Relevant bibliographies by topics / Uruguayan writer

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Academic literature on the topic 'Uruguayan writer'

Author: Grafiati
Published: 24 April 2022

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Journal articles on the topic "Uruguayan writer"

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mangino, marcela baruch. "Martíín Fierro: A Uruguayan Classic." Gastronomica 8, no. 4 (2008): 83–86. http://dx.doi.org/10.1525/gfc.2008.8.4.83.

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The popular Uruguayan dessert, Martíín Fierro, takes its name from the famous hero of Argentine writer Joséé Hernandez's epic poem. The poem is regarded as a masterpiece of the gauchesque genre and a symbol of Argentine (and Uruguayan) identity. Hernáández's past as politician, poet and writer is explored in relation to his work, in particular, the epic poem, Martíín Fierro and The Return of Martíín Fierro. The Martíín Fierro dessert evolved from Hernandez's preference for a popular Argentinean dessert of cheese and sweet potato called "Vigilante" to the Uruguayan version of cheese with quince paste, and was thus named in his honor. The influence of the Spanish and Swiss in the history of the dessert's main ingredients, Colonia cheese and quince paste, highlights the adaptation of the Uruguayan cuisine to European traditions, and the adoption of the gaucho literary hero as their own underscores Uruguayan identity with the (Southern cone) region.
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Chen Sham, Jorge. "Novela de aprendizaje y conversión revolucionaria en El cumpleaños de Juan Ángel." Revista de Filología y Lingüística de la Universidad de Costa Rica 25, no. 1 (2015): 77. http://dx.doi.org/10.15517/rfl.v25i1.20515.

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En trabajos anteriores el autor ha intentado analizar cómo el enfoque cristiano de la salvación respecto a la liberación del hombre y al advenimiento de un Reino de justicia y de hermandad impregnan la práctica literaria latinoamerica de los años 60 y 70. En este aspecto, el escritor afirma que la dimensión escatológica de la novela en verso del escritor uruguayo Mario Benedetti, El cumpleaños de Juan Ángel, se alimenta del sentido que adquiere la noción de un cambio dentro de la escatología cristiana, a la luz de lo cual El cumpleaños de Juan Ángel adquiere un valor revolucionario. In former works, the author has tried to analize how the christian point of view on salvation, as to man's Iiberation and the coming of a Kingdom of justice and brotherhood, impregnate Latin! merica's Iiterary practice in the 60's and 70's. In this aspect, the writer states that the eschatological dimension of the novel in verse by the Uruguayan writer Mario Benedetti, El cumpleaños de Juan Ángel, feeds from the sense acquired by the notion of a change inside christian eschatology, by the light of what El cumpleaños de Juan Ángel acquires a revolutionary value.
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Zamorano Rueda, Ana Isabel. "«Para que yo pudiera amarte / Virginia Woolf tuvo que escribir Orlando»: La escritura autobiográfica de Cristina Peri Rossi." Clepsydra. Revista de Estudios de Género y Teoría Feminista 21 (2021): 35–51. http://dx.doi.org/10.25145/j.clepsydra.2021.21.02.

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This article is built around the autobiographical attempts of Uruguayan-Spanish writer Cristina Peri Rossi, who, in 2020, publishes La insumisa, a volume that can be properly called autobiography although her ouvré at large and her poetical works in particular can be seen as unique autobiographical fictions as Peri Rossi’s literary production at large transgresses the boundaries that divide the literary genders to express her vital experience. This work pays attention to the articulation of lesbian desire and love and, in order to do so, departs from the lines that appear in its title establishing a connection, within the “lesbian context,” with other women writers who, in the past and simultaneously, have tried to inscribe in the symbolic language a lesbian desire unnamed until the end of the 19th century. Thus, this essay provides a little incursion into the scientific discourse that builds up narratives such as Virginia Woolf’s Orlando (1928) linking this discourse with Cristina Peri Rossi’s autobiographical writing.
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Kovalev, Boris V., and Andrey P. Zhukov. "An alienated person in the novels “Do not Feed or Touch the Pelicans” by Andrey Astvatsaturov and “A Brief Life” by Juan Carlos Onetti Borges." Vestnik of Kostroma State University 27, no. 3 (2021): 183–93. http://dx.doi.org/10.34216/1998-0817-2021-27-3-183-193.

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The article compares the methods of describing the “alienated person”, landscape and interpersonal relationships in the novel “Do not Feed or Touch the Pelicans” by the contemporary Russian writer Andrey Astvatsaturov and in the novel “A Brief Lifeˮ by the Uruguayan prose writer Juan Carlos Onetti Borges. The aim of the work is to identify the points of contact between the texts of the Uruguayan and the Russian authors within the framework of the hermeneutic approach. The research reveals a number of similarities in the authors' poetics at the narratological, compositional, philosophical and socio-psychological levels. Particular attention is paid to the analysis and commenting of dialogues in Andrey Astvatsaturov and J.C. Onetti. The communication of the characters in the texts is unproductive, the characters are alienated from each other and from the “soilˮ, and the spiritual in them is in irreconcilable conflict with the bodily. Montevideo and Santa Maria with J.C. Onetti as loci are Latin American analogues of St. Petersburg with Andrey Astvatsaturov. The “carnivalˮ finals of the novels are compared. The conclusion is made about the typological similarity of Andrey Astvatsaturov and J.C. Onetti as authors who hold pessimistic views of the real world and model fictional worlds in an attempt to overcome the oppressive longing of reality. The authors borrow techniques and strategies for text arrangement from authors such as William Cuthbert Faulkner, Jerome David Salinger, and Jean-Paul Charles Aymard Sartre while working on his novels. The question is raised about the further observation of the evolution of the poetics of Andrey Astvatsaturov and the subsequent comparison of his new texts with the novels of J.C. Onetti.
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Escobar, Armando. "“Jacob y el otro”: a la luz del cine (Apolo)." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 253–73. http://dx.doi.org/10.5195/ct/2017.256.

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The relationship between Uruguayan writer Juan Carlos Onetti and the cinema is extensive and. When we analyze one of the many adaptations of his work, we have to consider that it is a relationship of double influence, since our author has also take from the cinema to develop one of the most extensive and essential works of Latin American literature. For this reason, it is increasingly common to find interpretations that propose a cinematic reading of Onetti's work. As part of a similar exercise, we propose to read the story "Jacob and the Other" (1961) in the light of his adaptation to the cinema made by Álvaro Brechner in Un mal día para pescar (2009). In doing so, Onetti's tale obtains new interpretations that can be reached by analyzing it with the eyes of the cinema.
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Tafur, Victor. "Water Law, Mining and Hydro-Energy Conflicts in South America: Tales from the Andes and Patagonia." International Journal of Rural Law and Policy, no. 1 (October 23, 2011): 1–11. http://dx.doi.org/10.5130/ijrlp.i1.2011.2601.

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Conflicts in connection with hydro-energy and mining activities vis-à-vis other water uses, mainly human consumption, agriculture, industry, tourism, or even the essential flows needed for ecosystem protection, call into question whether South America’s path in the 21st Century will be characterized as ‘open veins’ (borrowing from the title of Uruguayan writer Eduardo Galeano’s book) or sustainable development. In this era of ‘New Conquistadors’, as some have called it, the key question is whether water law and environmental legal frameworks in the region are fit to deal with the pressure posed by these extracting industries. The paper seeks to contribute to this debate by discussing legal issues in connection with a controversial gold mining project in the Argentina-Chile border and a hydro-energy project in the Chilean Patagonia. The goal of the paper is to provide a South American perspective of water law through the lens of conflict. The paper concludes that water-related conflicts in these projects reveal weaknesses in the regulatory scheme for such endeavours and underscores the need to adopt reforms or implement mechanisms to ensure that water resources are adequately assessed, protected, and monitored.
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Elliott, Matthew David. "Exchanging Engagement: Alternative Arts Engagement in Latin America." Conjunctions. Transdisciplinary Journal of Cultural Participation 3, no. 1 (2016): 1. http://dx.doi.org/10.7146/tjcp.v3i1.23646.

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In 1973, Eduardo Galeano (1940-2015), the Uruguayan writer and journalist concluded his seminal book Open Veins of Latin America with the following: ‘The Latin American cause is above all a social cause: the rebirth of Latin America must start with the overthrow of its masters, country by country. We are entering times of rebellion and change’ (Galeano, 1973, p. 261). As Galeano stated, the oppression of populations and the loss of lives throughout Latin America led to ‘times of rebellion and change’. Artists, activists and the wider community sought to challenge and resist autocratic regimes to seek alternative ways of upholding their democratic and human rights. These methods and practice have transcended the democratisation of the continent in the 1980s and 1990s. The desire to advocate change through the arts has continued to be radical and proposes an alternative way of being to communities in Latin America. How can this practice be transposed to benefit the personal and social development of young people in the UK?The author’s experience of working with young people and his encounters with Latin American arts practice led to a need to intertwine these practices and develop theatre as a model for social change, which engages the political and social rights of young people in the UK.The paper is a product of a six-week practice-based research project in Latin America (Chile, Argentina and Uruguay) that explored innovative arts engagement for marginalised young people. The research was undertaken as a means to develop a high quality arts provision for young people in the UK. The paper focuses on three areas: continuity, sustainability and activism, and asks the reader: How can theatre ethically engage young people in the social and political decisions that shape their society? The research was funded by the Winston Churchill Memorial Trust.
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Santos, Luis Alberto Brandão. "Modelos de espacialidade na obra de Rafael Courtoisie." Aletria: Revista de Estudos de Literatura 17, no. 1 (2015): 43–50. http://dx.doi.org/10.17851/2317-2096.17.1.43-50.

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Resumo: A obra do escritor uruguaio Rafael Courtoisie é tomada como ponto de partida para uma reflexão sobre alguns modelos por meio dos quais a literatura contemporânea exercita o que se pode designar, genericamente, de “espacialidade”. Esse termo não diz respeito ao modo como o texto literário representa espaços extratextuais. Na verdade, atua na direção contrária, tornando viável que, no âmbito da literatura, se problematize o que é entendido como espaço. Os três modelos de espacialidade que abordamos são: a visão, o tato e o movimento. Da obra de Courtoisie, foram selecionados os seguintes livros: Estado sólido (1996), Umbría (1999) e Música para sordos (2002).Palavras-chave: espaço; espacialidade; Rafael Courtoisie; literatura contemporânea; literatura latino-americana.Abstract: The work of the uruguayan writer Rafael Courtoisie is taken as starting point for a reflection on some models by which contemporary literature exercises what we consider to assign, generically, as “spatiality”. This term does not concern to the way that literary text represents extraliterary spaces. Actually, it goes on the contrary direction, making possible that, in the scope of literature, one might deeply question what is understood as space. The three models of spatiality that we approach are: sight, touch and movement. The following books of Courtoisie have been selected: Estado sólido (1996), Umbría (1999) and Música para sordos (2002).Keywords: space; spatiality; Rafael Courtoisie; contemporary literature; Latin American literature.
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Cervo, Juliana Milman. "As geografias do exílio: lugares do corpo e da memória no conto de Mario Benedetti." Jangada: crítica | literatura | artes, no. 9 (April 6, 2018): 4–15. http://dx.doi.org/10.35921/jangada.v0i9.52.

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RESUMO: O presente trabalho propõe-se a analisar o conto Geografias, do escritor uruguaio Mario Benedetti, a partir da compreensão de que existe sempre uma dimensão da alteridade radical que nos escapa ao nos depararmos com uma literatura acerca do exílio e da tortura. Os personagens do conto se ancoram em lugares da memória, conceito proposto por Pierre Nora (1993), em razão da dificuldade de acederem às suas recordações. O trauma experimentado por sua condição de exilados rompe com o acesso ao simbólico, e todas as marcas ficam restritas ao corpo. Essa escrita visa a compreender como a obra de Benedetti irá contribuir para a garantia de um ethos enunciativo diante das geografias dos corpos talhados pela violência de Estado, até então sem direito à fala, a partir da possibilidade de transmutação da dor vivida em escrita criativa.
 PALAVRAS-CHAVE: Memória, exílio, corpo, trauma.
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 ABSTRACT : The present work proposes to analyze the story Geographies, by the uruguayan writer Mario Benedetti, from the understanding that there is always a dimension of radical alterity that escapes us when we come across a literature on exile and torture. The characters of the tale are anchored in places of memory, a concept proposed by Pierre Nora (1993), because of the difficulty of accessing their memories. The trauma experienced by his status as exiles breaks with access to the symbolic, and all marks are restricted to the body. This writing aims to understand how the work of Benedetti will contribute to the guarantee of an enunciative ethos before the geographies of the bodies carved by state violence, hitherto without the right to speak, from the possibility of transmutation of pain lived in creative writing.
 KEYWORDS : Memory, exile, body, trauma.
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Bedrossián Orihuela, María. "nineteenth century literature, Uruguayan female writers, gender studies." Mitologías hoy 8 (December 20, 2013): 7. http://dx.doi.org/10.5565/rev/mitologias.80.

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Dissertations / Theses on the topic "Uruguayan writer"

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Mercado-Harvey, Alicia Carolina. "Y Cortázar ganó por nocaut. Realismo posvanguardista en la cuentística del Cono Sur." Scholar Commons, 2008. https://scholarcommons.usf.edu/etd/400.

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This thesis argues that a literary change occurred after the fall of the dictatorships of the Southern Cone, characterized by the emergence of markets that provoked a "mini-boom" in sales and, at the same time, a change of aesthetics which abandoned the allegorical models of the post-boom in favor of a realistic literature in dialogue with popular culture. This is the sign of postmodernity and globalization in Latin America, reflected in its literature, particularly in the short story writing of the Southern Cone, which has utilized the parody and pastiche of the postmodern era without the trivialization that occurred in other parts of the world. With the goal of establishing a periodization that is different from that which has always prevailed in Latin American literature, the thesis proposes the term "post-vanguardist realism" to designate the literature of the 1990s and the twenty-first century in the Southern Cone. As is the case in all periods of rupture and new beginnings, polemics and disputes appeared between literary bands. The disputes protagonized by Alberto Fuguet and Jaime Collyer in Chile, experimentalists and "planetarians" in Argentina, and Escanlar and the generation of '45 in Uruguay, reflect this new commercial and aesthetic reality. Despite the emergence of a literature more in tune with popular culture and pastiche, the continental anthologies that unite these authors demonstrate how their projects began to fade away, and showcase the appearance of new voices, who take the lead after 2000 and break with this type of literature, in favor of a less schematic narrative with more intertextual dialogue, without, however, returning to magical realism. Despite local differences in short story writing and the literary traditions of each country, these new voices are united by a common aesthetic, the use of literary genres and themes from the shared history of the Southern Cone, and by the traumatic experiences of dictatorship and globalization.
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Green, Russell Aaron. "International patterns of bank regulation : the effects of political institutions, financial liberalization, and exchange rate regimes /." 2004. http://www.gbv.de/dms/zbw/547389213.pdf.

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Fuentes, Miguel Andrés. "Microeconomic effects of exchange rate fluctuations /." 2004. http://www.gbv.de/dms/zbw/547388349.pdf.

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Books on the topic "Uruguayan writer"

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Fiddian, Robin. Conclusion. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198794714.003.0008.

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The chapter offers a concluding synthesis of Borges’s geopolitical and postcolonial thinking, organized around the concepts of i) Argentine culture; ii) personal, national, and regional perspectives on identity; iii) history; iv) East and West; and v) creole ethnicity. It calls for recognition of Borges as not only a precursor, but in fact as a prototype of the postcolonial intellectual in the mould of Joyce, Césaire, or Said. In tandem with, for example, Uruguayan intellectuals Eduardo Galeano and Joaquín Torres García, Borges articulates a postcolonialism that speaks for the River Plate. At the same time, he remains a distinctive, individual voice; a creative writer who is instantly recognizable in his mastery of many forms and kinds of verse and prose.
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M, Zlotchew Clark, and Seldis Paul David 1958-, eds. Voices of the River Plate: Interviews with writers of Argentina and Uruguay. Borgo Press, 1995.

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Ernesto, Behares Luis, Brovetto Claudia, and Seminario Especializado sobre Oralidad y Escritura (1992 : Montevideo, Uruguay), eds. Lo oral y lo escrito en la sociedad uruguaya. Ediciones de la Banda Oriental, 1994.

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(Editor), Clark M. Zlotchew, and Paul David Seldis (Editor), eds. Voices of the River Plate: Interviews With Writers of Argentina and Uruguay (I.O. Evans Studies in the Philosophy and Criticism of Literature, No 6). Borgo Pr, 1995.

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Dubino, Jeanne, Paulina Pajak, Catherine W. Hollis, Celiese Lypka, and Vara Neverow, eds. The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.001.0001.

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This book considers the global responses Woolf’s work has inspired and her worldwide impact. The 23 chapters address the ways Woolf is received by writers, publishers, academics, reading audiences, and students in countries around the world; how she is translated into multiple languages; and how her life is transformed into global contemporary biofiction. The 24 authors hail from regions around the world: West and East Europe, the Middle East/North Africa, North and South America, East Asia and the Pacific Islands. They write about Woolf’s reception in Ireland, France, Italy, Germany, Poland, Estonia, Russia, Egypt, Kenya, Mexico, Argentina, Uruguay, Brazil, the United States, China, Japan and Australia. The Edinburgh Companion is dialogic and comparative, incorporating both transnational and local tendencies insofar as they epitomise Woolf’s global reception and legacy. It contests the ‘centre’ and ‘periphery’ binary, offering new models for Woolf global studies and promoting cross-cultural understandings.
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Zlotchew, Clark M. Voices of the River Plate: Interviews With Writers of Argentina and Uruguay (I.O. Evans Studies in the Philosophy and Criticism of Literature, No 6). Borgo Pr, 1995.

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Book chapters on the topic "Uruguayan writer"

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Ros, Ana. "Introduction: Why Write about the Post-dictatorship Generation?" In The Post-dictatorship Generation in Argentina, Chile, and Uruguay. Palgrave Macmillan US, 2012. http://dx.doi.org/10.1057/9781137039781_1.

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Cordery, Lindsey. "Virginia Woolf’s Enduring Presence in Uruguay." In The Edinburgh Companion to Virginia Woolf and Contemporary Global Literature. Edinburgh University Press, 2020. http://dx.doi.org/10.3366/edinburgh/9781474448475.003.0013.

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This chapter traces nearly ninety years of reading and writing on Virginia Woolf in Uruguay, focusing first on her early critical reception and then on distinguished Uruguayan writers who either explicitly or implicitly dialogue with her life and works. The study begins with Victoria Ocampo’s early engagements with Woolf’s works, which spurred translations initially on Orlando and A Writer’s Diary in the journals Sur, Marcha and Número. It then discusses the cultural context and early critical reception of Woolf in Uruguay, followed by the ways Stephen Daldry’s 2002 film The Hours kindled major interest in Woolf studies, leading many to re-read Mrs Dalloway and her other works. The chapter then moves on to consider Woolf’s influence on two major Uruguayan writers: Armonía Somers and Antonio Larreta. The final section looks at contemporary women writers who explicitly cite or ‘reverberate’ with Woolf: Cristina Peri Rossi, Alicia Migdal, Fernanda Trías and María Sánchez.
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Cancellier, Antonella. "Contar y cantar la geografía." In America: il racconto di un continente | América: el relato de un continente. Edizioni Ca' Foscari, 2019. http://dx.doi.org/10.30687/978-88-6969-319-9/020.

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Chile en monte, valle y mar (1958), which comprises 75 sonnets written between 1952 and 1957, the majority of which are dedicated to Chilean friends or writers, traces a precise cartography of the places of his inspiration and shapes an extraordinary lyrical tribute to Chile, fruit of three trips that the Uruguayan Carlos Sabat Ercasty (Montevideo, 1887-1982) sublimates in poetry.
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"ROSENCOF, MAURICIO (Uruguay; 1933)." In Jewish Writers of Latin America. Routledge, 2013. http://dx.doi.org/10.4324/9781315879734-22.

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"PORZECANSKI, TERESA (Uruguay; 1945)." In Jewish Writers of Latin America. Routledge, 2013. http://dx.doi.org/10.4324/9781315879734-19.

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"Stories by Two Yiddish Writers in Uruguay: Shloyme Zytner and Elie Verblun." In Splendor, Decline, and Rediscovery of Yiddish in Latin America. BRILL, 2018. http://dx.doi.org/10.1163/9789004373815_009.

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Porzecanski, Teresa. "Fiction and Friction in the Imaginative Narrative Written inside Uruguay." In Repression, Exile, and Democracy. Duke University Press, 1992. http://dx.doi.org/10.1215/9780822397854-014.

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"Fiction and Friction in the Imaginative Narrative Written inside Uruguay." In Repression, Exile, and Democracy. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822397854-015.

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Porzecanski, Teresa. "Fiction and Friction in the Imaginative Narrative Written inside Uruguay." In Repression, Exile, and Democracy. Duke University Press, 1992. http://dx.doi.org/10.2307/j.ctv11cw7sf.17.

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