Relevant bibliographies by topics / Uruguay in art

Contents

  1. Journal articles
  2. Dissertations / Theses
  3. Books
  4. Book chapters
  5. Conference papers
  6. Reports

Academic literature on the topic 'Uruguay in art'

Author: Grafiati
Published: 4 June 2021
Last updated: 27 July 2025

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Journal articles on the topic "Uruguay in art"

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De Miguel-Molina, María, Virginia Santamarina-Campos, Blanca De Miguel-Molina, and María del Val Segarra-Oña. "Creative cities and sustainable development: mural-based tourism as a local public strategy." Dirección y Organización, no. 51 (December 1, 2013): 31–36. http://dx.doi.org/10.37610/dyo.v0i50.429.

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Creative locations become a key element of public regeneration strategies and develop innovative services based on intellectual proper ty. Some communities that have chosen to develop their tourism potential through the use of murals have improved their local development in a sustainable way, thus meeting a need expressed by tourists to create a more active experience with an opportunity for the destination to embed experiences in the locality. In this study, which was carried out as part of an international cooperation research project with Uruguay, we have explored whether Uruguayan mural ar
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Tomsich, Francisco. "The “Yugoeslavia” Folder." Acta Academiae Artium Vilnensis 105, no. 105 (2022): 295–315. http://dx.doi.org/10.37522/aaav.105.2022.114.

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In 2018, the Uruguayan-Slovene artist Francisco Tomsich launched the artistic research project Give my regards to those you connect, an exploration on connections and dialogues between artists from the former Yugoslavia and the River Plate region corresponding through the Mail Art network from the late 1960s onward. The research’s point of departure was a list of postal addresses from artists in Serbia prepared prior to the dissolution of Yugoslavia by the Uruguayan artist Clemente Padín and expanded in 2019 by Tomsich through the study of the “Yugoeslavia” folder at the General Archive of th
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García, Mónica. "La colectividad afrouruguaya y su vínculo con Nicolás Guillén The Afro-Uruguayan community and its relationship with Nicolás Guillén." Wirapuru 1, no. 1 (2020): 89–99. https://doi.org/10.5281/zenodo.4289231.

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El artículo aborda un episodio importante de la historia de la colectividad afrouruguaya y de sus redes intelectuales y políticas internacionales: la relación personal con el escritor cubano Nicolás Guillén a partir de la visita del poeta al Uruguay en 1947. Las personas que de diferentes formas participaron del mundo de las publicaciones de la prensa afrouruguaya tuvieron vínculos con intelectuales y activistas, afrodescendientes, o no, fuera del Uruguay. En gran parte, la relación que la comunidad afrouruguaya tuvo con estos contactos se debe
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Aguerre, Enrique. "Uruguay Is Reflected in Its Art." Cuadernos Iberoamericanos 12, no. 2 (2024): 19–34. http://dx.doi.org/10.46272/2409-3416-2024-12-2-19-34.

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Hernández, Holz Ayara. "Dossier - Uruguay." Investigaciones en Danza y Movimiento 6, no. 10 (2024): 82–93. https://doi.org/10.5281/zenodo.14592367.

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El art&iacute;culo propone una perspectiva acerca de la investigaci&oacute;n en danza en Uruguay a partir de un conjunto de preguntas vinculadas especialmente al desarrollo de los &uacute;ltimos diez a&ntilde;os. Forma parte del&nbsp;<em>Dossier La investigaci&oacute;n en danza en Latinoam&eacute;rica. Un mapa en construcci&oacute;n</em>, que se propone articular un conjunto de reflexiones provenientes de diferentes pa&iacute;ses de la regi&oacute;n, a cargo de especialistas de extensa trayectoria en cada uno de ellos.
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Sprechmann Gomez, Magdalena Ana. "Burle Marx and his collaborations: micro-histories of modern dreams in design and of Brazilian micro-landscapes in small Uruguay." PosFAUUSP 30, no. 56 (2023): e194485. http://dx.doi.org/10.11606/issn.2317-2762.posfauusp.2023.194485.

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This paper is a preliminary inquiry into the work of Burle Marx in Uruguay between the decades of 1950 and 1980. In this period, he had some piecemeal collaborations with two pioneers of modern design in Uruguay: Luis García Pardo and Walter Pintos Risso. They attempted to materialize pragmatically the idea of Gesamtkunstwerk, i.e. of total artwork, produced for a local bourgeoisie. This was expressed through architecture, gardens, built-in works of art, such as sculptures and murals, designer furniture and advertising graphic design for their own products.&#x0D; &#x0D; As research methodology
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García, Ferreira Roberto. "Cuba en Uruguay: 1959-1960." Política Internacional VI, . 3 (2024): 158–71. https://doi.org/10.5281/zenodo.12626787.

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El texto describe algunos de los hechos m&aacute;s significativos que jalonaron la proyecci&oacute;n de la Revoluci&oacute;n Cubana en Uruguay durante sus dos primeros a&ntilde;os. Es parte de una investigaci&oacute;n mayor enfocada a dar cuenta de los v&iacute;nculos bilaterales entre ambos pa&iacute;ses desde el golpe de Batista en 1952 y hasta la primera ruptura de relaciones decretada por el gobierno uruguayo en 1964. Las fuentes en que se sustenta este art&iacute;culo provienen de una diversidad de archivos regionales entre los que cabe muy especialmente destacar la documentaci&oacute;n c
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Torres, Alejandra. "Apuntes para una historia de la edición en Uruguay: el trabajo pionero y olvidado de Luis Bertrán (Montevideo, 1931) Notes for a story of the edition in Uruguay: the pioneering and forgotten work of Luis Bertrán (Montevideo, 1931)." Amoxtli 3, Segundo semestre 2019 (2019): 1–16. https://doi.org/10.5281/zenodo.3518476.

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Este art&iacute;culo aborda la producci&oacute;n de Luis Bertr&aacute;n a comienzos del siglo XX, en especial en su labor de periodizaci&oacute;n del quehacer editorial en Uruguay. Se postula que la intenci&oacute;n principal de este autor fue revelar los antecedentes m&aacute;s antiguos de la actuaci&oacute;n editorial en su pa&iacute;s, pudi&eacute;ndose as&iacute; proponer una historia capaz de recoger m&aacute;s ampliamente el pasado cultural de Uruguay This article deals with the production of Luis Bertr&aacute;n at the beginning of the 20th century, especially in his work of periodizing
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Martínez-Carazo, Eva-María, Virginia Santamarina-Campos, and María de-Miguel-Molina. "Creative Mural Landscapes, Building Communities and Resilience in Uruguayan Tourism." Sustainability 13, no. 11 (2021): 5953. http://dx.doi.org/10.3390/su13115953.

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The purpose of this research was to analyze open-air mural painting museums in Uruguay as a model of tourism resilience, sustainability, and social development, being one of the first Latin American examples to demonstrate the ability to adapt to change and overcome external shocks through the creation of creative community landscapes. To do so, documentary research, photographic documentation, and field research were carried out in order to explore the opportunities of mural tourism in small locations in Uruguay. In the nineties, a new type of artistic production was created in Uruguay, initi
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Stapff, Andrés. "Fotografía de Andrés Stapff." Dixit, no. 17 (September 18, 2012): 49–54. http://dx.doi.org/10.22235/d.v0i17.357.

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Andrés Stapff (Montevideo, 1972) es fotógrafo de la agencia de noticias Reuters en Uruguay desde 1999. Desde allí ha participado en varias coberturas de una amplia variedad de acontecimientos en diferentes situaciones y países tales como la crisis política y económica en Argentina durante el 2001 y 2002, la Copa América en Colombia, Perú y Argentina, los Juegos Panamericanos de Brasil, cumbres de las Américas y del G20, mundiales de fútbol y otros deportes, además de varios procesos eleccionarios en Uruguay y el resto de América Latina. Sus fotos han sido publicadas en medios nacionales y del
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Dissertations / Theses on the topic "Uruguay in art"

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Epstein, Ariela. ""¡ Arriba los que luchan !" : Cultures politiques sur les murs de Montevidéo." Toulouse 2, 2010. http://www.theses.fr/2010TOU20010.

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Les travaux présentent un parcours centré sur les murs de Montevideo, un regard ethnologique et sémiologique sur différents genres d’inscriptions et leur pratique : les pintadas des brigades de partis politiques ; les murales communautaires des Afro-uruguayens ; les graffitis, pochoirs et autres formes de street art de la jeune génération. Directement ou indirectement politiques, ces expressions graphiques sont le reflet de différentes manières de s’engager et de formuler cet engagement ; elles sont issues d’une tradition structurée, instituée comme un rite d’affrontement entre partis, ou sont
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Medici, Antonella. "Romper el Marco. Memoria y producción artística en la postdictadura uruguaya 1985-2005." Doctoral thesis, Universitat de Barcelona, 2019. http://hdl.handle.net/10803/669958.

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La presente tesis doctoral titulada Romper el Marco. Memoria y producción artística en la postdictadura uruguaya 1985-2005 gira en torno a la relación entre memoria y prácticas artísticas en el marco de la postdictadura uruguaya. Situada en un campo interdisciplinario que incluye tanto los Estudios de Memoria, los Estudios Visuales y la Historia del Arte, como también las teorías sobre el testimonio, la experiencia concentracionaria y la tortura, esta tesis se centra en estudiar los regímenes estéticos que operan alrededor de las experiencias límite de la dictadura cívico-militar (1973-1985) -
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Yaffé, Jaime. "Al centro y adentro : la renovación de la izquierda y el triunfo del Frente Amplio en Uruguay /." Montevideo : Linardi y Risso, 2005. http://catalogue.bnf.fr/ark:/12148/cb40113315f.

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Texte remanié de: Tesis--Facultad de ciencias sociales--Universidad de la República, 2005. Titre de soutenance : Adaptación partidaria y competencia política en Uruguay : el caso del Frente Amplio, 1971-2004.<br>Au dessus du titre : Instituto de ciencia política, Facultad de ciencias sociales, Universidad de la República. Bibliogr. p. 191-201.
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Gros, Espiell Héctor. "La Corte electoral del Uruguay /." San José : Instituto interamericano de derechos humanos : Centro de asesoría y promoción electoral, 1990. http://catalogue.bnf.fr/ark:/12148/cb361505076.

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Schröter, Bernd. "Die Entstehung einer Grenzregion : Wirtschaft, Gesellschaft und Politik im kolonialen Uruguay 1725-1811 /." Köln ; Weimar ; Wien : Böhlau, 1999. http://catalogue.bnf.fr/ark:/12148/cb371189124.

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Sanz, Víctor. "La conferencia de Paris sobre la Banda Oriental /." Caracas : Academia nacional de la historia, 1993. http://catalogue.bnf.fr/ark:/12148/cb36151997b.

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Texte remanié de: Tesis doct.--Facultad de geografía e historia--Madrid--Universidad Complutense, 1983. Titre de soutenance : La conferencia de París sobre la banda oriental, 1817-1819.<br>Bibliogr. p. 357-367.
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Renfrew, Daniel. ""We are all contaminated" lead poisoning and urban environmental politics in Uruguay /." Diss., Online access via UMI:, 2007.

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Rivalora, Puntigliano Andrés. "Mirrors of change : a study of industry associations n Chile and Uruguay /." Stockholm : Institut of Latin American studies : Stockholm university, 2003. http://catalogue.bnf.fr/ark:/12148/cb391342943.

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Schröter, Bernd. "Volksbewegungen in den lateinamerikanischen Unabhängigkeitsrevolutionen von 1810-1826 : Mexiko, Paraguay und Uruguay im Vergleich /." Leipzig : Leipziger Universitätsverl, 2000. http://catalogue.bnf.fr/ark:/12148/cb388655580.

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Otradovsky, Miranda. "Liberalizing non-tariff barriers : a comparative study of the 1948-58 intra-European trade liberalization and negotiations in the Uruguay round /." Genève : M. Otradovsky, 1992. http://catalogue.bnf.fr/ark:/12148/cb35586046b.

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Books on the topic "Uruguay in art"

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Mascelloni, Maria Laura. Uruguay, a South balcony: Contemporary artists from Uruguay. Edited by Fabrica (Organization) and Imago Mundi (Project). Antiga edizioni, 2017.

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Muñoz, María Julia. Picasso en Uruguay. Museo Nacional de Artes Visuales, 2019.

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Consens, Mario. Arte prehistórico en Uruguay. Torre del Vigía Ediciones, 2007.

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Rocca, Thiago. Otro arte en Uruguay. Linardi y Risso, 2009.

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Gallery, Sammer. Un siglo de arte Uruguayo: Enero, 2007, José Ignacio, Maldonado, Uruguay. Galéria de las Misiones, 2007.

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Biblioteca del Poder Legislativo (Uruguay). Diccionario de artistas plásticos en el Uruguay. 2nd ed. Librería Linardi y Risso, 1992.

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Linari, Gabriel Peluffo. El paisaje a través del arte en el Uruguay. Edición Galería Latina, 1994.

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Mariano, Arana, ed. Arquitectura y diseño art déco en el Uruguay. Dos Puntos, 1999.

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Carbajal, Miguel. La influencia española en las artes visuales del Uruguay. Edición Galería Latina, 1992.

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Carbajal, Miguel. La influencia española en las artes visuales del Uruguay. Edición Galería Latina, 1992.

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Book chapters on the topic "Uruguay in art"

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Gatti, Gabriel. "Art and Science Struggling with the Absence of Meaning." In Surviving Forced Disappearance in Argentina and Uruguay. Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137394156_6.

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Olivares L., Alejandro. "Why Are Ministers Important? The State of the Art on Ministers and Cabinets." In Survival of Ministers and Configuration of Cabinets in Chile and Uruguay. Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92802-5_2.

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Tarigo-Bonizzoni, Liliana. "Study of the Open-Air Museum of Ibero-American Art of San Gregorio de Polanco, Uruguay." In Cultural and Creative Mural Spaces. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-53106-5_7.

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García Portilla, Jason. "Summary Overview of the Four Case Studies." In “Ye Shall Know Them by Their Fruits”. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78498-0_22.

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AbstractThis chapter presents a brief comparative summary overview of the four cases.In Switzerland, most conservative Catholics escaped modernisation and centralism by relocating to the mountains, while Liberals and Protestants mostly remained in flat areas that became industrialised (Obinger, 2009). The federal government has been mainly liberal (anti-clerical) and close to Protestantism. Likewise, the Protestant population was in the majority until the 1970s. Currently, the Protestant cantons are the most competitive, while the mountainous Roman Catholic cantons are the least competitive.Ur
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García Portilla, Jason. "b) Uruguay: Extreme Positive Case Study (Latin America)." In “Ye Shall Know Them by Their Fruits”. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78498-0_19.

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AbstractSecularisation and religiosity in Uruguay are closer to Western European levels than to Latin American averages. The idea of medieval “Christendom” inherited from Hispanic times became obsolete and residual in Uruguay already during the nineteenth century (which is early compared to the rest of Latin America).Uruguay closely followed the laïcité model of the French Revolution without ever completely replicating it. This process resulted in the widespread secularisation of institutional fields, displaced religion to the domestic sphere, and guaranteed the freedom of consciousness and re
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Gianotti, Camila, Laura del Puerto, Lucía Courtoisie, et al. "Creating a Collaborative Management Framework for the Conservation of an Indigenous Mounds’ Landscape in the Wetlands of India Muerta (Uruguay): State of the Art and Future Perspectives." In Historical Ecology and Landscape Archaeology in Lowland South America. Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-32284-6_2.

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Martín-Artiles, Antonio, Vincenzo Fortunato, and Eduardo Chávez-Molina. "Unemployment Benefits: Discursive Convergence, Distant Realities." In Towards a Comparative Analysis of Social Inequalities between Europe and Latin America. Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-48442-2_13.

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AbstractUnemployment protection systems have certain characteristics in common in Argentina, Uruguay, Spain and Italy: they are compulsory and contributory-proportional, although in Uruguay, it also has a capitalisation supplement. Despite the similarities, they work differently because the context of informal employment chiefly, and unemployment, low salaries and precariousness differ greatly. Consequently, the unemployment protection coverage rate varies. Theories of the Active Welfare State, the Investor State and the reforms of unemployment protection systems have led to a certain modernis
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Auboin, Marc, and Sam Laird. "How Important are Trade Defence Measures and Non-Tariff Barriers for LDCs — with Particular Emphasis on those of the EU?" In Multilateralism and Regionalism in the Post-Uruguay Round Era. Springer US, 1999. http://dx.doi.org/10.1007/978-1-4615-5225-3_6.

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Bone Moncayo, Byron Xavier, Carlos Andrés Ulloa Vaca, and Alexandra Karina Pazmiño Pacheco. "Analysis of UV Radiation Monitoring: Distribution of Stations in South American Countries During the Summer Season." In Lecture Notes in Networks and Systems. Springer Nature Switzerland, 2025. https://doi.org/10.1007/978-3-031-87065-1_30.

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Abstract The present study examines the distribution of ultraviolet (UV) radiation monitoring stations in South American countries during the months of December to February. Data were collected from Argentina, Brazil, Chile, Colombia, Ecuador, Peru, Uruguay, Venezuela, Bolivia, and Paraguay, covering a total of 89 stations. The results reveal significant variability in the number of stations among countries, with Brazil, Chile, Colombia, Ecuador, and Peru standing out with a higher number of stations (range: 9–11), while Uruguay, Venezuela, and Bolivia show a lower number (range: 6–9). This va
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García Portilla, Jason. "Methodology." In “Ye Shall Know Them by Their Fruits”. Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-78498-0_14.

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AbstractThis study applied a comprehensive methodological framework consisting of different epistemological approaches (Mixed Methods). The correlational (quantitative) part established the interrelations between the investigated variables, while the Qualitative Comparative Analysis (QCA) further inferred causal relations for 65 countries in Europe and the Americas. The qualitative part used Critical Discourse Analysis (CDA) to examine four case studies (Switzerland, Uruguay, Cuba, and Colombia).The regression analysis of this study quantitatively explores the relations among factors/variables
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Conference papers on the topic "Uruguay in art"

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Olave, V., J. Pineda, V. Larnaudie, and M. Corengia. "Impact of energy sources on Global Warming Potential of hydrogen production: Case study of Uruguay." In The 35th European Symposium on Computer Aided Process Engineering. PSE Press, 2025. https://doi.org/10.69997/sct.166537.

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In 2022, Uruguay launched its green hydrogen roadmap, due to its renewable energy potential, water availability, and favorable logistics to position itself as an exporter of green hydrogen and derivatives. The energy source for water electrolysis is a key factor in both the final cost and the environmental impact of hydrogen production. In this context, this study evaluates the environmental impact of hydrogen production via water electrolysis, powered by 150 MW of new power sources (solar, wind, and hybrid farms) in Uruguay, all connected to the national grid. A life cycle assessment (LCA) wa
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Garcia, Mariana, and Pablo Casacuberta. "Uruguay; The Jewel of Latin America on the Stage of New Space 2.0." In IAF Symposium on Emerging Space Ecosystems, Held at the 75th International Astronautical Congress (IAC 2024). International Astronautical Federation (IAF), 2024. https://doi.org/10.52202/078388-0025.

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de Rincón, Oladis Trocónis, Ruby Mejías de Gutierrez, and Manuela Salta. "Durability of Concrete Structures: Duracon, an Iberoamerican Project. Preliminary Results." In CORROSION 2004. NACE International, 2004. https://doi.org/10.5006/c2004-04311.

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Abstract This work presents the preliminary results of the project: “Effect of the environment on reinforcement durability” (DURACON), which presents the physicomechanical and chemical characterization of the types of concrete prepared in the participating countries, as well as of the environment to which they are exposed. These results show the potentiality and probability of future reinforcement corrosion, depending on the type of mixture and the environment to which it is exposed. To that effect, concrete specimens, with and without reinforcement, were prepared for electrochemical and physi
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Silva, Ana Catarina Koka de Souza, Cibele Bugno Zamboni, and Dalton Giovanni Nogueira da Silva. "X-ray investigation of graphic art." In III SEVEN INTERNATIONAL MULTIDISCIPLINARY CONGRESS. Seven Congress, 2023. http://dx.doi.org/10.56238/seveniiimulti2023-195.

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X-rays produced by electron ionization provide an analytical tool that can assist investigations in the field of Artistic and Cultural Heritage. In this study, the technique of Energy Dispersive X-ray Fluorescence (EDXF) was employed to investigate collections of postcards from the 1960s produced in Brazil, London and Uruguay. The collections belong to private collections and were made available for analysis at the Radiation Spectroscopy and Spectrometry Laboratory of the Institute for Nuclear and Energy Research (IPEN). This technique is non-destructive and allows the identification of chemic
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Ródenas García, Juan Fernando. "Planeamiento urbanístico en la obra de Antonio Bonet: trazado viario y paisaje: de Punta Ballena al Poblado HIFRENSA, 1945-1975." In Seminario Internacional de Investigación en Urbanismo. Instituto de Arte Americano. Universidad de Buenos Aires, 2013. http://dx.doi.org/10.5821/siiu.5920.

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Esta ponencia plantea el análisis comparativo de una selección de propuestas urbanas de Antonio Bonet a través de dos piezas contrapuestas que abarcan un arco temporal de treinta años (1945-1975). La contraposición contempla dos etapas, dos paisajes y dos escalas diferentes, la etapa en Argentina-Uruguay y la etapa española, el bosque atlántico y el bosque mediterráneo, son: la urbanización de Punta Ballena, Maldonado, Uruguay (1945-48) y el poblado HIFRENSA, L’Hospitalet de l’Infant, Tarragona, España (1967-75). El análisis se centra en dos aspectos: trazado viario y paisaje. La obra de Bonet
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Cortazzo, Rafael. "Revisión analítica de enfoques conceptuales e instrumentos normativos de gestión territorial sustentable: con foco en el sistema nacional de áreas protegidas del Uruguay." In Seminario Internacional de Investigación en Urbanismo. Facultad de Arquitectura. Universidad de la República, 2015. http://dx.doi.org/10.5821/siiu.6184.

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La gestión del territorio uruguayo muestra un cambio reciente, profundo y rápido en sus modalidades productivas, incrementándose la participación de la agricultura y en particular los monocultivos de soja, arroz, pinos y eucaliptos. Simultáneamente la exportación de materias primas está en su máximo histórico, potenciando la presión sobre sus ecosistemas endógenos (factores bióticos y abióticos). Las prácticas agrícolas no sostenibles, la contaminación y pérdidas o degradación de recursos, son las amenazas predominantes para los ecosistemas nativos, contribuyendo sistémicamente al declive de l
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Ferro, Santiago, Juan Tomasini, Pablo Gristo, and Rodrigo Novo. "Analogies from the E&P Business Model Applied for Green Hydrogen Developments Offshore Uruguay." In Offshore Technology Conference. OTC, 2023. http://dx.doi.org/10.4043/32560-ms.

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Abstract Uruguay is at the forefront in the use of renewable energy sources and has almost totally decarbonized its electricity matrix, reducing its dependence on fossil fuels. The country is advancing into a second energy transition, including the development of a green Hydrogen (H2) economy. This work presents the Analogies from the Exploration &amp; Production (E&amp;P) business model applied for green H2 developments offshore Uruguay. Considering the sovereignty Uruguay has in activities such as the production of energy from wind in its Exclusive Economic Zone (EEZ), the Uruguayan NOC has
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Logiuratto, Lorena, and Maite Echaider. "TECNOLOGIAS DE LO COMÚN. Ficciones sobre la ciudad cuidadora y la producción del cooperativismo de vivienda en Uruguay." In Seminario Internacional de Investigación en Urbanismo. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2024. http://dx.doi.org/10.5821/siiu.12665.

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The houses made in Uruguay under the cooperative system since the beginning of the 70s, are recognized as a socially and politically legitimized way of collective construction of the habitat. From its bases, the system promotes a collective model that forms an alternative to the hegemonic ways of the market to produce habitable space with a national territory reach. The proposal presented is the result of the link between academic networks and the Gender Area of the Uruguayan Federation of Mutual Aid Cooperatives (FUCVAM) with the aim of building a critical and proactive look at the modes of p
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Benenati Balparda, Santiago. "COOPERATIVE URBANITY." In International Urban Planning Research Seminar. Universitat Politècnica de Catalunya, Grup de Recerca en Urbanisme, 2025. https://doi.org/10.5821/siiu.13166.

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The Uruguayan cooperative housing movement, a pioneering global example, emerged in the late 1960s from grassroots efforts and gained rapid institutionalization through an innovative legal support.This experience has grown over the last fifty years to become the mainstream procedure for social housing provision in the country having a strong impact on the process of building Uruguayan cities. In this sense, it could be understood not only as a prolific architectural experience but also as a social movement involving new understandings of urban governance. However, contemporary challenges persi
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Tomasini, Juan, Pablo Gristo, Santiago Ferro, and Rodrigo Novo. "Assessment of the Potential for Hydrogen Production from Bottom Fixed Offshore Wind in Uruguay." In Offshore Technology Conference. OTC, 2022. http://dx.doi.org/10.4043/31879-ms.

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Abstract After having decarbonized almost the entire electricity matrix, the next step in the Uruguayan energy transition includes the development of a hydrogen economy, for which both local and export markets are being considered, based on vast untapped unconventional renewable resources potential onshore and offshore. For ANCAP (NOC), hydrogen is key in the transition to a low-carbon and sustainable energy company, hence initiating several actions including the assessment of the potential for hydrogen production from offshore wind. Leveraging on data and information from offshore oil and gas
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Reports on the topic "Uruguay in art"

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Moreno Mejía, Luis Alberto, and Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0006209.

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Contemporary Uruguayan Artists is part of About Change: Art from Latin America and the Caribbean, a project of the World Bank Art Program in cooperation with the Cultural Center of the Inter-American Development Bank and AMA | Art Museum of the Americas at the Organization of American States. The initiative comprises a series of exhibitions of art from Latin America and the Caribbean being offered in various venues in Washington during 2011-12. The exhibition is presented In honor of Uruguay and the City of Montevideo, site of the 53rd Annual Meeting of the Board of Governors of the IDB. The w
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Angel, Félix, and Cristina Rossi. Latin American Artists of Italian Descent. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0006441.

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This catalogue belongs to the exhibit that celebrates the 150th Anniversary of Italy's Unification. The exhibition includes a selection of art works by Latin American artists of Italian descent that constitutes a symbolic yet significant exploration of the Italian cultural presence and its influence in Latin America. Among the artists included are: Héctor Borla, Sergio Camporeale, Ricardo Crivelli, Eduardo Medici, Emilio Pettoruti, and Rogelio Polesello (Argentina), Lyria Palombini (Brazil), Roberto Sebastián Matta (Chile), Umberto Giangrandi (Colombia), Francisco Amighetti (Costa Rica), Javie
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Garabato, Natalia, and Magdalena Ramada. Are Uruguayan Housing Policies Reaching the Poor?: An Assessment of Housing Deficit, Housing Informality and Usage of Housing Programs in Uruguay. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0011333.

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This document surveys the Uruguayan housing market, first describing the main housing programs and policies, then comparing their design with households' characteristics and needs. The document additionally measures Uruguay's housing deficit, using the basis deficit as well as quantitative and qualitative deficits, and provides a definition of housing informality that captures most irregular housing situations, thus delineating the size and attributes of the informal housing market. Considering both the housing deficit and informality permits an understanding of which population segments have
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Amarante, Verónica, Rodrigo Arim, and Andrés Dean. Protecting Workers against Unemployment in Uruguay. Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0011349.

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This paper considers the main institutional features of the Uruguayan labor market and its recent evolution, with a focus on unemployment. The main policies aimed at protecting workers against unemployment are analyzed. Using administrative data from social security records, the paper studies the dynamics of the labor market. Particularly examined are inflows and outflows from the formal labor market, as well as the effect, in terms of earnings loss, of episodes out of the formal labor market. Finally, an impact evaluation of recent changes in the unemployment insurance program is presented.
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Crespo, Anna Risi Vianna. Country Program Evaluation: Uruguay (2005-2009). Inter-American Development Bank, 2011. http://dx.doi.org/10.18235/0010499.

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This evaluation examines the IDB's Country Program with Uruguay for the 2005-2009 period. The engagement of the IDB with Uruguay during this period was relevant as the Program's objectives were aligned with the government¿s priorities, particularly regarding fiscal sustainability and social safety nets. The Country Strategy called for the IDB¿s involvement in more areas than it ultimately engaged in, as the focus turned to challenges that emerged from the 2002 financial crisis, drawing attention away from challenges related to growth. To make the IDB's engagement with Uruguay more effective, t
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Cassoni, Adriana, Steven G. Allen, and Gastón J. Labadie. Unions and Employment in Uruguay. Inter-American Development Bank, 2000. http://dx.doi.org/10.18235/0011241.

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This study examines the impact of unions on wages and employment using data from Uruguay in a period when unions were banned (1973-1984), then legalized with tripartite bargaining (1984-1991) followed by industry-wide or firm-specific bargaining (1992-1997). The paper begins with background on the economy, the labor market, and collective bargaining in Uruguay (Section II), followed by a brief theoretical overview on unions and labor demand (Section III) and a description of the data (Section IV). The labor demand results (Section V) indicate a structural shift in the labor demand function occ
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Hernández, María José, Ana María Linares, Kathryn Britton, et al. Country Program Evaluation: Uruguay 2010-2015. Inter-American Development Bank, 2015. http://dx.doi.org/10.18235/0010625.

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As part of its 2015 annual work plan, the Office of Evaluation and Oversight (OVE) has prepared the Bank's country program evaluation (CPE) with Uruguay for the period 2010-2015. This CPE is the third occasion on which OVE has evaluated the Bank's country program with Uruguay. The previous evaluations covered the periods 1991-2004 (document RE-312) and 2005-2009 (document RE-389). The evaluation is organized into four chapters plus annexes. Chapter I looks at the general context of the country. Chapter II analyzes the Bank's program in 2010-2015 from a general standpoint, looking in particular
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Le Fort V., Guillermo. Structural Fiscal Policy in Uruguay: A Proposal. Inter-American Development Bank, 2013. http://dx.doi.org/10.18235/0006965.

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This paper presents a design and simulation of a structural fiscal policy in Uruguay. The design includes the derivation of a metric for the structural balance that is most adequate for the country and the calculation of a structural fiscal target. This target is associated to a goal for the net worth of the public sector that ensures sustainability of the financial position of the public sector, or at least reduces its historical vulnerabilities. The paper also discusses the current situation in meeting the preconditions for the establishment of a structural fiscal balance target, and makes s
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Bukstein, Daniel, and Néstor Gandelman. Intra-generational Social Mobility and Entrepreneurship in Uruguay. Inter-American Development Bank, 2012. http://dx.doi.org/10.18235/0011392.

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This paper follows an income-based, time-dependence approach to measure social mobility in Uruguay between 1982 and 2010. The paper finds that social mobility in Uruguay is considerable and reports evidence suggesting that this mobility is greater within cohorts of groups, such as those defined by gender or region, than between groups. Entrepreneurship and self-employment are associated with greater social mobility.
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Barrios, Juan José, Gustavo Michelin, and Néstor Gandelman. Analysis of Several Productive Development Policies in Uruguay. Inter-American Development Bank, 2010. http://dx.doi.org/10.18235/0010826.

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This paper reviews and assesses some of the Productive Development Policies currently being implemented in Uruguay. Three horizontal and three vertical policies are considered in light of the market and public failures they attempt to address and minimize. Horizontal policies comprise Innovation, Industrial Promotion and Directives for Industrial and Technological Development. Vertical policies include the analysis of Forestry Law, Meat Traceability and the Sustainable Production Project in the agricultural sector.
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