Relevant bibliographies by topics / Uzbek drama

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Academic literature on the topic 'Uzbek drama'

Author: Grafiati
Published: 4 June 2021
Last updated: 29 July 2024

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Journal articles on the topic "Uzbek drama"

1

Mirzokhidova, Nozima Ulugbek kizi. "THE SIGNIFICANCE OF THEATER ART IN THE EXAMINATION OF SHAKESPEARE'S WORKS IN UZBEKISTAN." Frontline Social Sciences and History Journal 4, no. 5 (May 1, 2024): 69–74. http://dx.doi.org/10.37547/social-fsshj-04-05-09.

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In terms of aesthetics, the Uzbek translators were able to translate the works of the English writer into the Uzbek language. In 1941, the Uzbek State Drama Theater (now the Uzbek National Academic Drama Theater) in Tashkent presented the performance "Othello" by our esteemed artists A. Hidoyatov (Othello), L. Nazrullaev (Iago), and S. Eshonto'raeva (Desdemona) (translation by G. Gulom, 1940 y.). In 1939-1949, he performed in the play "Hamlet" by O. Khojaev (Hamlet) (translation by A. Cholpon, 1934) and in 1958, he played the role of "Brutus" in the play "Julius Caesar" (translation by Uygun, 1958). Additionally, he performed in other stage works. The scenes that these artists performed were such a sensation at the time that, in a certain sense, the interest of the Uzbek people in Shakespeare's work increased significantly.
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2

BAYDEMİR, Hüseyin. "A Branch of Traditional Uzbek Drama: Masxarabaz and Qiziqchi Drama." Journal of Turkish Studies Volume 6 Issue 1, no. 6 (2010): 763–77. http://dx.doi.org/10.7827/turkishstudies.2044.

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3

Akhmedova, Vazirakhon, and Maksimova Nataliya Leonidovna. "THE INFLUENCE OF WORLD DRAMATURGY ON THE DEVELOPMENT OF UZBEK DRAMATURGY DURING THE PERIOD OF INDEPENDENCE." Current Research Journal of Philological Sciences 5, no. 5 (May 1, 2024): 120–28. http://dx.doi.org/10.37547/philological-crjps-05-05-24.

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This scientific article examines the general theoretical problems of Uzbek drama of the period of independence. The subject area of Uzbek dramaturgy, theoretical problems of dramaturgy, theoretical aspects of world dramaturgy, in particular, French, German, Spanish and Italian dramaturgy, are subjected to comparative analysis.
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4

Khodjiyeva, Gavhar. "THE IMAGE OF IMAM BUKHARI IN MODERN UZBEK LITERATURE." INTERNATIONAL JOURNAL OF WORD ART 1, no. 3 (January 30, 2020): 109–19. http://dx.doi.org/10.26739/2181-9297-2020-1-16.

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LITERATURE AN NOTATION If you look at the pages of new Uzbek literature, you will see that most of the poetic dramas are written on historical themes. This process, it can be said, began with Oybek's Mahmud Torobi and H. Olimjon's Muqanna. Thisliterary tradition continued during the years of independence. In particular, the high artistic samples of the poetic drama "Sahibkiron" (A.Oripov), "Imam Bukhari" (U.Kochkor), "Samarkand saykali" (Ikbol Mirzo) saw the world. In the work of Imam Bukhari by Usman Kochkar, the image of the great mystic Imam al-Bukhari was created.
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5

KHAMIDOVA, MARFUA. "AT THE ORIGINS OF THE UZBEK MUSIC THEATER (STUDIOS, TEACHERS, FIRST EXPERIMENTS: 1920-1930S)." Культурный код, no. 2021-2 (2021): 32–45. http://dx.doi.org/10.36945/2658-3852-2021-2-32-45.

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This article is about the origins of the national opera that was born in Uzbekistan in the first half of the twentieth century. It also tells about the studio training of production and performing personnel for the national music scene within the framework of the Moscow, Baku studios, the Uzbek Opera Studio at the Moscow State Conservatory; about the first experiments of staging musical plays in the Uyghur Drama Troupe, the Concert and Ethnographic Troupe of M. Kari-Yakubov and further in the State Uzbek Musical Theater.
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6

Ulugov, Abdulla. "Mahmudkhuja Behbudiy – The Symbol Of History." American Journal of Social Science and Education Innovations 03, no. 04 (April 30, 2021): 274–87. http://dx.doi.org/10.37547/tajssei/volume03issue04-41.

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Mahmudkhuja Behbudiy holds a special place in the history of the Uzbek people as a person who devoted his life to the prosperity of the country. The history of the Uzbek people of the 20th century can not be imagined without its vibrant socio-political, literary and educational activities. He actively participated in the socio-political movements of the period, gained fame as a political figure, self-sacrificing educator, co-founder of the new Uzbek literature, founder of the new school, theater, publisher, newspaper, organizer of magazines, was one of the first to raise the socio-political, spiritual and educational problems of the time in his literary and artistic works. In this article, Mahmudkhuja Behbudy’s “Padarkush” drama and some articles on the social importance of the comments were made.
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7

Абдуллаев, Р. С. "Uzbek maqamat and composers creative." Музыкальное искусство Евразии. Традиции и современность, no. 1(10) (June 6, 2023): 25–34. http://dx.doi.org/10.26176/maetam.2023.10.1.002.

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В статье рассматриваются вопросы взаимоотношений традиционной музыки и композиторского творчества в музыкальной культуре Узбекистана, в которой макомат в его различных аспектах проявления реализовал свои огромные креативные возможности при создании национальной стилистики в новых жанрах профессионального многоголосного искусства: в музыкально-сценических произведениях (музыкальная драма, опера, балет) В. Успенского и Г. Мушеля, М. Ашрафи, С. Василенко, Т. Садыкова, Р. Глиэра, М. Бурханова, У. Мусаева, И. Акбарова, М. Бафоева; в симфонической музыке Т. Курбанова, М. Таджиева, М. Махмудова и других. The article deals with the relationship between traditional music and composer creativity in the musical culture of Uzbekistan, in which maqamat, in its various aspects of manifestation, has realized its enormous creative potential in creating national stylistics in new genres of professional polyphonic art: in musical stage works (musical drama, opera , ballet) V. Uspensky and G. Muschel, M. Ashrafi and S. Vasilenko, T. Sadykov and R. Glier, M. Burkhanov, U. Musaev, I. Akbarov, M. Bafoev; in symphonic music by T. Kurbanov, M. Tajiev, M. Makhmudov and others.
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8

Yakubov, Bakhtiyor. "FEATURES OF THE UZBEK DRAMA IN THE PERIOD OF INDEPENDENCE." CROSSROADS OF CULTURE 3, no. 2 (March 30, 2020): 10–15. http://dx.doi.org/10.26739/2181-0737-2020-3-2.

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9

Sobirov, Q. S. "USE OF SYNONYMS IN SPEECH OF CHARACTERS OF UZBEK DRAMA WORKS." Theoretical & Applied Science 82, no. 02 (February 28, 2020): 634–38. http://dx.doi.org/10.15863/tas.2020.02.82.108.

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10

Yakubov, Bakhtiyor C., and Mukhayyo S. Muxtarova. "THE DEVELOPMENT OF THE NATIONAL COMEDY IN THE MODERN UZBEK DRAMA." Theoretical & Applied Science 86, no. 06 (June 30, 2020): 357–64. http://dx.doi.org/10.15863/tas.2020.06.86.68.

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Books on the topic "Uzbek drama"

1

Sharipov, Sharofiddin, and Chori Avaz. Sŭz mulkining sultoni. Toshkent: Maʺnavii︠a︡t, 2001.

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2

Abdusamatov, Ḣ. Drama nazarii͡asi. Toshkent: Ghafur Ghulom nomidagi Adabiët va sanʺat nashriëti, 2000.

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3

Asomiddinov, Abduraḣmon. Otam bilan suḣbatlarim. Toshkent: "Sharq", 2003.

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4

Imomov, Berdiali. Ŭzbek dramaturgii͡a︡si tarikhi. Toshkent: "Ŭqituvchi", 1995.

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5

Rizaev, Shuḣrat. Saḣna maʺnavii︠a︡ti: Maqolalar, pʹesa. Toshkent: Maʺnavii︠a︡t, 2000.

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6

Baĭmukhambetova, Raḣima Kalbaevna. Tarikh: Takht aël. Toshkent: Chŭlpon nomidagi nashriët-matbaa izhodiĭ uĭi, 2016.

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7

Qodirova, Sarvinoz. Komedii︠a︡ sanʺati tarikhi. Toshkent [Uzbekistan]: San'at, 2008.

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8

Abdulkhaĭrov, B. Ḣ. Miėn Buzruk--zhadid dramaturgii͡asi va teatri tadqikqotchisi. Toshkent: "Fan", 2009.

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9

Qodirov, Muḣsin. Anʺanaviĭ teatr dramaturgii︠a︡si: (meros). Toshkent: I︠A︡ngi Asr Avlodi, 2006.

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10

Maʺ"naviiat manzillari: Pʹesalar va maqolalar. Toshkent: Ghafur Ghulom nomidagi nashriët-matbaa izhodiĭ uĭi, 2008.

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