Journal articles: 'Uruguayan writer'

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mangino, marcela baruch. "Martíín Fierro: A Uruguayan Classic." Gastronomica 8, no. 4 (2008): 83–86. http://dx.doi.org/10.1525/gfc.2008.8.4.83.

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The popular Uruguayan dessert, Martíín Fierro, takes its name from the famous hero of Argentine writer Joséé Hernandez's epic poem. The poem is regarded as a masterpiece of the gauchesque genre and a symbol of Argentine (and Uruguayan) identity. Hernáández's past as politician, poet and writer is explored in relation to his work, in particular, the epic poem, Martíín Fierro and The Return of Martíín Fierro. The Martíín Fierro dessert evolved from Hernandez's preference for a popular Argentinean dessert of cheese and sweet potato called "Vigilante" to the Uruguayan version of cheese with quince paste, and was thus named in his honor. The influence of the Spanish and Swiss in the history of the dessert's main ingredients, Colonia cheese and quince paste, highlights the adaptation of the Uruguayan cuisine to European traditions, and the adoption of the gaucho literary hero as their own underscores Uruguayan identity with the (Southern cone) region.

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Chen Sham, Jorge. "Novela de aprendizaje y conversión revolucionaria en El cumpleaños de Juan Ángel." Revista de Filología y Lingüística de la Universidad de Costa Rica 25, no. 1 (2015): 77. http://dx.doi.org/10.15517/rfl.v25i1.20515.

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En trabajos anteriores el autor ha intentado analizar cómo el enfoque cristiano de la salvación respecto a la liberación del hombre y al advenimiento de un Reino de justicia y de hermandad impregnan la práctica literaria latinoamerica de los años 60 y 70. En este aspecto, el escritor afirma que la dimensión escatológica de la novela en verso del escritor uruguayo Mario Benedetti, El cumpleaños de Juan Ángel, se alimenta del sentido que adquiere la noción de un cambio dentro de la escatología cristiana, a la luz de lo cual El cumpleaños de Juan Ángel adquiere un valor revolucionario. In former works, the author has tried to analize how the christian point of view on salvation, as to man's Iiberation and the coming of a Kingdom of justice and brotherhood, impregnate Latin! merica's Iiterary practice in the 60's and 70's. In this aspect, the writer states that the eschatological dimension of the novel in verse by the Uruguayan writer Mario Benedetti, El cumpleaños de Juan Ángel, feeds from the sense acquired by the notion of a change inside christian eschatology, by the light of what El cumpleaños de Juan Ángel acquires a revolutionary value.

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Zamorano Rueda, Ana Isabel. "«Para que yo pudiera amarte / Virginia Woolf tuvo que escribir Orlando»: La escritura autobiográfica de Cristina Peri Rossi." Clepsydra. Revista de Estudios de Género y Teoría Feminista 21 (2021): 35–51. http://dx.doi.org/10.25145/j.clepsydra.2021.21.02.

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This article is built around the autobiographical attempts of Uruguayan-Spanish writer Cristina Peri Rossi, who, in 2020, publishes La insumisa, a volume that can be properly called autobiography although her ouvré at large and her poetical works in particular can be seen as unique autobiographical fictions as Peri Rossi’s literary production at large transgresses the boundaries that divide the literary genders to express her vital experience. This work pays attention to the articulation of lesbian desire and love and, in order to do so, departs from the lines that appear in its title establishing a connection, within the “lesbian context,” with other women writers who, in the past and simultaneously, have tried to inscribe in the symbolic language a lesbian desire unnamed until the end of the 19th century. Thus, this essay provides a little incursion into the scientific discourse that builds up narratives such as Virginia Woolf’s Orlando (1928) linking this discourse with Cristina Peri Rossi’s autobiographical writing.

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Kovalev, Boris V., and Andrey P. Zhukov. "An alienated person in the novels “Do not Feed or Touch the Pelicans” by Andrey Astvatsaturov and “A Brief Life” by Juan Carlos Onetti Borges." Vestnik of Kostroma State University 27, no. 3 (2021): 183–93. http://dx.doi.org/10.34216/1998-0817-2021-27-3-183-193.

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The article compares the methods of describing the “alienated person”, landscape and interpersonal relationships in the novel “Do not Feed or Touch the Pelicans” by the contemporary Russian writer Andrey Astvatsaturov and in the novel “A Brief Lifeˮ by the Uruguayan prose writer Juan Carlos Onetti Borges. The aim of the work is to identify the points of contact between the texts of the Uruguayan and the Russian authors within the framework of the hermeneutic approach. The research reveals a number of similarities in the authors' poetics at the narratological, compositional, philosophical and socio-psychological levels. Particular attention is paid to the analysis and commenting of dialogues in Andrey Astvatsaturov and J.C. Onetti. The communication of the characters in the texts is unproductive, the characters are alienated from each other and from the “soilˮ, and the spiritual in them is in irreconcilable conflict with the bodily. Montevideo and Santa Maria with J.C. Onetti as loci are Latin American analogues of St. Petersburg with Andrey Astvatsaturov. The “carnivalˮ finals of the novels are compared. The conclusion is made about the typological similarity of Andrey Astvatsaturov and J.C. Onetti as authors who hold pessimistic views of the real world and model fictional worlds in an attempt to overcome the oppressive longing of reality. The authors borrow techniques and strategies for text arrangement from authors such as William Cuthbert Faulkner, Jerome David Salinger, and Jean-Paul Charles Aymard Sartre while working on his novels. The question is raised about the further observation of the evolution of the poetics of Andrey Astvatsaturov and the subsequent comparison of his new texts with the novels of J.C. Onetti.

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Escobar, Armando. "“Jacob y el otro”: a la luz del cine (Apolo)." Catedral Tomada. Revista de crítica literaria latinoamericana 5, no. 9 (2018): 253–73. http://dx.doi.org/10.5195/ct/2017.256.

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The relationship between Uruguayan writer Juan Carlos Onetti and the cinema is extensive and. When we analyze one of the many adaptations of his work, we have to consider that it is a relationship of double influence, since our author has also take from the cinema to develop one of the most extensive and essential works of Latin American literature. For this reason, it is increasingly common to find interpretations that propose a cinematic reading of Onetti's work. As part of a similar exercise, we propose to read the story "Jacob and the Other" (1961) in the light of his adaptation to the cinema made by Álvaro Brechner in Un mal día para pescar (2009). In doing so, Onetti's tale obtains new interpretations that can be reached by analyzing it with the eyes of the cinema.

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Tafur, Victor. "Water Law, Mining and Hydro-Energy Conflicts in South America: Tales from the Andes and Patagonia." International Journal of Rural Law and Policy, no. 1 (October 23, 2011): 1–11. http://dx.doi.org/10.5130/ijrlp.i1.2011.2601.

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Conflicts in connection with hydro-energy and mining activities vis-à-vis other water uses, mainly human consumption, agriculture, industry, tourism, or even the essential flows needed for ecosystem protection, call into question whether South America’s path in the 21st Century will be characterized as ‘open veins’ (borrowing from the title of Uruguayan writer Eduardo Galeano’s book) or sustainable development. In this era of ‘New Conquistadors’, as some have called it, the key question is whether water law and environmental legal frameworks in the region are fit to deal with the pressure posed by these extracting industries. The paper seeks to contribute to this debate by discussing legal issues in connection with a controversial gold mining project in the Argentina-Chile border and a hydro-energy project in the Chilean Patagonia. The goal of the paper is to provide a South American perspective of water law through the lens of conflict. The paper concludes that water-related conflicts in these projects reveal weaknesses in the regulatory scheme for such endeavours and underscores the need to adopt reforms or implement mechanisms to ensure that water resources are adequately assessed, protected, and monitored.

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Elliott, Matthew David. "Exchanging Engagement: Alternative Arts Engagement in Latin America." Conjunctions. Transdisciplinary Journal of Cultural Participation 3, no. 1 (2016): 1. http://dx.doi.org/10.7146/tjcp.v3i1.23646.

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In 1973, Eduardo Galeano (1940-2015), the Uruguayan writer and journalist concluded his seminal book Open Veins of Latin America with the following: ‘The Latin American cause is above all a social cause: the rebirth of Latin America must start with the overthrow of its masters, country by country. We are entering times of rebellion and change’ (Galeano, 1973, p. 261). As Galeano stated, the oppression of populations and the loss of lives throughout Latin America led to ‘times of rebellion and change’. Artists, activists and the wider community sought to challenge and resist autocratic regimes to seek alternative ways of upholding their democratic and human rights. These methods and practice have transcended the democratisation of the continent in the 1980s and 1990s. The desire to advocate change through the arts has continued to be radical and proposes an alternative way of being to communities in Latin America. How can this practice be transposed to benefit the personal and social development of young people in the UK?The author’s experience of working with young people and his encounters with Latin American arts practice led to a need to intertwine these practices and develop theatre as a model for social change, which engages the political and social rights of young people in the UK.The paper is a product of a six-week practice-based research project in Latin America (Chile, Argentina and Uruguay) that explored innovative arts engagement for marginalised young people. The research was undertaken as a means to develop a high quality arts provision for young people in the UK. The paper focuses on three areas: continuity, sustainability and activism, and asks the reader: How can theatre ethically engage young people in the social and political decisions that shape their society? The research was funded by the Winston Churchill Memorial Trust.

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Santos, Luis Alberto Brandão. "Modelos de espacialidade na obra de Rafael Courtoisie." Aletria: Revista de Estudos de Literatura 17, no. 1 (2015): 43–50. http://dx.doi.org/10.17851/2317-2096.17.1.43-50.

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Resumo: A obra do escritor uruguaio Rafael Courtoisie é tomada como ponto de partida para uma reflexão sobre alguns modelos por meio dos quais a literatura contemporânea exercita o que se pode designar, genericamente, de “espacialidade”. Esse termo não diz respeito ao modo como o texto literário representa espaços extratextuais. Na verdade, atua na direção contrária, tornando viável que, no âmbito da literatura, se problematize o que é entendido como espaço. Os três modelos de espacialidade que abordamos são: a visão, o tato e o movimento. Da obra de Courtoisie, foram selecionados os seguintes livros: Estado sólido (1996), Umbría (1999) e Música para sordos (2002).Palavras-chave: espaço; espacialidade; Rafael Courtoisie; literatura contemporânea; literatura latino-americana.Abstract: The work of the uruguayan writer Rafael Courtoisie is taken as starting point for a reflection on some models by which contemporary literature exercises what we consider to assign, generically, as “spatiality”. This term does not concern to the way that literary text represents extraliterary spaces. Actually, it goes on the contrary direction, making possible that, in the scope of literature, one might deeply question what is understood as space. The three models of spatiality that we approach are: sight, touch and movement. The following books of Courtoisie have been selected: Estado sólido (1996), Umbría (1999) and Música para sordos (2002).Keywords: space; spatiality; Rafael Courtoisie; contemporary literature; Latin American literature.

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Cervo, Juliana Milman. "As geografias do exílio: lugares do corpo e da memória no conto de Mario Benedetti." Jangada: crítica | literatura | artes, no. 9 (April 6, 2018): 4–15. http://dx.doi.org/10.35921/jangada.v0i9.52.

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RESUMO: O presente trabalho propõe-se a analisar o conto Geografias, do escritor uruguaio Mario Benedetti, a partir da compreensão de que existe sempre uma dimensão da alteridade radical que nos escapa ao nos depararmos com uma literatura acerca do exílio e da tortura. Os personagens do conto se ancoram em lugares da memória, conceito proposto por Pierre Nora (1993), em razão da dificuldade de acederem às suas recordações. O trauma experimentado por sua condição de exilados rompe com o acesso ao simbólico, e todas as marcas ficam restritas ao corpo. Essa escrita visa a compreender como a obra de Benedetti irá contribuir para a garantia de um ethos enunciativo diante das geografias dos corpos talhados pela violência de Estado, até então sem direito à fala, a partir da possibilidade de transmutação da dor vivida em escrita criativa. PALAVRAS-CHAVE: Memória, exílio, corpo, trauma. _________________ ABSTRACT : The present work proposes to analyze the story Geographies, by the uruguayan writer Mario Benedetti, from the understanding that there is always a dimension of radical alterity that escapes us when we come across a literature on exile and torture. The characters of the tale are anchored in places of memory, a concept proposed by Pierre Nora (1993), because of the difficulty of accessing their memories. The trauma experienced by his status as exiles breaks with access to the symbolic, and all marks are restricted to the body. This writing aims to understand how the work of Benedetti will contribute to the guarantee of an enunciative ethos before the geographies of the bodies carved by state violence, hitherto without the right to speak, from the possibility of transmutation of pain lived in creative writing. KEYWORDS : Memory, exile, body, trauma.

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Bedrossián Orihuela, María. "nineteenth century literature, Uruguayan female writers, gender studies." Mitologías hoy 8 (December 20, 2013): 7. http://dx.doi.org/10.5565/rev/mitologias.80.

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Brida, Juan Gabriel, Pablo Daniel Monterubbianesi, and Sandra Zapata Aguirre. "Exploring causality between economic growth and air transport demand for Argentina and Uruguay." World Review of Intermodal Transportation Research 7, no. 4 (2018): 310. http://dx.doi.org/10.1504/writr.2018.095256.

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Zapata Aguirre, Sandra, Juan Gabriel Brida, and Pablo Daniel Monterubbianesi. "Exploring causality between economic growth and air transport demand for Argentina and Uruguay." World Review of Intermodal Transportation Research 7, no. 4 (2018): 310. http://dx.doi.org/10.1504/writr.2018.10015193.

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Onetti, Juan Carlos. "Ki No Tsurayuki." Index on Censorship 17, no. 5 (1988): 115–17. http://dx.doi.org/10.1080/03064228808534456.

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Pizzolón, Fiorella, Juan Gabriel Brida, and Bibiana Lanzilotta. "The nonlinear relationship between air transport development and economic growth: the cases of Chile and Uruguay." World Review of Intermodal Transportation Research 8, no. 4 (2019): 320. http://dx.doi.org/10.1504/writr.2019.10024863.

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Brida, Juan Gabriel, Bibiana Lanzilotta, and Fiorella Pizzolón. "The nonlinear relationship between air transport development and economic growth: the cases of Chile and Uruguay." World Review of Intermodal Transportation Research 8, no. 4 (2019): 320. http://dx.doi.org/10.1504/writr.2019.103287.

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Kopple, Kathryn A. "Uruguay's Surrealist Woman Writer: Marosa Di Giorgio's Lines of Escape." Journal of Latin American Cultural Studies 9, no. 1 (2000): 47–58. http://dx.doi.org/10.1080/135693200112845.

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Buynova, K. R. "Typical Bourgeois Intellectuals and Great Friends of the Soviet Union: Latin American Writers in the USSR during the Khrushchev Thaw." Concept: philosophy, religion, culture 5, no. 3 (2021): 162–76. http://dx.doi.org/10.24833/2541-8831-2021-3-19-162-176.

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The author studies the Latin American writers’ visits to the USSR from 1954 till beginning of 1960s realized via the Foreign Commission of the Union of Soviet Writers. After Stalin’s death, the activity of all departments of the Commission expanded significantly; the lists of those invited from abroad now included writers who were absolutely loyal to the USSR as well as new and yet unknown names. As a result, the staff of the Foreign Commission had to face an unprecedented pluralism. Based on the Commission’s Spanish and Portuguese translators’ reports, stored in the Russian State Archive of Literature and Art, the study analyses the criteria based on which the stay of a guest was perceived as favorable or undesirable for continuing cooperation in order to improve the image of the USSR in foreign literary circles. The study also analyses somewhat of a loyalty marker, reflecting the guests’ perception of the results of the 20th Congress of the CPSU and the state of Soviet-Chinese relations as sensitive topics important for the political self-determination of communist writers. The study of these new sources allows us to conclude that when choosing new foreign partners, the Foreign Commission often relied on the advice of its’ faithful friends, and the protégés of the latter did not always withstand the test of compatibility with the Soviet regime. At the same time, there was no specific criteria for the new friends’ selection. The translators, who were the first to report on the visit, were invited from outside, sometimes just for one particular job; they did not receive clear instructions from the Commission and were guided by their own ideas about the importance of the writer in their care and the expediency of cooperation with him. Later their opinion could not be taken into account; presumably, it was the journalistic and novelistic production of the invited writers published as a result of the visit to the USSR that was of greater importance to decide whether they were worth further attention. The study reviews Soviet Writers’ Union cooperation with P. Neruda, F. González-Urízar, N. Parra, V. Teitelboim, A. Cassigoli, F. Coloane (Chile), J. Amado, M. Rebelo, E. de Moraes, G. Figueiredo, H. Silveira (Brazil), I. Abirad, J.C. Pedemonte, M. Rosencof (Uruguay), N. Guillen, C. Leante, O. Hurtado, Samuel Feijoo (Cuba), E. Barrios Villa (Bolivia), C.A. Leon (Venezuela).

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Fernández, Thais. "Poetic Translation as a Trans-Cultural Process of Enrichment: When Julio Herrera y Reissig Translated Albert Samain." Accueillir l’Autre dans sa langue. La traduction comme dispositif de médiation, no. 103 (September 17, 2021): 136–45. http://dx.doi.org/10.31861/pytlit2021.103.136.

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This work focuses on the unusual, poetic affinity between the Uruguayan poet, Julio Herrera y Reissig (1875–1910), and the French poet, Albert Samain (1858–1900), that took shape in Julio Herrera y Reissig’s Spanish translation of some of Samain’s poems from his 1898 volume of poems Aux flancs du vase. Our objective is not to write a critical review of Herrera y Reissig's translations. Instead, we aim to identify the similarities between the two poets. Thus, our contrastive analysis will demonstrate the affinities between the French author and his Uruguayan translator. In this collection, Samain was able to transpose the emotions aroused in him by the radiant landscapes and by certain moments in his daily life into terse, sensual and harmonious verse. Even though his style did not in any way conform with the poetic world of Modernism, full of exotic fragrances, colours, swans and characters from the classic world, it gave Herrera y Reissig the opportunity to creatively rework the original text and produce some truly remarkable transformations. These poems in Alexandrine verse place nature centre stage, and the sensations shared by both poets are evoked by their choice of colours and fragrances, by their combinations of sound and the profusion of images of rare intensity.

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Williams, John Hoyt. "Observations on Blacks and Bondage in Uruguay, 1800-1836." Americas 43, no. 4 (1987): 411–27. http://dx.doi.org/10.2307/1007186.

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In the last ten years there has been a great deal of interest in the scholarship devoted to the related issues of slavery and race relations in Latin America. This writer has himself published works which shed some light on the Black “experience” in isolated, interior Paraguay in the nineteenth century. The ongoing task to more fully understand the different patterns of racial (in all of its aspects) relations in Latin America has been fruitful and has elucidated much of a story, an experience, long hidden. There is, however, much to be done, for the vast bulk of the studies published to date deal with a few, selected countries (or colonies); most notably Brazil and Cuba. Nations such as Chile, Uurguay, Colombia and even Argentina, have received as yet very little attention from the scholars of slavery and race relations.

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Couper, Graeme. "Teacher cognition of pronunciation teaching amongst English language teachers in Uruguay." Journal of Second Language Pronunciation 2, no. 1 (2016): 29–55. http://dx.doi.org/10.1075/jslp.2.1.02cou.

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This article reports on the concerns and issues which 28 experienced and well-qualified teachers expressed during individual semi-structured interviews with the researcher. It describes and discusses the participants’ views, pulling together themes representative of a wide range of perspectives on pronunciation teaching. Themes include: teacher anxiety about pronunciation and pronunciation teaching; external factors affecting pronunciation teaching such as curriculum and exam pressures, textbooks, and training received; approaches to teaching and error correction; activities and techniques; and issues related to literacy bias, listen-and-repeat, use of phonemic symbols and pronunciation goals and models. These findings, taken in conjunction with studies of teacher cognition in other contexts, serve to inform all those with an interest in English language teaching, whether they be researchers, teachers or teacher educators, curriculum designers or textbook writers.

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Román, Gustavo San. "Posmorriña in Ángel Rama’s Tierra sin mapa." Journal of Romance Studies 20, no. 3 (2020): 461–88. http://dx.doi.org/10.3828/jrs.2020.25.

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The Uruguayan Ángel Rama (1926-1983) is widely recognized as a pioneer in the development of cultural studies in Latin America. This article proposes that there was a lesser-known side to the socially conscious, historicist Rama that was expressed mostly in intimate writings: a romantic, essentialist Rama. The focus is a semi-fictional work, Tierra sin mapa (1959), which recounts the stories Rama’s inmigrant mother told him in Montevideo about her childhood in rural Galicia. In retelling her reminiscences, which were triggered by the homesickness that in Galician is termed morriña, Rama relives his mother’s experiences as his own. This process is here called posmorriña, in an echo of the term ‘postmemory’, coined by Marianne Hirsch to denote the experience of children of victims of trauma. The article argues that this maternal Galicia left a mark on the young intellectual that played a key role in his understanding of Latin American cultural identity. It further suggests that Rama’s experience may be paradigmatic of those of other writers in his time and place.

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Gersberg, Betina. "Entre el texto y la imprenta. Entrevista María Cristina Dutto." Dixit, no. 16 (September 9, 2012): 40–43. http://dx.doi.org/10.22235/d.v0i16.345.

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“Alguna vez se duerme Homero” es una de las tres citas que abren el Diccionario de usos y dudas del español actual de José Martínez de Sousa, un referente en la escritura del idioma español. La frase da cuenta de que incluso los grandes escritores –en este caso, el gran poeta griego– pueden tener errores y, entonces, necesitar de alguien que los ayude en su escritura. Sobre esta función, la de corrección de textos, nos habla María Cristina Dutto, quien casi sin darse cuenta se convirtió en una reconocida correctora de estilo en Uruguay. “Sometimes Homer sleeps” is one of the three quotes at the beginning of the Dictionary of current Spanish uses and questions by José Martínez de Sousa, a renowned figure in the world of Spanish writing. This phrase states that even great writers –in this case, the great Greek poet- can make mistakes and therefore, need someone to help them with their writing. María Cristina Dutto tells us about this task: proofreading. Unknowingly, she has become a renowned proofreader in Uruguay.

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Mirande, Santiago. "GHOSTWRITING O ESCRITURA FANTASMA EN LA FACTORÍA ALIMENTARIA. HIPÓTESIS DE INVESTIGACIÓN JURÍDICA SOBRE UN POSIBLE CONTRATO ATÍPICO." Momba'etéva 1 (November 4, 2020): 4. http://dx.doi.org/10.30972/mom.104536.

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En la actual era de posverdad y sociedad hipermoderna la incerteza ha comenzado a ser prediseñada por actores de la factoría alimentaria en un contexto de ciencia politizada y de capitalismo digital. El ghostwriting refiere a una modalidad autoral o de escritura fantasma mediante la cual un sujeto tiene injerencia sobre una obra que luego es publicada, divulgada y/o difundida con el nombre de otro sujeto. El ghostwriter es el verdadero autor o ideólogo del contenido de la obra pero permanece oculto ante el destinatario o público. El signatory writer es el autor o escritor firmante; es el autor no verdadero pero aparente. Ello define o tipifica la categoría general de ghostwriting. Se ensayan dos subcategorías de ghostwriting que pueden construirse según la incidencia o injerencia del ghostwriter en la obra. Una subcategoría es el ghostwriting literario o artístico, históricamente presente en producciones literarias en que un ghostwriter elabora un contenido y luego un signatorywriter lo difunde con su nombre. A continuación se destaca la otra subcategoría: el ghostwriting pseudocientífico, en el cual el ghostwriter (por ejemplo, una corporación que elabora y comercializa alimentos) crea el contenido medular de un estudio pseudocientífico para que las conclusiones le sean favorables. El signatorywriter (un especialista o experto) escribe la obra e incluye el contenido que le es indicado por aquel. Estos pseudoestudios no son ni objetivos ni independientes, por lo tanto, no son científicos. Implican una manipulación, tergiversación o distorsión de la verdad y de la información. En definitiva, el ghostwriting pseudocientífico genera fake news científicas. Se han realizado estudios científicos que demuestran la existencia cada vez mayor de este hecho por parte de la industria alimentaria, entre otros. A partir de lo dispuesto por el art. 70 de la Constitución R. O. Uruguay (arts. 75.19 y 125 de la Constitución de la Nación Argentina), el cual protege el desarrollo de la investigación científica, y otras normas del sistema jurídico uruguayo, se plantean algunas hipótesis de investigación jurídica.

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Mirande, Santiago. "GHOSTWRITING O ESCRITURA FANTASMA EN LA FACTORÍA ALIMENTARIA. HIPÓTESIS DE INVESTIGACIÓN JURÍDICA SOBRE UN POSIBLE CONTRATO ATÍPICO." Momba'etéva 1, no. 1 (2020): 4. http://dx.doi.org/10.30972/mom.114536.

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En la actual era de posverdad y sociedad hipermoderna la incerteza ha comenzado a ser prediseñada por actores de la factoría alimentaria en un contexto de ciencia politizada y de capitalismo digital. El ghostwriting refiere a una modalidad autoral o de escritura fantasma mediante la cual un sujeto tiene injerencia sobre una obra que luego es publicada, divulgada y/o difundida con el nombre de otro sujeto. El ghostwriter es el verdadero autor o ideólogo del contenido de la obra pero permanece oculto ante el destinatario o público. El signatory writer es el autor o escritor firmante; es el autor no verdadero pero aparente. Ello define o tipifica la categoría general de ghostwriting. Se ensayan dos subcategorías de ghostwriting que pueden construirse según la incidencia o injerencia del ghostwriter en la obra. Una subcategoría es el ghostwriting literario o artístico, históricamente presente en producciones literarias en que un ghostwriter elabora un contenido y luego un signatorywriter lo difunde con su nombre. A continuación se destaca la otra subcategoría: el ghostwriting pseudocientífico, en el cual el ghostwriter (por ejemplo, una corporación que elabora y comercializa alimentos) crea el contenido medular de un estudio pseudocientífico para que las conclusiones le sean favorables. El signatorywriter (un especialista o experto) escribe la obra e incluye el contenido que le es indicado por aquel. Estos pseudoestudios no son ni objetivos ni independientes, por lo tanto, no son científicos. Implican una manipulación, tergiversación o distorsión de la verdad y de la información. En definitiva, el ghostwriting pseudocientífico genera fake news científicas. Se han realizado estudios científicos que demuestran la existencia cada vez mayor de este hecho por parte de la industria alimentaria, entre otros. A partir de lo dispuesto por el art. 70 de la Constitución R. O. Uruguay (arts. 75.19 y 125 de la Constitución de la Nación Argentina), el cual protege el desarrollo de la investigación científica, y otras normas del sistema jurídico uruguayo, se plantean algunas hipótesis de investigación jurídica.

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Richter, Daniel. "Mirrored Imaginaries: Urban Chroniclers in Buenos Aires and Montevideo, 1910-1936." Journal of Urban History 46, no. 3 (2018): 541–60. http://dx.doi.org/10.1177/0096144218816648.

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This article explores the intertwined urban and cultural histories of Buenos Aires, Argentina, and Montevideo, Uruguay during the early twentieth century. During the years from 1910 to 1936, Buenos Aires and Montevideo’s relationship evolved from being “mirrored” and “symbiotic” into an uneven relationship as Buenos Aires’s skyline and cultural commerce expanded to compare to larger metropolitan centers in the Atlantic world. This article examines how the relationship between the two cities was understood by flâneurs, travel writers, and cultural producers in the crucial period of metropolitan growth and cultural commerce for both Buenos Aires and Montevideo. The cultural connections between the two cities transpired in a wider transnational and transatlantic context of urban capitalism that spurred the construction of modern urban spaces such as skyscrapers, theaters, and department stores. The relationship between Buenos Aires and Montevideo was mirrored by neighboring and competing metropolises across the globe in the early twentieth century.

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García, David G., and Tara J. Yosso. "Recovering Our Past: A Methodological Reflection." History of Education Quarterly 60, no. 1 (2020): 59–72. http://dx.doi.org/10.1017/heq.2019.50.

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What process of change can come from a people who do not know who they are, or where they come from? If they do not know who they are, how can they know what they deserve to be?In 1976, after being imprisoned and forced into exile from his home country, Uruguay, Eduardo Galeano defiantly wrote “Defensa De La Palabra” (In Defense of the Word). In it, he argued that denying people access to their histories obstructs their vision of themselves as a people connected across time, and therefore restricts their ability to envision change for their future. He believed contributions to the revelation of the past depended on “the intensity level of the writer's responsiveness to his or her people—their roots, their vicissitudes, their destiny.” Forty-four years later, Galeano's reflections remain timely and methodologically instructive for those working at the nexus of history and education: Our authentic collective identity is born out of the past and nourished by it—our feet tread where others trod before us; the steps we take were prefigured—but this identity is not frozen in nostalgia. … We are what we do, especially what we do to change what we are: our identity resides in action and in struggle [emphasis in original].

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Conesa Erragbaoui, Amal. "La intertextualidad en la obra poética de Ida Vitale." Cartaphilus. Revista de investigación y crítica estética, no. 19 (April 19, 2022). http://dx.doi.org/10.6018/cartaphilus.521281.

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This work analyzes the intertextuality in the poetic work of the Uruguayan writer Ida Vitale, showing not only the influence that classical Greco-Latin literature has on her poetry, but also the intertextual dialogues with certain authors and universal works in her "acts of conciliation". Este trabajo analiza la intertextualidad en la obra poética de la escritora uruguaya Ida Vitale, mostrando no sólo la influencia que la literatura clásica grecolatina tiene en su poesía, sino los diálogos intertextuales con determinados autores y obras universales en sus “actos de conciliación”.

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Kanost, Laura. "Mobility and the Modern Intellectual: Translated Images from Early 20th-Century Literary Works in Spanish by Carmen Lyra and Luisa Luisi." Disability Studies Quarterly 38, no. 1 (2018). http://dx.doi.org/10.18061/dsq.v38i1.5861.

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This essay juxtaposes original translations of contrasting images from the novel En una silla de ruedas [In a Wheelchair] by Costa Rican writer Carmen Lyra and Poemas de la inmovilidad [Poems of Immobility] by Uruguayan writer Luisa Luisi to reveal how representations of intellectuals who are paralyzed might complicate discourses of the artist, social hygiene, and eugenics in early 20th-century Spanish America. Lyra portrays her protagonist's paralysis as a tragedy, but his disability is also the source of social mobility that allows the novel to depict marginalized members of Costa Rican society. Luisi contests modernista aesthetics of perfect forms, countering with a multifaceted exploration of inner space enabled by physical stillness. Through their depictions of hospitals, asylums, and sanitariums, both writers bear witness to bodies the modernizing project would prefer to hide, and imagine alternative forms of progress.

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García-Sedas, Pilar. "Joaquín Torres-García and Guillermo de Torre: An Itinerary in Letters From Europe to Río de la Plata." 44 | 115 | 2021, no. 115 (June 29, 2021). http://dx.doi.org/10.30687/ri/2037-6588/2021/16/005.

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This article addresses the epistolary relationship between the Uruguayan painter Joaquín Torres-García and the writer Guillermo de Torre, responsible of the construction of an international intellectual network. Their correspondence shows the intellectual connection between the two in a geographical journey that took them through Spain, France, Argentina, and Uruguay and, at the same time, in an artistic journey that began in 1919 with the emergence of Ultraism. Based on the concepts set out by Hoock-Demarle, the letters object of this study are an essential tool to offer a transnational vision of the mediation work carried out in the field of art theorization and the active participation of both in the circulation of symbolic goods such as books and magazines. This correspondence also reveals aspects of their personalities that shine through moments of indignation and depression, in shared illusions and aspirations that influence the search for a common goal: the theorization of ‘arte nuevo’.

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"Looking back to look forward." Strategic Direction 30, no. 7 (2014): 19–21. http://dx.doi.org/10.1108/sd-07-2014-0090.

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Purpose – This paper aims to review the latest management developments across the globe and pinpoint practical implications from cutting-edge research and case studies. Design/methodology/approach – This briefing is prepared by an independent writer who adds their own impartial comments and places the articles in context. Findings – After all the dust has settled from the 2014 World Cup in Brazil, one fact that will be “chewed on” (with apologies to certain Italian defenders), is that the team with the most visiting fans during the festival of football was not neighbors Uruguay, nor was it football-crazy countries such as Columbia or Argentina who are close by. It was actually the USA, whose team progressed well and, if viewing figures are anything to go by, may have finally “got” soccerball, or whatever they call it these days. Practical implications – Provides strategic insights and practical thinking that have influenced some of the world’s leading organizations. Originality/value – The briefing saves busy executives and researchers hours of reading time by selecting only the very best, most pertinent information and presenting it in a condensed and easy-to-digest format.

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Weyers, Joseph R. "Do consumers distinguish between verb forms in written advertising? Verbal voseo and tuteo in Montevideo, Uruguay." International Journal of the Sociology of Language 2013, no. 224 (2013). http://dx.doi.org/10.1515/ijsl-2013-0054.

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Barranguet, Cecilia. "¿Qué responden los estudiantes del último año de educación secundaria, cuando en una situación fuera de contexto, se les pide escribir 10 oraciones que puedan deducirse de 3x+5y=10? / What do Secondary School Students in their Last Year of Formal Education Answer when Asked, in a Situation out of Context, to Write 10 Sentences which can be Deducted from the Equation: “3x + 5y = 10”?" Revista Internacional de Aprendizaje en Ciencia, Matemáticas y Tecnología 1, no. 1 (2014). http://dx.doi.org/10.37467/gka-revedumat.v1.1019.

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ABSTRACTThe aim of this article is to spread the primary results of a survey carried out among 77 secondary school students in their last year of formal education (aged 16-18 years old) within the frame of state education in Uruguay, Argentina, Bolivia and Peru. In addition, this is an invitation for the community of teachers of math to participate and continue the investigation with the objective of getting to know the students’ beliefs regarding one of the most transcendent concepts in the math education: equations. It is further expected to rise awareness of the urgency of questioning and reformulating our practice, bearing in mind the academic research papers published on the topicRESUMENEste artículo tiene como objetivo difundir los resultados primarios de una encuesta realizada a 77 estudiantes del último nivel de educación secundaria en el marco de la educación pública de Uruguay, Argentina, Bolivia y Perú; los jóvenes entrevistados tienen entre 16 y 18 años de edad. Además, es una invitación a la comunidad de profesores de matemática a participar y continuar esta investigación con el fin de conocer las creencias de los estudiantes respecto a uno de los conceptos más trascendentes de la educación matemática como son las ecuaciones. Se pretende además sensibilizar en la urgencia de cuestionar y reformular nuestra práctica teniendo en cuenta los estudios académicos que se publican en torno al tema. Contacto principal: barranguet@montevideo.com.uy

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"Birds of Argentina & Uruguay: A Field Guide. Sixteenth Edition. By Tito Narosky and Darío Yzurieta. Buenos Aires (Argentina): Vazquez Mazzini Editores. AR $230 (paper). 431 p.; ill.; index and synonymy. ISBN: 978-987-9132-27-2. [Written in Spanish and English. DVD with Bird Sounds and Checklist included.] 2010." Quarterly Review of Biology 87, no. 2 (2012): 171. http://dx.doi.org/10.1086/665495.

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Journal articles on the topic 'Uruguayan writer'

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