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Journal articles on the topic 'Uzbek national costumes'

Author: Grafiati

Published: 5 June 2025

Last updated: 1 August 2025

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1

Nasullaevna, Khoshimova Manzura. "NATIONAL CASTLE CLOTHES." Frontline Social Sciences and History Journal 02, no. 05 (2022): 23–27. http://dx.doi.org/10.37547/social-fsshj-02-05-04.

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2

Boymatova, Kamola Abdurakhmon qizi, Durdona Muhsinjon kizi Ibrohimova, and Sarvinozkhon Abrorjon qizi Rahmonova. "Modern interpretation of Uzbek national costumes: design approaches." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 1761–65. https://doi.org/10.5281/zenodo.15594101.

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This article analyzes the interpretation of Uzbek national costumes in modern design, design approaches, and the integration of cultural heritage into current fashion trends. The article highlights the historical formation of national costumes, their artistic and aesthetic characteristics, new interpretations by modern designers, and their role in instilling national values in the younger generation.

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3

Mamatova, Fazilat Ixtiyorovna, and Shahzoda Eshdavlatovna Turdiyeva. "THE HARMONY OF COLORS IN UZBEK NATIONAL COSTUMES." Multidisciplinary Journal of Science and Technology 5, no. 5 (2025): 1790–94. https://doi.org/10.5281/zenodo.15594511.

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The rich cultural tapestry of Uzbekistan is vividly embodied in its national costumes, where the harmony and brilliance of colors play a pivotal role. This article explores the aesthetic and symbolic aspects of color coordination in traditional Uzbek garments, focusing on how chromatic choices reflect historical, regional, and socio-cultural contexts. The study investigates the principles of color harmony in garments like the atlas and adras dresses, emphasizing their alignment with nature, spirituality, and collective identity. Using interdisciplinary methodologies from ethnography, textile a

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4

Temirova, Sarbina-Bonu. "THE SIGNIFICANCE OF OUR NATIONAL VALUES IN UNDERSTANDING SPIRITUAL IDENTITY." "Science and innovation" international scientific journal. ISSN: 2181-3337 1, no. 2 (2022): 101–3. https://doi.org/10.5281/zenodo.6657515.

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<em>We are talking about the values of the Uzbek people, which have left an indelible mark on history. There is talk of various folk games, national costumes and other values. We are talking about the values that have maintained their strength from the history of the Uzbek people to the present.</em>

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5

Orifjonova, Gulrano R. "PECULIARITIES OF SURKHANDARYA ETHNOCULTURAL CLOTHING." CURRENT RESEARCH JOURNAL OF HISTORY 03, no. 01 (2022): 21–25. http://dx.doi.org/10.37547/history-crjh-03-01-05.

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This article analyzes the peculiarities of ethnocultural costumes of Surkhandarya oasis. National dress is a manifestation of material culture. The bright colors of the nation, the beautiful art of local weavers developed under the influence of national traditions, the artistic ornaments on the fabrics are reflected in the dress, which is based on the unique centuries-old traditions of each region. Like other regions of Uzbekistan, in the late XIX and early XX centuries, the Uzbek national costume was almost formed in the Southern Surkhandarya oasis. It was revealed that women’s clothes are se

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6

Mamarajabov, Gayrat Abdulkhakimovich. "Reflection of ethno-traditionalism in the national costumes of uzbek folk masters." ASIAN JOURNAL OF MULTIDIMENSIONAL RESEARCH 10, no. 4 (2021): 879–82. http://dx.doi.org/10.5958/2278-4853.2021.00330.x.

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7

Tursunova, N. F. "Linguistic And Extralinguistic Factors In The Formation Of Phrases In The English And Uzbek Languages." American Journal of Social Science and Education Innovations 03, no. 02 (2021): 50–58. http://dx.doi.org/10.37547/tajssei/volume03issue02-10.

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This article discusses the influence of internal and external language factors in the formation of English and Uzbek phrases. In both languages, the influence of habitat, flora, fauna and poultry, national costumes, food, and religious values on the formation of phraseological units is studied. It is argued that each of these phraseological units, which represent the national-cultural feature of different structural languages, can become a separate research topic.

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8

Ziyoda, M. Saidova. "Principles of Development of Uzbek Folk Applied Decorative Art." INTERNATIONAL JOURNAL OF MULTIDISCIPLINARY RESEARCH AND ANALYSIS 05, no. 06 (2022): 1328–30. https://doi.org/10.5281/zenodo.6637427.

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The article analyzes the principles of development of Uzbek folk arts and crafts ganch carving, ceramics, carpet weaving, doppi embroidery, artistic embroidery, and textiles. The wonderful works of folk decorative art created in the territory of our country have not only reached us, but also their production traditions have been passed down from generation to generation and developed by skilled craftsmen. The wood, plaster and marble carvings, embroidered pottery, colorful textiles and embroidery, national costumes, jewelry, which have been preserved so far, have a general character and reflec

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9

Abdulkhakimovich Mamarajabov, Gayrat. "Traditional Clothes and Jewelry of Surkhandarya Oasis." International Journal of Multicultural and Multireligious Understanding 8, no. 12 (2021): 227. http://dx.doi.org/10.18415/ijmmu.v8i12.3273.

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In the oasis of Surkhandarya, local craftsmen sew traditional shoes, make such shoes as takaki, charik, hakkari, mokkas, tashtovan. In the Surkhan oasis, women wore jewelry such as beads, earrings, rings and bracelets, which were worn and sewn on the forehead, hair, ears, neck, arms, legs and chest. In the Surkhandarya oasis, which combines ancient and national costumes of Uzbeks, women's clothes are rich in historical and factual materials. Women's clothing is divided into winter, spring, summer, autumn clothes depending on the seasons; casual, holiday and ceremonial clothing according to the

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10

Gaybullaeva, Yulduz A. "The Customs and Ceremonies Connected with the National Uzbek Costume (the end of the 19th c. – the beginning of the 20th one)." Dagestan State Pedagogical University. Journal. Social and Humanitarian Sciences 12, no. 1 (2018): 5–8. http://dx.doi.org/10.31161/1995-0667-2018-12-1-5-8.

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11

Khoshimova, Manzura Nasullaevna. "NATIONAL CASTLE CLOTHES." July 21, 2022. https://doi.org/10.5281/zenodo.6878115.

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12

Sayfullaeva, Ra'no, and Hulkar Hamroeva. "UZBEK NATIONAL DANCE ART TERMINOLOGY RESEARCH." Конференции, December 26, 2020. http://dx.doi.org/10.47100/.v1i2.182.

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13

U.S., Rakhmatullaeva X.X. Kamilova N.M. Mirfayazova K.B. Mirziyodova. "ANALYSIS OF THE COLOR AND TONE OF UZBEK NATIONAL CLOTHING IN THE 19TH CENTURY." March 17, 2025. https://doi.org/10.5281/zenodo.15039778.

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<em>This article describes the colors of Uzbek materials and the elements of artistic decorations in it, the symbolism of the patterns and their analysis. Each region as had its own costumes from ancient times. The appearance, color, and style of clothing have changed in XIX century. This can be seen in the multilayered costumes, the weaving of fabrics, the make-up of clothes, and the ornamental ornaments. In particular, the clothing of men's and women's in Uzbek nationality are showed with colors and styles.</em>

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14

R.Nurullaeva. "UZBEK NATIONAL FABRICS. ORIGIN OF BEKASAMS AND ATLAS." November 24, 2022. https://doi.org/10.5281/zenodo.7353347.

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<em>This article briefly explains the origin, types and methods of making our national fabrics, in a word, the weaving of adras fabric, the way it is dyed. The study of our national fabrics is an Uzbek approach to the field of design, and an attempt is made to further develop crafts, expand the textile industry, explain the use of various silk fabrics in the design of national costumes.</em>

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15

"Development of Fractal Equations of National Design Patterns based on the Method of R-Function." International Journal of Innovative Technology and Exploring Engineering 9, no. 4 (2020): 134–41. http://dx.doi.org/10.35940/ijitee.d1169.029420.

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The paper is dedicated to the development of fractal equations of national design patterns based on the method of R-function (RFM). Using the equation of the line, the equation of the circle, and the structural means of the method of R-functions R0 : R-conjunctions, R-disjunctions and R-reflections constructed various tree-like fractals, equations of fractals, consisting of intersections, tangents of circles. By setting the number of iterations n and the angle of inclination  various pre-fractals are generated based on these equations. These fractals are very beautiful, which can be used in c

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16

Azizova, F.S. "NATIONAL-CULTURES SPESIFICS IN PHRASEOLOGISMS OF ENGLISH AND UZBEK LANGUAGES." Экономика и социум, no. 4(119)-2 2024 (April 30, 2024). https://doi.org/10.5281/zenodo.11397868.

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this study investigates the phraseological units in English and Uzbek languages. How the translation of phraseological units influences to the life of translators and interpreters. The paper offers a comparative analysis of phraseological units through the national cultural specifics of two cultures. The findings are valuable for linguistics, cultural researches and anyone who is interested it translation and culture.

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17

Р.Жалилова. "THE DEVELOPMENT OF VISUAL ART IN PENCIL DRAWING, PAINTING, COMPOSITION AND INDEPENDENT PAINTING." July 3, 2022. https://doi.org/10.5281/zenodo.6791960.

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