Academic literature on the topic 'Utopian socialism'
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Journal articles on the topic "Utopian socialism"
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Cox, Christopher M. "Rising With the Robots: Towards a Human-Machine Autonomy for Digital Socialism." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 18, no. 1 (January 13, 2020): 67–83. http://dx.doi.org/10.31269/triplec.v18i1.1139.
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This essay is concerned with conceptualising digital socialism in two ways. First, this essay typifies digital socialism as a real utopian project bringing together the utopian potential of “full automation” as tied to socio-economic imperatives indicative of socialist aims. Second, in recognition of a critical gap between full automation and an emerging technological autonomy, this essay argues for a human-machine autonomy that situates autonomy as a shared condition among humans and machines. By conceiving of humans and automated technologies as autonomous subject aligned against capital, pursuing the aims of digital socialism can anticipate and avoid capitalist ideologies that hinders possibilities for autonomous pursuit of digital socialism.
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Visic, Maroje. "Onwards and upwards to the kingdom of beauty and love. Herbert Marcuse’s trajectory to socialism." Filozofija i drustvo 34, no. 1 (2023): 170–94. http://dx.doi.org/10.2298/fid2301170v.
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Socialists today can learn from Marcuse. Starting from this premise this paper discusses and elaborates on Herbert Marcuse?s trajectory to socialism. Marcuse successfully eluded the trap of ?economism?, and turned to subjectivity in search of a socialist solution. The transition to socialism is possible through the creation of new anthropology expressed through the concept of ?new sensibility?. The prototype of a new socialist human is an anti-superman. Peace and beauty are important characteristics of Marcuse?s socialism. ?Libertarian socialism?, ?feminist socialism?, ?integral socialism?, ?socialist humanism?, ?socialism as the work of art?, and ?utopian socialism? are all terms that testify to Marcuse?s open and many-faceted understanding of socialism in all of its complexity of meanings. Some of those meanings can inform debates on future prospects of socialism.
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Arnold, N. Scott. "Marx, Central Planning, and Utopian Socialism." Social Philosophy and Policy 6, no. 2 (1989): 160–99. http://dx.doi.org/10.1017/s0265052500000686.
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Marx believed that what most clearly distinguished him and Engels from the nineteenth-century French socialists was that their version (or vision) of socialism was “scientific” while the latters' was Utopian. What he intended by this contrast is roughly the following: French socialists such as Proudhon and Fourier constructed elaborate visions of a future socialist society without an adequate understanding of existing capitalist society. For Marx, on the other hand, socialism was not an idea or an ideal to be realized, but a natural outgrowth of the existing capitalist order. Marx's historical materialism is a systematic attempt to discover the laws governing the inner dynamics of capitalism and class societies generally. Although this theory issues in a prediction of the ultimate triumph of socialism, it is a commonplace that Marx had little to say about the details of post-capitalist society. Nevertheless, some of its features can be discerned from his critical analysis of capitalism and what its replacement entails.
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Gamonal, Sergio. "Utopia, Dystopia and Labor Law." Latin American Legal Studies 10, no. 2 (2022): 138–230. http://dx.doi.org/10.15691/0719-9112vol10n2a4.
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In this article we will analyze how work is described by some of the most classic utopias, including utopian socialism. We believe that authors such as More, Campanella, Bacon, Andrae, Saint-Simon, Owen, and Fourier, inter alia, when building their utopias must have necessarily referred to work in those non-existent worlds. Accordingly, those dreams can help illustrate the scope and perspectives of current labor law. In this paper, we take a look at the possible utopian nature of labor law, especially in the unwanted but socially necessary tasks, which are generally invisible.
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Shandro, Alan. "Karl Marx as a Conservative Thinker." Historical Materialism 6, no. 1 (2000): 3–26. http://dx.doi.org/10.1163/156920600100414542.
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AbstractAccording to a long-standing conservative critique, the proponents of fundamental or revolutionary social change necessarily fail by sacrificing the organic complexity of society and the individual upon a procrustean bed of dogmatic and rigid universal principles. I will argue that Marx's concept of proletarian self-emancipation is not only compatible with this conservative critique but is appropriately understood as a variant of it. The self-emancipation of the working class is the core of Marx's critique of the Utopian socialists, for whom socialism is the instantiation of universal ideals rather than the product of class struggle. This critique should be construed, not as a theoretical promissory note for the realisation of these ideals through the agency of the workers, but as a criticism of the very project of founding political ethics on the basis of universal ideals. Marx's political thought bears a structural similarity to conservative thought in that each seeks to ground its political programme upon the study of society as it actually exists, rather than upon a vision of human nature considered apart from society. If Marx's critique of Utopian socialism holds water, the intellectual roots of Stalinist authoritarianism may be traced, not to the failure of Marx fully to outline the ideal communist society, but to the assimilation of elements of his thought to the Utopian style and tradition of political thought. There should be no surprise, therefore, when attempts to transcend Stalinism by basing radical politics upon sanitised versions of a socialist Utopia or socialist renditions of such universal liberal principles as human rights prove counter-productive.
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Hicks, Alexander, Stewart Clegg, Paul Boreham, and Geoff Dow. "Socialism: Scientific and Utopian." Contemporary Sociology 16, no. 5 (September 1987): 661. http://dx.doi.org/10.2307/2069768.
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Chattopadhyay, Paresh. "Socialism: Utopian and Feasible." Monthly Review 37, no. 10 (March 5, 1986): 40. http://dx.doi.org/10.14452/mr-037-10-1986-03_5.
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Manioudis, Manolis, and Dimitris Milonakis. "An Early Anticipation of Market Socialism? Liberalism, Heresy, and Knowledge in John Stuart Mill's Political Economy of Socialism." Science & Society 88, no. 3 (July 2024): 368–94. http://dx.doi.org/10.1521/siso.2024.88.3.368.
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John Stuart Mill is considered one of the most important representatives of the classical school of political economy. His intellectual development exhibited a gradual transition toward more socialistic views. This transition was partly the result of his interaction with French utopian socialists, which led Mill to theoretically construct an economic system lying between what is now called market capitalism and revolutionary socialism. For Mill, socialism would be a new organic period after the transitory and critical period of the “stationary state.” This paper delineates the core tenets of Mill's stationary state and presents it as an early anticipation of what from the 1920s on is called “market socialism.” Mill's optimistic vision of the stationary state was based on the spread of associations, the socialization of knowledge among all people, competition, and the importance of individuality. These elements are connected with Mill's idiosyncratic, liberal and utilitarianist vision of (market) socialism which prepares the ground for his socialist utopia based on the ideal “from each according to his capacities; to each according to his needs.”
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HABER, SAMUEL. "The Nightmare and the Dream: Edward Bellamy and the Travails of Socialist Thought." Journal of American Studies 36, no. 3 (December 2002): 417–40. http://dx.doi.org/10.1017/s0021875802006898.
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In the light of recent events, the once widely accepted Marxist distinction between “scientific” and “utopian” socialism is fading rapidly. For it has become increasingly difficult to believe that any form of socialism is inherent in the workings of history, as the Marxists had claimed for their “scientific” variety. Today Marxism, in its own terms, turns out to be “utopian.” One can now more readily recognize the kinship of the many different socialisms as well as the significance of their link to the social ideals of the past. What had previously been a somewhat antiquarian literature on “precursors,” “forerunners,” and “schismatics” of socialism suddenly appears as especially pertinent and perhaps even central. Today, without difficulty, one turns away from the various contradistinctions developed in this scholarship and toward the interconnections implicit in it.1Surveying this literature, we can recognize three preeminent social ideals that went into the making of the various socialisms – the call for social justice, the aspiration toward a society of brotherly love, and the belief that one could rid society of poverty. It was the eighth-century prophets of the Hebrew Bible who advanced the audacious demand for justice in society. They urged an end to oppression, cruelty, abuse, and more generally that people be given what was rightfully theirs. This demand recurs in almost all the socialist programs. In the Marxist scheme, it takes the form of the theory of surplus value which describes capitalist profit as a surplus product stolen (“entwandt”) from the worker who creates it.
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Fuchs, Christian. "The Utopian Internet, Computing, Communication, and Concrete Utopias: Reading William Morris, Peter Kropotkin, Ursula K. Le Guin, and P.M. in the Light of Digital Socialism." tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society 18, no. 1 (January 13, 2020): 146–86. http://dx.doi.org/10.31269/triplec.v18i1.1143.
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This paper asks: What can we learn from literary communist utopias for the creation and organisation of communicative and digital socialist society and a utopian Internet? To provide an answer to this question, the article discusses aspects of technology and communication in utopian-communist writings and reads these literary works in the light of questions concerning digital technologies and 21st-century communication. The selected authors have written some of the most influential literary communist utopias. The utopias presented by these authors are the focus of the reading presented in this paper: William Morris’s (1890/1993) News from Nowhere, Peter Kropotkin’s (1892/1995) The Conquest of Bread, Ursula K. Le Guin’s (1974/2002) The Dispossessed, and P.M.’s (1983/2011; 2009; 2012) bolo’bolo and Kartoffeln und Computer (Potatoes and Computers). These works are the focus of the reading presented in this paper and are read in respect to three themes: general communism, technology and production, communication and culture. The paper recommends features of concrete utopian-communist stories that can inspire contemporary political imagination and socialist consciousness. The themes explored include the role of post-scarcity, decentralised computerised planning, wealth and luxury for all, beauty, creativity, education, democracy, the public sphere, everyday life, transportation, dirt, robots, automation, and communist means of communication (such as the “ansible”) in digital communism. The paper develops a communist allocation algorithm needed in a communist economy for the allocation of goods based on the decentralised satisfaction of needs. Such needs-satisfaction does not require any market. It is argued that socialism/communism is not just a post-scarcity society but also a post-market and post-exchange society.
Dissertations / Theses on the topic "Utopian socialism"
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Alexander, Tarryn Linda. "Smashing the crystal ball: post-structural insights associated with contemporary anarchism and the revision of blueprint utopianism." Thesis, Rhodes University, 2012. http://hdl.handle.net/10962/d1003099.
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This thesis is an exploration of the images which define revolution's meaning. It suggests a possible shifting of emphasis from the scientific imaginary which centres on identifying the correct way to totalising revolution, towards a post-structuralist-anarchistic imaginary which privileges prefigurative radicalisations of social relations in the here and now. It looks specifically at how the field of post-structuralism intertwines with historically anarchist concepts to generate an horizon of social change animated by experimental and open-ended transformations. While the thesis offers positive characterisations of the types of contemporary movements, tactics and principles which embody the change from closed to open utopianism, it is chiefly a commentary on the role of theory in depicting the complexity of relations on the ground and the danger of proposing one totalising pathway from one state of society to another. It asks the reader to consider, given the achievements of movements and given the insights of post-structuralism, whether it is still worthwhile to proclaim certainty when sketching the possibilities for transcendence toward emancipation, an aim, which in itself, is always under construction. I engage this by firstly establishing a practical foundation for the critique of endpoints in theory by exploring the horizontal and prefigurative nature of a few autonomous movements today. Secondly I propose the contemporary theory of post-structuralist anarchism as concomitant with conclusions about transformation made in the first chapter. Finally I recommend a few initial concepts to start debate about the way forward from old objectivist models of transformation. The uncertainties of daily life, crumbling of economic powers and rapid pace of change in the twenty-first century have opened up fantastic spaces for innovative thought. Reconsidering old consensus around what constitutes a desirable image of revolution is of considerable importance given today's burgeoning bottom-up political energy and the global debate surrounding the possibilities for bottom-up revolutionisation of society. I submit that theories which portray stories of permanent, pure and natural end-points to revolution are deficient justifications for radical action.
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Cubbin, Tom. "Critical Soviet design : Senezh studio and the utopian imagination in late socialism." Thesis, University of Sheffield, 2016. http://etheses.whiterose.ac.uk/15881/.
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This is the first academic study of the socialist critical design practice known as artistic projecteering [khudozhestvennoe proektirovanie], developed at the Central Experimental Studio of the Soviet Union Artists between 1964 and 1991 (commonly referred to as Senezh studio). While some Soviet designers saw their practice as ‘applied science,’ Senezh studio was established to develop practical and theoretical tools for overcoming technocratic tendencies in Soviet design. The aim of the studio’s founders was to create a space for design that would not be subsumed by the constraints of technology or economics, or the bureaucracy of Soviet central planning. Senezh studio was tasked with creating new design methodologies that could be applied following the transition to communism to produce a material environment that would maximise the creative and collaborative potential of humankind. During the 1970s, however, the failures of the Soviet Thaw became apparent and designers at the studio worked on critical projects that highlighted how the government’s treatment of citizens, urban heritage and the environment were materially manifest in daily life. The projects produced at Senezh came to reflect the aspirations, hopes and anxieties of the Soviet cultural intelligentsia during and after the ‘Thaw’ of the 1960s. Based on archival research, extensive interviews and analysis of images in private collections – this dissertation engages Mannheim and Ricoeur’s theories of utopia to show how experimental design projects reflected changing relationships towards communism, ideology, history and the state.
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Langdon, John C. "Pocket editions of the new Jerusalem : Owenite communitarianism in Britain 1825-1855." Thesis, University of York, 2000. http://etheses.whiterose.ac.uk/10872/.
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Castro, Bárbara 1984. "A economia solidaria de Paul Singer : a construção de um projeto politico." [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/281660.
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Orientador: Angela Maria Carneiro AraujoDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Filosofia e Ciencias Humanas
Made available in DSpace on 2018-08-13T03:08:49Z (GMT). No. of bitstreams: 1 Castro_Barbara_M.pdf: 1385642 bytes, checksum: 2f5a07281149b29df20ea9e353a5d756 (MD5) Previous issue date: 2009
Resumo: Esta pesquisa investigou a categoria de economia solidária de Paul Singer. O objetivo era compreender, de maneira crítica, o caráter de transição para uma sociedade socialista que ele outorga às iniciativas de economia solidária. Para tanto, foi necessário traçar uma cronologia de seus argumentos, entender sua concepção de socialismo e pinçar alguns dos elementos que ele seleciona na tradição marxista e na história do movimento operário para construir seu projeto político, posto que ele toma as experiências dos Pioneiros de Rochdale e o Complexo Cooperativo de Mondragón como exemplos. A continuidade histórica concomitante à recriação que ele vê na economia solidária é o fio condutor de sua argumentação, sustentada pela autogestão e por concepções similares às dos socialistas utópicos. O silenciamento sobre a questão do Estado e a preocupação com o autoritarismo justificam o uso desses elementos empíricos e teóricos, que visam dar sustentação ao seu projeto político alternativo de superação do capitalismo
Abstract: This study investigates the Paul Singer School of solidarity economy with the objective of critically understanding the transitional character towards a socialist society given to solidarity economy initiatives. With this purpose in mind, a chronology of Singer's arguments is outlined in order to understand how he conceives socialism and extract some of the elements that he selects from Marxist tradition and labor movement history to construct his political project, in which the experiences of the Rochdale Pioneers and the Mondragón Cooperative Complex are used as examples. Historical continuity accompanies the regeneration that Singer seeks in the solidarity economy and is the conducting wire in his argument, continuity that is sustained through self- management and similar concepts to those of utopian socialists. Singer's silence over the question of the State and a preoccupation with authoritairianism justify the use of these emperical and theoretical elements, that aim to justify their alternative political project beyond capitalism
Mestrado
Trabalho, Movimentos Sociais, Cultura e Politica
Mestre em Ciência Política
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Brick, Michael 1984. "The proffered pen: Saint-Simonianism and the public sphere in 19th century France." Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11270.
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viii, 157 p.The French "utopian socialist" movement known as Saint-Simonianism has long been recognized for its influence among 19th century engineers. An examination of the early Saint-Simonian journal, Le Producteur , however, reveals the articulation of an appeal to contemporary men of letters. A survey of the life and career of Hippolyte Carnot, a prominent Saint-Simonian man of letters, confirms and illustrates the nature of this appeal as it developed alongside Saint-Simonian ideology. Central to this appeal was the Saint-Simonians' attributing to the "artist" the role of moral educator. In their conceptualization of this function, the Saint-Simonians essentially presented a model of what Jürgen Habermas has termed the "public sphere" in strong contrast to that of classical liberalism. In the final analysis, however, the Saint-Simonians can be read as arguing not for the totalitarian domination of public life (as some have suggested) but rather the necessity of what Antonio Gramsci described as "hegemony."
Committee in charge: Dr. George Sheridan, Chair; Dr. David Luebke, Member; Dr. Daniel Pope, Member
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Graf, Rüdiger. "Die Zukunft der Weimarer Republik : Krisen und Zukunftsaneignungen in Deutschland 1918-1933 /." München : Oldenbourg, 2008. http://deposit.d-nb.de/cgi-bin/dokserv?id=3051914&prov=M&dokv̲ar=1&doke̲xt=htm.
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Cruz, Crislaine Santana. "“Caridade sem limites. Sciência sem privillegios” : o ensino universal de Jacotot por Benoît Mure no Brasil (1840-1848)." Pós-Graduação em Educação, 2018. http://ri.ufs.br/jspui/handle/riufs/9612.
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Conselho Nacional de Pesquisa e Desenvolvimento Científico e Tecnológico - CNPqThis research intends to analyze the actions undertaken by the intellectual, homoeopathic and utopian socialist, Benoît Jules Mure (1809-1858), for the dissemination of the Method of Universal Teaching while he was in Brazil, bearing in mind that this Method presupposes equality between human intelligences and which was discovered by the French pedagogue Jean-Joseph Jacotot (1770-1840) in the year 1818 gaining notoriety in several regions of Europe, one can see its circulation also in nineteenth-century Brazil. The time frame used here is justified, therefore, it comprises the period of 1840, the year in which Mure landed in the country, in 1848, the date on which it left, and marks its passage in Brazilian lands. It is worth mentioning that this research is based on the presuppositions of the History of Education, in the perspective of Cultural History. The research uses as sources, non-pedagogical periodicals that circulated in the province of Rio de Janeiro during the period. Especially the Jornal do Commercio of Rio de Janeiro, founded in 1827 and also A Sciencia: Synthetica Magazine of Human Knowledge, a production of Mure himself and his group of adepts with periodical publication from 1847 to 1848. The sources worked here were found in archives online from the National Library of Brazil. It is noteworthy that Benoît Mure acted in different ways in favor of the dissemination of Universal Teaching, from publications about the Method, to its application in the Homeopathic School of Brazil. We hope that this analysis represents an important contribution to the historical knowledge of the Method of Universal Teaching in Brazil, making possible the broadening of the field of Education History, since it is an unexplored subject in Brazilian educational historiography.
Esta pesquisa analisa as ações empreendidas pelo intelectual, médico homeopata e socialista utópico, Benoît Jules Mure (1809-1858), na divulgação do Método do Ensino Universal, enquanto esteve no Brasil, tendo presente que tal Método defende a igualdade entre as inteligências humanas e, que foi descoberto pelo pedagogo francês Jean-Joseph Jacotot (1770-1840) no ano de 1818 ganhando notoriedade em diversas regiões da Europa; percebe-se sua circulação também no Brasil do século XIX, através da atuação do intelectual. O marco temporal aqui utilizado justifica-se, pois, compreende o período de 1840, ano em que Mure desembarcou no país à 1848, data em que foi embora e, marca sua passagem em terras brasileiras. Vale destacar que esta investigação encontra-se alicerçada nos pressupostas da História da Educação, na perspectiva da História Cultural. A pesquisa utiliza como fontes, periódicos não pedagógicos que circularam na província do Rio de Janeiro durante a época. Especialmente o Jornal do Commercio do Rio de Janeiro, fundado em 1827 e, também A Sciencia: Revista Synthetica dos Conhecimentos Humanos, uma produção do próprio Mure e seu grupo de adeptos com publicação periódica de 1847 a 1848. As fontes aqui trabalhadas foram encontradas nos arquivos online da Biblioteca Nacional do Brasil. Destaca-se que Benoît Mure atuou de diferentes formas a favor da divulgação do Ensino Universal, desde publicações sobre o Método, até a sua aplicação na Escola Homeopathica do Brasil. Esperamos que essa análise represente uma contribuição importante quanto ao conhecimento histórico do Método do Ensino Universal no Brasil, possibilitando o alargamento do campo da História da Educação, já que trata-se de um assunto, por enquanto, inexplorado na historiografia educacional brasileira.
São Cristóvão, SE
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Kayaligil, Munir Cem. "Socialism And Feminism: An Analysis Of Turkish Radical Socialist Articles (1987-1994)." Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606812/index.pdf.
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In this study, radical socialist articles written on feminism, the feminist movement and the woman question published between 1987 and 1994 in Turkey are examined. The study attempts at describing, classifying and analyzing the Turkish socialist discourse manifested in response to the emergence of feminism in Turkey. It is argued that the Turkish socialists&rsquoapproaches to feminism and the feminists do not differ much, nor a change in their approaches with time can be observed. It is also argued that the theoretical content of the radical socialist articles is usually futile and far from being comprehensive.
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Evans, Peter William Robert. "British and American socialist utopian literature, 1888-1900." Thesis, University of Bristol, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.681497.
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This dissertation studies socialist utopian literature published in Britain and America from 1888-1900. The central thesis is that they shared an underlying theoretical basis regarding how they were imagined to function, and why. Details obviously varied, but these texts shared a common structure which can be defined in terms of five interrelated themes: economics; ethics; environment; education; and evolution. These socialist utopias embodied a certain set of relations between these themes. Planned cooperative economies would be founded upon a socialist ethic inculcated by education and the environment, and the whole was posited as the product of historical evolution. These interrelated aspects were seen as the necessary foundations that would enable a socialist utopia - a united, harmonious society, characterised by association, community, and cooperation. This would convert society into a "community of interests", and an "administration of things", enabling collective democratic control of a socialist economy. This pattern can be found across the literature, underlying various strands of contemporary socialism and internal splits dividing the ideology. The most prominent of these, as manifested in utopian literature, was between state socialism and communitarian or libertarian socialist approaches. This divide is best encapsulated in the two most-famous examples, represented by Edward Bellamy's Looking Backward and William Morris' News from Nowhere respectively, which dominate existing secondary accounts. However, the differences between these two strands were not as great as often supposed. These complex issues have been approached through the prism of the key figure of Bellamy, and five of his respondents who are essentially unstudied. This is both because of the size of the literature (around 50 texts), but also Bellamy's overwhelming significance in existing secondary accounts, and to his contemporaries. Morris however is considered mainly as a touching-point in relation to other texts, there being little to add to existing accounts.
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Navas, Perrone Maria Gabriela. "Utopía y privatopía en la Vila Olímpica de Barcelona: Los impactos sociales de un barrio de autor." Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/401430.
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La Vila Olímpica se asume como la Nova Icària del siglo XX y se constituye como la obra inaugural del afamado "modelo Barcelona". Es construida sobre los restos de una importante zona industrial del Poblenou, con la voluntad de regenerar este suelo ocupado históricamente por usos considerados malsanos. Ello refleja la vocación utópica del urbanismo, empeñado en neutralizar la manifestación de conflictos que contradigan el renacer de la ciudad olímpica, mediante la creación artificial de un barrio in vitro, que active la rentabilidad del suelo y canalice el control burgués de la ciudad hacia la fachada marítima. Este es un caso representativo del urbanismo neoliberal, que ha promovido el reemplazo del barrio por proyectos de urbanización. La consecuencia es un conjunto residencial privatizado que ha sido construido a partir de la segregación y el aislamiento.The Olympic Village is presumed as the Nova Icària of the twentieth century and is recognized as the introductory work of the renowned "Barcelona model". It was built on the remains of an important industrial area of Poblenou, with the intention of regenerating this land, which has been historically used for activities that are considered as unhealthy. This practice echoes the utopian vocation of urbanism as follows: it neutralizes the conflict manifestation that contradicts the olympic city’s revival, through the artificial creation of an in vitro neighborhood, which stimulates the land value and channels the bourgeois control of the city to the seaboard. This is a representative case of neoliberal urbanism, which promotes the substitution of the neighborhood by urbanization projects. The result is a privatized residential complex that has been built from segregation and isolation.
Books on the topic "Utopian socialism"
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Friedrich, Engels. Socialism, utopian and scientific. Vancouver: Whitehead Estate, 1995.
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Friedrich, Engels. Socialism, utopian and scientific. 2nd ed. New York: Pathfinder, 1989.
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Friedrich, Engels. Socialism, utopian and scientific. 3rd ed. New York: Pathfinder, 2008.
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Uribe, Darío Botero. El derecho a la Utopía. Santafé de Bogotá, D.C: Ecoe Ediciones, 1994.
Find full textBook chapters on the topic "Utopian socialism"
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Frambach, Hans. "Labor in Utopian Socialism." In The State as Utopia, 77–88. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7500-3_10.
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Engels, Fredrick. "Socialism: Utopian and Scientific." In The Two Narratives of Political Economy, 447–65. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2011. http://dx.doi.org/10.1002/9781118011690.ch25.
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Tester, Keith. "Socialism: Utopian and Cultural." In The Social Thought of Zygmunt Bauman, 58–81. London: Palgrave Macmillan UK, 2004. http://dx.doi.org/10.1057/9780230505681_4.
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Gay, E. James. "Eugen Dühring and Post-Utopian Socialism." In The State as Utopia, 191–204. New York, NY: Springer New York, 2010. http://dx.doi.org/10.1007/978-1-4419-7500-3_15.
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Farrell, John. "George Orwell's Dystopian Socialism." In The Utopian Dilemma in the Western Political Imagination, 173–93. New York: Routledge, 2023. http://dx.doi.org/10.4324/9781003365945-17.
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Macfarlane, Leslie J. "Utopian Socialists and Anti-Capitalist Economists." In Socialism, Social Ownership and Social Justice, 59–71. London: Palgrave Macmillan UK, 1998. http://dx.doi.org/10.1007/978-1-349-26987-7_5.
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Hemmens, Alastair. "Charles Fourier, Utopian Socialism and Attractive Labour." In The Critique of Work in Modern French Thought, 45–77. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-12586-8_2.
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Linehan, Thomas. "Socialist Utopian Modernism: The Myths of the Kingdom and the Golden Age." In Modernism and British Socialism, 43–64. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137264794_4.
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Arvidsson, Stefan. "Myth and utopia." In The Style and Mythology of Socialism: Socialist Idealism, 1871–1914, 151–86. Abingdon, Oxon; New York, NY: Routledge, 2018. | Series:: Routledge, 2017. http://dx.doi.org/10.4324/9781315184814-6.
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Beevers, Robert. "Commonsense Socialism." In The Garden City Utopia, 25–39. London: Palgrave Macmillan UK, 1988. http://dx.doi.org/10.1007/978-1-349-19033-1_3.
Full textConference papers on the topic "Utopian socialism"
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Stojiljković, Danica. "The Concept of Synthesis in Yugoslav Socialist Society – Synthurbanism of Vjenceslav Richter." In SPACE International Conferences April 2021. SPACE Studies Publications, 2022. http://dx.doi.org/10.51596/cbp2021.gkjs9365.
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Abstract The avant-garde inclinations in the socio-political and cultural milieu of Yugoslav socialism postulated the concept of synthesis as the central theme in architecture and visual arts. This was facilitated by the critique of functionalist and formal concepts and by promoting ideas of organic systems that balance natural and built environments and are unsustainable outside the context of integrity. Vjenceslav Richter was probably the most persistent in developing the concept of synthesis among Yugoslav architects, proposing a global, holistic and systematic approach. In the early 1960s, Richter used experimental models to explore spatial-plastic relations, which led to the development of the concept that provided synthetic solutions for urban functions – synthurbanism. Richter’s theory of the organisation of living synthesis was rooted in the key concepts of socialist society – harmonious relations between individuals and the collective and human as an integrated biological and social being. The premise of this study is that the original ideological agenda of Yugoslav Socialism based on the values of Marxist humanism provided a comprehensive social and philosophical context for the concept of synthesis.This study aims to describe a broader context of synthetic thought in Yugoslav society through the architectural and urbanistic ideas of Vjenceslav Richter. His utopian model is based on the premise that the environment represents a system of intertwined functions and that living space and humans are integrated into interactive processes, which show functional correlativeness in achieving sustainable urban living. Keywords: synthesis, synthurbanism, Vjenceslav Richter, Marxism, self-management socialism
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Fedorov, Roman. "CONSTITUTIONAL AND LEGAL IDEA OF THE “SOCIAL STATE” IN THE HISTORY OF LEGAL AND POLITICAL THOUGHT." In Law and law: problems of theory and practice. ru: Publishing Center RIOR, 2020. http://dx.doi.org/10.29039/02033-3/066-075.
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The article is devoted to the problem of the social state as one of the fundamental constitutional principles of the state structure of modern developed countries. The course of historical development of philosophical and legal thought on this problem is considered. The idea of a close connection between the concept of the social state and the ideas of utopian socialism of Thomas More and Henri Saint-Simon is put forward. Liberals also made a significant contribution to the development of the idea of the social state, they argued that the ratio of equality and freedom is a key problem for the classical liberal doctrine. It is concluded that the emergence of the theory of the social state for objective reasons was inevitable, since it is due to the historical development of society.
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Mitrović, Jelena, and Vladan Perić. "Sensate utopia—experiencing unreachable in the state spectacle of socialist Yugoslavia." In The 2nd International Multidisciplinary Congress Phi 2016 – Utopia(S) – Worlds and Frontiers of the Imaginary. CRC Press, 2016. http://dx.doi.org/10.1201/9781315265322-69.
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Cantos, María José Gómez. "Utopía y adolescencia." In INNODOCT 2018. València: Editorial Universitat Politècnica de València, 2018. http://dx.doi.org/10.4995/inn2018.2018.8765.
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La asignatura de filosofía en el Bachillerato a menudo es considerada por los estudiantes como excesivamente teórica y con escasa utilidad. Con el objetivo de incorporar una perspectiva de estudio más conectada con la vida cotidiana y estimular una manera de pensar el mundo más amplia y crítica, se propone la elaboración de materiales didácticos que fomenten el pensamiento creativo, el aprendizaje significativo de los contenidos del currículum y el acercamiento a la investigación social cualitativa. En el presente trabajo se plantea a los alumnos la investigación, a partir de la técnica de análisis de contenido, de las utopías sociales que ellos mismos han elaborado. De esta manera, después de estudiar los contenidos básicos de la asignatura de filosofía, se pide a los estudiantes que diseñen una sociedad utópica (un mundo justo y feliz) siguiendo el esquema del patrón universal de Marvin Harris (1987). A continuación, el material elaborado se analiza con la técnica del análisis de contenido. Por último, se establecen, exponen y discuten las conclusiones.
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Son, Junggab, Donghyun Kim, Hyunggeun Oh, Dongsoo Ha, and Wonjun Lee. "Toward VANET Utopia: A New Privacy Preserving Trustworthiness Management Scheme for VANET." In 2016 IEEE International Conferences on Big Data and Cloud Computing (BDCloud), Social Computing and Networking (SocialCom), Sustainable Computing and Communications (SustainCom) (BDCloud-SocialCom-SustainCom). IEEE, 2016. http://dx.doi.org/10.1109/bdcloud-socialcom-sustaincom.2016.53.
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Gallastegui Gonzalez, Samuel. "Aplicación de ideas del utopismo clásico a la creación de una matriz política global que permita el desacuerdo, la pluralidad y la diversidad organizativa." In IV Congreso Internacional Estética y Política: Poéticas del desacuerdo para una democracia plural. València: Editorial Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/cep4.2019.10335.
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Esta propuesta de investigación parte del problema que genera la hegemonía del mecanismo capitalista sobre las diversidad de matrices políticas, constriñendo su poder y efectividad ante los problemas sociales y ecológicos globales. La pregunta que nos hacemos es ¿Cómo podrían los poderes políticos dar una respuesta eficaz a dichos problemas?Planteamos como hipótesis que es posible invertir la figura y dar forma a una matriz política con unos principios éticos políticos y comunes, pero que permita diferentes modelos y mecanismos de organización social y económica. Y que, para ello, podemos aplicar algunas de las ideas del utopismo clásico. La siguiente metodología empleada consiste en analizar los textos y analizar las ideas políticas que permitirían la creación de una matriz política y las que no. Como resultado nos hemos encontrado con la dificultad inicial de que que los modelos clásicos aparecen como perfectos y homogéneos, lo cual está en contra de la propia diversidad humana y del objetivo que se pretende conseguir. Sin embargo, hemos descubierto en dichos modelos utópicos ideas constructivas que admiten la diversidad, la pluralidad y el desacuerdo. Entre otros se estudian los siguientes conceptos: prevalencia de la racionalidad, esencialidad jurídica, organización modular, origen común de la propiedad y trascendencia abierta. Posteriormente se desarrollan dichos conceptos dentro del contexto político actual. Bibliografía fundamentalLaclau, E. & Mouffe, C. (2001). Hegemony and socialist strategy. New York, NY: Verso.Moro, T., Campanella, T., Bacon, F. (2012). Utopías del Renacimiento. Madrid: Fondo de Cultura Económica
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Tsuda, Carlos Eduardo. "Convertirse en medio ambiente_convertirse en posanimista: La vida es una utopía." In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.158.g330.
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En este artículo presento estudios de caso de las intervenciones urbanas, instalaciones y performances para el espacio público de mi serie de arte titulada “La vida es una utopía”. “La vida es una utopía” es una investigación artística y una serie de obras de arte que tiene como objetivo discutir temas contemporáneos sociopolíticos-ambientales-culturales a través de una perspectiva estética y de prácticas poéticas. Propone un ejercicio crítico de traspaso de fronteras entre el arte sonoro, la performance audiovisual, la performance, la instalación y la intervención urbana, que cuestiona la creciente devaluación de la vida frente al mercado financiero, manifestada en las recientes catástrofes ambientales y el desmantelamiento sistemático de los derechos sociales y humanos en Brasil. A partir de proposiciones de contraposición entre lo contundente y lo contemplativo, en la serie el artista explora el término cultural japonés “Ma” como una apertura al entorno, a todo lo que nos rodea y no controlamos, proponiendo una visión crítica del sistema a través de una perspectiva resiliente. A la luz de autores de diferentes modalidades disciplinares, practico la investigación interdisciplinar y descentralizada, hibridando diferentes formas de producción de conocimiento a través del diálogo entre la investigación teórica y la práctica artística. Presento los conceptos de convertirse en medio ambiente y convertiste en posanimista como formas de ensamblajes poéticos y estéticos de la vida pública y sus innumerables implicaciones sociopolíticas y ambientales en la relación entre la humanidad y la naturaleza, la sociedad y la espiritualidad, el cuerpo y el alma, y la comunidad, la espiritualidad y la naturaleza. Basado en el concepto de posanimismo o animismo posmoderno del sociólogo japonés Shoko Yoneyama y en las perspectivas cosmológica y animista de los intelectuales indígenas brasileños Ailton Krenak y Davi Kopenawa, pretendo problematizar etapas en el proceso creativo de las obras de arte, y su relación con la vida pública, en cuanto a las formas de interacción y participación pública, los cambios perceptivos del espectador y la transformación de las estructuras de relación y de estratos sociales establecidos en el espacio. En un sentido macro, abordaré las innumerables modalidades del experimentalismo sociopolítico-artístico y el silencio como una forma de resistencia política y resiliencia. En este contexto, procesos creativos que involucran la construcción de redes de interactividad, la creación de redes de activación temporal, el desarrollo y la promoción de procesos de negociación a corto, mediano y largo plazo, el desarrollo de procesos de subversión, la piratería, la infiltración y la contaminación, la creación de sensaciones y distorsiones temporales y espaciales, y las transformaciones afectivas de las relaciones interpersonales y sociales.
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Sáez Pradas, Fernando. "De Andalucía a California. Un recorrido sobre el imaginario californiano a través el dibujo." In III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.4791.
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En el arte, la utopía ha sido y es un concepto transversal que salpica y cruza numerosas disciplinas artísticas. Con la llegada de la post-modernidad, la estética se hizo más relativa y perversa, el fracaso utópico del 68 materializado en el acuerdo entre Charles de Gaulle y los sindicatos marcó un punto de inflexión. Fue entonces cuando muchos artistas decidieron vivir al margen. En España, artistas de la generación de los 70 que vivieron esto muy de cerca dejaron a un lado el pensamiento general de la utopía para ir, poco a poco, centrándose más en un pensamiento utópico del comportamiento humano. Se dejó de creer en lo colectivo para dar paso a lo individual. La verdadera utopía no era más que estar en plena posesión de los sentidos y solo ahí, siendo libre, se podría lanzar un mensaje verdadero. Desde esta perspectiva comenzó -como un juego-, el sueño y la posibilidad de cambio en una sociedad gris. Recordemos que en España, aunque el dictador estuviese cerca de ser un residuo, su ideología estaba aun profundamente tatuada en la sociedad. Se necesitaba un nuevo escenario, en una España podrida, toda una generación de artistas pensó en California como el edén. Era una situación que rozaba el absurdo pues ninguno de los artistas de los 70 había estado allí. California era el paraíso anhelado, la igualdad entre diferentes estratos sociales, el trópico, un lugar de ambiente cálido y libertino que supondría un soplo de aire fresco para la generación que tenía la responsabilidad –consciente o inconsciente- de promover el cambio en el panorama cultural español. Un aire que lograron introducir en la pintura española, reivindicando el derecho a imaginar oprimido tras la losa negra de una dictadura de derechas y fuerte raíz católica.http://dx.doi.org/10.4995/ANIAV.2017.4791
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Pérez Fallik, Max. "El programa “Ciudades para el futuro” en el cruce de la educación, la comunicación y la tecnología. Una articulación entre museos y escuelas para la imaginación utópica." In Congreso CIMED - II Congreso Internacional de Museos y Estrategias Digitales. Valencia: Editorial Universitat Politècnica de València, 2022. http://dx.doi.org/10.4995/cimed22.2022.15539.
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En este artículo se presentan los resultados del programa educativo “Ciudades para el futuro: crear utopías” desarrollado entre el 2021 y el 2022 de forma conjunta por el Museo Kosice y el Museo Xul Solar (ambos en la Ciudad de Buenos Aires, Argentina), y algunos de los interrogantes que se habilitaron gracias al replanteamiento del rol de los museos durante la crisis del Covid-19.Precisamente, Ciudades para el futuro se diseñó durante y para un contexto de aislamiento social, partiendo de una asociación horizontal entre dos museos de arte monoautorales y una fuerte articulación colaborativa con otros actores sociales (educativos, artísticos, tecnológicos y gubernamentales).Se buscó establecer un diálogo con un nuevo público, trascendiendo barreras geográficas y habilitando el acceso interactivo y participativo a ambas colecciones a través de tecnologías digitales (Realidad Virtual y videos inmersivos 360º), pero con un eje centrado en la creatividad, imaginación e invención de los estudiantes en contextos escolares, produciendo para ello una diversidad de recursos pedagógicos específicos y multimediales. Se propuso un sutil deslizamiento de los objetivos institucionales de los museos: de la adquisición, conservación, investigación, comunicación y exposición de su patrimonio, a promover su creación, resignificación y desarrollo fuera de sus paredes.En este tránsito -que traza un recorrido de un museo de “lo instituido” a sus posibilidades instituyentes- Ciudades para el futuro se desgranó en cuatro objetivos (líneas de acción) específicos, consecutivos y complementarios: acercar el patrimonio de ambos museos a nuevos públicos fuera de su región, particularmente a estudiantes de todo el país (dimensión museística), promover nuevas formas de relación con la obra de arte mediada por la tecnología en un contexto de cierre indefinido de museos (dimensión tecnológica), promover el trabajo en aula -presencial o virtual- con docentes y estudiantes para imaginar, diseñar o proyectar ciudades futuras desde cualquier lenguaje artístico (dimensión pedagógica), y realizar y difundir el registro audiovisual de la experiencia, como una cápsula de tiempo de la imaginación utópica de niños y jóvenes argentinos (dimensión comunicacional).Esta comunicación presenta los resultados de la experiencia y algunos interrogantes educativos, tecnológicos, comunicacionales y estrictamente museológicos sobre el rol y acciones digitales de los museos durante la pandemia, la posibilidad de interpelar de otras maneras a viejos y nuevos públicos y la articulación museo-escuela. En este recorrido, sugerimos que una perspectiva educativa y dialógica habilita el replanteamiento del rol del museo en tanto espacio de creación e invención.
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carbone, silvia. "Las asambleas vecinales en la Ciudad de México. El caso de Azteca 215, o el derecho a habitar como ejercicio ciudadano." In Seminario Internacional de Investigación en Urbanismo. Bogotá: Universidad Piloto de Colombia, 2022. http://dx.doi.org/10.5821/siiu.10129.
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In the Mexican capital, the adoption of the neoliberal model has led to important changes that involve the complex of social actors. This context is posing for the local society the double challenge: developing a shared vision of the metropolis and agreeing on the rules to guide its future. The foregoing has resulted in a diffuse conflict that reflects the diversity of interests and visions of citizen groups, which reveals the power relations that run through the metropolis, where groups of citizens are deprived of the right to decide on the future of their territories and their forms to inhabit them. In the presentation, based on a group interview, participant observation sessions and analysis of documentary material, we will analyze the conflict around the Aztecas 215 project (in the Coyoacán Municipality, Mexico City) from the perspective of the production of space and inhabiting, to account for the citizen proposal promoted by the neighborhood assembly. En la capital mexicana, la adopción del modelo neoliberal, ha desembocado en importantes cambios que involucran el complejo de los actores sociales, lo que plantea para la sociedad local el doble desafío de elaborar una visión compartida del devenir urban, y acordar las nuevas reglas del juego.Asistimos así a un complicado pasaje desde la planeación a la planeación estratégica, con la implementación, a menudo bajo la modalidad público-privada, de instrumentos puntuales de intervención; un proceso que, mientras pone de evidencia el desajuste entre el andamiaje de la planeación y ordenación urbana y la implementación de instrumentos ad hoc; y que hoy en día se entrelaza con la conflictiva elección del titular del Instituto de Planeación, previsto en la Constitución de la Ciudad de México.Sin embargo, la introducción paulatina de estos instrumentos, aunque permite implementar legalmente obras y proyectos, no prevé la adopción de procedimientos de información, consulta y participación ciudadana; lo que implica una gran contradicción ya que, mientras abona a operar al margen de las indicaciones presentes en los instrumentos de ordenación territorial, merma la legitimidad de las instituciones gubernamentales.Lo anterior ha derivado en una difusa conflictividad que refleja, a la vez que pone de relieve, la diversidad de intereses y visiones de los grupos ciudadanos: en particular la contraposición entre el sector empresarial e inmobiliario y los vecinos que, excluidos de la futura configuración de sus territorios, se organizan bajos diversas modalidades.En este trabajo analizaremos el conflicto en torno al proyecto de Aztecas 215 (Alcaldía Coyoacán) a la luz de las aportaciones de Lefebvre en torno a la producción del espacio y el habitar; porque ello nos permite dar cuenta de la tensión entre habitar los contextos populares, y la aplicación de políticas y visiones implementadas al margen del consenso. La modalidad de producción del espacio, desde la perspectiva del habitar, en tanto proceso histórico, social y cultural, lleva a reconocer esta misma pluralidad del accionar; y con ello, a valorar el proceso experimentado por los vecinos, gracias al cual, construyen una lectura de su realidad, perfilan el futuro de sus territorios y problematizan un marco de derechos.Proponemos que en contextos populares como el de los Pedregales del sur de la ciudad, donde los vecinos han protagonizado la producción del espacio habitable, y la dimensión del espacio vivido prima por sobre el espacio concebido, abstracto y objetivado, la imposición vertical de proyectos inmobiliarios al margen de procesos de consulta y participación ciudadana, tiene como efecto un fortalecimiento de las exigencias de la población. En particular, en el marco de este ejercicio ciudadano de corte popular, vemos emerger la reivindicación a las diferentes formas de habitar la metrópolis mexicana; lo que nos parece importante pues se trata de una expresión que, en tanto representa una propuesta ciudadana constituye un plano desde el cual poner a dialogar las diversas visiones y utopías ciudadanas.En el caso de Aztecas 215 el conflicto se desenvuelve en torno al destino del manantial somero, puesto en riesgo por la construcción de tres torres con 377 departamentos. Es cuando los vecinos se enteran que la ora se está realizando en correspondencia con el acuífero, que surge la Asamblea de Pueblos, Barrios, Colonias y Pedregales de Coyoacán, como asamblea de vecinos organizados en torno al objetivo inicial de defender el acuífero.De acuerdo con lo anterior nuestro objetivo es contrastar el ejercicio ciudadano de los vecinos de la Asamblea General de Pueblos, barrios, colonias y pedregales de Coyoacán (Asamblea) con los planteamientos contenidos en la Carta de la Ciudad de México para el Derecho a la Ciudad, en orden a averiguar qué tanto ésta última, puede constituir un recurso para fundamentar y fortalecer la visión de los vecinos.Para ello analizaremos los discursos y prácticas de los agentes involucrados, con particular atención a la Asamblea: apoyándonos en la revisión de información documental, en la observación participante en los eventos y reuniones, además de una entrevista grupal y entrevistas semiestructuradas.
Reports on the topic "Utopian socialism"
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Poussart, Denis. Le métavers : autopsie d’un fantasme Réflexion sur les limites techniques d’une réalité synthétisée, virtualisée et socialisée. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, February 2024. http://dx.doi.org/10.61737/sgkp7833.
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Lorsque Neal Stephenson a introduit le terme « métavers » dans son roman de science-fiction Snow Crash, en 1992, il était loin de se douter que le mot allait susciter autant de discussions. La notion d’une réalité d’un type nouveau, qui serait synthétisée, puis virtualisée et librement socialisée, est fascinante par ce qu’elle exigerait aux plans scientifique et technique. Fascinante surtout par ses retombées éventuelles aux niveaux culturel et social, y compris de nature éthique (qui ne sont pas abordées ici). Ce texte rappelle brièvement l’origine du concept avant de se consacrer à ses requis et défis techniques, abordés en l’examinant comme un système avancé d’information et communication. Le métavers revêt une complexité inédite alors que les capacités cognitives de l’humain et de la machine sont appelées à se fusionner avec synergie. L’analyse – qui demeure succincte compte tenu du format d’un article court – permettra de comprendre comment et pourquoi le métavers, dans la mouture originale proposée par Stephenson, demeure une utopie. Mais aussi comment l’élimination de certains requis peut permettre d’en retenir une saveur intéressante, laquelle apparait déjà dans une multitude d’applications.