Shams. Ḥaqāʾiq o baṣāʾir. [Badāyūn]: Shams Badāyūnī, 1986.

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Singh, Verma Rajinder, ed. Contemporary Urdu verse: Hundred masterpieces of eighty major Urdu poets. Delhi: Atma Ram, 1989.

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Shamīm, Mubārak. Suk̲h̲anvarān-i Shāhjāhān̲pūr: Ek taz̲kirah. Naʼī Dihlī: Tak̲h̲līqkār Pablisharz, 1995.

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Gardezī, ʻAlī al-Ḥusainī. Taz̲kirah-yi rek̲h̲tah goyān̲. Lakhnaʾū: Uttar Pradesh Urdū Akāḍmī, 1995.

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Meraṭhī, Nūr Aḥmad. Bahr-i zamān̲ bahr-i zabān̲ ...: G̲h̲air Muslim naʻt gu shuʻarā kā ʻālamī taz̲kirah va naʻtiyah-yi kalām. Karācī: Idārah-yi Fikr-i Nau, 1996.

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Book chapters on the topic "Urdu Poets"

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Kidwai, Saleem. "“Firaq” Gorakhpuri: Poet vs. “Critic” (Urdu)." In Same-Sex Love in India, 264–66. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62183-5_37.

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Kidwai, Saleem. "“Firaq” Gorakhpuri: Poet vs. “Critic” (Urdu)." In Same-Sex Love in India, 264–66. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-05480-7_37.

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Kidwai, Saleem. "Mir Taqi “Mir”: Autobiography (Persian) and Poems (Urdu)." In Same-Sex Love in India, 184–90. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-349-62183-5_26.

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Kidwai, Saleem. "Mir Taqi “Mir”: Autobiography (Persian) and Poems (Urdu)." In Same-Sex Love in India, 184–90. New York: Palgrave Macmillan US, 2000. http://dx.doi.org/10.1007/978-1-137-05480-7_26.

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"An Eighteenth-Century Satirist." In A Life in Urdu, edited by Marion Molteno, 73—C5.P85. Oxford University PressDelhi, 2022. http://dx.doi.org/10.1093/oso/9789391050948.003.0005.

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Abstract The poet Sauda features in Russell’s well-known book Three Mughal Poets. This article appeared separately before the book’s publication and introduces readers to his work and attitudes, through extensive examples. It gives insight into the role of a satirist at a time when the Mughal Empire was in catastrophic decline. Poets depended on patronage from the wealthy noble class, but despite this Sauda exercised considerable independence in expressing his views. The translations from his poems include attacks on incompetent self-seekers who controlled the empire; their extravagance; gluttony; meanness; the self-appointed censors of others’ morals; an exploitative hakim (practitioner of a traditional system of medicine). These poems reflect the fact that a certain licence was conventionally allowed to poets. Other poems reflect his deep despair at the fate of Delhi, his native city.
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Narang, Gopi Chand. "The Neoclassicists." In The Urdu Ghazal, translated by Surinder Deol, 235–77. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.003.0006.

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By the early twentieth century, Urdu literature had grown in variety and richness—it consisted of not only divans of ghazals but novels, dramas, historical accounts, biographies, and even books on medicine and astronomy. However, the ghazal as a genre had suffered a reversal, first by a movement by some British educationists aimed at promoting poems, and then by the loss of master poets like Dagh, Hali, and Shibli, without any replacement by the poets of the same caliber. Under such circumstances, it was left to poets like Hasrat Mohani, Akbar Allahabadi, Allama Iqbal, Chakbast, and Yagana to take up the ghazal’s banner. All of them helped in its vigorous restoration and revival with a captivating lyrical touch.
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Narang, Gopi Chand. "The Progressives." In The Urdu Ghazal, translated by Surinder Deol, 278–343. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.003.0007.

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Several Urdu poets drew their inspiration from revolutions in Russia and China and advocated similar transformation in India. The Progressive Writers’ Movement, established by Mulk Raj Anand and Sajjad Zaheer, held its first conference in 1936. The ghazal had been marginalized for quite some time due to a misconception by some progressives that the ghazal was anti-progressive. Thankfully, poets like Faiz Ahmed Faiz kept writing ghazals using love and Sufi phraseology with new revolutionary import. Faiz reframed concepts of love and beauty to be in tune with the needs of changing times. This chapter makes the point that literature and fine arts are social acts, and if creativity is impeded and freedom of the mind is compromised, poetry will lack freshness and spontaneity. Thus, in spite of the harsh criticism of some mistaken people, the ghazal reappeared in a decade or two and thrived together with the wave of rising social consciousness and revolutionary zeal.
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Narang, Gopi Chand. "The Modernists and the Postmodernists." In The Urdu Ghazal, translated by Surinder Deol, 344–470. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190120795.003.0008.

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This chapter opens with a conceptual history of literary movements like modernism and postmodernism in Europe, and goes on to discuss the origins of these trends in Urdu literature, particularly Urdu poetry, about which much has not been written before. This chapter also contains samples of representative ghazal verses from a wide variety of modern and postmodern poets, including Javed Akhtar and Gulzar.
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"Urdu Poetry Versus the Fundamentalists." In A Life in Urdu, edited by Marion Molteno, 104—C9.P66. Oxford University PressDelhi, 2022. http://dx.doi.org/10.1093/oso/9789391050948.003.0009.

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Abstract In the wake of the terrorist attack of 2001 Edward Said wrote that it was important to stress that ‘there is more than one Islam’. Russell describes the anti-fundamentalist nature of Islam as embodied in classical Urdu (and Persian) poetry. He gives examples from Sadi, Hafiz, Ghalib, Hali, and other ghazal poets, particularly Mir, who stress that mere observance of the rituals of religion are in themselves without value, and attacking the traditionalists. The essential humanism of the ghazal derives from its Sufi origins, and stresses love for all humankind. Fundamentalist Muslims have always been uncomfortable with this tradition.
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"Chapter 1. BIOGRAPHIES OP PERSIAN AND URDU’ POETS." In A Catalogue of the Arabic, Persian and Hindustany Manuscripts, edited by A. Sprenger, 1–249. Piscataway, NJ, USA: Gorgias Press, 2010. http://dx.doi.org/10.31826/9781463218980-002.

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Conference papers on the topic "Urdu Poets"

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Siddiqui, Iqra, Fizza Rubab, Haania Siddiqui, and Abdul Samad. "Poet Attribution of Urdu Ghazals using Deep Learning." In 2023 3rd International Conference on Artificial Intelligence (ICAI). IEEE, 2023. http://dx.doi.org/10.1109/icai58407.2023.10136675.

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Nabeel, Zahra, Maseeha Mehmood, Anees Baqir, and Anam Amjad. "Classifying Emotions in Roman Urdu Posts using Machine Learning." In 2021 Mohammad Ali Jinnah University International Conference on Computing (MAJICC). IEEE, 2021. http://dx.doi.org/10.1109/majicc53071.2021.9526273.

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Sohail, Muhammad, Azhar Imran, Hameed Ur Rehman, and Muhammad Salman. "Anti-Social Behavior Detection in Urdu Language Posts of Social Media." In 2020 3rd International Conference on Computing, Mathematics and Engineering Technologies (iCoMET). IEEE, 2020. http://dx.doi.org/10.1109/icomet48670.2020.9073857.

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