Relevant bibliographies by topics / Uruguayan Women poets

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Academic literature on the topic 'Uruguayan Women poets'

Author: Grafiati
Published: 4 June 2021
Last updated: 8 February 2022

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Journal articles on the topic "Uruguayan Women poets"

1

Núñez-Puente, Carolina. "Women’s Poetry that Heals across Borders: A Trans-American Reading of the Body, Sexuality, and Love." Feminismo/s, no. 37 (January 21, 2021): 333. http://dx.doi.org/10.14198/fem.2021.37.14.

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Drawing on the idea of literature as healing (Wilentz), this article examines the anti-dualistic restoring defense of the body, sexuality, and love in Angelou (African American), Cisneros (Chicana), and Peri Rossi (Uruguayan Spanish). My trans-American comparative reading seeks to transcend frontiers and join the poets’ efforts to demolish racist, (hetero) sexist, and other prejudices. The authors insist on the body and emotions as providing reliable sources of knowledge; they propose that women can cure themselves by loving their bodies, poetry can close up the wounds of sexist violence, and
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2

Begines Hormigo, José Manuel. "El uso de la barra (/) en El amor, las mujeres y la vida, de Mario Benedetti." Rhythmica. Revista Española de Métrica Comparada, no. 13 (January 1, 2015): 11. http://dx.doi.org/10.5944/rhythmica.16162.

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Mario Benedetti, encuadrado en la poética conversacional hispanoamericana, tiende a buscar un equilibrio entre la realización tradicional de sus versos y una realización próxima al registro lingüístico coloquial. Para conseguirlo, el poeta uruguayo, que abandona el uso de los signos de puntuación en su poesía con el fin de acercarla a la oralidad, se sirve de la barra (/) como elemento de comunicación con el lector. En la antología temática El amor, las mujeres y la vida, la barra desempeña una serie de funciones que van desde las meramente sintácticas hasta las propiamente métricas.Mario Bene
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3

Johnson, Niki. "Keeping Men In, Shutting Women Out: Gender Biases in Candidate Selection Processes in Uruguay." Government and Opposition 51, no. 3 (2016): 393–415. http://dx.doi.org/10.1017/gov.2016.6.

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Quota laws have been widely adopted in Latin America, with significant increases in the number of women elected to parliament in some countries. However, it is far from clear whether the laws have produced the modifications in the gender regimes which inform internal party power structures and dynamics that would allow women to participate – as aspirants or selectors – on an equal footing with their male counterparts in the processes of candidate selection. This article seeks to identify critical nodes where the interplay between the different institutions – systemic, normative and practical –
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Books on the topic "Uruguayan Women poets"

1

1886-1914, Agustini Delmira, ed. Los cálices vacíos: Vida y poesía de Delmira Agustini. J. Veramendi, 2003.

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2

Veramendi, Judy. The empty chalices: Life and poetry of Delmira Agustini. s.n.], 2003.

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3

El desván del novecientos: Mujeres solas. Ediciones del Caballo Perdido, 2002.

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4

El crimen de Delmira Agustini. Estuario Editora, 2014.

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5

Virginia, Brindis de Salas, and Brindis de Salas Virginia, eds. Rompiendo silencios. Editorial Cabildo, 2013.

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6

Puentes de Oyenard, Sylvia, 1943-, ed. Uruguay, mujeres y poesía (1787-2000). 3rd ed. A.U.L.I., 2001.

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7

Mujeres: Las mejores poetas uruguayas del siglo XX. Ministério de Educación y Cultura, Instituto Nacional del Libro, 1993.

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8

Mujeres: Las mejores poetas uruguayas del siglo XX (Coleccion "Brazo corto"). Ministerio de Educacion y Cultura, Instituto Nacional del Libro, 1993.

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